Skip to main content

Driftwood Still-life Sculptures

to
8
3
3
4
4
Overall Height
to
Overall Width
to
7
1
2
1
1
1
1
10
1
3
1
1
263
854
488
407
381
Medium: Driftwood
"Grey Streak Transparency", Waxed Linen Sculpture with Mixed Media, Copper, Iron
Located in St. Louis, MO
Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receiving her degree she began exploring various textile processes. She honed her fiber techniques through workshops with such fiber artists as Fern Jacobs, Lissa Hunter, Diane Itter, Jane Sauer...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Copper

Concentric, Amagansett, NY, 2020
Located in Hudson, NY
ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Driftwood, Wood

Japanese Contemporary Art By Kojun - Ku
Located in Paris, IDF
Lego, discarded wood, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, and...
Category

2010s Conceptual Driftwood Still-life Sculptures

Materials

Plastic, Driftwood

Vibration, Amagansett, NY 2020
Located in Hudson, NY
ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Wood, Driftwood

Japanese Contemporary Art By Kojun - Shiko 3
Located in Paris, IDF
Lego, bayberry wood, copper wire, cashew lacquer, gold leaf This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...
Category

2010s Conceptual Driftwood Still-life Sculptures

Materials

Gold Leaf

Japanese Contemporary Art By Kojun - Shiko 1
Located in Paris, IDF
Lego, bayberry wood, discarded wood, copper wire, cashew lacquer, gold leaf, dried leaves This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...
Category

2010s Conceptual Driftwood Still-life Sculptures

Materials

Wood, Lacquer, Plastic, Driftwood

Mobius, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Wood, Driftwood

Mushroom #3, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT This Charred white oak mushroom acts as a stool or end table. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Wood, Driftwood

In Tune, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Driftwood, Wood

Wishbone 1, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT This wishbone is charred white oak with a tinted aqua resin base. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Wood, Driftwood

Large 1970's Israeli Abstract Sculpture "Birth" Iron, Wood Menashe Kadishman
Located in Surfside, FL
Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...
Category

1990s Abstract Expressionist Driftwood Still-life Sculptures

Materials

Iron

Related Items
"Diary 2", Mixed Media Sculpture Suspended from Ceiling or Wall Mounted Bracket
Located in St. Louis, MO
John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Fabric, Wood, Mixed Media, Plaster, Found Objects, Other Medium

"El abrazo" Carolina Yrarrázaval, Contemporary woven textile wall sculpture
Located in Wilton, CT
"El abrazo" Carolina Yrarrázaval, jute, linen, 40" x 14" x 7", 2017. This woven Contemporary textile sculpture was done by Chilean fiber artist, ...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Fabric, Textile, Jute, Linen

Banquet-Time Capsule Series-Resin Casting- UK Awarded Artist-Conceptual Artist
Located in London, GB
The sculpture, Banquet I - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White. It is within an on-going project by Shizico Yi,...
Category

2010s Conceptual Driftwood Still-life Sculptures

Materials

Epoxy Resin, Wood, Mixed Media

15 Black Boxes, Wall Sculpture by Jin-Sook So
Located in Wilton, CT
This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Silver, Gold Leaf, Steel

"RAKU RED AND WHITE", wheel formed white glaze, copper red, gold leaf, sculpture
Located in Toronto, Ontario
"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...
Category

21st Century and Contemporary Contemporary Driftwood Still-life Sculptures

Materials

Gold, Gold Leaf

Banquet III-TimeCapsuleSeries-Resin Casting UK Awarded Artist-Conceptual Artist
Located in London, GB
The sculpture, Banquet III - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White. It is within an on-going project by Shizico Y...
Category

2010s Conceptual Driftwood Still-life Sculptures

Materials

Metal

"Modus Volito 8, " Found object abstract sculpture, mixed media, wood, geometric
Located in Philadelphia, PA
The small-scale wooden and found object, abstract, free-standing sculpture titled, "Modus Volito 8" is an original artwork by Hyland Mather made from aerosol and laser engraving on f...
Category

21st Century and Contemporary Contemporary Driftwood Still-life Sculptures

Materials

Wood, Acrylic, Mixed Media, Spray Paint

Banquet IV-Time Capsule-ipod2008-Resin Casting-UK Awarded Conceptual Artist
Located in London, GB
The sculpture, Banquet IV - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White" , a casting project by Shizico Yi, who is making her family and personal belongings into time capsule in transparency Epoxy. This ipod (2008) casted in rice, glass and Epoxy was her last ipod before iphone was invented; the ipod is still operable ( see pictures) even after pouring into the resin in 2016. As long the battery kept charged from time to time, you still can touch the screen and see images on the touch screen. ( ipod charger and the display stand are included) ​**Guarantee End to end tracking Delivery Worldwide with lowest shipping £22 flat-rate from the UK) Free Shipping in the UK. The Time Capsule sculpture...
Category

2010s Conceptual Driftwood Still-life Sculptures

Materials

Metal, Wire

Banquet II-TimeCapsuleSeries-Resin Casting- UK Awarded Artist-Conceptual Artist
Located in London, GB
The sculpture, Banquet II - Time Capsule Project , is one of the pivotal pieces in Shizico Yi's sculpture casting project. By engaging with raw materials, familial possessions, and t...
Category

2010s Conceptual Driftwood Still-life Sculptures

Materials

Metal

Russet, Contemporary Abstract Fiber Sculpture by Mary Merkel-Hess
Located in Wilton, CT
Russet, Mary Merkel-Hess, paper, paper chord, 16" x 14" x 10", 2017. This colorful contemporary fiber-based sculpture was done by American textile artist, Mary Merkel-Hess (b. 1949). Her work is often reflective of the natural landscapes from her childhood in the Midwest. Merkel-Hess was born and raised in Iowa where the landscape is dominated by fields of grass and corn. Her sculptural vessels and wall pieces, which she refers to as “landscape reports” are inspired by these natural surroundings. Using paper, reeds and other materials, Merkel-Hess’ work conjures images of slender grasses and cultivated fields, shaped and tamed like Iowa’s landscape...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Textile, Paper, Mixed Media

Joel Urruty - Lady in Silver, Sculpture 2024
Located in Greenwich, CT
Medium: Silver Leaf, Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...
Category

2010s Contemporary Driftwood Still-life Sculptures

Materials

Silver

Jo Yarrington, Ghost Girls Slides for Carousel, Photographic Film, Plastic
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category

2010s Conceptual Driftwood Still-life Sculptures

Materials

Metal

Driftwood still-life sculptures for sale on 1stDibs.

Find a wide variety of authentic Driftwood still-life sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kojun, Mary Giles, Bethany Krull, and Menashe Kadishman. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Driftwood still-life sculptures, so small editions measuring 0.2 inches across are also available Prices for still-life sculptures made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $862,500, while the average work can sell for $3,486.

Recently Viewed

View All