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Romantic Art

ROMANTIC STYLE

In emphasizing emotion and imagination, romantic art shifted away from the restraint of classicism and neoclassicism that had dominated art in Europe since the Renaissance. Romanticism achieved its greatest popularity in art, literature, music and philosophy between 1780 and 1830, although its expression of individual experiences ranging from awe to passion informed culture in the decades after.

Landscape painting was especially popular during the romantic period, as were nature studies of wild animals and fantasies of exotic lands. Romanticism varied across Europe as it reacted to the rise of industrialization, a more personal relationship with faith that was distanced from the church and the rationalist thinking of the Enlightenment.

British painters such as John Constable and J.M.W. Turner responded dramatically to the light and atmosphere of the natural world, while William Blake conveyed humanity’s connection to the divine in his visionary art. In Germany, the late-18th-century Sturm und Drang, or Storm and Drive, movement, with its probing of the unconscious, inspired a sense of mystery in work by romantic artists such as Caspar David Friedrich and Philipp Otto Runge. In France, where the French Revolution had turned tradition upside down, Théodore Géricault and Eugène Delacroix used lush brushwork to paint monumental canvases with tumultuous scenes of nature and history.

The romantic movement and its subject matter were a significant influence on the Pre-Raphaelites, Symbolists and the American painters of the Hudson River School, as well as on other cultural movements in the 19th and 20th centuries that saw artists build on this perspective in which art was guided by emotion rather than reason.

Find a collection of romantic paintings, sculptures, prints and multiples and more art on 1stDibs.

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Style: Romantic
Color:  Black
Jesus Christ in Front of his Accusers - Figurative Painting Grey White Black
Located in Sofia, BG
"Jesus Christ in front of his accusers" is an modern, romantic painting by the Bulgarian artist Maestro Zhivko Zheliazkov, About the artwork: TECHNIQUE: oil painting on canvas ST...
Category

2010s Romantic Art

Materials

Canvas, Oil

"Mother and Daughters”, Dutch Interior scene, Romantic style, oil on canvas
Located in Nutfield, Surrey
Bernard Pothast (1882-1966) Although born in Belgium in 1882, Bernard Pothast was the...
Category

20th Century Romantic Art

Materials

Oil, Canvas

Portrait of a Man and Woman
Located in Austin, TX
Painting by Peter Plonkin (b. 1879) 32 x 46 inches Oil on Canvas
Category

Early 20th Century Romantic Art

Materials

Canvas, Oil

"Mother and Children”, Dutch interior family scene, oil on canvas, circa 1930
Located in Nutfield, Surrey
This is an original unique oil painting by the artist. Bernard Pothast was born on 30th November, 1882 in Hal, Belgium. He studied painting at the Rijksakademie in Amsterdam between ...
Category

20th Century Romantic Art

Materials

Canvas, Oil

Large Landscape With Pines in Sunset - Motif From Liden by Oscar Lycke, Sweden
Located in Stockholm, SE
Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism style...
Category

1920s Romantic Art

Materials

Canvas, Oil

Red Rose in Vintage Light, Limited Edition Giclée Print, Vertical Still Life
Located in Barcelona, ES
This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...
Category

2010s Romantic Art

Materials

Emulsion, Photographic Paper, C Print, Giclée

Antique Horse Study; Legs and Rumps, 1838" Wouterus Verschuur (Dutch, 1812-1874)
Located in SANTA FE, NM
Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...
Category

1830s Romantic Art

Materials

Pencil, Paper

Lovers at the Fountain - Italian 19th Century Figurative Oil on Canvas Painting
Located in Rome, IT
Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...
Category

Mid-19th Century Romantic Art

Materials

Oil

Antique Horse "Heads, Hooves, Rump 1838" Wouterus Verschuur (Dutch, 1812-1874)
Located in SANTA FE, NM
Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...
Category

1830s Romantic Art

Materials

Pencil, Paper

French Countryside Pastoral Landscape Early 20th Century
Located in Soquel, CA
Early 20th Century French Countryside Pastoral Landscape Beautiful early 20th century Romantic period European landscape by an unknown artist, circa 1900. This pastoral scene featur...
Category

Early 20th Century Romantic Art

Materials

Canvas, Oil

JUST BEFORE SUNSET, Original Signed Contemporary Realist Landscape Painting
Located in Boston, MA
JUST BEFORE SUNSET, Original Signed Contemporary Realist Landscape Painting 24" x 40" x 0.5" (HxWxD) Oil on Linen mounted on Gator Board Hand-signed by t...
Category

21st Century and Contemporary Romantic Art

Materials

Board, Linen, Oil

'The Young Courtesan', 19th Century French School, French Romanticism, Large Oil
Located in Santa Cruz, CA
Signed lower left, 'P. Lagiere' (French, 19th century) and dated, '1868'. After 'La Jeune Courtisane', 1821, by Xavier Sigalon (French, 1787–1837), held in the permanent collection o...
Category

1860s Romantic Art

Materials

Oil, Canvas

French Romantic School, 19th Century, Manly head of bearded man, oil on canvas
Located in Paris, FR
French Romantic School 19th Century Manly head of bearded man oil on canvas 46 x 37.8 cm In fairly good condition, some inpaintings visible under UV light, mainly in the backgrounds ...
Category

1850s Romantic Art

Materials

Canvas, Oil

Man Dancing with Birds
Located in San Francisco, CA
This artwork "Man Dancing with Birds" c.1970 is an oil painting on canvas by noted French artist Jovan Obican, 1918-1986. It is signed at the lower left corner by the artist. The can...
Category

Late 20th Century Romantic Art

Materials

Oil

Young girls oil on canvas painting portrait
Located in Barcelona, Barcelona
José Puyet Padilla (1922-2004) - Girls - Oil on canvas Oil measures 81x65 cm. Frameless. Puyet was born in Malaga, Spain. He was the grandson of Professor José Padilla, a Spanish artist who began painting in the nineteenth century. As a child, Puyet learned to paint by watching his grandfather, whose company he preferred to that of children his age. At the age of eight he had started working on paencils and oils. At the age of 20, Puyet entered the Spanish army...
Category

1980s Romantic Art

Materials

Oil, Canvas

Calcot Park
Located in New York, NY
Signed lower left: A.J. MUNNINGS
Category

Early 20th Century Romantic Art

Materials

Oil, Canvas

Musa II. Beautiful woman playing instrument. Still life on abstract background
Located in Segovia, ES
Musa II. Beautiful woman playing an instrument and still life was painted by Goyo in 1997. Date and signature appear in the lower left corner. It is done with acrylics in a 122 x 6...
Category

1990s Romantic Art

Materials

Wood Panel, Acrylic

"Resting" Spaniels, Romantic Dog Color Photograph with plexiglass frame
Located in Charleston, US
Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...
Category

21st Century and Contemporary Romantic Art

Materials

Photographic Paper

La Princesse Bleue
Located in Paris, FR
Georges-Antoine Rochegrosse 1859-1938 French La Princesse Bleue Oil on canvas Signed lower left Canvas: 27 1/8" high x 32 1/8" wide Frame : 37 3/8" high x 41 3/4" wide Exposed...
Category

Early 19th Century Romantic Art

Materials

Canvas, Oil

"Major", Spaniel Romantic Dog Color Photograph with beveled plexiglass frame
Located in Charleston, US
Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...
Category

21st Century and Contemporary Romantic Art

Materials

Photographic Paper

Lucia - Portrait Oil Painting Colors Brown White Red Green Black Pale
Located in Sofia, BG
"Lucia" is a painting by the South African - French artist Leith Ridley. A bit of fun and colour based on the face of portrait of a young woman in a black hat by Petrus Christus in ...
Category

2010s Romantic Art

Materials

Canvas, Oil

Le maréchal flamand (The Flemish Blacksmith) — 19th Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category

1820s Romantic Art

Materials

Lithograph

"La Chasse Imaginaire” Spaniel Romantic Dog Photograph with plexiglass frame
Located in Charleston, US
Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...
Category

21st Century and Contemporary Romantic Art

Materials

Photographic Paper

"Phalco's Obsession" a Spaniel's Hedgehog photograph in beveled plexiglass frame
Located in Charleston, US
Alain Foussier, born in France living in the Netherlands, perfects the spirit of a hedgehog with his animal photography. This photograph of his Spaniel...
Category

21st Century and Contemporary Romantic Art

Materials

Photographic Paper

"Major's Watchful Eye" Romantic Dog Color Photograph with plexiglass frame
Located in Charleston, US
Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel and Scottie dogs with his portrait photography. His S...
Category

21st Century and Contemporary Romantic Art

Materials

Photographic Paper

COUNTRY GIRL- Angelo Granati - Figurative oil on canvas painting
Located in Napoli, IT
Country girl - Angelo Granati Italia 2011 - Oil on canvas cm. 90 x 70. This is his reinterpretation of painting "Young Shepherdess" by gratest old master William Adolphe Bouguereau. ...
Category

2010s Romantic Art

Materials

Oil, Canvas

"Phalco's Look” Spaniel, Romantic Dog Photograph with beveled plexiglass frame
Located in Charleston, US
Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...
Category

2010s Romantic Art

Materials

Photographic Paper

"Phalco at Big Window" Romantic Dog Color Photograph with plexiglass frame
Located in Charleston, US
Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...
Category

21st Century and Contemporary Romantic Art

Materials

Photographic Paper

"Tweeluik", Two Spaniel Poses in Romantic Dog Photograph with plexiglass frame
Located in Charleston, US
Alain Foussier, born in France living in the Netherlands, perfects the mood and spirit of Spaniel dogs with his portrait photography. His Spaniel dog a...
Category

21st Century and Contemporary Romantic Art

Materials

Photographic Paper

Venus and Cupid
Located in Brussel, BE
Venus and Cupid by Jean-Marie Boucher : This white marble statue of Venus, gazing lovingly at a winged Cupid, was created around 1910. The same marble model was sold by Sotherby's London in their auction "19th and 20th Century Sculpture '' on November 26...
Category

Early 1900s Romantic Art

Materials

Marble

Berglandschap, Mid 19th Century View of a Mountain Valley in Switzerland
By Alexandre Calame
Located in Cotignac, FR
Mid 19th Century oil on canvas view of a Swiss valley and mountainscape by Alexander Calame. The painting is signed bottom left. The canvas is on a fine stretcher with 'keys'. The painting has been in a private collection in the North of France since the early 20th Century. A very beautiful and expert rendition of one of Calame's iconic Swiss mountain views. Atmospheric view of light and shade, a moody sky with the sun just breaking through over a small mountain cottage retreat. Alex Calame was born in Corsier-sur-Vevey, today a part of Vevey, Switzerland. He was the son of a skillful marble worker in Vevey, but because his father lost the family fortune, Calame could not concentrate on art, but rather he was forced to work in a bank from the age of 15. When his father fell from a building and then died, it was up to the young Calame to provide for his mother. In his spare time he began to practice drawing small views of Switzerland. In 1829 he met his patron, the banker Diodati, who made it possible for him to study under landscape painter François Diday. After a few months he decided to devote himself fully to art. In 1835 he began exhibiting his Swiss-Alps and forest paintings in Paris and Berlin. He became well known, especially in Germany. He is associated with the Düsseldorf school of painting. In 1842 he went to Paris and displayed his works Mont Blanc, the Jungfrau, the Brienzersee, the Monte Rosa and Mont Cervin. He taught in Geneva, where Adolf Mosengel was one of his pupils as were some of the children of the Russian Imperial family of Nicholas I. Alexandre Calame...
Category

Mid-19th Century Romantic Art

Materials

Canvas, Oil

The Dawn
By Alfred Finot
Located in Brussel, BE
Title : L'Aurore (The Dawn) The sculpture depicts a smiling woman getting up in the morning. The artist chose to detail only the anatomical parts of the woman, her hands, her...
Category

Early 20th Century Romantic Art

Materials

Marble

Cadini di Misurina, Italian dolomites (Tre Cime di Lavaredo)
Located in ROTTERDAM, ZH
The series of works depict an in-between land in which man must find his way, with an ode to nature in the background that compels us to modesty. Cadini di Misurina - Italian Dolomites
Category

2010s Romantic Art

Materials

Photographic Paper

Savitry (from the Indian poem Mahabharata), 1871
Located in Roma, RM
Artist: Andrea Gastaldi Title: Savitry (from the Indian poem Mahabharata), 1871 Medium: oil on canvas Signature: signed lower right: “Andrea Gastaldi”. Exhibitions: Promotrice di Bel...
Category

1870s Romantic Art

Materials

Oil

The Artist
Located in Brussel, BE
The Sculpture : The Artist (L'Artiste) Impressive in size, measuring no less than 123 cm in height, and resting on its original base, Fraikin’s sculpture “L’Artiste” from 1872 reveals itself as a masterpiece. While the artist’s original plaster is now held in the museum bearing his name in Herentals, the present Carrara marble version is made for and exhibited for the first time at the Exposition Universelle de Paris in 1878, it has granted him the Légion d’honneur, France’s most distinguished medal. A paper document glued to the original base of this sculpture indicates that it was indeed this work that was presented at the Paris Salon in 1878 and not a reproduction. We have, to this day, never encountered a copy of this sculpture and assume that it must be unique as was often the case with royal commissions. Following its success at the Exposition Universelle, the present marble was sold to Prince de Stirbay and arranged to be gracing his palace on the outskirts of Paris. As noted by Guillaume Bijl, and specifically naming the present sculpture, this type of princely clientele wasn’t a rare feat for the artist: “Several families, mainly from nobility or with an industrialist background, embellish their castles and mansions with these beautiful and disarming works. (…) Of L’amour endormi a marble version was bought by the Duchess Maria of Russia and another version went to the noble house of von Lindenau. "L’Artiste" in marble went to Prince de Stirbay, and Les deux amours to the noble family van Bisschoffsheim.” With the present marble tucked away in its princely and private collection, the plaster model held in the Fraikin Museum has defended the artist’s reputation ever since. It was exhibited several times over the course of the past century and was recently granted the central position in the exhibition “In dialoog met de kunstenaar” held at the Art Center Hugo Voeten in 2019 and curated by the artist Guillaume Bijl. "L'Artiste" was created when the artist was at the height of both his reputation and skill. The delicacy and quality of the sculpture are a testament to Fraikin's greatness as an artist. Very few works exhibited at the World's Fair were deemed important enough to attract the attention of the art critics at the time. However, in his record of the World Fair, published in La Sculpture en Europe, the critic Henry Jouin dedicated this important passage to Fraikin's masterpiece: "Aux hommes de bataille, aux héros de nos luttes terrestres, si souvent assombries par le sang ou la haine...
Category

1870s Romantic Art

Materials

Marble

'Tender Solitude', Painting, Acrylic on Canvas
Located in Yardley, PA
'Tender Solitude' Acrylic on Canvas, hand finished frame. Approx 20”x16” including frame. :: Painting :: Romanticism :: This piece comes with an official certificate of authenti...
Category

21st Century and Contemporary Romantic Art

Materials

Acrylic

Strawberries
Located in San Francisco, CA
This artwork titled "Strawberies" c.1985, published 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 65...
Category

Late 20th Century Romantic Art

Materials

Lithograph

Torri de Vajolet
Located in ROTTERDAM, ZH
Torri de Vajolet - Italian dolomites ( East Trentino) The series of works depict an in-between land in which man must find his way, with an ode to nature in the background that co...
Category

2010s Romantic Art

Materials

Archival Pigment

Neapolitan Fisherboy
Located in Brussel, BE
Marble sculpture of a fisherman by Cesare Lapini Impressive sculpture dated 1888 representing a young Neapolitan fisherman leaning proudly against a rock holding three fish along a...
Category

1880s Romantic Art

Materials

Marble

"The Search" Late 19th Century Oil on Canvas by Spanish Artist M. Alonso Pérez
Located in Madrid, ES
MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 THE SEARCH signed "Alonso Pérez" (lower right) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: ...
Category

1980s Romantic Art

Materials

Canvas, Oil

The Last Train, Painting, Acrylic on Canvas
Located in Yardley, PA
Acrylic on Canvas framed to guild of Frames Museum Standard :: Painting :: Romanticism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...
Category

21st Century and Contemporary Romantic Art

Materials

Acrylic

Lovers at the Fountain - Italian 19th Century Figurative Oil on Canvas Painting
Located in Rome, IT
Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...
Category

Mid-19th Century Romantic Art

Materials

Oil

Harmonie
Located in Brussel, BE
This impressive sculpture in Carrara marble by the French artist Marius-Joseph Sain has been perfectly preserved for more than a century. The finesse of this work, the right arm ...
Category

Early 20th Century Romantic Art

Materials

Marble

Oeschinensee - Swiss Alpes (Berner Alpen)
Located in ROTTERDAM, ZH
Oeschinensee - Swiss Alpes (Berner Alpen) The series of works depict an in-between land in which man must find his way, with an ode to nature in the background that compels us to...
Category

2010s Romantic Art

Materials

Archival Pigment

'Children Landing a Catfish', 19th Century American School, Large Nocturnal Oil
Located in Santa Cruz, CA
A substantial, mid-to-late 19th century American School nocturnal landscape showing a view of three children, accompanied by their terrier, fishing by ...
Category

Late 19th Century Romantic Art

Materials

Oil, Canvas

French Mid 19th Century Portrait of an Italian Brigand
Located in Cotignac, FR
Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...
Category

1860s Romantic Art

Materials

Cotton Canvas, Oil

Bridesmaids
Located in San Francisco, CA
This artwork titled "Bridesmaids" 1995, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 41/950 in pencil by...
Category

Late 20th Century Romantic Art

Materials

Lithograph

Swing Time, Painting, Oil on Canvas
Located in Yardley, PA
This diptych explores a playground at dusk, when the swings and riding toy are abandoned waiting for the children to return. This time of day has always been my favorite for painting...
Category

20th Century Romantic Art

Materials

Oil

'In Memory of William W. Peabody' original hand-colored lithograph by N. Currier
Located in Milwaukee, WI
The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Images like this were popular as ways of remembering loved ones, an alternative to portraiture of the deceased. This lithograph shows a man, woman and child in morning clothes next to an urn-topped stone monument. Behind are additional putto-topped headstones beneath weeping willows, with a steepled church beyond. The monument contains a space where a family could inscribe the name and death dates of a deceased loved one. In this case, it has been inscribed to a young Civil War soldier: William W. Peabody Died at Fairfax Seminary, VA December 18th, 1864 Aged 18 years The young Mr. Peabody probably died in service for the Union during the American Civil War. Farifax Seminary was a Union hospital and military headquarters in Alexandria, Virginia. The hospital served nearly two thousand soldiers during the war time. Five hundred were also buried on the Seminary's grounds. 13.75 x 9.5 inches, artwork 23 x 19 inches, frame Published before 1864 Inscribed bottom center "Lith. & Pub. by N. Currier. 2 Spruce St. N.Y." Framed to conservation standards using 100 percent rag matting and TruVue Conservation Clear glass, housed in a gold gilded moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...
Category

Mid-19th Century Romantic Art

Materials

Watercolor, Lithograph

Obscurity - Figurative Oil Painting Colors Brown Red Orange Black Pale
Located in Sofia, BG
"Obscurity" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, Oil on canvas About the artwork: Editio...
Category

2010s Romantic Art

Materials

Canvas, Oil

Ceremony - Figurative Oil Painting Colors Brown Red Orange Black Pale
Located in Sofia, BG
"Ceremony" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition...
Category

2010s Romantic Art

Materials

Canvas, Oil

Pair of Oil on Canvas Early 19th Century Portraits of a Man and Woman
Located in Palm Beach, FL
A pair of early 19th century French oil on canvas paintings of a man and woman, probably husband and wife. Neoclassical and Napoleonic in style, these paintings are very well execute...
Category

19th Century Romantic Art

Materials

Oil

Those from the Past - Figurative Oil Painting Colors Brown Red Orange Black Pale
Located in Sofia, BG
"Those from the past" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwo...
Category

2010s Romantic Art

Materials

Canvas, Oil

She was a Woman - Figurative Oil Painting Colors Brown Red Orange Black Pale
Located in Sofia, BG
"She was a woman" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: ...
Category

2010s Romantic Art

Materials

Canvas, Oil

Paradox - Figurative Oil Painting Colors Brown Red Orange Black Pale
Located in Sofia, BG
"Paradox" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition ...
Category

2010s Romantic Art

Materials

Canvas, Oil

Italia 2 - Signed limited edition pigment print, Sculpture, Greek god, Mythology
Located in Barcelona, Barcelona
Italia 2 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by...
Category

2010s Romantic Art

Materials

Archival Paper, Photographic Paper, Color, Pigment, Archival Pigment, Di...

Sensitive - Figurative Oil Painting Colors Brown Red Orange Black Pale
Located in Sofia, BG
"Paradox" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition ...
Category

2010s Romantic Art

Materials

Canvas, Oil

The Rest - Figurative Oil Painting Colors Brown Red Orange Black Pale
Located in Sofia, BG
"The Rest" is a painting by Maestro Sertap Yeğin. About the painting: Style and Technic: Romantic, Contemporary, oil on canvas About the artwork: Edition...
Category

2010s Romantic Art

Materials

Canvas, Oil

Romantic art for sale on 1stDibs.

Find a wide variety of authentic Romantic art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Hiro Yokose, Francisco Goya, Leo Primavesi, and Dipen Bose. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Romantic art, so small editions measuring 3 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $119 and tops out at $1,300,000, while the average work sells for $2,213.

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