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Patrick Fitzgerald"Grocery Getter, " Mixed-Media Sculpture2022
2022
$480
£362.72
€418.85
CA$670.73
A$744.23
CHF 389.84
MX$9,126.24
NOK 4,958.67
SEK 4,680.77
DKK 3,123.65
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About the Item
To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the branded attire of their imagined drivers. Futuristic forms imbued with history, each sculpture is an exercise in imagining the future through the lens of the past – or vice versa.
Entitled “Grocery-Getter," this helmet & jacket set is an homage to High-Low Foods, a Chicago-area grocery chain from the mid-20th century. Ever-appreciative of old-fashioned aesthetics, Fitzgerald captures the spirit of the grocery's painted purple facade in this colorful jacket branded with the store's quippy slogan. The phrase "BEVerly 9510" is a reference to regional phone exchanges, a recurring theme in several of Fitzgerald's works and a reflection on our ever-evolving technological landscape.
Oil and mixed media on cardboard, wire, and wood.
- Creator:Patrick Fitzgerald (1962, American)
- Creation Year:2022
- Dimensions:Height: 14 in (35.56 cm)Width: 7 in (17.78 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:Seller: CPF0551stDibs: LU1036311112662
The sculptures and paintings of Chicago-based artist Patrick Fitzgerald are about personal nostalgia, memory, and the beauty he finds in his urban environment. He refers to his body of work as his “Neighborhood of Infinity,” a borrowed term used literally to describe the bounty of materials and creative inspiration he found in the industrial landscapes of his youth. For the last decade, Fitzgerald has been mining his early experiences, re-envisioning the mechanical world of his childhood through the eye of an artist. Born from a fascination with the soap box derby cars of his youth, Fitzgerald constructs miniature soap box cars and the branded attire of their imagined drivers. He builds primarily with found materials - wood, wires, tubing, screen, fabric and collage. The real work involves the finishes: the hand lettering, stages of varying color paint coats, and surface treatments. He always leaves traces of changes or repairs made to a work, adding to the history and evolution of each piece. Futuristic forms imbued with history, each sculpture is an exercise in imagining the future through the lens of the past – or vice versa.
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