Pen Still-life Sculptures

ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

A gold patinated head bursts from its shell of bronze in this aptly titled sculpture by Dale Dunning. Bronze sculptor Dale Dunning’s skilled craftsmanship never overshadows the stor...

¡ Special Pricing ! This AFTER BOTERO sculpture is a very beautiful, faithful reproduction in the style of BOTERO'S work that has sold very well here on 1st Dibs. The edition is 5...

Bronze sculpture of a horse that rears on granite base

Wall Mounting Waxed Linen Sculpture with Mixed Media, Copper, Iron Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receivi...

Medium: Reclaimed wood Diptych As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual ...

"TOP DOG" Golden Nanmu Sculpture 31.5 x 14 x 18 in Edition of 8 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a ...

Medium: Bleached and Lacquered Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as th...

ABOUT “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

This solid accent portrays a primordial form. Tucker Robbins, inspired to bring his designs back to basics, worked with the Ifugao (Mountains of the Phi...

This figurative and Symbolism bronze Sculpture by Isabelle Jeandot depicts a spiral with the Golden Number, a plant allegory, symbolizing the emergence of our ancient memories inscri...

ABOUT This wishbone is charred white oak with a tinted aqua resin base. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...