Early 2000s Still-life Sculptures

Globalization IV: Collateral Damage, ash, commercial wood, paint, blue concrete bullets, 32" x 97" x 4" (Installed dimensions), 2005. This 3-piece wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

Unique hand painted resin sculpture. Hand signed by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

'Grandmother' is an original black serpentine sculpture by the celebrated second-generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's w...

This mixed media sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz combined various materials while employing her own i...

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

"Nonsense" charcoal, plastic soldiers, paint, acrylic medium, 35 x 26 x 4, 2007. Artist signature on back. This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

"Chance Encounter: Invent" walnut, paint, dowels, Vertical: 80 x 11 1/2 x 2; Horizontal: 12 x 62 x 2, 2009. (originally commissioned for The Green Issue for the NY Times Magazine 4/20/08 pp 45-72). This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

Little Secret (Iron), 2009 Peter Randall-Page Cast iron From the edition of 30 Multiple: 4.5 × 5.5 × 5.5 cm (1.8 × 2.2 × 2.2 in)

Football "The Perfect Fit: Shoes Tell Stories “, mixed media, 7.5” x 13” x 4”, 2006. This mixed media sculpture was done by American fiber artist, Norma Minkowitz...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with porcelain and glass, Seeman channeled her inspirations; resulting in vessels that are both beautiful and macabre. Combinations of muscular and skeletal anatomy and plant forms are the makeup of these sculptural utilitarian vessels. Instead of dwelling on dying, Seeman’s palpable forms culminate in an acute awareness and awe toward life, renewal, nature, and vitality. Shortly after completing her master’s degree in Fine Arts, Seeman was recognized by Galeria OMR in Mexico City, a gallery known for its cutting-edge artists. In effect, Seeman’s porcelain was taken out of the craft context and placed in exhibitions such as ARCO in Madrid, FIAC in Paris, and Art Basel. She shows extensively throughout the United States and was recipient of the Louis Comfort Tiffany Foundation 2005 Biennial Competition Award. Selected Collections Metropolitan Museum of Art, New York, NY Sadberk Hanim Museum, Koc Family Collection, Istanbul, Turkey World Ceramic Exposition Foundation, Icheon, Korea Racine Art Museum, Racine, WI The Carnegie Museum of Art, Pittsburg, PA Corsaw Collection of Functional Ceramics, The Scein-Joseph International Museum of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY Minnesota Museum of American Art, Minneapolis, MN Mint Museum of Craft and Design, Alan Chassanoff Collection, Charlotte, NC Lamar Dodd Art Center, La Grange College, La Grange, GA Albertson College, Caldwell, ID Lowe Art Museum, Palley Collection, University of Miami...

Artist: Mirkò, Italian (1980 - ) Title: Fruit and Rubix Cube Still Life Year: 2007 Medium: Painted Terracotta Plaque, signed and dated Size: 15 in. x 23 in...

Frost on the Pumpkin by Dan Ostermiller cast bronze rabbit sculpture, 6.5x7x5" AP/30 available from a closed edition. Shipping price includes the custom packing necessary for safe t...

"Mastiff" by Dan Glanz Bronze dog sculpture 16.5 x 13.5 x 23" ed/30 (#3 currently in inventory) ABOUT THE ARTIST:  Award winning sculptor, Daniel Glanz, began his career in illus...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with porcelain and glass, Seeman channeled her inspirations; resulting in vessels that are both beautiful and macabre. Combinations of muscular and skeletal anatomy and plant forms are the makeup of these sculptural utilitarian vessels. Instead of dwelling on dying, Seeman’s palpable forms culminate in an acute awareness and awe toward life, renewal, nature, and vitality. Shortly after completing her master’s degree in Fine Arts, Seeman was recognized by Galeria OMR in Mexico City, a gallery known for its cutting-edge artists. In effect, Seeman’s porcelain was taken out of the craft context and placed in exhibitions such as ARCO in Madrid, FIAC in Paris, and Art Basel. She shows extensively throughout the United States and was recipient of the Louis Comfort Tiffany Foundation 2005 Biennial Competition Award. Selected Collections Metropolitan Museum of Art, New York, NY Sadberk Hanim Museum, Koc Family Collection, Istanbul, Turkey World Ceramic Exposition Foundation, Icheon, Korea Racine Art Museum, Racine, WI The Carnegie Museum of Art, Pittsburg, PA Corsaw Collection of Functional Ceramics, The Scein-Joseph International Museum of Ceramic Art, New York State College of Ceramics at Alfred University, Alfred, NY Minnesota Museum of American Art, Minneapolis, MN Mint Museum of Craft and Design, Alan Chassanoff Collection, Charlotte, NC Lamar Dodd Art Center, La Grange College, La Grange, GA Albertson College, Caldwell, ID Lowe Art Museum, Palley Collection, University of Miami...

Limited edition encased glass Art Deco vase with raised and etched design in frosted and cranberry glass colors. Holds Erte signature to lower right of figure. Stamp numbered with fo...

Pradip Mondal - Nature (II) - 15 x 15 inches Medium - Wood & Bronze Single edition. About the Artist and his work : Born : 1977 in West Bengal. Education : 2001-02 : BVA (Modellin...

Artist: Ilena Finocchi Title: Bottles Year: circa 2009 Medium: Plaster-Cast Ceramic Molds, Lights, Wooden Display Light Box Size: 16 x 20 x 20 in. (40.6...

Jogen Chowdhury - Flower Vase - 12 x 12 Inches Bronze Sculpture (This unique work will be shipped in wooden Box) Style : He has immense contribution in inspiring young artists ...

After launching the supportive sign of the word "Hope" for Barack Obama's initial presidential race in 2008, Robert Indiana went on to create several artworks around this word. Furth...

Vase designed by Laura de Santillana in edition for Arcade, 2001. this is from a series of tropical fruit and plant form inspired vases with the same matte, hand engraved, finish: PAPAIA, made in three different shades of green. MANGO, made in dark red glass. PASSION, made in an orange red glass. MARACUIA, made in golden yellow glass COCCO, made in brown glass Produced by maestro Simone Cenedese in Murano Mouth-blown, hand-shaped, cut glass. Country of Manufacture Italy. Signed by maker and sticker label from Arcade. Hand-Crafted LAURA DE SANTILLANA After finishing her studies, she moved to New York, where she attended the School of Visual Arts 1975 – 1977 and works with Massimo Vignelli as a graphic designer. she returned to Italy and began her active collaboration with the Venini & C, where she came in contact with many Italian and foreign artists. During this period she used the techniques of Murano to create refined works with unusual colors, perfecting the “vetro mosaico” technique. Her glassworks have received many prizes and recognitions, and are held by the most important museums of the world. She collaborated with Venini between 1976 and 1985, during which she designed a range of articles. 1995 Starts collaboration with Simone Cenedese, which continues to this day. 2001-2002 Begins working in bronze and in wax sculpture at the Fonderia Brustolin, Verona SELECT SOLO EXHIBITIONS 2018: In This Light, Galleri Glas, Stockholm 2017: Ciel Terrestre, Galerie Pierre Marie Giraud, Bruxelles 2016:Laura Diaz de Santillana, Stefan Vogdt/Galerie der Moderne, Munich Sleeves, Caterina Tognon, Venezia I fedeli, Studio Museo F. Messina, Chiesa di S. Sisto, Milano 2015: Laura de Santillana, O cha dogu, Ippodo Gallery, Tokyo, Japan 2014: Tokyo-ga, Ippodo Gallery, Tokyo, Japan 2013: Big Flats, Galerie L’Arc en Seine, Paris, France 2012: Laura de Santillana Meteors, David Richard Gallery, Santa Fe, NM, USA 2011: Grands Transparents, Galerie L’Arc en Seine, Paris, France Liquid Glass, Traver Gallery, Seattle, WA, USA 2010:Laura de Santillana, Prague Festival, Istituto di Cultura Italiano, Prague, Czech 2008: Laura de Santillana, Istituto Italiano di Cultura, Los Angeles, CA, USA 2007: Khadi, Galleria Marina Barovier, Venice, Italy 2006: Bodhis, Galerie L’Arc en Seine, Paris, France Bodhis, Barry Friedman Gallery, New York, NY, USA 2005: New Work, Sanske Galerie, Zurich, Switzerland 2001Laura de Santillana Works, Museo Correr, Venice, Italy (catalog) Laura de Santillana Works, Barry Friedman Gallery, New York, NY, USA (catalog) Metals, Elliott Brown Gallery, Seattle, WA, USA SELECTED GROUP AND DUO EXHIBITIONS Design Basel, Galerie Pierre Marie Giraud Chromatique, MUDAC, Lausanne Living with Art_Albion Barn, Oxford UK Oltre Roma, Accademia d’Ungheria, Roma Fired up: women in glass, Toledo, Museum of Art_Charlotte, Mint Museum , USA Laura de Santillana and Alessandro Diaz de Santillana, YSP Trésors de sable et de feu. Verre et cristal aux Arts Decoratifs, XIV-XXI siècle, Musée des Arts Décoratifs, Paris, France Artissima Torino, Galleria Caterina Tognon Hourglass, Galleria Marignana, Venezia, Italy I Santillana, MAK, Austrian Museum for Applied Arts/Contemporary Art, Vienna, Austria Artissima Torino, Faggionato Gallery, London, UK Fire and Form: The Art of Contemporary Glass, The Norton Museum of Art, Palm Beach, Laura de Santillana, Fashion meets Art, Giorgio Armani, New York, NY, USA Translucency, Paul Hughes Fine Arts, London, UK Selected Museums Museo Vetrario di Murano, Venice, Italy The Corning Museum of Glass, New York, NY, USA Victoria and Albert Museum, London, UK Metropolitan Museum of Arts, New York, NY, USA Saint Louis Museum of Fine Arts, St Louis, MO, USA Cooper-Hewitt Museum, New York, NY, USA Seattle Art Museum, Seattle, WA, USA Denver Art Museum, Denver, CO, USA The Museum of Fine Arts, Houston, TX, USA Carnegie Museum of Art, Pittsburgh, PA, USA Los Angeles, Los Angeles County Museum of Art MUDAC, Lausanne, Switzerland MAD, Museum of Arts and Design, New York, NY, USA Museu de Arte de São Paulo, São Paulo, Brazil Musée des arts décoratifs, Paris, France Kunstmuseum im Ehrenhof, Düsseldorf, Germany Kunstsammlungen der Veste Coburg, Coburg, Germany Museum für Kunst und Gewerbe, Hamburg, Germany Neue Sammlung, Munich, Germany IMA, Indianapolis Museum of Art, Indianapolis, IN, USA Museum of Fine Arts, Boston, MA, USA Toledo Museum of Art, Toledo, OH, USA This came from an important Northern California collection that included a wonderful selection of Murano Glass. Aldo Nason, Peter Shire and Ettore Sottsass, Murano master Gigi Toso. A descendent of the legendary Venini dynasty of glassmakers, Laura Diaz de Santillana Incalmo Vases, Lino Tagliapietra, Yoichi...

Constructed of wood, paint and some metal mixed media. Paul Jacobsen used everyday objects, such as chairs, cars, airplanes, trains, motorcycles and puzzles, all built from scratch, and turns them into haunting and very desirable works of art. Among his most famous works are the Adirondack Chair series, which has won him acceptance and recognition. The Adirondack chair fascinated Jacobsen, bringing recollections of summer beaches, color, and warmth. Paul sadly passed away in 2018 and left a legacy of colorful...

Gregory GREEN Untitled (Louis Vuitton, Vanity Case Bomb), 2000 Mixed media 21 x 40 x 23 cm unique Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...

Title : Splice Materials : Slip-cast porcelain, Glaze, Decals, and Resin dipped flowers Dimensions : 8.5" x 21" x 14" Rain Harris uses her artistry with material to create a convers...

Gregory GREEN Untitled (Louis Vuitton, Vanity Case Bomb), 2000 Mixed media 21 x 40 x 23 cm unique Gregory Green is internationally recognized for his challenging work and the numerous controversies it has spawned in the USA and Europe. Since the mid-1980’s, Gregory has created artworks and performances exploring systems of control and the evolution of individual and collective empowerment. Green’s work considers the use of violence, alternatives to violence, and the accessibility of information and technology as vehicles for social or political change. Referencing historical precedents and disturbingly anticipating various historical events, such as the tragedy of 9/11 and the Arab Spring...