Stephanie Lanter

Lopsided

2018

Stephanie Lanter Title : "Full" Materials : Porcelain, glaze, stoneware Date : 2020 Dimensions : 15" x 12" x 5" Description : Manually slip-trailed & coil built sculpture Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.” Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh...

Stephanie Lanter Title : "Missed" Materials : Porcelain, glaze, stoneware Date : 2019 Dimensions : 15" x 13.5" x 11" Description : Manually slip-trailed sculpture on coil built pedestal Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.” Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh...

Stephanie Lanter Title : "Screenmeat" Materials : Porcelain, glaze, nichrome wire Date : 2018 Dimensions : 12" x 11" x 5" Description : Manually slip-trailed word sculpture on hand-built stand Stephanie is an artist and educator working in clay, fiber, and various media. Assistant Professor of Ceramics at Emporia State University, she previously taught at Washburn University and Wichita State University. She has also been fortunate enough to be a resident artist at the Archie Bray Foundation, the LH Project, the Red Lodge Clay Center, the Anderson Ranch Arts Center, and the Mendocino Arts Center, and was the first Jentel/Archie Bray Foundation “Critic at the Bray.” Abstract, abstract art, contemporary art, ceramcs, porcelain, contemporary ceramics, mixed media, fine art, glaze, gold luster, abstract geometric, minimalism, contemporary fine art, ceramic artists, sculptural ceramics, hand-build porcelain, crocheted, Betty Woodman, Toshiko Takaezu, Richard T. Notkin, Tony Marsh...

Stephanie Lanter Title : "If Nothing Else" Materials : Porcelain, glaze, stoneware Date : 2019 Dimensions : 15" x 15.5" x 8" Description : Manually sl...

The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

Yeonsoo Kim, "Sweet Home," 2024, Porcelain moon jar,, colored clay, underglaze, 15 × 14 × 14 inches Korean ceramic artist Yeonsoo Kim masterfully blends the ancient Onggi tradition with bold, contemporary expression, crafting pieces that chronicle his personal and artistic journey. Drawing inspiration from Korea’s rich ceramic heritage, he redefines Onggi, a centuries-old practice originally used for functional pottery, by infusing it with vibrant colors, unconventional forms, and playful, stylized motifs. His hand-shaped vessels and sculptures become dynamic, modern narratives that capture his thoughts and experiences in clay. Kim’s technique involves spontaneous surface decoration using Sgraffito and calligraphy brushing, resulting in intricate designs featuring whimsical figures, animals, and objects. His work is driven by memories, relationships, and emotions, evolving organically without preplanning, embracing "freedom over perfectionism." Through his reinterpretation of Onggi, Kim merges tradition and modernity, offering a fresh expression of cultural storytelling in each piece. Working with both porcelain and iron-bearing clays, he tailors each material to the expressive qualities of his designs, revitalizing a millennia-old craft for the modern era. Yeonsoo Kim states, "My work serves as a canvas for a diverse cast of characters, engaging in silent conversations that speak volumes through their nuanced expressions. These characters, often resembling self-portraits, invite viewers into a world where implied images and narratives converge. My work reflects my ongoing quest for artistic identity by exploring the intricacies of daily existence. I delve into the depths of human emotion through recurring motifs, transforming abstract inner experiences into tangible visual realities." Yeonsoo Kim earned a BFA in ceramics and glass from Hongik University in Seoul, an MFA in ceramics from the Lamar Dodd School of Art at the University of Georgia, and has held apprenticeships with master Onggi artisans Hayngjong-Oh in Jeolla-do and Jinkyu Huh in Gyeongsang-do, Korea. In 2020, Kim was recognized as one of the top six Emerging Artists by the National Council on Education for the Ceramic Arts (NCECA). His work has been exhibited nationally and internationally, most recently being selected for the prestigious 12th International Ceramics Biennale Competition at the Korea Ceramics Foundation in Gyeonggi. Kim has participated in several artist residency programs, including the Korea Ceramic Foundation, Montana State University, the Morean Center for Clay in St. Petersburg, FL, and the Archie Bray Foundation in Montana. ceramic sculpture...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility objects...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertil...