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Old Masters Art

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

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Style: Old Masters
Late 15th Century By Florentine School Madonna with Child Bas-relief
Late 15th Century By Florentine School Madonna with Child Bas-relief

Late 15th Century By Florentine School Madonna with Child Bas-relief

Located in Milano, Lombardia

Late 15th Century Florentine School Madonna with Child Bas-relief Pietra serena (a blue-gray sandstone) 85.5 x 60.5 cm Provenance: - via Stefano Bardini purchased in 1896 by Prince ...

Category

15th Century and Earlier Old Masters Art

Materials

Sandstone

Lively rural scene, circle of Adriaen van Ostade, dated 1644.
Lively rural scene, circle of Adriaen van Ostade, dated 1644.

Lively rural scene, circle of Adriaen van Ostade, dated 1644.

Located in GOUVIEUX, FR

Charming 17th-century genre scene, attributed to the entourage of Adriaen van Ostade, and appraised by Cabinet Turquin. The work vividly illustrates a lively peasant interior, where ...

Category

17th Century Old Masters Art

Materials

Oil, Panel

New York Institution for the Instruction of the Deaf and Dumb
New York Institution for the Instruction of the Deaf and Dumb

New York Institution for the Instruction of the Deaf and Dumb

Located in Middletown, NY

A mid-19th century view of a New York institution still in operation. New York: The New York Mirror, c1835. Engraving on wove paper, 10 x 13 3/4 inches (254 x 349 mm), the full sheet. The sheet is significantly worn with scattered multiple edge tears, creases and toning throughout. The Institution for the Instruction of the Deaf and Dumb was founded in 1817 by the Rev. John Stanford...

Category

Early 19th Century Old Masters Art

Materials

Handmade Paper, Engraving, Woodcut

Trophies of War, title page
Trophies of War, title page

Trophies of War, title page

Located in Middletown, NY

An early impression from an exceptional English collection. Rome: M. Scheap, 1658. Engraving on cream laid paper, 4 5/8 x 5 7/8 inches (117 x 125 mm); sheet 5 x 6 1/8 inches (128 x...

Category

Mid-17th Century Old Masters Art

Materials

Laid Paper, Engraving

16th Century by Giovanni Maria Butteri Portrait of Francesco I Oil on Panel
16th Century by Giovanni Maria Butteri Portrait of Francesco I Oil on Panel

16th Century by Giovanni Maria Butteri Portrait of Francesco I Oil on Panel

Located in Milano, Lombardia

Giovanni Maria Butteri (Florence, Italy, 1540 - 1606) Title: Portrait of Francesco I Medium: Oil on panel Dimensions: without frame cm. 47.7 x 39 - with frame cm. 55.2 x 46.5 Not signed Expertise by Carlo Falciani, art historian Fairs: The International Biennial of Antiques in Florence 2024 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze) Publications: From Sacro to Profano, the Giorgio Baratti art collection from Milan, exhibition catalogue curated by Daiva Mitrulevičiūtė, Giovanni Matteo Guidetti and Ileana Maniscalco, (16 February – 27 September 2020), Vilnius, National Museum - Palace of the Grand Dukes of Lithuania, pp. 566-569. This valuable portrait, by the painter Giovanni Maria Butteri, an exponent of Mannerism and active mainly in Florence, portrays Francesco I de' Medici (1541 - 1587) eldest son of the Grand Duke of Tuscany...

Category

16th Century Old Masters Art

Materials

Oil, Panel

Ruinarum Antiquarum quae Romae, title page; Authentic drawings of ancient ruins
Ruinarum Antiquarum quae Romae, title page; Authentic drawings of ancient ruins

Ruinarum Antiquarum quae Romae, title page; Authentic drawings of ancient ruins

By Willem van Nieulandt II

Located in Middletown, NY

The title page from a popular Grant Tour publication featuring a cartouche with Fame and Winged Victory, and an allegory to artistic inspiration. Rome: 1618. Engraving on cream lai...

Category

Early 17th Century Old Masters Art

Materials

Laid Paper, Engraving

17th Century by Bernhard Keil Two blind figures helping each other Oil on canvas
17th Century by Bernhard Keil Two blind figures helping each other Oil on canvas

17th Century by Bernhard Keil Two blind figures helping each other Oil on canvas

Located in Milano, Lombardia

Bernhard Keil, also known as “Monsù Bernardo” (Helsingør, Denmark, 1624– Rome, Italy, 1687) Title: Two blind figures helping each other Medium: Oil on canvas Dimensions: without fra...

Category

17th Century Old Masters Art

Materials

Canvas, Oil

Eighteenth-century Irish portrait of the Rev. Henry Dabzac
Eighteenth-century Irish portrait of the Rev. Henry Dabzac

Eighteenth-century Irish portrait of the Rev. Henry Dabzac

By Hugh Douglas Hamilton

Located in London, GB

Pastel on paper, oval 9 x 7 ¼ inches; 230 x 185 mm Inscribed on the verso: ‘The Revd Henry Dabzac D.D./ late Senior Fellow of/ Trinity College Dublin/ ever to be lamented by all that knew/ Him. Extensive learning, zeal, gently tempered/ by a spirit of charity & above all, a strong/ faith & a piety deservedly gained/ the character of a great and good man./ This exceptional man died 12th May 1790/ This picture was his give to Jane [Mary] Crofton, his sincerely [missing] sister.’ Collections: Rev. Dr Henry Dabzac gift to his sister, Jane Crofton (d.1797); Sir Hugh Crofton (1763-1834); By descent to 1990; Private collection, Dorset to 2020. Literature: Robert Staveley, Traces of Past and Present, Dublin, 1895, p.74; Neil Jeffares, Dictionary of Pastellists Before 1800, online edition, no.J3751247 This characteristic pastel portrait by Hugh Douglas Hamilton was made early in his career; it depicts precisely the kind of education, well-connected Irish sitter who fuelled his success. The Reverend Henry Dabzac was from a distinguished Huguenot family, a celebrated academic historian, Dabzac received the Donegall lectureship in 1764 and from 1785 was Librarian and Senior Fellow of Trinity College, Dublin. According to his earliest biographer, Hamilton was the son of a peruke-maker based in Crow Street, Dublin. As Anne Hodge has pointed out, this places Hamilton’s father at the heart of the city: Crow street was a narrow thoroughfare formed part of the busy warren of streets bordered by the old Houses of Parliament and Trinity College at one end, and by Dublin Castle at the other. It is perhaps telling that in this early portrait, Hamilton shows Dabzac in a splendid powdered wig and his clerical bands. In 1754 Hamilton was apprenticed to James Mannin, a ‘pattern drawer’ who two years later was appointed master of the school of ornament at the Dublin Society’s drawing school, run by Robert West. Here Hamilton took the first prize in the 1755 competition, winning a premium of £1/16/. Hamilton developed a popular and profitable method of making pastel likenesses of sitters in a distinctive oval format. Hamilton developed a technique of using a sharpened pastel to hatch shaded areas of the features and, in the case of this portrait of Dabzac, the white powdered wig, which is drawn with particular care. In 1764 Hamilton moved to London where this small, oval pastels proved...

Category

18th Century Old Masters Art

Materials

Pastel

18th Century by Antonio Stom Architectural Capriccio Oil on Canvas_
18th Century by Antonio Stom Architectural Capriccio Oil on Canvas_

18th Century by Antonio Stom Architectural Capriccio Oil on Canvas_

By Antonio Stom

Located in Milano, Lombardia

Antonio Stom (Venice, Italy, c. 1688 - 1734) Title: Architectural Capriccio Medium: Oil on canvas Dimensions: without frame 88 x 113 cm - with frame 106 x 132 cm Carved, sculpted and...

Category

Early 18th Century Old Masters Art

Materials

Canvas, Cotton Canvas, Oil

Three studies executed in the Pitti Palace in 1761 by Jean-Honoré Fragonard
Three studies executed in the Pitti Palace in 1761 by Jean-Honoré Fragonard

Three studies executed in the Pitti Palace in 1761 by Jean-Honoré Fragonard

By Jean-Honoré Fragonard

Located in PARIS, FR

This brilliant study sheet, of which we present here a counterproof, is a souvenir of Fragonard's return journey from Italy. Between April and September 1761, he accompanied the abbot of Saint-Non on his way back to France. Three studies after the masters taken from the Pitti Palace’s gallery in Florence are gathered on this sheet. Although The Ecstasy of Saint Margaret...

Category

1760s Old Masters Art

Materials

Carbon Pencil

18th Century French School, Studies for frontispices, two drawings
18th Century French School, Studies for frontispices, two drawings

18th Century French School, Studies for frontispices, two drawings

Located in Paris, FR

18th-century French school, Two studies for frontispieces, pen and black ink on paper 13 x 8.5 cm each framed: 27.5 x 22 cm each These two drawings, which are particularly delicate...

Category

1750s Old Masters Art

Materials

Ink

View of St. John’s Cathedral, Antigua
View of St. John’s Cathedral, Antigua

View of St. John’s Cathedral, Antigua

Located in New York, NY

Provenance: Robert Hollberton, Antigua, ca. 1841 Private Collection, New York The present painting depicts Old St. John’s Cathedral on the island of Antigua. The church was erected in the 1720s on the designs of the architect Robert Cullen. It measured 130 feet by 50 feet with north and south porches 23 x 20 ½ feet. The tower, 50 feet high with its cupola, was added in 1789. The church was elevated to the status of a cathedral, but disaster struck in the form of an earthquake that destroyed the building on 8 February 1843. A memorandum of that date relates the event: “On Wednesday, 8th February, 1843, this island was visited by a most terrific and destructive earthquake. At twenty minutes before eleven o’clock in the forenoon, while the bell was ringing for prayers, and the venerable Robert Holberton was in the vestry-room, awaiting the arrival of persons to have their marriage solemnized, before the commencement of the morning service, the whole edifice, from one end to the other, was suddenly and violently agitated. Every one within the church, after the first shock, was compelled to escape for his life. The tower was rent from the top to the bottom; the north dial of the clock precipitated to the ground with a dreadful crash; the east parapet wall of the tower thrown upon the roof of the church; almost the whole of the north-west wall by the north gallery fell out in a mass; the north-east wall was protruded beyond the perpendicular; the altar-piece, the public monument erected to the memory of lord Lavington, and the private monuments, hearing the names of Kelsick, Warner, Otley, and Atkinson, fell down piecemeal inside; a large portion of the top of the east wall fell, and the whole of the south-east wall was precipitated into the churchyard, carrying along with it two of the cast-iron windows, while the other six remained projecting from the walls in which they had been originally inserted; a large pile of heavy cut stones and masses of brick fell down at the south and at the north doors; seven of the large frontpipes of the organ were thrown out by the violence of the shock, and many of the metal and wooden pipes within displaced; the massive basin of the font was tossed from the pedestal on which it rested, and pitched upon the pavement beneath uninjured. Thus, within the space of three minutes, this church was reduced to a pile of crumbling ruins; the walls that were left standing being rent in every part, the main roof only remaining sound, being supported by the hard wood pillars.” The entrance from the southern side into the cathedral, which was erected in 1789, included two imposing statues, one of Saint John the Divine and the other of Saint John the Baptist in flowing robes. It is said that these statues were confiscated by the British Navy from the French ship HMS Temple in Martinique waters in 1756 during the Seven Years’ War and moved to the church. The statues are still in situ and can be seen today, much as they appeared in Bisbee’s painting, but with the new cathedral in the background (Fig. 1). Little is known of the career of Ezra Bisbee. He was born in Sag Harbor, New York in 1808 and appears to have had a career as a political cartoonist and a printmaker. His handsome Portrait of President Andrew Jackson is dated 1833, and several political lithographs...

Category

19th Century Old Masters Art

Materials

Canvas, Oil

Colossus of San Carlo Borromeo, Arona, signed "Doll"
Colossus of San Carlo Borromeo, Arona, signed "Doll"

Colossus of San Carlo Borromeo, Arona, signed "Doll"

Located in Middletown, NY

Etching on cream wove paper, 6 x 8 1/4 inches (152 x 210 mm); sheet 11 3/4 x 15 1/2 inches (298 x 394 mm), the full sheet. In good condition with minor uniform toning. The structure...

Category

Early 20th Century Old Masters Art

Materials

Etching

Oil Painting of Landscape with 'The Papal Palace at Avignon'
Oil Painting of Landscape with 'The Papal Palace at Avignon'

Oil Painting of Landscape with 'The Papal Palace at Avignon'

By Pieter Bout

Located in London, GB

Provenance: Sotheby’s December 5th 2006, Lot 388 Bout was a Flemish painter, draughtsman and etcher. He is known mainly for his landscapes, city, coast and country views and archite...

Category

Early 18th Century Old Masters Art

Materials

Oil

Shepherd Leading a Lion (Androcles)

Shepherd Leading a Lion (Androcles)

Located in Middletown, NY

(after Baldassare Tommaso Peruzzi) Paris: Imprimerie Royale, c1730. Chiaroscuro woodcut from three blocks (olive, brown, tan), and aquatint on buff laid paper with a heart and cres...

Category

Early 18th Century Old Masters Art

Materials

Laid Paper, Woodcut, Aquatint

18th century portrait drawing of the Rev. William Atkinson
18th century portrait drawing of the Rev. William Atkinson

18th century portrait drawing of the Rev. William Atkinson

By George Romney

Located in London, GB

Collections: Henry Scipio Reitlinger (1882-1950); Private collection, UK to 2019 Framed dimensions: 14.50 x 15.38 inches This drawing is one of only two known portrait drawings by Romney (as opposed to preliminary studies for portraits) and is dated by Alex Kidson as being executed no later than 1769. It is likely that the present drawing was originally part of a sketchbook, now largely dismembered (Abbot Hall Art Gallery, Kendal), which Kidson notes, contained some of Romney’s most beautiful early drawings. This drawing, and a second sheet formerly with Andrew Wyld, have been identifying as depicting the Rev. William Atkinson...

Category

18th Century Old Masters Art

Materials

Pencil

La Anunciación
La Anunciación

La Anunciación

Located in Miami, FL

Anonymous Artist "La Anunciación" from the 18th Century. Oil on Copper 21.5 x 15.7 inches Perfect Condition It represents the moment when Mary accepts the divine designs transmitted by the archangel Saint...

Category

18th Century Old Masters Art

Materials

Copper

17th Century by Il Padovanino Pair of putti Oil on canvas
17th Century by Il Padovanino Pair of putti Oil on canvas

17th Century by Il Padovanino Pair of putti Oil on canvas

By Il Padovanino

Located in Milano, Lombardia

Alessandro Leone Varotari, detto il Padovanino (Padua, Italy, 1588 - Venice, Italy, 1649) Title: Pair of putti Medium: Oil on canvas Dimensions: without frame 83 × 66 cm – with frame...

Category

17th Century Old Masters Art

Materials

Canvas, Oil

Portrait drawing of Harriot Mellon, Mrs Thomas Coutts
Portrait drawing of Harriot Mellon, Mrs Thomas Coutts

Portrait drawing of Harriot Mellon, Mrs Thomas Coutts

By Henry Fuseli

Located in London, GB

Inscribed by the artist in pen and brown ink, upper margin: 'σοφὴν δὲ μισῶ: μὴ γὰρ ἔν γ' ἐμοῖς δόμοις / εἴη φρονοῦσα πλείον' ἢ γυναῖκα χρή [Euripides, Hippolytus, 11, 640-41: “But a ...

Category

19th Century Old Masters Art

Materials

Pencil

LA FLAGELACIÓN DE CRISTO - OLEO SOBRE VIDRIO - ESCUELA AUGSBURGO - SIGLO XVIII
LA FLAGELACIÓN DE CRISTO - OLEO SOBRE VIDRIO - ESCUELA AUGSBURGO - SIGLO XVIII

LA FLAGELACIÓN DE CRISTO - OLEO SOBRE VIDRIO - ESCUELA AUGSBURGO - SIGLO XVIII

Located in Sant Celoni, ES

Interesante óleo pintado sobre vidrio invertido. De escuela de Augsburgo, Alemania. Segunda mitad del siglo XVIII. Marco de época. En buen estado. En la parte trasera hay bastantes p...

Category

Late 18th Century Old Masters Art

Materials

Oil

18th Century French Orientalist Portrait of Arab Man in Turban, oil painting
18th Century French Orientalist Portrait of Arab Man in Turban, oil painting

18th Century French Orientalist Portrait of Arab Man in Turban, oil painting

Located in Cirencester, Gloucestershire

Portrait of Arab Man in Turban French artist, 18th century oil on canvas, framed Framed: 21 x 16.5 inches Canvas : 18.5 x 14 inches Provenance: private collection, France Condition: ...

Category

18th Century Old Masters Art

Materials

Oil, Canvas

Bellos Consejos (Wonderful Advice)

Bellos Consejos (Wonderful Advice)

By Francisco Goya

Located in Chicago, IL

An impression from the 1st edition published in 1799, the only edition published during Goya's lifetime. References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1 Prado ...

Category

18th Century and Earlier Old Masters Art

Materials

Aquatint, Etching

Fine 17th Century Dutch Old Master Drawing Hunting Party Landscape
Fine 17th Century Dutch Old Master Drawing Hunting Party Landscape

Fine 17th Century Dutch Old Master Drawing Hunting Party Landscape

Located in Cirencester, Gloucestershire

The Hunting Party Attributed to Dirk Maes (1659-1717) Dutch. Figures in a Classical Landscape, Watercolour and wash on paper, Mounted, unframed image 6.75" x 9.75" (17.1 x 24.7cm)...

Category

17th Century Old Masters Art

Materials

Watercolor, Pencil

Escuela hispano-colonial (XVIII-XIX) - Virgen con Niño
Escuela hispano-colonial (XVIII-XIX) - Virgen con Niño

Escuela hispano-colonial (XVIII-XIX) - Virgen con Niño

Located in Sant Celoni, ES

La obra es de autor anónimo El estado de la obra es aceptable, lo que si se remarca, es que está reentelada (por eso se aprecia la tela mas clara de lo habitual en una obra de esta ...

Category

Late 18th Century Old Masters Art

Materials

Oil

The Peasant Settling His Debt
The Peasant Settling His Debt

The Peasant Settling His Debt

By Adriaen van Ostade

Located in Middletown, NY

Etching on thin, cream laid paper 4 x 3 5/8 inches (100 x 90 mm), with narrow margins, trimmed inside the platemark. Adhesive residue at the top right and left corners, and archival ...

Category

17th Century Old Masters Art

Materials

Etching

18th Century portrait oil painting of a gentleman
18th Century portrait oil painting of a gentleman

18th Century portrait oil painting of a gentleman

Located in Nr Broadway, Worcestershire

Follower of Enoch Seeman the Younger German, (1694-1744) Portrait of Gilbert Sympkin Oil on canvas Image size: 29.25 inches x 24.5 inches Size including frame: 38 inches x 33.25 inches A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger. Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice. Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting...

Category

18th Century Old Masters Art

Materials

Canvas, Oil

18th Century by Francesco Zuccarelli Landscape with River and Waterfall
18th Century by Francesco Zuccarelli Landscape with River and Waterfall

18th Century by Francesco Zuccarelli Landscape with River and Waterfall

Located in Milano, Lombardia

Francesco Zuccarelli (Pitigliano, Italy, 1702 - Florence, Italy, 1788) Title: Landscape with River and Waterfall Medium: Oil on canvas Dimensions: without frame 55 x 78.5 cm - with frame 68 x 95 x 5 cm Not signed Expertise by Professor Giancarlo Sestieri Publications: Giorgio Baratti Collezione. Selezione di opere d’arte antica (Giorgio Baratti Collection. Selection of ancient works of art), curated by Professor Giancarlo Sestieri with the participation of Professor Andrea Emiliani, Grafiche Veneziane, Venezia 2011, pp...

Category

18th Century Old Masters Art

Materials

Canvas, Oil

Double-sided Horse Studies by Théodore Géricault
Double-sided Horse Studies by Théodore Géricault

Double-sided Horse Studies by Théodore Géricault

Recto: two horses, preparatory study for the lithograph "Les Boueux" ("The Muddy Ones") Verso: four studies of horse heads (including two preparatory studies for the watercolor "Plowing in England"), a study of a life guard with the rump of his horse (preparatory to the lithograph "A Party of Life...

Category

1820s Old Masters Art

Materials

Carbon Pencil

19th Century Roman Landscape oil on canvas with Giltwood Frame
19th Century Roman Landscape oil on canvas with Giltwood Frame

19th Century Roman Landscape oil on canvas with Giltwood Frame

Located in Rome, IT

Amaizing 19' century Roman landscape depicting a part of Villa Borghese with Trinità dei Monti. With a finely carved gilt wood coeval frame. Measurements with frame cm 65 x78 wit...

Category

19th Century Old Masters Art

Materials

Oil

The Death of Coresus, 18th Century Watercolor and Ink Drawing, Framed
The Death of Coresus, 18th Century Watercolor and Ink Drawing, Framed

The Death of Coresus, 18th Century Watercolor and Ink Drawing, Framed

By Jean-Baptiste Greuze

Located in Paris, Île-de-France

JEAN-BAPTISTE GREUZE (Tournus 1725 - 1805 Paris) The Death of Coresus, circa 1750 Pen and brown ink, black ink tips, gray wash on black chalk, 455 x 385 cm Bears on the reverse in ...

Category

18th Century Old Masters Art

Materials

Watercolor, Ink

17th Century By Paulus Bor Heraclitus and Democritus Oil on Panel
17th Century By Paulus Bor Heraclitus and Democritus Oil on Panel

17th Century By Paulus Bor Heraclitus and Democritus Oil on Panel

Located in Milano, Lombardia

Paulus Bor (Amersfoort, Netherlands, 1605 - 1669) Title: Heraclitus and Democritus Medium: Oil on panel Dimensions: without frame 56 x 46 cm - with frame 77 x 67 cm "Cassetta" frame ...

Category

17th Century Old Masters Art

Materials

Wood Panel, Oil

18th Century By Vincenzo Re Christ Healing a Paralytic Oil on Canvas
18th Century By Vincenzo Re Christ Healing a Paralytic Oil on Canvas

18th Century By Vincenzo Re Christ Healing a Paralytic Oil on Canvas

Located in Milano, Lombardia

Vincenzo Re (Parma, Italy, 1695 - Naples, Italy, 1762) Title: Christ Healing a Paralytic Medium: Oil on canvas Dimensions: without frame 50 x 62 cm - with frame 70 x 92 cm Not signed...

Category

18th Century Old Masters Art

Materials

Canvas, Oil

German Miniature of Young Lady in a Fancy Hat
German Miniature of Young Lady in a Fancy Hat

German Miniature of Young Lady in a Fancy Hat

Located in New Orleans, LA

This charming German miniature painting, created of oil on copper, depicts a young woman wearing a large and lavish hat. With dark, braided hair and blue eyes, the sitter's cheerful ...

Category

19th Century Old Masters Art

Materials

Copper

A painting of Sappho by Ettore Forti
A painting of Sappho by Ettore Forti

A painting of Sappho by Ettore Forti

Located in London, GB

A painting of Sappho by Ettore Forti Italian, c.1900 Frame: Height 85cm, width 38cm, depth 2.5cm Canvas: Height 73cm, with 26.5cm, depth 2.5cm This excellent portrait painting depic...

Category

Late 19th Century Old Masters Art

Materials

Canvas, Oil

Il tempio del Sole

Il tempio del Sole

By Israel Silvestre

Located in Middletown, NY

Etching on hand made cream laid paper, 2 7/8 x 6 1/4 inches (72 x158 mm), 1/4 inch margins. In very good condition with minor edge wear. Adhered with adhesive along the left top shee...

Category

Early 17th Century Old Masters Art

Materials

Handmade Paper, Laid Paper, Etching

17th Century By Giovanni Battista Spinelli Jacob's dream Oil on Canvas
17th Century By Giovanni Battista Spinelli Jacob's dream Oil on Canvas

17th Century By Giovanni Battista Spinelli Jacob's dream Oil on Canvas

Located in Milano, Lombardia

Giovanni Battista Spinelli (Chieti, Italy, 1613 - Ortona, Italy, 1657) Title: Jacob's dream Medium: Oil on canvas Dimensions: without frame 98 x 135 cm - with frame 108 x 145 cm Not signed Expertise by Professor Nicola Spinosa, art historian Publications: From Sacro to Profano. The Giorgio...

Category

Mid-17th Century Old Masters Art

Materials

Oil, Canvas

An angler fishing at Cow Tower on the River Wensum, Norwich
An angler fishing at Cow Tower on the River Wensum, Norwich

An angler fishing at Cow Tower on the River Wensum, Norwich

Located in Middletown, NY

A peaceful fishing scene with Cow Tower and Norwich Cathedal in the distance. Etching with drypoint and Chine collé; Japon paper mounted to cream wove paper, 8x 10 3/4 inches (204 x...

Category

Late 19th Century Old Masters Art

Materials

Etching, Handmade Paper, Drypoint

L'Empereur Henri IV aux pieds du Pape Grégoire VII
L'Empereur Henri IV aux pieds du Pape Grégoire VII

L'Empereur Henri IV aux pieds du Pape Grégoire VII

Located in Middletown, NY

(after Federico Zuccari) The image depicts an event which occurred during the Investiture Controversy in 1077. Here we see the Holy Roman Emperor Henry IV humbling himself before Pop...

Category

Early 18th Century Old Masters Art

Materials

Laid Paper, Woodcut

Anatomical Studies - Etching by Jacques de Sève - 1771

Anatomical Studies - Etching by Jacques de Sève - 1771

Located in Roma, IT

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate I, page 76 Paris: Imprimerie Royale, 1771 Copperplate engraving on laid paper (approx. 24.5 × 19.5 c...

Category

1770s Old Masters Art

Materials

Etching

The Singers

The Singers

By Adriaen van Ostade

Located in Chicago, IL

The Singers (4th State), 1667 Etching printed with tone 240 x 190 mm.; 9 1/2 x 7 1/2 inches Provenance: W. Benoni White (Lugt 2592) Karl Herweg (not in Lugt) References: Godefroy 19 IV/VII Hollstein 19 IV/VII Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47 Notes: A very fine impression of the rare 4th state (of seven) of this major Van Ostade. Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state. Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland. Pelletier (S. William Pelletier, Adrian Van Ostade...

Category

17th Century Old Masters Art

Materials

Etching

Europe: An Original 18th Century Hand-colored Map by E. Bowen
Europe: An Original 18th Century Hand-colored Map by E. Bowen

Europe: An Original 18th Century Hand-colored Map by E. Bowen

Located in Alamo, CA

This is an original 18th century hand-colored map entitled "A New & Accurate Map of Europe Drawn from the Best Authorities Assisted by the Most Improved Modern Charts and Maps." by E...

Category

Mid-18th Century Old Masters Art

Materials

Engraving

A Distribution of Bread to the Poor
A Distribution of Bread to the Poor

A Distribution of Bread to the Poor

By Herman van Swanevelt

Located in Middletown, NY

Utrecht: Herman van Swanevelt, c1650. Etching on cream laid paper, 6 3/4 x 10 3/4 (172 x 273 mm); sheet 7 1/4 x 11 inches (185 x 280 mm), margins. In good condition with some minor s...

Category

Early 17th Century Old Masters Art

Materials

Laid Paper, Etching

Christ Crowned with Thorns, from The Passion of Christ
Christ Crowned with Thorns, from The Passion of Christ

Christ Crowned with Thorns, from The Passion of Christ

By Hendrick Goltzius

Located in Middletown, NY

Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...

Category

Early 17th Century Old Masters Art

Materials

Engraving

Old Masters art for sale on 1stDibs.

Find a wide variety of authentic Old Masters art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,495,000, while the average work sells for $546.