Street Art

Title: Montreux Jazz Festival 1983 by Keith Haring 1986 Medium: Screenprint in colours on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) S...

Basquiat boxing poster 1997: This rare double-sided 1997 Basquiat boxing poster was published on occasion of the 1990s exhibition, “Jean-Michel Basquiat Works and Portraits” at Parco...

'The Door': Rare early Basquiat, Keith Haring Street Art Photo by Fernando Natalici: 'The Door,' photographed, New York c.1979/1980, represents one of only two known photographs featuring the early graffiti work of a young Jean-Michel Basquiat & Keith Haring together on one image (see upper right & left). Basquiat's tags appear in at least 3 places ('Salt', teepe & skull). The work combines the two most iconic Haring & Basquiat images of all: Haring's radiant baby & Basquiat’s crown; while also presenting the work of Whitney Biennial artist, David Wojnarowicz (Burning House mid upper left) & five time Brazilian Biennial artist Alex Vallauri (acrobat stencils across lower area). A true testament to the New York downtown art scene of the late 70's/early 80's. Archival Ink Jet Print on 310GM paper. Dimensions: 16 x 20 inches including borders (image 12x16 in). Hand signed and numbered from an edition of 20. Acquired directly from artist. Seller is an authorized dealer rep of Fernando Natalici. Excellent overall condition. Superb overall print quality. About Fernando Natalici: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s work was recently featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, recently exhibited at The Museum of The Moving Image. Related Categories Basquiat crown. Basquiat SAMO...

Jello Biafra, New York, 1986 by celebrated downtown photographer Fernando Natalici. Jello Biafra – Dead Kennedy’s – Leader of the semianl early punk group The Dead Kenendys. Shot in...

Basquiat Downtown 81: A collection of two announcements, one press-release for Jean-Michel Basquiat, 1981: The Studio of the Street, Curated by Diego Cortez & Glenn O’Brien, Deitch P...

This is a complete set of three screenprints by Keith Haring. The first of these were produced by Keith Haring in 1983 as the official poster for the Montreux Jazz Festival. The firs...

Artist: Keith Haring Title: Silence = Death Size: 39 x 39 in. (99.1 x 99.1 cm) Medium: Color Screenprint on Wove Paper Edition: HC 15 of 25 Year: 1989 Notes: Image Size: 33 x 33 in...

Keith Haring Crack Down! 1986: Vintage original Keith Haring anti-drug poster, 1986. Off-set lithograph on heavy weight paper. Dimensions: 17 x 22 inches. Minor signs of handling; ...

Great piece of Graffiti and Music history with cover art by Futura. Very early recording by the Graffiti legend featuring vocals from Futura, Dondi and Fab 5 Freddy. Original release...

Artist: Keith Haring Title: Untitled (Plate 1) Size: 24 x 36 in. (61 x 91.4 cm) Medium: Lithograph of Arches Paper Edition: 23 of 40 Year: 1982 Notes: From a suite of six prints. S...

Artist: Keith Haring Title: Double Man Size: 22 x 30 in. (55.9 x 76.2 cm) Medium: Lithograph in colors on wove paper Edition: 34 of 85 Year: 1986 Notes: S...

Artist: Keith Haring Title: Untitled (Free South Africa): one plate Size: 39 7/8 x 39 1/2 in. (81 x 100.3 cm) Medium: Lithograph in colors, on Rives BFK paper, with full margins Ed...

Limited Edition Keith Haring spray paint published circa 2018 featuring the Estate trademark of Keith Haring. A unique Haring collectible that makes for a fantastic display piece. Me...

Sidney Janis Gallery, Jean-Michel Basquiat, CRASH (John "Crash" Matos), A1One, Chris DAZE Ellis, Daze, Keith Haring, Rammellzee, TOXIC, Kenny Scharf, Lee Quiñones, Lady Pink, Futura & others Rare Sidney Janis Gallery poster for American Graffiti show Abstract Prints, 1983 Silkscreen Poster on glossy paper 36 × 24 inches Unframed Very rare and highly collectible vintage poster...

Signed and numbered in red crayon along the lower right edge K. Haring '82. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Works, C...

"The higher you build your barriers the taller I become" The Berlin Wall, 1989 by legendary photo journalist, Leni Sinclair - a Kresge Foundation Eminent Artist (see The Guardian UK, Jan. 28, 2016) & legendary documenterian of 60's counter-cultural America. Archival inkjet print. Dimensions: 11 x 14 inches including borders. Hand signed, titled & dated in ink on the lower margins. Acquired directly from artist. Lot 180...

Raymond Pettibon: Black Flag at Vex 1983: Handbill/ punk flyer for gig by Black Flag, Flesheaters, The Dicks, Saccharine Trust, Redd Kross, The Dicks, & Nip Drivers featuring artwork...

Keith Haring Public Illumination 1981: A rare, highly collectible small pamphlet-style art magazine (measuring 4.25 x 2.75 inches), featuring a centerfold spread illustrated by Keith Haring, playfully credited under the moniker "Kip Herring." The illustrations include some of Haring's signature early motifs including dogs, crawling babies, and figures in varying sexual positions. A rare, early Haring collectible which quite possibly marks his first appearance in a printed publication. Staple bound zine (art magazine), 4.25 x 2.75 inches. Good to very good overall vintage condition; appears unused. Unsigned from an edition of unknown. Literature/References: Printed Matter Inc., New York, NY Public Illumination Magazine: Founded by Zagreus Bowery in 1979 in New York and distinguished by its pocket-sized format, the publication rose to prominence in the underground art scene and was revered for its blatant mockery of mainstream magazines. The texts and drawings ranging from parody to absurdities. Contributions will be published exclusively under pseudonyms. By 2007, 51 issues appeared. The magazine is published irregularly and is available in the USA, Italy and Germany. Writers and artists who have contributed include: Keith Haring, Ken Brown, Steve Dalachinsky, Michael Madore, David Sandlin...

Crash Pleased to See You, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day ...

Crash Untitled, 1989 Signed and dated lower left Watercolor and ink on paper 30 x 20 1/2 inches A contemporary of Keith Haring and a modern-day master of this present day art form o...

Selected from the Drew Carolan monograph MATINEE All Ages On The Bowery. Shot against a white seamless on the corner of Bleecker St. and Bowery in New York city in 1984 with a Rollei...

Limited Edition Keith Haring spray paint can set published circa 2018 featuring the Estate trademark of Keith Haring. A unique Keith Haring collector’s set that makes for standout home display. Medium: Off-set lithograph on 2 individual metal spray paint cans. Approximately 8 x 2.5 inches each. Unused; yellow is in excellent condition; blue very good condition with the exception of a small linear surface dent on upper - visible from up close only; comes with pocket caps as originally issued. From a sold-out/out of print edition of unknown. © Keith Haring Foundation, Licensed by Artestar, New York. **Please note international shipping is not available on this piece. Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories Graffiti. Street Art. Pop Art. Haring. Basquiat. New York 1980s. Subway art. Futura. Rammellzee. Lee Quinones.

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

SoHo Fire Escapes, New York, 1984 by Fernando Natalici: The simplicity & grace of iconic New York architecture rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the hidden poetry of urban architecture... Archival Inkjet Print. Approximately 12 x 18 inches (image size: approx 12 x 17in.). Hand signed from an edition of 20. Obtained directly from artist. Excellent condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Soho Building Architecture, A Brief History The SoHo-Cast Iron Historic District comprises about 500 buildings, many of which are characterized by their cast-iron facades. Development of the district began in the late 18th century. The population surged after the War of 1812, and some homes from this era still remain. The latter half of the 19th century saw the district evolve into a center of commerce and entertainment, and the majority of the cast-iron buildings the district is known for were constructed during this period. The use of cast-iron allowed for ornate facades that were a much cheaper alternative to granite and marble. However, an increase of industrial production along with rising crime and “immorality” steadily drove residents out of the area. The district began to decline in the early 20th century, leaving many spaces vacant for decades and leading some to refer to the area as Hell’s Hundred Acres. 

It was not until the late 1960s that artists became attracted to the area because the large, unoccupied loft spaces made affordable studios. Many of those who moved into the area lived in their workspaces, even though it was illegal to do so, and the area was not sufficiently equipped for residential life, lacking basic necessities. At the same time, the entire landscape of SoHo was threatened by plans to build the Lower Manhattan Expressway (LOMEX) - a proposed ten-lane elevated highway that would require the demolition of much of SoHo and Little Italy. Artists in the area collaborated with other preservation advocates in the first, unsuccessful attempt to designate SoHo as a historic district for its architectural significance. Although that failed, they also formed Artists Against the Expressway and ultimately helped defeat the plans for LOMEX, which saved the architecture in the area. The “SoHo Effect” has become a model for repurposing an industrial district for mixed use, both commercial and residential, while preserving much of the existing structural integrity. Today SoHo is known for its unique cast-iron architecture, desirable loft living...

Original drawing for a late 1980's T-shirt design for Voodoo Rider by Gary Ermoloff (American, b. 1949). Dated, titled, and signed along the bottom edge ...

Dondi White, Zephyr & Charlie Ahearn ‘Heroin Kills' Subway Art Photograph 1981. A rare, historic, early 1980s Bronx, New York graffiti photograph by Cha...

Raymond Pettibon Black Flag poster circa 1983: Flea, the Red Hot Chili Peppers bassist once said of Pettibon's Black Flag illustrations and iconic l...

Collaboration between Huck Snyder and Jane Bauman This work is offered by ClampArt in New York City.

Collaboration between Jane Bauman and David Wojnarowicz Jane Bauman writes: "I had made that bleak/black house stencil that I used in San Francisco and had it when I moved to NYC in...

Signed and titled in pencil, verso Spray paint on cardstock stencil This work is offered by ClampArt in New York City

Signed and titled in pencil, verso Spray paint on cardstock stencil This work is offered by ClampArt in New York City.

Signed and titled in pencil, verso Spray paint on cardstock stencil This work is offered by ClampArt in New York City.

Signed and titled in pencil, verso Spray paint on cardstock stencil This work is offered by ClampArt in New York City.

Artist: David Rucli, Italian (1944 - ) Title: Jazz Club Year: circa 1989 Medium: Oil on Canvas, signed verso Size: 50 x 78.25 in. (127 x 198.76 cm)

The Girl In Union Square by Fernando Natalici Manhattan, 1984. The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print on 310gsm Paper 13 x 19 inches (image: 12 x 18 inches) Hand signed from an edition of 20 Obtained directly from artist Excellent condition New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories William Klein. Henri Cartier Bresson. Saul Leiter...

Artist: David Rucli, Italian (1944 - ) Title: 1 + 1 = 3 Year: 1989 Medium: Oil on Canvas, signed l.l. Size: 68 in. x 48 in. (172.72 cm x 121.92 cm)

Limited Edition Keith Haring spray paint can published circa 2018 featuring the Estate trademark of Keith Haring. A unique Keith Haring collector’s set that makes for standout home d...

Collaboration between David Wojnarowicz and Jane Bauman Contact gallery for price. This work is offered by ClampArt in New York City.

An abstract expressionist, four-paneled painting by Papo Colo from 1986. A conceptual piece made by a multi-media artist who's work pertains to cultural identity and activism. Papo C...