Large Still-life Sculptures

A maiden holding a lute leaning on a tree trunk dappled with english ivy and cattails, all surmounted on a rouge royal marble base. Beautifully cast, crisp details. Artist: Adrien ...

This is a one of a kind original wall sculpture by San Diego artist, Cheryl Tall. It's 35 inches tall, with a length of 20 inches and a depth of 20 inches....

Crimson glass feathers are gathered into a fiery composition in this dramatic wall sculpture by artist John Paul Robinson. The work is enhanced by the pa...

"El abrazo" Carolina Yrarrázaval, jute, linen, 40" x 14" x 7", 2017. This woven Contemporary textile sculpture was done by Chilean fiber artist, ...

"Egyptian Blue," a poignant addition to the "Distress" series, serves as a striking commentary on our civilization's persistent failure to responsibly manage our environment. Through the use of symbolic elements and a visually compelling composition, the artwork addresses the prevalence of short-term solutions, represented by masking tape and staples, in contrast to the imperative need for long-term conservation efforts. The choice of the title, "Egyptian Blue," adds an intriguing layer of historical and cultural reference, suggesting a timeless connection to the struggles of civilizations in managing their surroundings. The piece delves into the urgency of acknowledging and addressing environmental distress, emphasizing that makeshift solutions are not sustainable, neither for the present nor for the crucial future. A distinctive feature of the artwork is the incorporation of Morse code...

This roundel is a reproduction based on the classical stone plinth end panel found at Goodwood House in Chichester. Originally, it was designed as an end panel for a large sphinx...

Limited edition glass pill sculpture installation. Edition of 9. Signed and numbered on the back by the artist. Each piece is equipped with a D-ring on the back for easy hanging. ...

Eladio de Mora-Granados, dEmo, is one of the most original creators on the Spanish art scene. Born in Mora, Toledo, in 1960. A self-taught artist, dEmo's concerns began when he conce...

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

A large contemporary blue steel sculpture. Beautiful on the floor or a pedestal. A contemporary statement piece full of elegance and movement. ______________________________________...

Nesting is both a joyous time for birth, comfort, and rest, and a fight for survival from the elements of the natural world. Nature provides beauty and tranquility but also potential...

figuratif sculptures "Guitar"mechanism parts assembled 95x34x13 métal rock music Jean-Pierre Bagnols is an artist who likes to take pieces of objects and give them a second life here he used parts from a motorcycle to create a 70’s...

"Tipping red Lilies" in red, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and...

"Tipping red Lilies" in red, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and...

'Planets, Seeds, Nasturtium' by David Kimball Anderson, 2022. Bronze, steel, and paint, 36 x 17 x 10 in. This sculpture features a rounded vase cast in bronze and finished in patinas...

This beautiful large corroded steel sculpture can be used for indoor or outdoors. It makes for an elegant statement in any garden, lobby or private home. Artist: Kuno Vollet Size: 100 x 30...

In this series of outdoor ‘singing’ bowl sculptures, Marlene Hilton Moore continues to explore the theme of ‘listening.’ This stainless-steel bowl is laser cut with the word “Whisper...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

Hand carved aspen wood sculpture torched burnished and painted 5 carved pieces, 16"h 36" inches wide, 3" deep roughly 40 inches wide with 3 inch spacing, ...

This exquisite glass wall sculpture extends almost 60 inches across. It was featured in Robinson's solo exhibition at the Canadian Clay and Glass Gallery. It evokes a remarkable sens...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints...

Donut with Sprinkles - Large three foot Unique Colored Donut with Sprinkles sculpture. This donut has a mounting point ready for a wall or floor mount. This donut was originally ma...

"Voyageur en Bateaux" is a sculptural wall piece featuring hues of brown and blue. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bontecou. ...

Artist

Artist

Canadian sculptor Marlene Hilton Moore continues the theme of listening in a series of outdoor singing bowl sculptures -- this bowl is laser cut with the word "Murmur" in a stencil f...

"Chunjeein-1, 2 & 3", 33” x 7 1/8” x 6 3/4” (total installed dimensions), 2019 This three-piece work of abaca fiber, pure gold leaf and eco-soluble resin is by Chang Yeonsoon (b. 1950), a Korean...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

Artist Commentary: The piece references diatoms, which are microscopic skeletons of prehistoric sea creatures. The center of the piece is made of hundreds of tiny lenses made of gla...

Poise, Laura Ellen Bacon, willow, dicky meadows, 19" x 37" x 22", 2016. British Sculptor, Laura Ellen Bacon (born 1976) works raw materials into la...

Canadian sculptor Marlene Hilton Moore continues the theme of listening in a series of outdoor singing bowl sculptures -- this bowl is laser cut with the word "Chant" in a stencil fo...

Large Butterscotch Yellow Buffalo head sculpture with gold leaf horn detail meticulously created by Artist Justin King from individually cut and folded pie...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

DAD HAT is a sculpture by Ray Padrón created in 2019 from painted and carved soft maple wood. The piece belongs to a series of work centering around clothing i...

Robert Mickelsen Parasol, 2009 Borosilicate glass 33h x 34w x 34d in

DEGLOVING is a sculpture by Ray Padrón created in 2018 from red milled cedar wood. The piece belongs to a series of work centering around clothing items and...

This painted wood chair by Paul von Ringelheim is a playful synthesis of form and content. The chair, an everyday item, has been transformed by von Ringelheim's imagination.

"Elephant and Friends”, by ceramic dynamo Katharine Morling is a porcelain free standing sculpture, depicting an engaging elephant carrying pockets full of other animals. A nature an...

37" x 26" x 4", resin, vinyl This wall hanging sculpture depicts three cowboys standing with a prize bull. The surface is cast in a deep midnight blue and b...

"Nonsense" charcoal, plastic soldiers, paint, acrylic medium, 35 x 26 x 4, 2007. Artist signature on back. This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

A businessman trying to stay a step ahead of a large ring that appears to me rolling towards him. Edition of 45

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that are mounted to a white wood panel. A neutral work showcasing an "X" in matte white s...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that create a zig-zag motif. Tiles are mounted to a white wood panel. A neutral work of a...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a t...

Contemporary figurative still life installation sculpture of women's blue print shirt 'Formal Shirt with Blue Stencil Print', made by Kate Hamilton in 2012 Glassine paper, thread, bu...

TECHNICAL INFORMATION Tom Wesselmann Wildflowers 1987 Enamel on Laser Cut Steel 38 x 24 3/4 in. Edition of 30 Signed & numbered on bottom and on verso Accompanied with COA by Gregg...

This sculptural installation incorporates running water and and interior light which activates the scene of a streambed along a grassy knoll. Kathleen Vance is an environmental artist who creates projects that connect people to local aspects of nature that are overlooked or under appreciated. With the series “Traveling Landscapes” Vance creates miniature landscapes with running streams and rivers inside vintage suitcases and trunks...

Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...

This cut out aluminum hand painted sculpture hangs on the wall functioning as both a painting, with the wall as a see through background, and a sculpture. It hangs on several small ...

Henk Jan Sanderman's "Mine:" is a captivating blend of sculpture and painting that beckons viewers into a world of whimsy and wonder. This original artwork features a stunning fusion...

"YoBro!! 1" Bronze Sculpture 39" x 12" x 19" inch Edition 4/8 by Huang Yulong YoBro!! 2018 Bronze sculpture 38 3/5 × 11 4/5 × 18 9/10 in 98 × 30 × 48 c...

This three dimensional work is brightly colored and constructed on three layers of aluminum hand painted with oil paints. This work is an indoor or an outdoor work, under an awning ...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Gallery in New York City; Urban Art in Seoul; Guy Pieters Gallery in Belgium; Galerie von Braunbehrens in Stuttgart, Germany; Gallery Delaive in Amsterdam; Rarity Gallery in Mykonos; Scott Richards Contemporary Art in San Francisco; Gallery Valentine in East Hampton; and Arcature Fine Art in Palm Beach. Mr. Anton has exhibited in numerous museums, including solo exhibitions at the Netherlands’ Museum Jan van der Togt in Amstelveen and the Lyman Allyn Art Museum in New London, Connecticut. Anton has also participated in group exhibitions at the Museum Villa Rot in Burgrieden-Rot, Germany; the Austin Museum of Art in Texas; the Hudson River Museum in Yonkers, New York; the Fresno Metropolitan Art Museum; the Nassau County Museum of Art; the Nicolaysen Art Museum in Casper, Wyoming; the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; the Castellani Art Museum in Niagara, New York; the COPIA Museum in Napa Valley, California; the William Benton Museum in Storrs, Connecticut; the Schloss Gottorf Museum in Schleswig, Germany; the Museum Ritter in Waldenbuch, Germany; the Strathmore Museum in Bethesda, Maryland; the Schloss Neuenburg Museum in Neuenburg, Germany; the Wilhelm Hack Museum in Ludwigshafen, Germany; the Staatliche Kunsthalle in Karlsruhe, Germany; the Woodson Art Museum in Wausau, Wisconsin; the Kemper Museum of Contemporary Art in Kansas City, Missouri; the Historic City Hall Arts & Cultural Center in Lake Charles, Louisiana; the Copelouzos Art Museum in Athens; and the Madden Museum of Art in Denver, Colorado. Peter Anton's work is widely collected and is featured in several prestigious private, corporate, and museum collections including Steven A. Cohen; Ron Dennis of McLaren Automotive; the Kemper Museum of Contemporary Art; Sir Howard Stringer; Keith Richards of the Rolling Stones; the Jordanian Royal Family; architect Lord Norman Foster; Oppenheim Bank; the Lisser Museum in the Netherlands; the Copelouzos Art Museum in Athens; The Blackstone Resort Hotel in Korea; Breitling Watches; Raymond James Financial; Perfetti Van Melle...

Peter Anton’s work has been extensively exhibited in over 30 solo shows throughout the world, including the Allan Stone Gallery, Hammer Galleries, Bruce R. Lewin Gallery, and Unix Gallery in New York City; Urban Art in Seoul; Guy Pieters Gallery in Belgium; Galerie von Braunbehrens in Stuttgart, Germany; Gallery Delaive in Amsterdam; Rarity Gallery in Mykonos; Scott Richards Contemporary Art in San Francisco; Gallery Valentine in East Hampton; and Arcature Fine Art in Palm Beach. Mr. Anton has exhibited in numerous museums, including solo exhibitions at the Netherlands’ Museum Jan van der Togt in Amstelveen and the Lyman Allyn Art Museum in New London, Connecticut. Anton has also participated in group exhibitions at the Museum Villa Rot in Burgrieden-Rot, Germany; the Austin Museum of Art in Texas; the Hudson River Museum in Yonkers, New York; the Fresno Metropolitan Art Museum; the Nassau County Museum of Art; the Nicolaysen Art Museum in Casper, Wyoming; the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; the Castellani Art Museum in Niagara, New York; the COPIA Museum in Napa Valley, California; the William Benton Museum in Storrs, Connecticut; the Schloss Gottorf Museum in Schleswig, Germany; the Museum Ritter in Waldenbuch, Germany; the Strathmore Museum in Bethesda, Maryland; the Schloss Neuenburg Museum in Neuenburg, Germany; the Wilhelm Hack Museum in Ludwigshafen, Germany; the Staatliche Kunsthalle in Karlsruhe, Germany; the Woodson Art Museum in Wausau, Wisconsin; the Kemper Museum of Contemporary Art in Kansas City, Missouri; the Historic City Hall Arts & Cultural Center in Lake Charles, Louisiana; the Copelouzos Art Museum in Athens; and the Madden Museum of Art in Denver, Colorado. Peter Anton's work is widely collected and is featured in several prestigious private, corporate, and museum collections including Steven A. Cohen; Ron Dennis of McLaren Automotive; the Kemper Museum of Contemporary Art; Sir Howard Stringer; Keith Richards of the Rolling Stones; the Jordanian Royal Family; architect Lord Norman Foster; Oppenheim Bank; the Lisser Museum in the Netherlands; the Copelouzos Art Museum in Athens; The Blackstone Resort Hotel in Korea; Breitling Watches; Raymond James Financial; Perfetti Van Melle...

With the distinctive medium of nail polish on glass, Özmenoğlu re-contextualizes everyday objects from ordinary to beautiful works of art. Her glass panel sculptures play with the vi...