Victorian Art
Style: Victorian
Color: Brown
19th Century landscape oil painting of figures by a Derbyshire brook
Located in Moreton-In-Marsh, Gloucestershire
George Turner
British, (1843-1910)
A Derbyshire Brook
Oil on canvas, signed, further signed, titled & dated 1899 verso
Image size: 19.5 inches x 29.5 inches
Size including frame: ...
Category
19th Century Victorian Art
Materials
Canvas, Oil
Fine Victorian British Oil Painting Elegant Figures in Sumptuous Interior Room
Located in Cirencester, Gloucestershire
Artist/ School: David Wilkie Wynfield (1837-1887) British
Title: Elegant Figures in an Interior
Medium: oil painting on canvas, framed. Indistinctly Ins...
Category
19th Century Victorian Art
Materials
Oil
English Portrait of a Jack Russell Terrier dog in a landscape, 'Flusie'
Located in Woodbury, CT
English Portrait of a Jack Russell Terrier dog in a landscape, 'Flusie'
William Albert Clark was an English animal portrait painter. He was the son of the famous Victorian animal painter, Albert Clark.
He lived and worked in London, where he painted horses, cattle and very rarely dog portraits. Just like the other members of his family who were painters William's paintings were in great demand, like they are now.
This piece is a very very rare dog...
Category
1940s Victorian Art
Materials
Oil, Canvas
Victorian antique English still life of flowers, birds nest, eggs in a garden
Located in Woodbury, CT
Henry John Livens was born in 1858, in St Pancras, London the direct descendant of Jan Liebens who had left his native Holland in the 1600’s to paint a portrait of the King and subse...
Category
1890s Victorian Art
Materials
Canvas, Oil
Remember the 7th Commandment
Located in Austin, TX
Artist: Unknown
21 ⅝" x 30 ¼" Oil on Canvas
Frame Size: 29" x 35.5"
Category
20th Century Victorian Art
Materials
Canvas, Oil
LOUIS LOTTIER (1815-1892) French Antique Oil Merchants on Beach Ancient Building
Located in Cirencester, Gloucestershire
Louis Lottier (1815-1892) French
'Merchants gathered on a beach with a town beyond
Medium: oil on canvas, unframed.
Size of panting 8.5" x 15" inches
overall good and satisfactory c...
Category
Late 19th Century Victorian Art
Materials
Oil
19th Century Scottish river landscape oil painting of Glen Falloch
Located in Moreton-In-Marsh, Gloucestershire
Sidney Richard Percy
British, (1821-1886)
Glen Falloch
Oil on canvas, signed & dated (18)69
Image size: 23.5 inches x 37.5 inches
Size including frame: 29.5 inches x 43.5 inches
Provenance: MacConnal-Mason & Son Ltd
A superb Scottish landscape painting of Glen Falloch by Sidney Richard Percy. The work is typical of his oeuvre and includes seated figures, a fisherman, cattle and sheep. Glen Falloch is a valley in the Argyll and Bute area of Scotland. It lies between Crianlarich and Loch Lomand. The river Falloch, which is featured in the painting, flows through it before entering Loch Lomand.
Sidney Richard Percy was born Sidney Richard Williams, on the 22 March, 1822 the fifth son of the artist Edward Williams Snr (1781–1855) and Ann Hildebrandt. His brothers Edward Charles (1807–1881), Henry John Boddington (1811–1865), George Augustus (1814–1901), Arthur Gilbert (1819–1895) and Alfred Walter Williams...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Young Deer in Summer Scottish Highland Glen by Pool of Water
Located in Cirencester, Gloucestershire
Artist/ School: Scottish School, 20th century
Title: Young deer roaming in a Scottish summers glen next to a pool of water. Very atmospheric work.
M...
Category
20th Century Victorian Art
Materials
Oil
Antique French Impressionist Signed Oil Autumnal Woodland Pathway
Located in Cirencester, Gloucestershire
Artist/ School: French School, early 1900's, indistinctly signed lower corner, inscribed verso
Title: Autumn Woods
Medium: oil painting on board, unframed and inscribed verso
Size...
Category
Early 20th Century Victorian Art
Materials
Oil
19th Century pair of seascape oil paintings of shipping on the Medway
Located in Moreton-In-Marsh, Gloucestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19.5 INCHES X 17.5 INCHES**
Hubert Thornley
British, (exh. 1858 -1898)
Mouth of the Medway & Rochester on the Medway
Oil on canvas, pair, both, signed
Image size: 13.25 inches x 11.25 inches (each)
Size including frame: 19.5 inches x 17.5 inches (each)
An atmospheric pair of seascape paintings of shipping on the Medway by Hubert Thornley. The first is a view of the mouth of the Medway by moonlight and the second is a scene near Rochester on the Medway.
Hubert or William Thornley was a painter of coastal scenes and marines who lived in Greenwich and for many years had a studio overlooking the Medway near Rochester in Kent. According to art historian Denys Brook-Hart, he was actually born Charles Thornley and exhibited under this name from an address in Paddington, London.
Although called Charles, his best known name was William Thornley. He would also exhibit and sell paintings...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Antique British Sporting Oil Painting Horse & Dogs with Scottish Hunter
Located in Cirencester, Gloucestershire
The Sporting Party
by William Albert Clark (1880-1963)
signed lower corner
oil painting on canvas, framed
canvas: 17 x 21 inches
Provenance: private collection, Suffolk, England
C...
Category
Early 20th Century Victorian Art
Materials
Oil, Canvas
19th Century landscape oil painting of a Yorkshire river
Located in Moreton-In-Marsh, Gloucestershire
William Mellor
British, (1851-1931)
On the Wharfe, Bolton Woods
Oil on canvas, signed & further inscribed verso
Image size: 15.5 inches x 23.5 inches
Size including frame: 22.5 inches x 30.5 inches
A picturesque landscape painting of the river Wharfe near Bolton Woods by William Mellor. To the left, cattle are shown watering by the river under the shade of the trees. On the opposite bank, a flock of sheep can be seen grazing in the distance.
William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter.
In 1876, he married Mary Elizabeth Watson...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Victorian Oil Painting "Mother and Child Rockpooling at Beach with cute dog"
Located in ludlow, GB
Frederick Thomas Charles Underhill
British 1832 - 1896
London painter of genre, coastal scenes and biblical subjects. Born in Birmingham. Exhibited from 1851-75, at the RA between 1852-67. Titles at the RA including 'Sea Coast, 1852, 'The Gypsy Mother', 1855 and 'Hagar and Ishmael...
Category
Mid-19th Century Victorian Art
Materials
Oil
A Hazy Morning on the Welsh Hills
Located in Wiscasett, ME
Oil on artist panel, signed and dated lower left. It measures 19.75" x 22.75" including the frame, which is likely the original.
Benjamin Williams Leader RA (12 March 1831 – 22 Ma...
Category
1870s Victorian Art
Materials
Oil
Scottish Highland Loch under Atmospheric Moonlight, signed antique oil painting
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson (British 1895-1950), signed
Title: Scottish Highland loch scene at the close of day, beautifully moody and atmospheric.
Medium: signed oil painting o...
Category
Early 20th Century Victorian Art
Materials
Oil
Windsor Castle from the River Thames, signed Victorian Oil Painting, framed
Located in Cirencester, Gloucestershire
Artist/ School: by J. Lewis, British late 19th century, signed lower left corner
Title: Windsor Castle at Sunset, viewed from the River Thames
Medium: oil on canvas, framed
Framed...
Category
19th Century Victorian Art
Materials
Oil
19th Century oil painting of The Dogana, Venice
Located in Moreton-In-Marsh, Gloucestershire
Alfred Pollentine
British, (1844-1910)
The Dogana, Venice
Oil on canvas, signed & further inscribed verso
Image size: 15.5 inches x 23.5 inches
Size including frame: 22.5 inches x 30.5 inches
A lovely painting of the Grand Canal, Venice towards the Punta Della Dogana by Alfred Pollentine. The view shows the entrance to the Grand Canal with the Dogana and Santa Maria Della Salute on the right.
Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...
Category
19th Century Victorian Art
Materials
Oil, Canvas
British 19th century Victorian River cottage landscape with fisherman
Located in Woodbury, CT
Wonderful Antique Victorian Welch River landscape , with fisherman casting his line.
Joseph Horlor was born in Bath in 1809 and was a landscape painter ...
Category
1870s Victorian Art
Materials
Oil, Canvas
19th Century river landscape oil painting of figures crossing stepping stones
Located in Moreton-In-Marsh, Gloucestershire
Robert John Hammond
British, (1853-1911)
Stepping Stones
Oil on canvas, signed & dated 1900
Image size: 20.75 inches x 13.75 inches
Size including frame: 30.5 inches x 23.5 inches
A pretty painting of figures crossing stepping stones over a river by Robert John Hammond. Behind the figures a path leads towards two cottages at the foot of a mountainous landscape. The landscape is similar to that of North Wales, a location which Hammond returned to a number of times.
Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred Banner...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Historical genre oil painting of a couple eloping
Located in Moreton-In-Marsh, Gloucestershire
Jules Girardet
French, (1856-1938)
Le Coeur a des Raisons
Oil on canvas, signed
Image size: 41 inches x 33 inches
Size including frame: 50.25 inches x ...
Category
Early 20th Century Victorian Art
Materials
Oil, Canvas
Vintage French Signed Oil c. 1930's Pink & Red Roses in a natural setting
Located in Cirencester, Gloucestershire
Artist/ School: E. Baladon, French circa 1930's period.
Title: a sprig of roses
Medium: oil painting on board, framed
framed: 13 x 18 inches
board: 9.5 x 15 inches
Provenance:...
Category
Early 20th Century Victorian Art
Materials
Oil
Baling the Hay
Located in Wiscasett, ME
Fall farm scene painting by John Linnell, oil on board signed and dated in the lower right. The painting measures 26.5" x 28.5" including the fram...
Category
Mid-19th Century Victorian Art
Materials
Oil
19th Century genre oil painting of children gathering berries
Located in Moreton-In-Marsh, Gloucestershire
William Bromley
British, (1816-1890)
Gathering Hawthorn Berries
Oil on canvas, signed
Image size: 27.5 inches x 35.5 inches
Size including frame: 33.5 inches x 41.5 inches
A love...
Category
19th Century Victorian Art
Materials
Oil, Canvas
!9th century English Pub interior , with Huntsmen and figures drinking
Located in Woodbury, CT
Attributed to Randolph Caldecott, a well-known English painter, and illustrator of English Pub interior scenes.
The scene is great fun, as we can see di...
Category
1890s Victorian Art
Materials
Canvas, Oil
Fine Victorian Oil Painting Huntsman Talking to Milkmaid in Village Lane, Hounds
Located in Cirencester, Gloucestershire
Artist/ School: Singleton Jowett (1878–1927), signed
Title: Pausing for Conversation
Medium: oil on canvas, framed
Framed: 24 x 20 inches
Canvas: 2...
Category
19th Century Victorian Art
Materials
Oil
19th Century landscape oil painting of the river Severn
Located in Moreton-In-Marsh, Gloucestershire
Robert John Hammond
British, (1853-1911)
On the River Severn
Oil on canvas, signed & inscribed verso in pencil to stretcher
Image size: 15.25 inches x 23.25 inches
Size including frame: 21.25 inches x 29.25 inches
An attractive landscape scene of figures on the banks of the river Severn by Robert John Hammond. A man can be seen steadying a boat whilst a woman and her daughter wait by the bank.
Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred...
Category
19th Century Victorian Art
Materials
Canvas, Oil
Fine Antique Scottish Highlands Oil Painting Sunset over the Loch, signed, dated
Located in Cirencester, Gloucestershire
Artist/ School: Jack Maurice Ducker (British, 19th/ 20th century), signed and dated 1919
Title: Sunset over the Scottish Highlands
Medium: oil on canvas, framed
Framed: 22 x 30 in...
Category
Early 20th Century Victorian Art
Materials
Oil
Riverscape oil painting of shipping on the Thames with Tower Bridge
Located in Moreton-In-Marsh, Gloucestershire
Edward Henry Eugene Fletcher
British, (1857-1945)
Shipping in the Pool of London at Dusk with Tower Bridge in the Distance
Oil on canvas, signed
Image size: 19.5 inches x 29.5 inches
Size including frame: 26.75 inches x 36.75 inches
An atmospheric painting of ships in the Pool of London at dusk by Edward Henry Eugene Fletcher. A variety of boats are depicted in the scene, including tug boats and barges. In the distance lies the iconic Tower Bridge. The Pool of London is a stretch of the River Thames between Tower Bridge and Limehouse and is divided into two sections, the Upper Pool and the Lower Pool.
Edward Henry Eugene Fletcher was a marine artist who was born in Marylebone, London on 23 July 1857 to Robert Henry Fletcher and Julia Pennell. His father worked for the Bengal Pilot Service guiding shipping along the Hooghly River between Calcutta and the Bay of Bengal. After the death of his father in 1862, his mother married the picture dealer Reuben Brooks. He attended the Bradmore House School in Chiswick Lane before enrolling at the Chelsea School of Art, where he became a close friend of the landscape artist Daniel Sherrin.
Fletcher initially enlisted in the Army Hospital Corp, serving in Nova Scotia but was invalided out in 1882 at the age of 24 due to an eye condition. His records indicate he was 6ft tall with fair hair and grey eyes. He continued to paint in his spare time and undoubtedly his travels would have inspired his subject matter and given him a deeper knowledge of shipping and the sea. He married Annie Reed Moses in 1886 at Norwich and they lived in Margate before moving back to London to live in Blackheath around 1890. He is widely believed to have set up an auction business during this time to help support his growing family, however , perhaps due to the return of ill health he decided to give it up to focus on painting.
Although he did not exhibit, he sold his work mainly through art galleries, possibly aided by his step father. He also used the pseudonym of John Hayes which was probably for contractual reasons. By 1901, he had established himself as a full time artist and was living at Georgette Place in Greenwich with his wife and their 5 children. He later moved to 99 Lee Road, Blackheath where he spent the rest of his life. He died at Blackheath on 23 June, 1945.
Much of Fletcher’s work consisted of views of the river Thames or ships in harbours...
Category
Late 19th Century Victorian Art
Materials
Oil, Canvas
19th Century genre oil painting of girls with geese
Located in Moreton-In-Marsh, Gloucestershire
George Augustus Holmes
British, (1828-1911)
Letting out the Geese
Oil on canvas, signed with monogram & dated (18)69
Image size: 20.75 inches x ...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Tu Me Connais - Yunomi (MADE TO ORDER) (Hand-painted, hand-made, porcelain)
Located in Kansas City, MO
(MADE TO ORDER) (Hand-painted, hand-made, porcelain)
*Lead Time may vary between 1-3 weeks
Melanie Sherman
"Yunomi" - (Du Kennst Mich Series)"
Year: 2021
Porcelain, Glaze, ChinaPain...
Category
2010s Victorian Art
Materials
Luster, Porcelain, Glaze
'His First Suit, ' a large Victorian oil painting, signed 'Fred Morgan'
Located in London, GB
'His First Suit,' a large Victorian oil painting, signed 'Fred Morgan'
English, c.1899
Frame: Height 109cm, width 133cm, depth 8cm
Canvas: Height 92cm, width 116cm, depth 2.5cm
Executed in oil-on-canvas, and mounted in a carved giltwood frame, this beautiful English painting, titled 'His first suit,' is by the late Victorian artist Frederick Morgan, an artist working in a similar style to that of the more well known Arthur John Elsley...
Category
1890s Victorian Art
Materials
Canvas, Oil
19th century landscape oil painting of a village tavern with a windmill
Located in Moreton-In-Marsh, Gloucestershire
John Holland Snr
British, (1830-1886)
The Windmill Tavern
Oil on canvas, signed
Image size: 13 inches x 20.5 inches
Size including frame: 18.25 inches x 25.75 inches
Provenance: Frost & Reed
A pleasing landscape painting of the Windmill Tavern by John Holland Snr. The scene depicts a large group of people conversing outside the inn whilst others make their way along a country track running beside it. The building and windmill pictured here appear very similar to those situated at Reigate Heath in Surrey. The mill at Reigate was built in 1753 and was still used for grinding wheat up until around 1870. The main building is now the Reigate Heath Golf Club. The windmill still stands today and is owned and maintained by Reigate and Banstead Borough Council.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Highland Sheep, Scotland
By John Barker
Located in Wiscasett, ME
Oil on canvas, signed lower left. Measures 32.25" x 37.5" including the frame.
Know for his paintings of scenes in the highlands of Scotland, John Barker, British 1811 to 1886.
Category
Mid-19th Century Victorian Art
Materials
Oil
19th century English chalk drawing on paper of a Lions head
Located in Woodbury, CT
William Huggins was born in Liverpool, England on the 13th of May, 1820. His parents were Samuel and Elisabeth Huggins. He took his first drawing lessons from the Liverpool Mechanics...
Category
1840s Victorian Art
Materials
Paper, Pastel
19th Century seascape oil painting of ships at Brading Haven, Isle of Wight
Located in Moreton-In-Marsh, Gloucestershire
George Stainton
British, (1838-1900)
Brading Haven, Isle of Wight
Oil on canvas, signed & transcribed verso
Image size: 23.25 inches x 35.5 inches
Size including frame: 31 inches x...
Category
19th Century Victorian Art
Materials
Oil, Canvas
"30 Hour Clock, " Wooden Gears with Original Face, Glass, & Mirror
Located in Milwaukee, WI
"30 Hour Clock" is a wooden gears with original face, glass, and mirror manufactured by Jeromes & Darrow. The wood is a very rich color, which is highlighted ...
Category
1830s Victorian Art
Materials
Glass, Mirror, Wood
Antique English Signed Oil - Sunset over the River Thames fields and church
By James Lewis
Located in Cirencester, Gloucestershire
Artist/ School: James Lewis (British, late 19th century), signed
Title: Sunset over the River Thames
Medium: signed oil painting on canvas, framed.
framed: 12.5 x 16.5 inches
canv...
Category
Late 19th Century Victorian Art
Materials
Oil
Fine Victorian Oil Painting, Milk Maid & Dog Walking Through Wooded Valley
Located in Cirencester, Gloucestershire
Artist/ School: Edward Robert Smythe (British 1810-1899), signed and dated (1858?) lower centre.
*artists bio below, please scroll down.
Title: Walking through the Woods
Medium: oil on canvas, framed
Size:
framed: 27.5 x 22 inches
canvas: 22 x 17 inches
Provenance: private collection, England
Condition: The painting is in overall very good and sound condition.
Edward Robert Smyth[e], was born at Berners Street, Ipswich in 1810 and baptised St Nicholas Church, Ipswich on 10 February 1815, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter (1783-1845), who married at Norwich on 14 June 1811; James was an accountant with bankers Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich who added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp at Ipswich and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with artists such as Samuel Read, Wat Hagreen, Frederick Brett Russel and Robert Burrows. About 1840, he moved to Norwich to study the Norwich School of Painters where he became acquainted with Robert Ladbrooke’s son, Frederick Ladbrooke and is said to have worked with John Sell Cotman (1782-1842), but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich on 15 March 1848, Ellen Burman (1827-1879) of Ipswich and where his first child Edward Robert, jun. was born the following year. Edward was of Berners Street, Ipswich when declared insolvent at Ipswich on 13 September 1850 and in 1851, giving his age as 32, was living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. Smythe exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850, several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape', and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Fine Art Club 1886-1898 and in 1889 at the Woodbridge Art Exhibition at the Assembly Room, Bull Hotel, Woodbridge had several oil paintings on display including 'Horses at Marsh', 'Donkeys' and 'Early Morn'. He also exhibited five works at the Royal Academy including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865, Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on Wednesday, 5 July 1899, aged 88, and was buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974, a pastel 'Crossing the...
Category
19th Century Victorian Art
Materials
Oil
Warming by the Fire
Located in Wiscasett, ME
Oil on panel, measures 17" x 21" painting and with frame 24" x 27.5". Signed and dated 1885 lower left. Charles Green studied at Leigh’s School of Fine Art and under the engraver, J W Whymper, before quickly establishing himself as a painter and illustrator. Specialising in genre pieces, he joined the Langham Sketching Club and was elected to the Royal Institute of Painters in Water Colours (ARI 1864; RI 1867). His elder brother, Henry Towneley Green, was also a member. His contribution of contemporary subjects to the early numbers of The Graphic were admired by Van Gogh, but he was best known for his depiction of period settings and for his illustrations to The Old Curiosity Shop...
Category
1880s Victorian Art
Materials
Oil
Antique Scottish Oil Painting - Highland River Landscape at Sunset
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson British 1895-1950
Title: The Highland River at Sunset
Medium: Oil on canvas, framed
Size:
framed: 20 x 28 inches
canvas : 16 x 24 inches
Provenance...
Category
Early 20th Century Victorian Art
Materials
Oil
Large scale 19th Century historical genre oil painting of a group of musicians
Located in Moreton-In-Marsh, Gloucestershire
Robert Alexander Hillingford
British, (1828-1904)
The Duke’s Musicians – A Reminiscence of Hardwick Hall, Derbyshire
Oil on canvas, signed
Image size: 40 inches x 59 inches
Size including frame: 47.5 inches x 66.5 inches
Exhibited at the Royal Academy in 1883, no. 844
Exhibited at the Yorkshire Institute
A large-scale Royal Academy painting...
Category
19th Century Victorian Art
Materials
Canvas, Oil
19th Century sporting oil painting of a hunt
Located in Moreton-In-Marsh, Gloucestershire
Edward Benjamin Herberte
British, (1830-1896)
On the Scent
Oil on canvas, signed & dated 1890, embossed makers mark to stretcher
Image size: 15.5 inches x 23.5 inches
Size including...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Scottish Highland Loch at Sunset signed antique oil painting Beautiful Landscape
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson (British 1895-1950), signed
Title: Scottish Highlands Loch Scene with warm sunset.
Medium: signed oil painting on canvas, framed
framed: 20 x 28.5 ...
Category
Early 20th Century Victorian Art
Materials
Oil
19th century English cottage landscape with mother and child feeding chickens
Located in Woodbury, CT
19th century English/British cottage landscape with mother and child feeding the chickens.
Walter E. Ellis, was born and christened Erasmus Walter Ellis, although he must have preferred Walter to Erasmus, as he signed his paintings Walter E. Ellis, as on this painting, or W. E. Ellis.
Erasmus Walter Ellis was born in Birmingham in 1848, the son of William Ellis...
Category
Late 19th Century Victorian Art
Materials
Oil, Canvas
Antique Scottish Highlands Oil Painting Summer River Landscape, signed
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson (British 1895-1950) signed lower front
Title: Summer in the Scottish Highlands
Medium: signed oil painting on canvas, framed
Size:
framed: 20.75...
Category
Early 20th Century Victorian Art
Materials
Oil, Canvas
19th century antique English fishing boats by the White Cliffs of Dover
By J.H.Watson
Located in Woodbury, CT
A very pretty late 19th-century English marine scene of fishing boats beached after being out to sea and bringing in their catch for the day.
This was a subject that was very popul...
Category
1880s Victorian Art
Materials
Board, Oil
ANTIQUE SCOTTISH OIL PAINTING - CATTLE WALKING THE MOUNTAIN PATH - LOCH LONG
Located in Cirencester, Gloucestershire
Artist/ School: Scottish School, circa 1900
Title: Loch Long
Medium: oil painting on canvas, framed
Size: frame: 22.25 x 32.25 inches
...
Category
Late 19th Century Victorian Art
Materials
Oil, Canvas
19th Century landscape oil painting of swans on a river
Located in Moreton-In-Marsh, Gloucestershire
Alfred Augustus Glendening Snr
British, (1840-1921)
Swans on the River
Oil on canvas, signed & dated (18)96
Image size: 17.75 inches x 30.75 inches
Size including frame: 25 inches x 38 inches
Provenance: Ravensbourne Galleries, Beckenham, Kent
A beautiful river landscape painting of swans...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Portrait of a British Naval Lieutenant
Located in Boston, MA
'Portrait of British Naval Officer' is attributed to the British painter and engraver Daniel Orme (1766-c.1832) based on the scratched inscription verso, as well as its similarity to Orme’s known engraving oeuvre. The oil on tin portrait bears the scratched inscription “D. Orme” verso, which in the absence of contravening evidence as to the artist is significant in attributing the work to Orme. Katherine Coombs, Curator of Paintings at the Word & Image Department of the Victoria and Albert Museum, London and the writer of the Dictionary of National Biography article on Orme, states that Orme is “so obscure an artist that if his name is indeed scratched on the [tin] that seems good evidence for it being so.” Additionally, Orme’s stipple engravings of prominent naval figures in oval, including John Hunter in 1792, Horatio Nelson in 1798, among others at the National Portrait Gallery, London are consistent with the style and composition of the portrait. Roger Quarm, Curator of Paintings at the National Maritime Museum, Greenwich notes that Orme’s “engraved portraits of naval officers tend to be oval”. Orme is known to have issued a series of engravings by subscription that included portraits of popular naval Admirals and Officers in 1797. Two oils in the collection of the National Maritime Museum, also demonstrate Orme’s execution of naval subject matter.
The sitter has been identified as a lieutenant in the British Navy wearing the “full-dress uniform for the period 1787-1812,” according to Roger Quarm. Alfred Umhey has confirmed this identification of the sitter as a “lieutenant in the uniform pattern 1787-1795, which is however worn post that date.” The medal worn around the sitter’s neck has been identified as the Sultan’s Medal for Egypt issued in 1801, by both Quarm and Umhey. The Sultan’s Medal for Egypt or the Turkish Medal for Egypt was issued in 1801 to members of the British Army and Navy by Sultan Selim...
Category
Early 19th Century Victorian Art
Materials
Oil
Fine Victorian Oil Huntsman on Horseback outside Village Tavern with Hounds
Located in Cirencester, Gloucestershire
Artist/ School: Singleton Jowett (1878–1927), signed
Title: Pausing for Refreshments
Medium: oil on canvas, framed
Framed: 24 x 20 inches
Canvas: 2...
Category
19th Century Victorian Art
Materials
Oil
Sunset over the Scottish Highland Loch, signed antique oil painting
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson (British 1895-1950), signed with the artists pseudonym 'McGregor'.
Title: Sunset in the Scottish Highlands
Medium: signed oil painting on board, fra...
Category
Early 20th Century Victorian Art
Materials
Oil
Antique Scottish Oil Painting Sunset Highland Glen with River Flowing through
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson British 1895-1950
Title: Sunset in the Scottish Highlands
Medium: Oil on canvas
Size:
framed: 22.5 x 32.5 inches
canvas : 20 x 30 inches
Provenanc...
Category
Early 20th Century Victorian Art
Materials
Oil
"Une Application Utile du Diamant Magnetiseur--Actualites" by Honore Daumier
Located in Milwaukee, WI
"Une Application Utile Du Diamant Magnetiseur-Actualites" is an original lithograph, the second state of three, by Honore Daumier. It depicts a husband and wife pair.
Artwork Size: 8 1/2" x 10 3/4"
Frame Size: 17 3/4" x 20 1/4"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1860s Victorian Art
Materials
Lithograph
19th Century sporting oil painting of a hunting meet
Located in Moreton-In-Marsh, Gloucestershire
Edward Benjamin Herberte
British, (1830-1896)
The Meet
Oil on canvas, signed & dated 1890, embossed makers mark to stretcher
Image size: 15.5 inches x 23.5 inches
Size including fra...
Category
19th Century Victorian Art
Materials
Oil, Canvas
19th Century still life oil painting of apples, grapes & other fruit
By Oliver Clare
Located in Moreton-In-Marsh, Gloucestershire
Oliver Clare
British, (1853-1927)
Still Life of Apples, Grapes & Other Fruit
Oil on canvas, signed
Image size: 17.5 inches x 13.5 inches
Size including frame: 23.5 inches x 19.5 inches
A lovely still life painting of fruit by Oliver Clare. Apples, black grapes and plums can be seen together with a strawberry and gooseberries. The fruit is shown lying amongst foliage and trailing ivy on a woodland bank.
Oliver Clare was born in Birmingham in 1853, the son of the flower artist George Clare (1839-1890) and his wife Elizabeth Bowen. His brother Vincent Clare (1856-1917) also became an artist and both would have received tuition from their father who influenced their style and subject matter. At the age of 18 he enlisted as a soldier in the Kings Own regiment, but gave this up to become a full time artist. Like his father, Clare specialised in still life paintings, containing fruit and garden flowers, often on mossy banks.
Sometime after 1871, he moved to London where he married Emma Mary Webb...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Romantic Scottish Highlands Antique Oil Painting, Mother & Child Glen Pathway
Located in Cirencester, Gloucestershire
Artist/ School: F. E. Jamieson (British 1895-1950), signed
Title: 'Returning Home', a mother and child returning home along the riverside pathway through a mountain glen at sunset. ...
Category
Early 20th Century Victorian Art
Materials
Oil
19th century landscape oil painting of a village tavern
Located in Moreton-In-Marsh, Gloucestershire
John Holland Snr
British, (1830-1886)
The Malt Shovel Tavern
Oil on canvas, signed
Image size: 13 inches x 20.5 inches
Size including frame: 18.25 inches x 25.75 inches
Provenance: Frost & Reed
A wonderful painting of figures sat outside a village inn by John Holland Senior. A wagon is shown delivering supplies as another cart drives off towards a windmill in the distance. In the foreground two people cut a log in half whilst their family looks on. The Malt Shovel Inn was most likely the one at Upper Lambourn in Berkshire. Over 500 years old, it was located on Malt Shovel Lane, and was originally a bakery, becoming an inn sometime during the mid 1700’s. It remained as a pub until its closure in 2016. The windmill in the distance was situated outside Lambourn on the road to Baydon. It was built in 1771 but was demolished around 1887 and is now the site of a farm.
John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists.
By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint.
He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886.
A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...
Category
19th Century Victorian Art
Materials
Oil, Canvas
19th Century pair of winter landscape oil paintings
Located in Moreton-In-Marsh, Gloucestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13.5 INCHES X 19.5 INCHES**
George Augustus Williams
British, (1814-1901)
Winter in...
Category
19th Century Victorian Art
Materials
Oil, Canvas
Victorian art for sale on 1stDibs.
Find a wide variety of authentic Victorian art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Francis E. Jamieson, Sir Leslie Ward, John James Audubon, and George Cruikshank. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Victorian art, so small editions measuring 1.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $49 and tops out at $153,923, while the average work sells for $2,035.
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