Minimalist Art

TITLE: Fraboom (Brutus) ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue resin and stainless Steel mirror finish by hands DIMENSIONS: 42 x 25 x h 24 cm ...

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

Pentti Sammallahti was born in 1950 in Helsinki, Finland. Sammallahti was surrounded by works from his grandmother, Hildur Larsson, who was a photographer in the early 1900s. Sammallahti has been photographing the world around him with a poetic eye since the age of eleven. At the age of nine, he visited "The Family of Man...

TITLE: Opiyaya (Barnabus) ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue resin and stainless Steel mirror finish by hands DIMENSIONS: 33 x 13 x h 21 c...

"Underwater Rhythm" This dark horse against lighter water feels buoyant and weightless, while the tail adds softness in contrast with the sharper contours of the horse's body. The...

The Peace & Quiet Collection, original one of a kind abstract minimalist paintings of elegance and purified beauty to make a statement in your special space. Add the qualities of mi...

Capturing the ephemeral beauty of a pillow recently dimpled with use, Xie Dong’s porcelain pillow sculptures are at once realistic and mysterious. Sculpted with a subtle impression i...

"Power and Rhythm" ⁠Through this minimalist environment, you can completely immerse yourself in the beauty of the horse’s form with no distractions to take away from the subject’s ...

Jack Scott "#3" c. 1980 Cross-hatch, charcoal, drawing on paper 40"x30" unframed Unsigned Now available for purchase, this is one of fifteen 40"x30" cross-h...

"Triumph" In this image, you can feel the remoteness of a place man has failed to conquer, and you can see the wildness of the horses on full display. ⁠ This is an award-winning, ...

"Titans" Windswept and beautifully unkempt, these three stallions band together and assess their territory. These limited edition archival prints are carefully inspected, signed, ...

Utterance boundaries, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on canvas. Image size: 48 in. H x 36 in. W Mounted on a stretcher ____________________________ On Hansen originally from Scandinavia is the pseudonym used by the photographer Cristian Hunter, a third-generation artist who has spent most of his professional career as a photographer. His work bears the traces of lived experiences, exploring the possibilities of formal abstraction, and seeking an organic experience between space and time through painting and photography. “There is no longer a single idea explaining everything, but an infinite number of essences giving meaning to an infinite number of objects. The world comes to a stop, but also lights up.” ― Albert Camus...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

"Underwater Rhythm" This dark horse against lighter water feels buoyant and weightless, while the tail adds softness in contrast with the sharper contours of the horse's body. The...

a pair of miniature glass vases with wooden texture, volume X approximate dimensions: Ø 8 x height 10 cm Shaped by fire project explores cultura...

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

"Silent Grace" The gracefulness of the horses of Sable Island is only intensified by their steadfast, silent gaze that draws you in and embrac...

A Poodle Pair, this stunning large minimalist black and white painting of Poodle dogs, is a contemporary portrait in acrylic on canvas. Ian Mason's portrai...

"Power and Rhythm" ⁠Through this minimalist environment, you can completely immerse yourself in the beauty of the horse’s form with no distractions to take away from the subject’s ...

TITLE: StratoSferica ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror finished and blue nylon DIMENSIONS: 50 x 50 cm Stratos has neve...

"Triumph" In this image, you can feel the remoteness of a place man has failed to conquer, and you can see the wildness of the horses on full display. ⁠ This is an award-winning, ...

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

"Scintillating Scotoma" Photography 47" x 40" inch Edition 2/3 by Alina Karo "Scintillating Scotoma" Original fine art photography by Alina Karo Aluminum 47” x 40” Edition 2:3 C...

sculptural glass vase no.3 (horizontal) of 4 unique pieces of volume III approximate dimensions: Ø 4 x 30 cm length Shaped by fire collection of glass ve...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

TITLE: Moka moi pas! ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue resin and stainless steel mirror finish by hands DIME...

4-color lithograph Sheet: 12 x 14 in. (30.5 x 35.6 cm) Edition of 150 Signed and numbered in pencil Published by Gemini G.E.L., Los Angeles

Hand signed. Edition of 125 prints of which 100 in Arabic numbers and 25 in Roman numbers.

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

TITLE: Chi Vespa? ARTIST: Daniele Basso YEAR: 2018 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Stainless Steel mirror, resin and Blue Colour DIMENSIONS: 50 x 50 cm "Chi Vespa?" Inspired by the famous advertising claim of the 1970s "Chi Vespa Mangia le Mele, chi non Vespa no", the work "Chi Vespa?" by Daniele Basso plays on the reflection of ourselves into the apple shape...

Jack Scott "#1" 1980 Interwoven, continuous line, charcoal, drawing on paper 40"x30" unframed Signed and dated in pencil on reverse Now available for purch...

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

Aluminum

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

Aluminum

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

TITLE: Dooh ARTIST: Daniele Basso YEAR: 2022 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue Resin & Stainless steel mirror finish by hands DIMENSIONS: 50 x 50 cm In the mirror, a place of reflection waiting to recognize oneself, hostile territory by nature to Omer Simpson, the magic happens: his reflection is completed! But when he looks his clone in the face ... he can't hold back...

Christopher Wool Christopher Wool (Hand Signed), 2015 Double sided offset lithograph poster. Hand signed by Christopher Wool 24 × 19 inches Sig...

"Plume" As the elephants toss the dirt, it rises in an arc- like a firework- above their heads, creating a temporary marriage of modern art and our natural world. Exceptional Creat...

"Gatekeeper" An ephemeral capture of a truly enduring animal, this iconic black and white image is an ode to the American bison. Exceptional Creatures is a limited edition print se...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

TITLE: TicTicTic ARTIST: Daniele Basso YEAR: 2020 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue Resin & Stainless steel mirror finished DIMENSIONS: 27 x 31 x h 23 cm WEIGHT: 3 kg One of the three largest mammals on the planet, the Rhinoceros, lives eternal paradoxes and contradictions. Alien, archaic and primitive, his form is both contemporary and remote. Strong, powerful and majestic with an aggressive appearance, it is instead solitary, reflective and silent in nature. To which we instinctively refer wisdom, substance and stability. Nothing about him is as it seems… and in this I...

TITLE: Hic Sunt Leones Blue ARTIST: Daniele Basso YEAR: 2020 MEDIUM TYPE: Sculpture MEDIUM/MATERIALS: Blue Resin & Stainless steel mirror finished DIMENS...

One in a series of six drawings by Amanda Andersen created during an artist residency at the Vermont Studio Center in 2012. During this residency the artist explored ideas of flight while researching the invention and design of the hot air balloon. These drawings were the beginning of a larger group of work reflecting on the duality of the balloon as a symbol for romantic flight as well as a powerful tool of displacement. Here the artist was especially interested in the parts that make up a balloon canopy, the pieces of the pattern are called gores, similar in shape to a natural tree leaf. Specifically a gore is one panel–a segment of a hot air balloon envelope–six of these are sewn together to create a full balloon canopy, therefore six drawings are represented in this series. Without the conceptual background of the piece, it takes on the appearance of a simple organic shape. Minimal repeating pencil lines on neutral colored grey paper fill the gore...

The Peace & Quiet Collection, original one of a kind abstract minimalist paintings of elegance and purified beauty to make a statement in your special space. Add the qualities of mi...

Bloodhound, this stunning large minimalist black and white painting of a Bloodhound dog, is a contemporary portrait in acrylic on canvas. Ian Mason's portr...

"Swift" During the perfect confluence of luck and mother nature, everything finally came together when capturing this formation of zebras harmoniously running as one cohesive shape. Exceptional Creatures is a limited edition print series documenting the most extraordinary animals roaming our Earth. These limited edition archival prints are carefully inspected, signed, and numbered by the artist. Custom sizes are available upon request. Shared Edition of 15 Across All Sizes. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. ABOUT DREW: Photographer & filmmaker Drew Doggett creates print series featuring the extraordinary stories of diverse cultures and communities seen through a fashion-inspired lens. Through both intimate and expansive perspectives, he reveals his subjects in vivid detail. Drew's work is in public and private collections around the world, notably the Smithsonian Institute. He has received over 100 awards and honors for his photography and short films; in 2020, he was named number one in the US and fourth globally for black and white photography by One Eyeland. Related tags: Wildlife, Animals, Black and White, Big Cats, Tiger...

"Prism" In this image, the forever-shifting surface of the sea refracts the light in novel ways. This crystalline layer gives way to the darker waters beneath, creating the perfect...

Giclée print on archival paper (Edition 3/20) Intricate, abstract print in shades of black and white. Gigi Mills work is born out of her need and desire to simplify and/or reduce each moment to its absolute essential, by removing details from life that tend to obscure what is truly being experienced. It is also her desire to bare witness to, and often to lift up in beauty what is so often considered unwanted or held in despair. Ms. Mills was born in Ohio into the well known Mills Brothers Circus family...

"Immersion" ⁠Through this minimalist, underwater environment, you can completely immerse yourself in the beauty of the horse’s form with no distractions to take away from the subjec...

Greyhound, This stunning large minimalist black and white painting of a Greyhound dog, is a contemporary portrait in acrylic on canvas. Ian Mason's portrai...

Sighthound, Greyhound, Whippet or Italian Greyhound, This stunning large black and white ink painting of a Sighthound dog, is a contemporary minimal portrait...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

"Dance of the Sea" This dark horse swimming appears drawn in charcoal - a chiaroscuro effect - while the water's lightness complements and heightens the dr...