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American Modern Art

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Style: American Modern
Color:  Brown
Farmer's Shanty
Located in East Hampton, NY
Farmer's Shanty The Hamptons New York USA comes unframed. Inquire about various sizing About the Artist: Short Biography in a Nutshell: A fun j...
Category

2010s American Modern Art

Materials

Photographic Paper

Tapestry
Located in East Hampton, NY
Photograph with hand work on top ON 1/4 FOAM BOARD..PHOTO PRINTED WITH ACRYLIC & OIL PAINT MARKER work on top About the Artist: Short Biography in a Nutshell: A fun journey My f...
Category

2010s American Modern Art

Materials

Mixed Media

Mixed Media Portrait Painting of a Man
Located in Houston, TX
A mixed media painting of an older man deep in thought in black and white on a yellow background circa 1990s by Theadius McCall. Signed in lower right ...
Category

1990s American Modern Art

Materials

Mixed Media

L.A. Zoo
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- From Robertson's Artist Statement, "Growing up on the plains of west Texas, I understood the notion of wide, open spaces. The tablet...
Category

2010s American Modern Art

Materials

Canvas, Acrylic

May Day, Screenprint by Ralph Fasanella
Located in Long Island City, NY
Artist: Ralph Fasanella, American (1914 - 1997) Title: May Day Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 250 Size: 31 in. x 43 in. (78.74 cm x 109.22 cm)
Category

1970s American Modern Art

Materials

Screen

STRIDENT MAN Carved Wood Sculpture Hollywood WPA Modernist Puppet Mid-Century
Located in New York, NY
This 18 x 9 x 4 inch carved wood sculpture is unsigned and comes directly from the artist's family. Louis 'Lou' Bunin (28 March 1904 – 17 February 1994) was an American puppeteer, artist, and pioneer of stop-motion animation in the latter half of the twentieth century. While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes...
Category

1940s American Modern Art

Materials

Wood

The Bass Season by John Atherton
Located in New Orleans, LA
John Atherton 1900-1952 American The Bass Season Saturday Evening Post cover, June 29, 1946 Signed "Atherton" (lower right) Inscribed "The Bass Season opens in the east July 1st /...
Category

20th Century American Modern Art

Materials

Canvas, Oil

Silent Snow (Poetical imagery and Christmas memories in New England)
By Mary Teichman
Located in New Orleans, LA
This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...
Category

1990s American Modern Art

Materials

Etching

Lotus
By Maki Hino
Located in New Orleans, LA
Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...
Category

1990s American Modern Art

Materials

Mezzotint

Diver #3 edition of 25
By RJ Muna
Located in Hudson, NY
The 8" x 10" editioned print . The image sits on that paper size estimated at 6" x 9" leaving a white border to mat over when framing. Olympics , Figurative, Sepia tone, athlete
Category

2010s American Modern Art

Materials

Archival Paper

Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil
Located in New York, NY
Circus Elephants American Modernism WPA Regionalism Mid-Century Modern Oil. Signed lower left. Not much is known about Marco de Marco, but just look at...
Category

1930s American Modern Art

Materials

Canvas, Oil

Untitled
By Etta J. Benjamin (Cien)
Located in Chicago, IL
A large oil and collage on Masonite Mid-Century painting of a cello by Mid-Century painter Etta Benjamin Cien. In 1924, Etta Benjamin Cien was born in St. Louis, MO. Cien and her h...
Category

1960s American Modern Art

Materials

Masonite, Mixed Media, Oil

"Don't Cry Long" Abstracted and Distorted Self-Portrait, One Crying Eye
Located in Detroit, MI
"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...
Category

Mid-20th Century American Modern Art

Materials

Masonite, Oil

FRUIT FOR SALE
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS) FRUIT FOR SALE c.1928 Color block print. Unsigned. This is an original block print from “Let’s Play”, an intended but unpublished children’s book done in collaboration with her sisters Edna and May in 1928. Image 8 x 7 inches. On a tissue thin laid paper. Irregular sheet 9 3/8 x 8 1/2. The entire series consisted of over 20 children's images. There were very few printed. The editions of the various children varied but likely no more than 50. This impression very well printed with good colors, Very good condition. The margins are likely as issued with the irregular edges. The margins and paper used for this series varies from one print to the next. A bit of tape remnants at top center sheet edge. A very nice example of this print. It is not unusual for impressions of this series to be unsigned, although many are signed "The Gearharts" The Provenance of this example is fascinating. It was acquired from a gentleman who knew the Gearharts as a child in the early 50's in Pasadena. It was part of a collection given to him by Frances. In his adult years he was in the military and took the collection with him as he traveled around Europe, After 81 years, based on the original prints, this book was published by the “California Book...
Category

1920s American Modern Art

Materials

Woodcut, Linocut

Beach at Malcesine
Located in Los Angeles, CA
Nell Blaine, painter of still lifes and landscapes in brilliant colors, created abstract work that gives the appearance of being done in a carefree, totally lighthearted manner but i...
Category

1980s American Modern Art

Materials

Pastel, Watercolor

Mlle. Celine and Escort (Celine is a dancer former mistress of Mister Rochester)
Located in New Orleans, LA
Fritz Eichenberg did some original wood engravings for "Jane Eyre." Céline Varens was Adèle's mother and Mr. Rochester's former mistress. A French opera dancer, Céline pretended to ...
Category

Late 20th Century American Modern Art

Materials

Wood, Engraving

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion
Located in New York, NY
1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...
Category

1960s American Modern Art

Materials

Bronze

MARKET IN ERONGARICUARO
Located in Santa Monica, CA
MORTON DIMONDSTEIN (NY 1920 - LA 2000) MARKET IN ERONGARICUARO 1954 Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...
Category

1950s American Modern Art

Materials

Screen

Pulitzer Prize Winner Norman Mailer Portrait Etching Line Drawing
Located in Surfside, FL
Signed. Numbered line etching Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) was an American novelist, journalist, essayist, playwright, film-maker, actor, and libera...
Category

1970s American Modern Art

Materials

Etching

Abstract Street (Untitled)
By Hananiah Harari
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Abstract Street (Untitled), 1939, oil on canvas, signed and dated lower right, 12 x 32 inches; provenance includes a private collection in Venice, California; presented in what is likely the artist's original handmade frame About the Painting The present work is the culmination of a series of mainly horizontal urban abstractions Harari completed between 1937 and 1939. Deeply influenced by Stuart Davis, Harari’s New York streetscapes began with clearly recognizable objects and landmarks as in Into New York (1937 - Collection of the Whitney Museum of American Art), New York Harbor (1937), Up and Downtown (1938), and his other mural proposals for the Nurses Home on Welfare Island (1937) and the Williamsburg Housing Project (1938). At the end of the series, Harari’s vistas became increasingly abstract with broad planes of color representing buildings and streets, the slightest cross-hatching forming a bridge or elevated train track and the vague suggestion of a streetlight looping in the right center of the composition. Figures, birds, and a street vendor’s cart are reduced to pictograms scratched into the surface of the canvas. Abstract Street (Untitled) is among Harari’s most spare works of the 1930s and 1940s and calls to mind the seemingly childlike, but deeply sophisticated works of Paul Klee from the 1920s. It serves as an excellent reminder of why Harari was heralded as one of the earliest members of the American Abstract Artists. About the Artist Hananiah Harari was an artistic polyglot who was equally at home working in styles as diverse as Cubism, Constructivism, Expressionism, Hard Edged Abstraction and trompe l’oeil Realism. A native of Rochester, New York, Harari initially studied as a child at the Memorial Art Gallery in his hometown and later as a scholarship student at the College of Fine Arts at Syracuse University. In 1932, Harari left for Paris where he befriended Nahum Tschacbasov, Benjamin Benno and John Graham and studied at the ateliers of Lhote, Leger and Gromaire. He also studied fresco painting at the Ecole de Fresque. By 1933, Harari had completed enough work and gained a sufficient reputation to have a solo exhibition at the American Club in Paris. The following year, Harari and his childhood friend and fellow artist Herzl Emanuel traveled to Palestine, where the artists worked hard in the orchards and fields of Kibbutz Deganiah, but produced little art. After returning to New York, Harari married Emanuel’s sister, Freda, and set out on the development of what noted scholar Gail Stavitsky has called an “original synthesis of the old and new." Harari became an early member of the American Abstract Artists (AAA), an organization formed to give modernists exhibition opportunities. Harari was also a member of the socially conscious Artist’s Union and the American Artist’s Congress. From 1936 through 1942, Harari worked on the Federal Art Project and assisted Marion Greenwood on a project as part of the Mural Division, but to his disappointment did not lead his own project. During the late 1930s and early 1940s, Harari completed a series of paired paintings with the same subject matter depicted in a Cubist manner and in trompe l’oeil Realism. Harari was acclaimed by Clement Greenberg and six of the artist’s works were selected for the Museum of Modern Art’s important 1943 exhibition American Realists and Magic Realists. During World War II, Harari served in the US Army Air Corps. Following the war, Harari continued to produce fine art while also producing commercial art. During the McCarthy Era, Harari’s progressive politics and leftist leaning art...
Category

1930s American Modern Art

Materials

Oil

Joseph Stella Flower Study
Located in Norwood, NJ
Joseph Stella (1877-1946, American, Italian) "Flower Study". Crayon and pencil on paper. Signed lower left. Image 6 7/8” x 4 /34”. Framed 12 1/2” x 10”. Gallery label Beadleston Gallery N.Y. N.Y. Joseph Stella (American, June 13, 1877–November 5, 1946) was a Futurist painter known for his association with the American Precisionism movement and his works depicting industrial America. Stella was born in Lucano, Italy. In 1896, he relocated to New York, NY, to study medicine. After becoming interested in art, Stella left his medical studies and began to study art at the Art Students League of New York. While there, he studied under William Merritt Chase. During this time, Stella's early works featured a Rembrandt style...
Category

20th Century American Modern Art

Materials

Crayon, Pencil

Original Hand Signed Rock & Roll Photograph Woodstock Country Joe Macdonald
Located in Surfside, FL
Original signed in gold ink Rock And Roll Photo from the Woodstock music festival. A custom print by Ken Lieberman laboratories in New York hand si...
Category

1960s American Modern Art

Materials

Color

Assemblage Collage Painting/Sculpture with Pennies and Scrap Civil Rights Artist
By William R. Christopher
Located in Surfside, FL
Titled "In G-d We Trust" signed dated and titled verso. there is also a gallery label. Mixed Media wall hanging in a pop art style. Background of pennies and then the foreground is l...
Category

1960s American Modern Art

Materials

Mixed Media

Dusk
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category

Late 20th Century American Modern Art

Materials

Woodcut

"Nude" Sterling Strauser 1962 Small Female Nude Oil on Board
Located in Arp, TX
Sterling Strauser "Nude" 1962 Oil on board Framed 13.25 x 7.25 x 1 in Signed and dated in pencil lower right Sterling Strauser was born in Bloomsburg, PA on August 15, 1907. He rece...
Category

Mid-20th Century American Modern Art

Materials

Oil, Board

Jefferson Market Library (Courthouse)
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Jefferson Market Library (Courthouse), c. 1930s, oil on canvas, 30 x 24 inches, signed lower right; presented in a newer silver painted frame About the Painting Writing about an exhibition of Charles W. Adams’ work at the Eighth Street Art Gallery in the mid-1930s, Emily Grenauer observed in The World-Telegram that the artist’s paintings were “distinguished for their solid form, well organized design and sumptuous color” and the art critic for The Herald Tribune found Adam’s work “a strong, formal realization of his subject . . . he paints with vital emphasis on structure and composition.” Although we do not know which works these critics referenced, it is likely they were writing about paintings like Jefferson Market Library (Courthouse). With its carefully designed reality, strong angles, solid forms, and well-disciplined puffs of smoke in the background, Adams presents a highly structured version of the Greenwich Village landmark, the Jefferson Market Library, which was a courthouse at the time Adams completed this work. The Jefferson Market Library was a prized subject for downtown painters, including the Ashcan School painter, John Sloan, the modernist, Stuart Davis, and the precisionist, Francis Criss...
Category

1930s American Modern Art

Materials

Oil

The Fisherman, 20th century Cleveland School artist
Located in Beachwood, OH
William Schock (American, 1913–1976) The Fisherman, c. 1955 Oil on canvas Signed lower right 26 x 40 inches 34 x 48 inches, framed William Schock was born in Porto Alegre, Brazil ...
Category

1950s American Modern Art

Materials

Oil

Large Abstract Landscape Pastel Drawing Painting San Francisco Artist, Megan #10
Located in Surfside, FL
It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. pastoral landscape with boulders and rocks in pasture. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...
Category

20th Century American Modern Art

Materials

Oil Crayon, Oil Pastel, Archival Paper

Large Abstract Landscape Pastel Drawing Painting San Francisco Artist, Megan #13
Located in Surfside, FL
It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. pastoral landscape with boulders and rocks in pasture. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...
Category

20th Century American Modern Art

Materials

Oil Crayon, Oil Pastel, Archival Paper

American Modernist Abstract Landscape Oil Painting of Trees, Yellow Orange Blue
Located in Denver, CO
Mid 20th Century abstracted landscape pen and oil painting with trees by American Modernist Henriette "Yetti" Stolz, signed on the back of the painting. Portrays a modernist landscape of a forest with trees, painted in shades of gold, brown, orange, and blue. Presented in a vintage frame measuring 30 ¾ x 36 ¼ inches. Image measures 30 ¼ x 35 ¾ inches. Provenance: Estate of the Artist, Henriette "Yetti" Stolz Painting is in good condition - please contact us for a detailed condition report. About the Artist: Henriette “Yetti” Stolz was born in Serbia in 1935 ( and is still living ). Her family emigrated to Denver, Colorado, in the early 1950s after WWII and she attended East High School before studying art at Colorado College, in Colorado Springs in the mid to late 50s. While there studying she would have been exposed to modernist artists working both at the college ( ie. Mary Chenoweth...
Category

Mid-20th Century American Modern Art

Materials

Canvas, Ink, Oil

Holocaust Memorial Oil Painting Judaica Rabbi Composed of Figures Artists Frame
By Maurice Newman
Located in Surfside, FL
Maurice Newman was active/lived in Massachusetts / Lithuania. Maurice Newman is known for sculpture-abstraction, impressionist landscape painting, diorama. Born in Lithuania, Mauric...
Category

1960s American Modern Art

Materials

Oil

Kossack
Located in Los Angeles, CA
This sculpture is part of our exhibition America Coast to Coast: Artists of the 1930s Kossack, c. late 1930s, polychromed cedar and walnut relief sculpture, carved signature under ...
Category

1940s American Modern Art

Materials

Wood

San Pedro Post Office: History of Writing Mural South, Preliminary Mural Study
Located in Los Angeles, CA
This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s San Pedro Post Office: History of Writing Mural South, Preliminary Mural Maquette right panel...
Category

1930s American Modern Art

Materials

Mixed Media

'Navajo Trading Post' — 1940s Southwest Regionalism
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...
Category

1940s American Modern Art

Materials

Lithograph

Judaica Etching Passover Seder Scene WPA Artist
Located in Surfside, FL
Philip Reisman, a Social Realist painter and printmaker known for his views of New York City street life. Fourteen of Mr. Reisman's etchings of New York life were in the show Works o...
Category

Mid-20th Century American Modern Art

Materials

Etching

Bandelier, Spiritual and Cultural Commentary by Female American Modernist
Located in Doylestown, PA
"Bandelier" is a 12 x 16 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller The painting is titled and estate stamp #202043 on verso. The artwork has been conserved and inspected by conservation specialist, Gratz Gallery & Conservation Studio, Inc. Exhibition history: Peter Miller, Forgotten Woman of American Modernism, Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania, 2022. Provenance: Estate of the Artist; Private Collection, Saugerties, New York; Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania. Peter Miller was an artist, a philanthropist, a mystic, and a woman of endless passion for nature.  "Bandelier" is a wonderful example of her formidable understanding of story telling through symbolism, composition, and the layering of color. The work is also significant in its representation of the spiritual realm that was so vitally important to Peter. Paul Gratz...
Category

1950s American Modern Art

Materials

Canvas, Oil

Quarry Workers
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Quarry Workers, c. 1930s, mixed media on board, unsigned, 24 x 24 inches, possibly exhibited at...
Category

1930s American Modern Art

Materials

Mixed Media

Dove Cote, Spiritual and Cultural Commentary by Female American Modernist
Located in Doylestown, PA
"Dove Cote" is a 16.125 x 24 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller The painting is signed, titled, and estate stamp #202051 on verso. The artwork has been conserved and inspected by conservation specialist, Gratz Gallery & Conservation Studio, Inc. Exhibition history: Peter Miller, Forgotten Woman of American Modernism, Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania, 2022. Provenance: Estate of the Artist; Private Collection, Saugerties, New York; Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania. Peter Miller was an artist, a philanthropist, a mystic, and a woman of endless passion for nature.  "Dove Cote" is a wonderful example of her formidable understanding of story telling, symbolism, composition, and the layering of color. The work is also significant in its representation of the spiritual realm that was so vitally important to Peter. Paul Gratz...
Category

1930s American Modern Art

Materials

Canvas, Oil

"THE MANTEL SERIES" John Glick Stoneware Objets d'Art Intimate Indoor/Outdoor
Located in Detroit, MI
SALE ONE WEEK ONLY John Glick is well-known for his beautifully rendered functional pieces of art. His decorative pieces, especially his large pots, are breathtakingly powerful objects. Glick's creative genius, however, is most exquisitely shown in this unique grouping of objets d'art. The Wall Hanging has a lovely classical scroll shelf. The objets on the shelf include an apple and pear - both fruits frequently rendered by artists from the Dutch Masters to Cezanne because of their perfectly balanced shape and rich colors. In addition is a small Greek or Roman styled dish used as an oil lamp. The other three objets are mysterious twisted tube-like organic shapes. John Glick, at one of his richest, creative bests. The objets are of various sizes, movable and can be displayed as desired. The size given is the overall size of both pieces and the objets d'art. "The works in John Glick’s “Mantel Series” are still life tableaux comprised of ordinary, yet intriguing objects that imply a history of people interacting with objects and each other over time. Imagine a lettr or poem from a loved one, once read, tucked among other fabourite things for safekeeping. Or a salty treasure carried in a dampened pocket and later deposited on a cottage shelf to dry, crackle and change. In essence, the mantels hold suggestive collections in which most people can find a part of themselves a link to a personal memory and a connection to a lost moment in time. His body of work, The Mantel Series, was partially inspired by a memory of a salt box that hung near his grandmother’s kitchen wood stove. For Glick, the unassuming little box, with its pleasing enigmatic shape and wooden lid, conjured pleasant boyhood memories, nostalgia for home and hearth, and vivid awareness of history. Upon his wall-based mantels, the artist placed a well-honed repertoire of distinct objects, all deftly crafted of clay, that become characters in his unspoken drama, each form playing off the others in the ensemble.” Plum Tree Pottery...
Category

1990s American Modern Art

Materials

Ceramic, Glaze

Deer Dance, Spiritual and Cultural Commentary by Female American Modernist
Located in Doylestown, PA
"Deer Dance" is a 25.125 x 30 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The painting is estate stamp ...
Category

1930s American Modern Art

Materials

Canvas, Oil

20th C. Figurative Abstract Painting Cleveland School African American Artist
Located in Beachwood, OH
Beni E. Kosh/Charles Elmer Harris (American, 1917-1993) Untitled Oil on canvas board Estate stamped #611 verso 24 x 18 inches Charles Elmer Harris was born in 1917 in Cleveland, Oh...
Category

20th Century American Modern Art

Materials

Oil

Noon Hour
Located in Westport, CT
Noon Hour. 1935. Etching. Teller 18. 6 7/8 x 4 7/8 (sheet 11 3/8 x 8 1/2). Edition 250 published by Associated American Artists in 1946 (were a few earlier impressions from a propose...
Category

Early 20th Century American Modern Art

Materials

Etching

Snack Bar
Located in Westport, CT
A member of New York's 14th Street School, Isabel Bishop is best known for her graphic art and urban subject matter. Born in Cincinnati, Ohio, she arrived in New York in 1918 at age ...
Category

Early 20th Century American Modern Art

Materials

Etching

Madonna of the Picture, 1930s Framed Figural Devotional New Mexico Oil Painting
Located in Denver, CO
Original 1939 oil painting by New Mexico modernist, Howard Schleeter (1903-1976), Madonna of the Picture includes a santo of the Virgin Mary, a still life of flowers in a vase and a crucifix. Presented in a custom hand-carved frame, outer dimensions measure 21 x 17 x 2 inches. Image size is 16 x 12 inches. Painting is clean and in very good vintage condition - please contact us for a complete condition report. Provenance: Private Collection, California Expedited and international shipping is available - please contact us for a quote. About the Artist: Howard Schleeter, the son of a commercial artist, studied formally at the Albright Art School in his hometown of Buffalo, New York. However, his studies at Albright were brief and the artist considered himself to be primarily self-taught. He later met Charles Lindbergh while working as an airplane mechanic. However, he soon chose to make his living entirely as an artist and, in 1929, he traveled to New Mexico. The following year he married and the couple made New Mexico their permanent home. Schleeter studied under Brooks Willis during the 1930's and worked in several mediums including gouache, watercolor, oil, scratchboard and engraving. The Great Depression took its toll on Schleeter who occasionally found work digging ditches to make ends meet. In 1936, his financial status greatly improved when he received the first of several commissions from the Works Progress Administration (WPA). Though he worked primarily in abstraction, the five murals he completed for a WPA commission in the Melrose Public School library are realistic depictions of the West. He worked on several more New Deal commissions during the years of 1936 and 1942 in locations including Santa Fe, Clayton, and Washington D.C. During this time, Schleeter furthered his income by teaching at a Las Vegas, New Mexico, art gallery during 1938 and 1939. In 1945, the Encyclopedia Britannica referred to Schleeter as "an artist's artist." He also received local attention when he became one of the first artists chosen by Peter Hurd and Jane Mabry for his significant contributions to New Mexico's art. Schleeter taught at the University of New Mexico during 1950-1951 and 1954. Member: Art League of New Mexico Exhibited: Kansas Art Institute, 1936-1938; New Mexico State Fair, 1939 (prize); New Mexico Art League, 1939 (prize); Cedar City, New Mexico, 1941-1946; Philadelphia Artist Alliance, 1945 (solo); deYoung Memorial Museum, 1946; Art Institute of Chicago, 1947; Museum of New Mexico, Santa Fe, 1951 (purchase prize), 1955 (purchase prize); Vienna, Austria, 1952; Guggenheim Museum, 1954; Karlsruhe Museum, Germany, 1955; Stanford University, 1955 (solo); New Mexico Highlands University, 1957 (purchase prize); Colorado Springs Fine Arts Center, 1958; Swope Art Gallery Works Held: A&M College, New Mexico (mural); Art League of New Mexico; Cedar City Institute of Religion; Encyclopaedia Britannica; Miners Hospital, Raton, New Mexico (mural); Museum of New Mexico, Santa Fe; Research Studio, Maitland, Florida; University of New Mexico Further Reading: Artists of 20th-Century New Mexico: the Museum of Fine Arts Collection, Museum of New Mexico Press for the Museum of Fine Arts, Santa Fe, 1992.; The Illustrated Biographical Encyclopedia of Artists of the American West, Peggy and Harold Samuels, Doubleday & Company, Inc., Garden City, New York, 1976.; Taos and Santa Fe: the Artist's Environment, 1882-1942, Van Deren Coke, University of New Mexico Press for the Amon Carter Museum of Western Art, TX and the Art Gallery, University of New Mexico, Albuquerque, NM: 1963.; Treasures on New Mexico Trails: Discover New Deal Art and Architecture: Kathryn A. Flynn ed., Sunstone Press, Santa Fe, NM: 1995.; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Vol. 1. Peter Hastings Falk, Georgia Kuchen and Veronica Roessler, eds.,Sound View Press, Madison, Connecticut, 1999. 3 Vols. ©David Cook...
Category

1930s American Modern Art

Materials

Board, Oil

Transection w/ Architectural Forms, Geometrical Figurative Abstract Acrylic
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) Transection with Architectural Forms, c. 1980s Acrylic and graphite on board 12 x 20 inches A surrealist mid-century figural abstract ...
Category

1980s American Modern Art

Materials

Acrylic, Graphite

Maze, 20th Century Geometric Figurative Abstract Acrylic Painting
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) Maze, 1982 Acrylic on cardboard Signed and dated upper right 7 x 9.5 inches A surrealist mid-century figural abstract painting. Clar...
Category

1980s American Modern Art

Materials

Acrylic

Alchemy and Los Alamos, Miller, Warner, Oppenheimer, and Chocolate Cake
Located in Doylestown, PA
Peter Miller, Edith Warner, Robert Oppenheimer, The Los Alamos Connection, and Chocolate Cake. On April 1, 1943, in a mundane task of paperwork approval that was kept secret, the Uni...
Category

1960s American Modern Art

Materials

Canvas, Oil

Flower Still Life
By Adrian Dornbush
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on canvas, 24 ½ x 19 ½ inches unframed, 32 x 27 inches framed, signed and inscribed “Adrian Dornbush/ Flower Still Life” verso, a remnant of exhibition label verso, stamped “1454” verso, original frame Exhibited: i) Midwestern Artist’s Exhibition Representative Work from Missouri, Kansas, Oklahoma, Nebraska & Colorado, Kansas City Art Institute, February 1 to March 2, 1931, no. 34 (see catalog with a listing of work with this title); and ii) Special Display and Sale of Late Oil Paintings Produced by Cedar Rapids Own Artists from the Little Gallery, at Newman’s Department Store, Cedar Rapids, Iowa, March 1932 (see [Advertisement], The Gazette (Cedar Rapids, Iowa), March 15, 1932 – listing a work with this title, together with paintings by fourteen other artists, including Grant Wood, Marvin Cone...
Category

1930s American Modern Art

Materials

Oil

Original "Next Monday" vintage 1929 Mather Work Incentive poster
Located in Spokane, WA
Original “Next Monday” Vintage 1929 Work Incentive Poster The original “Next Monday” (also known as the "Futurist Monday") vintage 1929 Work Incentive poster is a reminder of a bygone era. This aesthetically magnificent lithograph by artist Willard Frederick Elmes created is a scarce print from the 1920s. It is striking for its intricacy and its size; the poster is linen backed and has a huge image, measuring approximately 28” x 20”. The poster displays...
Category

1920s American Modern Art

Materials

Lithograph

Calvin 1936, Christmas Series
Located in Brooklyn, NY
Of an edition of 10, this beautiful portrait by T. Hunter Elliott is a large-scale print on 25 mil. acid-free cotton fiber paper. Calvin 1936 is a classic portrait of a young gentl...
Category

21st Century and Contemporary American Modern Art

Materials

Rag Paper, Archival Pigment

Calvin 1936, Christmas Series
Located in Brooklyn, NY
Of an edition of 10, this beautiful portrait by T. Hunter Elliott is a large-scale print on 25 mil. acid-free cotton fiber paper. Calvin 1936 is a classic portrait of a young gentl...
Category

21st Century and Contemporary American Modern Art

Materials

Rag Paper, Archival Pigment

1990 Untitled Abstract Oil Painting on Canvas Illustrator Bill Shields
Located in Arp, TX
William Stephens Shields, Jr., 1925 - 2010 Untitled 1990 Oil on canvas 60"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Franc...
Category

Late 20th Century American Modern Art

Materials

Canvas, Oil

Flowers Still Life
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 20 ½ x 16 inches unframe...
Category

1930s American Modern Art

Materials

Watercolor

Spanish Magic, Spiritual and Cultural Commentary by Female American Modernist
Located in Doylestown, PA
"Spanish Magic" is a 18 x 24 inches, oil on canvas painting by American modernist and southwestern, female artist Peter Miller. The painting is estate stamped #202052 on verso. The p...
Category

1960s American Modern Art

Materials

Oil, Canvas

Bowling
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Watercolor on paper, 7 ¾ x 10 ½ inches unframed, 14 ½ x 16 ½ inches framed, signed, dated, and located lower left as follows: “David McCosh...
Category

1920s American Modern Art

Materials

Watercolor

Original Chicago Fly TWA vintage travel poster
Located in Spokane, WA
Original vintage travel poster: Chicago - Fly TWA. UP UP and Away Trans World Airline. Artist: David Klein. Size 25" x 40" Dated 1960's. ...
Category

1960s American Modern Art

Materials

Offset

Mid Century "Napa Valley Landscape" Watercolor Painting
By Frederick Pomeroy
Located in Arp, TX
Frederick Pomeroy "Napa Valley Landscape" c. 1960s Watercolor on paper 17"x14" brown wood frame float mount over linen mat Signed in paint lower ...
Category

1960s American Modern Art

Materials

Archival Paper, Watercolor

Portrait of Helene Sardeau (The Artist’s Wife)
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Fresco, 20 x 16 inches unframed, 22 x 18 inch...
Category

1930s American Modern Art

Materials

Plaster, Mixed Media

American Modern art for sale on 1stDibs.

Find a wide variety of authentic American Modern art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Slim Aarons, Destro, Howard Schatz, and John Taylor Arms. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern art, so small editions measuring 0.25 inches across are also available.

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