American Realist Art

An excellent impression of one of the rarest and most desireable Verner images- Road to Folly (Beach) showing the basket people selling roadside fruits and...

Lowell Nesbitt's paintings are in most major museum collections. In the 1950s he dabbled in Abstract Expressionism for a short time. However, It wasn’t until 1962, that he created hi...

City Park, Winter Lithograph, c. 1947 Signed in pencil lower right (see photo) Published by Associated American Artists Printed by George C. Miller, New York Edition: c. 250 In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931). Condition: Excellent Image size: 9 1/4 x 13 7/16 inches Frame size: 19 x 23 inches Provenance: Estate of Adolf Dehn Reference: AAA Index No. 848 Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

A series of four shots of film stars (left to right) Clark Gable (1901 - 1960), Van Heflin (1910 - 1971), Gary Cooper (1901 - 1961) and James Stewart (1908 - 1997) enjoying a joke at...

Basilica of Madeleine, Vezelay Etching, 1929 Signed and dated lower right (see photo) Annotated: "Third State" lower left Printed on a sheet of old book paper From: French Church Ser...

This artwork titled "Tamaracks in Winter" c.1992, is an oil painting (mixed media) on hardboard by German/American artist Frank Kecskes Jr. It is signed at the lower right corner by ...

Mrs. Leverett Saltonstall Shaw watches her children digging for clams at low tide on Black Beach, Massachusetts Bay. Slim Aarons Digging For Clams Bl...

Oil on artist's board, late 20th century, signed P. Zimmerman Reminiscent of the Mid Century Social Realist and WPA works of Ben Shahn this captures an architectural street scape...

A series of four shots of film stars (left to right) Clark Gable (1901 - 1960), Van Heflin (1910 - 1971), Gary Cooper (1901 - 1961) and James Stewart (1908 - 1997) enjoying a joke at...

A series of four shots of film stars (left to right) Clark Gable (1901 - 1960), Van Heflin (1910 - 1971), Gary Cooper (1901 - 1961) and James Stewart (1908 - 1997) enjoying a joke at...

This artwork titled "When the Land was His" 1985, is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and...

Diners in a grand ballroom during a fashion show, circa 1955. Slim Aarons Luxury Dining Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aaron...

A breathtaking Texas Hill Country landscape painted by American Plain Air painter, Don Warren. The painting is executed in oil on canvas and measures 18 by 24 inches. It is beautifully framed and ready to hang in a gold leaf frame that measures 25 by 31 inches. The scene depicts a clear, idyllic summer day along trail through pastoral lands. A meadow of yellow coreopsis and white argemones make up the foreground, framing the focal point: prickly pair...

Robert W Addison Waiting - 1996 Print – Lithograph on Arches Archival Paper Stamped signature and marked 157/250 Image size 30” x 22” inches Paper 35"x 27½" inches Robert Addison worked at Ficho & Corley art studio in the John Hancock...

This artwork titled "Leading the Remuda" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 58/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...

Flag Raising in Leroy Street. Lithograph. 320x245 mm; 12 5/8x9 5/8 inches. Edition of 25. Signed, titled, dated and inscribed "Ed. 25" in pencil, lower ma...

Artist: Philip Pearlstein, American (1924 - 2022) Title: Two Nude Women with Lion Year: 1993 Medium: Lithograph, signed and numbered in pencil Edition: 179/...

Excellent Mid-century nude by famous illustrator/ artist Walter Charles Klett. The work is masterfully painted with a sound understanding of the basic academic principles guiding t...

Original Painting Cathedral Interior New Yorker Cover Proposal 1939 Jesus Church Antonio Petruccelli (1907 – 1994) Cathedral New Yorker cover proposa...

The Walls of Jericho." This is an original 1948 half-sheet movie poster for the film " The poster features a striking image of Cornel Wilde and Linda Darnell in battle and has been ...

EDITH MAY BURLINGAME Sheep Dog and Sheep 1925 Oil on canvas 14 x 18 inches

Irish Sea Watercolor, 1947 Signed and dated by the artist lower right Condition: Excellent Image/Sheet size: 12 x 18 inches Provenance: Estate of the Artist ...

Saturday Evening Post Illustrator Thornton Utz captures the peak moment of action in this Noir Crime Drama, Shooting illustration on an interior page in the famed magazine in 1958 —...

Artist: Emmett Kelly Work: Limited Edition, Print on Satin Paper, Medium: Satin Paper Year: (1898-1979) Style: Classic Art Title: Tis the Season, Size: 9" x 7" x 0.1'' inch, (23 x1 8 x 0.2 cm) Framed: 17'' x1 3.5'' x 1'' inch, (43 x 34x5 cm) Ready to Hang. Biography Artist Emmett Kelly is best known as the creator of Weary Willie, a character who reinvented the typical clown. Kelly left Houston, Missouri, and moved to Kansas City in 1919, carrying little with him except his portfolio of drawings. Emmett Kelly's artwork of Weary Willie features a man with a scruffy beard, torn denim overalls, regular hat, and somber face. In 1937, Kelly joined the Bertram Mills Circus where Weary Willie made his debut and was well received. The success of artist Emmett Kelly's Weary Willie portrayal garnered him movie roles, figurines based on his likeness, and a spot with Ringling Brothers' Barnum and Bailey...

Robert Kipniss (American, b. 1931) At Dawn, 1975 Pencil on paper 10 1/2 x 7 1/4 in. Framed: 14 2/3 x 11 1/3 in. Signed upper right: Kipniss '75 Verso bears Hirschl & Adler Galleries Label Robert Kipniss, painter and printmaker, was born in New York City in 1931. He creates essentially monochromatic*, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes; the melancholy of nostalgia. Trees, in mid and far-distance, form clusters or act as misty individuals containing a haunted, indefinable presence, witnesses to the foreground drama of more specific shape, form and detail, often a close-up tree. Kipniss studied at the Art Students League* in 1947; Wittenberg University in Springfield, Ohio, 1948-50; and the University of Iowa, receiving a BA degree in English literature in 1952, and an MFA in painting and art history in 1954. The artist employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil or print-maker's needle and burin*, to create the essence of his generalized, non-specific forms. Light and darkness are clearly Kipniss' compositionally constructive elements. They also exist as contestants in the emotional drama at the heart of each work of art. The contrast, and sometimes combat, between these two opposites, symbolically represent with blackness -- ideas of threat, fear, trouble, evil; with whiteness safety, redemption, fulfillment and good. In Kipniss' 1995 mezzotint*, Clear Vase and Landscape, with a foreground image of precisely leafy stalks, the vase holding them, nearly invisible in its transparency, suggests an almost Salvador Dali-like surrealist device. This central image dominates but seems to invite association with, and commentary from, the surrounding clumps and individual round-topped, yet cedar-like trees. His mezzzotint, For Stella," 1997, depicts a gently twisting, curving, pale and smoothly-barked foreground, leafless tree limb or trunk, like a female human body, suggesting weakness, fatigue, an inability to deal with the staccato background screen of textured bush that seems to uncomfortably impinge upon it. This print is arguably a metaphor for a delicate soul struggling to overcome the prickly difficulties of domineering life. The classic mezzotint process, invented in the middle of the 17th Century, is the reverse of most of the other print-making media, since the artist works from a black ground to increasingly lighter areas. The copper plate is first roughened by a "rocker," creating a burr over the entire surface (the more burr left intact, the more ink it holds, the darker the final finished print). The artist, Robert Kipniss, in this instance, gradually burnishes, smoothes down the burr in varying degrees to produce the gradations of lights and darks of the final design. The deepest darks in the final picture are those areas on the plate that have been little touched after the initial roughening. Mezzotint relies on shade and tone rather than outline for its effect, which fits the Kipniss style of atmospheric* masses of value. A recent oil painting by Robert Kipniss, Hillside Silhouettes, 2001, 40 x 29, is somewhat more complex in composition than many, with four cubically-constructed houses each set in their own zones, seemingly unrelated to one another, with receding hills and similarly isolated, increasingly misty trees beyond. In his career, Robert Kipniss has had over 40 one-man shows since the first in New York in 1951, including an important retrospective exhibition at the Associated American Artist Gallery, New York in 1977. Many of these one-man exhibitions have been mounted by over 50 museums in the United States, South America and Europe, including the Chicago Art Institute, Metropolitan Museum of Art, Museum of Modem Art, Whitney Museum of American Art, Library of Congress and British Museum in London. Robert Kipniss is represented in the permanent collections of the institutions above, among many others, as well as the Philadelphia Museum of Art; New York Public Library; Museum of Fine Arts, Boston; Detroit Art Institute; Yale University Museum; National Collection of Fine Arts, Smithsonian Institution; Museum of Fine Arts, Houston; Los Angeles County Museum of Art; Portland Art Museum; and the New Orleans Museum of Art. He was elected to the National Academy of Design* in 1980, and to the Royal Society of Painter-Printmakers, London in 1998 Robert Kipniss can be referenced in numerous publications, including Who's Who in American Art from the 1950s to the present, and multiple reviews in periodicals like Art News, Art in America and Art Forum. There are also three important catalogues raisonne published on his work. Robert Kipniss has received many awards: 1965 - Ohio University National Drawing Show, Purchase Prize 1976 - National Academy of Design, New York City, The Ralph Fabri Prize 1978 - The Print Club of Philadelphia, Charles M Lea Prize 1979 - Charlotte Printmakers Society, Purchase Award 1979 - Society of American Graphic Artists, Printmaking Award 1979 - Wittenberg University, Springfield, OH, Honorary Doctorate 1980 - Elected to the National Academy of Design, New York City 1980 - Audubon Artists, New York City, Silver Medal 1980 - National Academy of Design, New York City, The Leo Meissner...

Coral Reef Painting Life Mag Published 1953. Mid Century Modern American Scene Antonio Petruccelli (1907 – 1994) The World We Live In Coral Reef ...

This artwork titled "Soaking Up" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...

Bathers 1940s Mid 20th Century American Scene Social Realism WPA Modern Ashcan Marion Gilmore (1909-1984) Bathers 15 1/2 x 19 1/2 inches oil on canvas boar...

Untitled (Female Nude) Graphite and sgrafitto on yellow paper, 1987 Signed lower right Note: Steven Assael is represented by Forum Gallery in New York. In 1977 he won the Charles Ro...

photo is 9X13.5 (image size), 16X20 is the mat. Mounted to original mat. Vintage photograph. Three young Grange members represent Flora, Ceres and Pamona in Fairfax, 1940. Arthur Rothstein ( 1915 – 1985) was an American photographer. Rothstein is recognized as one of America’s premier photojournalists. During a career that spanned five decades, he provoked, entertained and informed the American people. His photographs ranged from a hometown baseball game to the drama of war, from struggling rural farmers to US Presidents. Rothstein was born in Manhattan, New York City, and he grew up in the Bronx. He was a graduate of Columbia University, where he was a founder of the University Camera Club and photography editor of the Columbian. Following his graduation from Columbia during the Great Depression, Rothstein was invited to Washington DC by one of his professors at Columbia, Roy Stryker. Rothstein had been Stryker's student at Columbia University in the early 1930s. Stryker hired Rothstein to set up the darkroom for Stryker's Photo Unit of the Historical Section of the Resettlement Administration (RA). Perhaps Rothstein's most famous...

This artwork titled "Soaking Up" c.1970 is an original lithograph on paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in penc...

Russell Drisch is a photographer and painter who resided in Buffalo NY during the 1970s and 80s. Originally an actor, Drisch moved to Buffalo to play two seasons at Studio Arena Theater. During this time, his interest in photography overcame his love for theater. He left acting and opened Drisch Photography studio and Gallery West. His works has been exhibited in many different cities Such as New York and Toronto. They have been published in Time Magazine Aperture, 1977. Some of the photographers in this issue: Walter Chappell, Jerome Liebling, Russell Drisch, Brewster Ghiselin. Also there is an excerpt Eikoh Hosoe's seminal book Ordeal by Roses" with some text by Yukio Mishima...

Mrs. Leverett Saltonstall Shaw watches her children digging for clams at low tide on Black Beach, Massachusetts Bay. Slim Aarons Digging For Clams Bl...

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Set of four (4) watercolors by Leonard Reedy. Each identically famed and each measuring approximately 8 in x 10 in. All are in excellent condition.

The big bird is a painting. I painted it. It's oil on canvas. I mounted it on plywood and silhouetted it with a jigsaw. I took the silhouetted bird with me on the subway. We each had our own seat on the trip from Brooklyn to the Bronx The station has changed. In a Google stock image photo, you can see the geniuses have destroyed the beautiful character of the station. The early 20th-century signage and lighting fixtures have been changed by soulless and cheap-looking replacements. Robert Funk is a pioneer of toy photography, doll photography...

original limited edition woodcut woodblock print great depression era. (possibly a Moscow, Russia piece) signed in plate with monogram cipher mark. from the 1930s. Abramovitz, Albert 1879-1963 Born in Riga, Latvia, Abramovitz studied art at the Imperial Art School in Odessa and at the Grande Chaumière in Paris. In Paris, he became a member of the Salon in 1911 and in 1913 he became a member of its jury. He also became a member of the Salon d'Automne. While in Europe he received a medal at Clichy as well as the Grand Prize at the Universal Exhibition in Rome and Turin, Italy in 1911. In 1916, Abramovitz emigrated to America settling...

Manuela Bormanero and a friend holiday in the Italian ski resort of Cortina d'Ampezzo, March 1976. Estate edition. Estate stamp embossed on recto, hand numbered in ink on recto. Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military...

Joseph Kardonne (1911-1985). Ocean Beach, Fire Island, NY, 1946. Ink on paper, measuring 9 x 12 inches. Signed, dated and titled lower right. Unframed ...

Stephen Scott Young, "Scarf" Etching on German copperplate paper 5.5 x 5.25 in. [sight], 13 x 12.5 in. [framed] Ink-inscribed "10th proof/15th state" lower left, ink-signed lower r...

This artwork titled "Winter Sunset" c.1990, is an oil painting (mixed media) on hardboard by German/American artist Frank Kecskes Jr. It is signed at the lower right corner by the ar...

UNKNOWN Woman in Green Scarf with Cat 1940 Oil on canvas 16 x 12.5 inches Framed: 21 x 18 inches

Original "The Greatest Shown on Earth" US 1-sheet vintage movie poster, linen backed. 1952. Now over 70 years old! Restored original theater fold marks. A- condition. Bright and vibrant colors. Linen backed original 1952 one sheet U.S. Movie poster by Cecil B. DeMille: The Greatest Show on Earth. Starring Betty Hutton, Cornel Wilde, Charlton Heston, Dorothy Lamour, James Stewart, Gloria Grahame, Henry Wilcoxon, Lyle Bettger, Lawrence Tierney, and Emmett Kelly...

Stephen Scott Young, "Yellow Shutters" Etching on German copperplate paper 5.5 x 7.5 in. [sight], 13.25 x 14.75 in. [framed] Pencil-signed lower right, titled lower center, and num...

New England Coast (Greenport, New York) Lithograph, 1969 Signed in pencil lower right (see photo) Edition: 350 Published in the book, Stow Wengenroth...

Bumpei Usui Shanties in the Bronx, 1933 Signed lower right Oil on canvas 14 x 20 inches Provenance: The artist's estate Salander O'Reilly Galleries, New Y...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA Antonio Petruccelli (1907 – 1994) Army Wedding New Yorker cover proposal, c. 1939 11 1/2 X 8 inches ...

Original Painting Life Mag Published 1953 Birds Animals Illustration Mid Century Antonio Petruccelli (1907 - 1994) The World We Live In Birds of Paradise Life Magazine Illustration ...

The Skull-and-Crossbones flag flies atop this illustration of a Pirate Ship. Two palm trees flank it, and it floats in a cropped stylized sea. A single hatted figure is seen looking ...

This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...

Robert Sarsony Oil on gesso and masonite board. Hand signed lower left. Labels verso give artist, title "Paper Box", year 1971 and medium. Bears label from ACA Gallery...

Hector Garrido is an American book cover illustrator. He illustrated numerous science fiction, horror and adventure book covers, including all the covers for the Baroness series of pulp novels, and covers for the Destroyer series. He also illustrated romance and gothic novels, and Nancy Drew and Hardy...

Tan France Auction Pick A young woman modelling an outfit for a Saks Fifth Avenue catalog shoot, circa 1955. Slim Aarons Saks Fifth Ave Black and Whi...

Genre: Other Subject: People Medium: Oil Surface: Canvas Country: United Kingdom Dimensions: 48" x 36" x 3/4" Dimensions w/Frame: 48 3/4" x 37" Barry Leighton...

Warrington Colescott Music  Medicine and Sport- 1966 Print - etching  18'' x 17½'' inches Paper Size 30" x 22" inches Edition: signed in pencil, titled and numbered 2/30

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Three Tulips on Black Year: 1980 Medium: Serigraph, signed and numbered in pencil Edit...

Artist: Florence Hasenflug, American (1914 - 2010) Title: Abstracted Bouquet Year: circa 1970 Medium: Oil on Canvas, signed l.r. and verso Size: 37.75 x 54 in. (95.89 x 137.16 cm) Fr...