Abstract Geometric Art

Artist: Arthur Boden, American Title: Seasons Series Year: 1974 Medium: Six Screenprints, each signed and numbered in pencil Edition: 75 Size: 25 in. x 24 in. (63.5 cm x 60.96 cm) (e...

In 1963, Calder settled into a new workshop, overlooking the valley of the Lower Chevrière to Saché in Indre-et-Loire (France). It wasn’t long before tapestry became a new way for Al...

numbered and signed lower margin S&S Cat. no. 2007.01 edition 6/30 Published by Simmelink/Sukimoto Editions, Kingston, New York Associated with the Minimalist art movement of the 1...

Date: circa 1975 5 screenprints in colors each consisting of 5 die-cut sheets of wove paper, signed and numbered in ink Edition of 89/175 Size: 23.5 x 23.5 in. (59.69 x 59.69 cm) Pri...

Peter Halley Untitled Geometric Abstraction, ca. 1990 Graphite and Ink Signed in graphite pencil by Peter Halley; lower right front Frame included: floated and framed in wood frame U...

Polly Apfelbaum Color Circle and Star, 2004 Fabric Marker and Fabric Dye on Velvet Cotton Signed and dated in ink by the artist on the front with artist's inkstamp. Frame Included Si...

Untitled, c. 20th Century Acrylic on paper 20 x 16 1/4 in. Matte: 24 x 20 in. Signed center: Shapiro

Rolph Scarlett Untitled Mid-Century Modern Geometric Abstraction, ca. 1950 Gouache on paper painting Hand signed on lower right front This is a stunning original, signed vintage 1950...

Peter Halley Prison 14, 1995 Graphite pencil and ink drawing on paper. Hand signed. Titled. Dated. Framed. Hand signed on lower right front corner Unique Frame included Unique earli...

Anthony Falcetta Smp#8, 2023 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal001)

Artist: Hugo Dietz, Swiss (1930 - 1973) Title: Diamond Composition Year: 1973 Medium: Screenprint, signed and numbered in pencil Edition: 25/50 Size: 22 x 22 inches Frame: 31.5 x 31....

Anthony Falcetta Smp#18, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal010)

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 (unnumbered) Hand signed b...

BASF Luren on aluminum 37 5/8 x 37 5/8 in. Signed lower right The Kantra Series Edition 8 of 8 Publisherd by Editions Pyra AG, Zürich, Switzerland Vasarely Catalogue Raisonné No. 17...

Mystery Artist, Style of Washington Color School Untitled, c. Later 20th Century Oil on canvas 22 x 27 3/4 x 3/4 in.

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

A green and gray composition that features a more dimensional rendition of Albers’ famous “Homage to the Square” series. The exterior ring of dark green flanks a window of gray befor...

This first edition serigraph by Yrisarry was created to announce the Third International Choral Festival at Lincoln Center in 1972. Referenced on pages 52 and 53 of the Lincoln Cente...

Jennifer Hilton Interstate 2 (Reader's Digest Association Art Collection), 1988 Monotype on paper Signed and titled in pencil by the artist on lower right front. Reader's Digest Association (RDA) corporate art collection label with inventory number on the back This is a unique work Frame Included - original wood frame with plexiglass Jennifer Hilton is a master printmaker, lithographer and longtime art professor at various museums and universities including: Assistant Professor, Montserrat College of Art Faculty, Danforth Museum of Art Faculty, Worcester Art Museum Department of Visual and Performing Art Clark University This impressive, monotype features overlapping geometric shapes of varying opacity, creating a beautiful depth and intrigue of pictorial elements. An excellent work to have for any collector of geometric abstraction. This work was de-accessioned from the prestigious Reader's Digest Art Collection, who originally acquired it from the Bess Cutler...

The singularity was a collection of incomplete human sculpts with an abstract finish and technology introducing the concept of man in all his complexity becoming simple strips of abs...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Anthony Falcetta Speedee, 2023 acrylic, gypsum compound & spray paint on canvas 28 x 24 in. (fal012)

Anthony Falcetta Smp#19, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal011)

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

Putu by Al Held, American (1928–2005) Date: 1988 Aquatint Etching, signed, numbered and dated in pencil verso Edition of 16/25 Image Size: 35.5 x 44.5 inches Size: 41 in. x 53.5 in. ...

David Shapiro Twice Told Tale (3), 11/1983 Signed and dated on verso Oil on canvas 44 x 22 inches David Shapiro was born in 1944 in Brooklyn, New York. His artwork, as described by...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Date: circa 1975 5 screenprints in colors each consisting of 5 die-cut sheets of wove paper, signed and numbered in ink Edition of 89/175 Size: 23.5 x 23.5 in. (59.69 x 59.69 cm) Pri...

Paper Wings (Seafoam) is a large scale original contemporary painting by NY artist Rachel Berg. It features abstract geometric elements and acrylic on canvas. Message us for framin...

14th and B 2021 Acrylic on canvas 60 x 40 x 2 inches East Village New York Geometric Abstract Stretched Painting Robert Petrick's paintings create a link between the street cultur...

This contemporary, mixed media Wall Relief by Ned Evans features yellow, black and blue oil paint and resin on wood. Its modern design turns y...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Title: Hometown Medium: Oil on canvas Size: 15.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

One-color etching on Hahnemühle copperplate paper (Edition of 75 + 15 APs) Signed, dated, and numbered in pencil, recto 30 x 22 inches, sheet 17.5 x 12 inches, image This artwork i...

Intertwined cords on wooden frame

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Piero Dorazio Untitled Geometric Abstraction (deaccessioned from the Triton Museum, Santa Clara, CA), 1968 Lithograph on white BFK paper Hand signed, numbered (AP), dated on the fron...

Painting description: This is a new example of my ongoing series, "Intersections". My attempt to capture urban abstraction. Shape and colors intersect and overlap. With the use of ...

Cecilia Biagini Conservation of Momentum , 2010 Vinyl paint on canvas 52 x 57 in (132.08h x 144.78w cm)

Spring (In Bloom) is a contemporary print by NY artist Rachel Olivia Berg. It features abstract geometric elements on a circular birch panel. Edition of 10 24" Diameter $800 Editio...

Gerald Marks, British (1921 - 2018) - Red Cube, Year: 1968, Medium: Screenprint on thick paper, signed, numbered and dated in pen, Edition: 6/35, Size: 16...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

In Clef, Linda Kamille Schmidt composes a lyrical fabric collage that echoes the rhythm of music and memory. Layered bands of translucent and opaque textiles are stitched into a vibr...

Meg Hitchcock Supplication to the Takpo Kagyu, 2021 Text from The Aeneid, acrylic, embroidery thread, graphite 14 x 11 in. frame size: 17.75 x 14.75 in. (Hit004)

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size,...

Artist: Ben Nicholson, British (1894 - 1982) Title: Olympia Fragment (LaFranca 9) Year: 1965 Medium: Etching, signed and numbered in pencil Image: 8 x 9.5 inches Paper Size: 12.5 x ...

Painting description: This is a new piece from my ongoing series, "Stripes & Shape". My attempt is to combine two elements in a non objective format. Impressions of overlapping trans...

Luciana Levinton XXVII, 2017 Oil on vintage architecture magazine paper 12h x 9w in 30.48h x 22.86w cm

Unknown/ Unidentified, " Untitled: Yellow, Orange, Green, Blue & Purple Abstract Print " (Edition 21/200), Abstract/ Abstract Geometric Serigraph...

Title: Geometry Clash IV Medium: Oil on canvas Size: 27 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...

Meg Hitchcock The Nine Eyes Widely Opened, 2022 Text from The Tibetan Book of the Dead, acrylic graphite, ink, embroidery thread 14 x 11 in. frame size: 17.75 x 14.75 in. (Hit005)

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Alfred Jensen Duality Triumphant I (Mid Century Modern Geometric Abstraction), 1963 Color Silkscreen on wove paper Pencil signed, dated, named and number 19/52 by Alfred Jensen on th...

Painting description: This is a new example of my ongoing series, "Chromatic Collisions". My attempt is to harness the line, fast moving colors emphasize the energy of living in citi...

Max Krug, "Blue & Green, (Turquoise) Geometric Abstract" Edition 20/100, Op Art, Geometric Abstract Serigraph numbered and signed in Pencil, 14.75 x 17, Late 20th Century, eye catc...

James Siena Untitled geometric abstraction (The Christmas Print), 2006 3-Color etching on paper with deckled edges Signed, dated and numbered 8/54 in graphite pencil on the front Fra...