Post-War Art

An abstract screen print diptych by Post War artist Josef Albers. This work is two prints framed together.

A chromeogenic print by Post War artist Lawrence Schiller. "Marilyn 12, No. 15" is a color, photographic print depicting a close up of Marilyn Monroe, fresh from the pool on the set ...

A silver gelatin print by Post War artist Lawrence Schiller. "End of the Day, Marilyn Monroe, "Something's Got to Give"" is a black and white...

An abstract monotype on Japanese handmade paper mounted on board, depicting diagonal stripes executed in blues, violets and yellows, by Post War arti...

An abstract screen print by Post War artist Josef Albers. Signed lower right, "Albers '72". Editioned lower left, "LC 134/144".

An abstract screen print executed in bright yellow & chartreuse by Post War artist George Ortman.

A monotype by Kenneth Noland. "Winds 82-23" is an abstract, painted monotype on handmade paper executed primarily in yellows and greens in a chevron pattern by Post War artist...

A painting by John Millei. This Untitled work is an abstract, oil on mylar painting by Post War artist John Millei.

Silver Gelatin Photograph Signed lower right. Edition: 1/35

This is a black and white portrait of Marilyn Monroe with sparklers photographed by Lawrence Schiller in 1962. Edition 72/75 Lawrence Schiller only remembers the 60s in this way: Fa...

Marilyn Monroe (splash), Something's Got To Give, May 23, 1962 Edition 6 of 15

Edition 72/75 Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find...

Friedel Dzubas Upstream, 1973 acrylic on canvas 40h x 40w in

Friedel Dzubas untitled, 1974 acrylic on canvas 4h x 18w in

DESCRIPTION aquatint and drypoint printed in colors, signed in pencil, dated, numbered 43/71 (total edition includes eight artist's proofs), on Magnani wove paper, with the blindstam...

Femme Echevelée, Picasso, Multiples, Edition, Ceramic, Women, 1960's, Nude Ed. 68/100 pcs 1963 White earthenware, decoration with engobes under partial glaze with a brush D.27 cm St...

Pichet Espagnol, Picasso, 1950's, Pitcher, Ceramic, Earthenware, Multiple Pichet Espagnol Ed. 47/200 pcs 1954 White earthenware clay, decoration in en...

Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...

Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of Karl Otto Götz at the Kunstakademie Düsseldorf and these four upcoming artists presented their latest works in an in their own initiative curated exhibition to bring the newest art movements from oversea and Paris to Germany. On the invitation cards they printed the terminologies „Pop Art, Junk Culture, Nouveau Realisme, Common Object Painting, Neo Dada, New Vulgarismus, Antikunst, Know-Nothing-Genre“ and they proclaimed for theirselves to be the first artists to show a indepently grown Pop Art in Germany, not just as a copy or American import. But Polke showed right from the beginning an ironic distance to the sociocritical style of his combatants, that will run through his entire Ouevre. Influenced by the Fluxus and Neo Dada scene around Joseph Beuys, Daniel Spoerri, Dick Higgins...

Wayne Thiebaud Dark Gumball Machine, 1964/ 2017 Hard ground and soft ground etching 18h x 12w in

Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...

Sigmar Polke (1941-2010) was one of the most important german artists of the late 20th century. In 1961 he joined with Manfred Kuttner, Konrad Lueg and Gerhard Richter the class of K...

A painting by Willem de Kooning. "Woman in a Rowboat" is an abstract, oil on paper laid on masonite painting executed in a lush and swirling palette primarily of greens, whites, beiges and yellow and depicting an abstracted, nude woman in a boat by Post War artist Willem de Kooning. "Woman in a Rowboat" is a seminal work by de Kooning that has a new fluidity which relates to his next major series of Woman paintings which he began in 1964. Signed lower left, "de Kooning." Provenance: Allan Stone Gallery, New York Private Collection, New York Private Collection, Arizona Exhibition: North Hampton, Smith College Museum of Art; Cambridge, The New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Willem de Kooning: a Retrospective from Public and Private Collections, April – June 1965 (Cambridge only) New York, Allan Stone Gallery, De Kooning/Cornell, February – March 1965 Rotterdam, Museum Boijmans Van Beuningen, American Paintings, September - October 1966, cat. no. 26 Dublin, The Royal Dublin Society, Rosc'67:The Poetry of Vision, November – December 1967, p. 201, illustrated Detroit, J.L. Hudson, Willem de Kooning: Three Decades of Painting, March – April 1968, no. 31 (exhibition checklist) Easthampton, Gild Hall...

Richard Diebenkorn Untitled (Albuquerque), 1951 Ink On Paper 11 x 8.63 in

Cast and Welded Bronze

Acrylic on Canvas

Medium: Colored and pressed paper pulp Printer: Tyler Graphics Ltd., Mt. Kisco, New York Publisher: Tyler Graphics, Mt. Kisco, New York Edition size: 22, plus proofs Catalogue ra...