Airport Art

Gas Station with Road is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size by photographer Michael Ormerod. All prints are produced to order. Lead times ...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Helicopter (The Last Picture Show) 2005 38x36cm, Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polar...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso

'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...

Artist: Ted Wilbur Title: Bi-Plane Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: AP 3/30 (Artist Proof) Image Size : 22 x 26 inches Ted Wilbur is a naval a...

This vintage or early silver gelatin print is signed, titled, dated, and numbered in pencil on the back of the print. This unmounted print was likely made in the 1930s.

Untitled (Houses and Railroad Tracks), c. 1940s, oil on canvas board, signed lower right, 16 x 20 inches, presented in a newer frame This work is part of our exhibition America Coas...

Birds design. Sealed on the back with the design studio name and number 98 We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain)...

Large scale photograph of PRADA MARFA, a permanently installed pop architectural land art project sculpture by artists Elmgreen and Dragset, inaug...

Artist Richard Erdoes is as undervalued as he is overlooked. Rarely does an artwork come on that market that combines sharp-witted originality with mind-boggling technical proficiency. In “Mid-Century Expressway,” Erodes painstakingly draws a birds-eye view of a Norman Rockwell-like town buzzing with activity. He paints far away and close up in one image. Each block has its own charming Americana story unfolding. The closer the viewer gets to each scene, the more detail is revealed. In black and white, the artist describes not only the architecture and infrastructure but also human activity - lot's of it. Erodes’s congested town is humming. Overflowing trains, packed busses, zooming cars, stuffed trucks, frenzied pedestrians and even a marching band is depicted with great whit. But do not worry. Progress is coming and all will be well. Superimposed onto this black and white clogged urban scene is a proposed new highway. It's painted in a punchy green and creates an unexpectedly distinct design. The artwork was most likely done for Fortune Magazine or the like. Notice he Esso Gasoline signs...

2011, unique artwork Oil on canvas 55 1/10 × 36 3/5 × 1 1/5 in - 140 × 93 × 3 cm The artwork is signed by the Artist & stamped with the logo of the Artist's studio on verso of the ca...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. This is print 2 of 6. Signed and numbe...

This is a 12" x 18.5" archival giclée print on a 17" x 22" archival exhibition paper. It shows a street car conductor looking through the window of one of the New Orleans historic st...

Wijnand Driessen (Dutch artist) City view 1 - Tokyo 18x 13 cm (framed, included in price 21 x 16 cm) Oil paint on canvas Artist Wijnand Driessen lives and works in Eindhoven but was...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Presenze is a print realized by Franco Fontana, in 1981. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Modena, ...

This original poster lithograph, titled Crayon et Paysage (Pencil and Landscape), is a masterful work by the illustrious artist Saul Steinberg. Published by the esteemed Galerie Maeg...

An unexpected pedestrian is caught walking across Park Avenue on a rainy day. We are not sure where he came from or where he is going, but he seems to be on a mission. The Astronaut...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

Richard Combes (b. 1963, Manchester, England) trained as an architect in the UK before moving to New York City. In 1995, he completed his MA in Painting at the New York Academy of Ar...

dramatic wide angle view of California desert airport runway tarmac Runway by Frank Schott 48 x 87 inches (122 x 221cm) signed edition of 7 22 x 40 inches (56 x 102cm) signed e...

Metro Dog - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1992. The negative was scanned creating a digital file which was then p...

Dans cette œuvre, j'ai capturé l'esprit de la course, l'effervescence autour des Ferrari rouges flamboyants, symboles de passion et de vitesse. L'utilisation de l'huile donne une...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

'E-Z Street, Nashville, Tennessee' is an atmospheric print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. Taken during a road trip across th...

This is a reproduction of Ink on Paper, created by Pierre Soulages in 1995. This work showcases Soulages' mastery of ink as a medium, highlighting his unique ability to manipulate li...

Checkered Flag The checkered flag signals the end of the race during the 1963 Nassau Speed Week. Slim Aarons Archival Pigment Print. Printed 2024. Sli...

Illustrated in The Andy Warhol Diaries by Andy Warhol. Edited by Pat Hackett, Warner Books, 1991. A photograph by Andy Warhol from The Factory at 860 Broadway looking down at the p...

Gold Leaf Pendants Duo Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed left design overall pape...

'Parking Lot, Nashville, Tennessee' is an atmospheric print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. Taken during a road trip across t...

Man Walking Past Parking Lot is a stunning Black & White print on Hahnemuehle Paper available In this size of 24” x 34” in an edition of 10. Michael Ormerod was a British photograph...

14 x 11 inch gelatin silver print. Edition 15. Signed on verso. Kazuo Sumida first visited New York in 1995. He found the city to be one of “both bustle and silence,” particularly the underground world of the subway, where he encountered “a place full of characters.” By 2002, he had produced a large body of work of images taken in this subterranean metropolis – tender scenes of lovers and children; gritty portraits of beggars for whom the subway is home; artists, musicians, commuters, and others who pass through the tunnels on their daily journeys. The resulting monograph, A Story of the New York Subway, was published in 2002, and this image appeared on the cover. Sumida was born in 1952 in Kochi Prefecture in southern Japan. Although photography was not his formal career, Sumida has pursued the art throughout his life. He graduated from Osaka Photography Graduate School in 1983, and also studied at the International Center of Photography in New York, on a fellowship from the Japanese Agency for Cultural Affairs. He lives in Japan, and continues to visit New York frequently. His work has been shown at the Tokyo Ginza Kodak Photo...

Wanderlust (Self Portrait), triptych, 2018, Edition 1/10 plus 2 Artist Proof, 20x45cm, Digital Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted . Signa...

Bruce Conner, who passed away in 2008, was born in McPherson, Kansas in 1933. In the late 50s, he moved to San Francisco where he became a pivotal figure in the Beat scene of poets,...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Ed. 4/10, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classi...

The Open Road by Michael Ormerod is available as a 24" x 34" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous solo exhibition, 'Michae...

Signature: This piece was a study for future prints, and contains artist’s notes in margin and on back This piece was a study for future prints, and contains artist’s notes in margi...

Vanishing Point by Michael Ormerod is available as an 8" x 10" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous solo exhibition, 'Mich...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

City: Shanghai, Cina Date: 2024 Photograph taken with Polaroid camera. Unique piece, embossed, signed on the back, and comes with a certificate of authenticity.

Empty Town with Post in Foreground by Michael Ormerod is available as an 8" x 10" print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous sol...

'Entrance to the Bridge' created in 2019 by one of the finest American contemporary realist painters, Willard Dixon, who has painted Northern California landscapes...

The black-and-white photograph presents a serene view along the Via Appia Antica, captured in 1954 by Erich Andres. This iconic ancient road, lined with cypress trees and remnants of...

Ferguson Racing Streamliner, in the iconic home of speed, Bonneville Salt Flats. Bonneville has been the setting of many land speed attempts and records, the unique landscape creates...

Medium: Watercolour on paper, unframed Size: 10 inches (height) x 14 inches (width) Signed: Yes Condition: Sound condition, with some minor signs of foxing visible Provenance: Privat...

Happy, TX by Keith Carter is a silver gelatin print and is an edition of 50. The photograph features a parking lot with a silo and a building in the distance. This photograph is sig...

Marfa ( Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in Marfa, Texas 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

July 17, 1954: Argentinian racer Juan Manuel Fangio (1911 - 1995) chalks up a win for the Mercedes team at the French Grand Prix in Reims. Original Publication: Picture Post - 7209 -...

Otto Eglau (1917 Berlin - 1988 Kampen), Raft Landscape in Sweden, 1956. Watercolor and ink on paper, 45 x 60 cm, signed in his own hand lower right with "Eglau" and dated "[19]56". - somewhat darkened Exposé as PDF - Temporary structures - About the artwork A wide river landscape stretches out before us, its horizon line running across the upper part of the picture, creating the impression of enormous depth. The depth is further extended by the dark tree trunks, most of which spill into the picture, and at the same time rhythmized by their different positions. This sequence of movements gives the landscape a strong dynamic moment. Indeed, the landscape seems to be "fleeing" from beneath us. To keep the gaze on the foreground alone requires a real visual effort. By looking at the foreground, we have already arrived at the background. Therefore, we cannot speak of pictorial grounds in the classical sense. Rather, we are confronted with a structurally rhythmic continuum of space, the dynamics of which are further accelerated by the cut tree trunks in the foreground and the upright trunks in the background, which function as target marks. Since the narrow strip of sky has the same white tonality as the ice, this area also fits seamlessly into the spatial structure, so that a deserted "structural landscape" unfolds before us. The structure, however, is not - as in the case of Piet Mondrian - completely abstract and thus something that exists independently of itself, removed from the time of natural space. The structures that Otto Eglau discovered in nature remain bound to it, which is why they exhibit a temporality that corresponds to the 'course of things'. Even if they correspond to an architecture of nature brought to representation, the structures are not substantial, but contingent. Artistically uncovered, they present themselves to Eglau at the very moment he captures them. In nature itself, these structures will never be repeated in the same way. Panta rhei - everything flows, even if the flow of time is frozen by his artistic representation and the image, for all its dynamism, radiates calm at the same time. "The structures I put behind things, and the lines that hold my paintings, are signs of transient life. They are random like the trace a wave leaves in the sand, blurred like the border between sea and land, ephemeral like the life of a shell I hold in my hand." - Otto Eglau About the artist After his release from captivity in 1947, Otto Eglau studied at the Hochschule für Bildende Künste in Berlin. He was a student of Oskar Nerlinger, Max Kaus and Wolf Hoffmann. From 1953 he taught free drawing for architects at the Technical University of Berlin. In the years that followed, Eglau undertook numerous study trips that took him to Scandinavia, the Arab world, the Far East and even Macau. During these travels he cultivated the technique of watercolour, which allowed him to work quickly in the open air, while retaining a strong painterly quality. Scholarships enabled Eglau to stay in Japan from 1962 to 1963 and in Naples in 1970. From 1969 to 1976 Eglau was professor of etching at the International Summer Academy of Fine Arts in Salzburg. Between 1983 and 1988 Eglau worked simultaneously in his Berlin studio at Lietzensee, which had its own printing press, and in his studio in Kampen on the island of Sylt. Otto Eglau's work has been shown in more than 100 solo exhibitions worldwide and in more than 120 group exhibitions. "I love the vastness of the island. The mudflats off Kampen are my treasure trove; here I discover new shapes and colors every day. Without Sylt, I would be like a fish without water." - Otto Eglau Selected Bibliography Hanns Theodor Flemming: Otto Eglau. Das graphische Werk, Flensburg 1966. Heinrich Seemann (Einführung): Otto Eglau. Inselskizzen, Hamburg 1982. Heinrich Seemann (Einführung): Otto Eglau. Japan, Nepal, Sylt. Aquarelle. Zeichen und Strukturen. Einführung von Heinrich Seemann, Hamburg 1986. Otto Eglau: Watt-Tagebuch. Ausgewählte Aquarelle aus den Skizzenbüchern Otto Eglaus. Kampen 1996. GERMAN VERSION Otto Eglau (1917 Berlin – 1988 Kampen), Floßlandschaft in Schweden, 1956. Aquarell und Tusche auf Papier, 45 x 60 cm, unten rechts eigenhändig in Blei mit „Eglau“ signiert und mit „[19]56“ datiert. - etwas nachgedunkelt Exposé als PDF - Temporäre Strukturen - zum Werk Vor uns erstreckt sich eine weite Flusslandschaft, deren Horizontline im oberen Bereich des Bildes verläuft, wodurch der Eindruck einer enormen Tiefenerstreckung entsteht. Die Tiefe wird von den dunklen, zumeist ins Bild hineinfluchtenden Baumstämmen zusätzlich geweitet und – durch ihre verschiedenartigen Lagen – dabei zugleich rhythmisiert. Durch diese Bewegungsabfolge weist die Landschaft ein starkes dynamisches Moment auf. Und tatsächlich stellt sich der Eindruck ein, als ob die Landschaft unter uns ‚hinwegfluchten‘ würde. Den Blick einzig im Vordergrund zu halten, verlangt regelrecht eine visuelle Anstrengung. Auf den Vordergrund schauend sind wir bereits im Hintergrund angelangt. Daher kann gar nicht von Bildgründen im klassischen Sinne gesprochen werden. Vielmehr steht hier ein strukturell rhythmisiertes Raumkontinuum vor Augen, dessen Dynamik von den angeschnittenen Baumstämmen vorne und den als Zielmarken fungierenden aufgerichteten Stämmen hinten zusätzlich beschleunigt wird. Da der schmale Himmelstreifen dieselbe Weißtonalität wie die Wasserlandschaft aufweist, fügt sich auch dieser Bereich bruchlos in das Raumgefüge ein, so dass sich vor uns eine menschenleere ‚Strukturlandschaft‘ ausbreitet. Die Struktur ist aber nicht – wie dies bei Piet Mondrian der Fall ist – gänzlich abstrakt und dadurch etwas eigenständig für sich Bestehendes, das der Zeit des Naturraums enthoben ist. Die von Otto Eglau in der Natur entdecken Strukturen bleiben an diese zurückgebunden, weshalb sie eine dem ‚Lauf der Dinge‘ entsprechende Temporalität aufweisen. Auch wenn sie einer zur Darstellung gebrachten Architektur der Natur entsprechen, sind die Strukturen nichts Substanzielles, sondern kontingent. Künstlerisch aufgedeckt, bieten sie sich Eglau in eben jenem Moment dar, den er festhält. In der Natur selbst werden diese Strukturen niemals in derselben Art wiederkehren. Panta rhei – alles fließt, auch wenn sich der Fluss der Zeit durch seine künstlerische Darstellung verfestigt hat, wodurch das Bild – trotz aller Dynamik – zugleich auch Ruhe ausstrahlt. „Die Strukturen, die ich hinter die Dinge setze, und die Linien, die meine Bilder halten, sind Zeichen des vergänglichen Lebens. Sie sind zufällig wie die Spur, die eine Welle im Sand hinterlässt, unscharf wie die Grenze zwischen Meer und Land, vergänglich wie das Leben einer Muschel, die ich in der Hand halte.“ - Otto Eglau zum Künstler Nach seiner Entlassung aus der Kriegsgefangenschaft 1947 nahm Otto Eglau ein Studium an der Hochschule für Bildende Künste in Berlin auf. Dort war wer Schüler von Oskar Nerlinger, Max Kaus und Wolf Hoffmann. Ab 1953 unterrichtete er freies Zeichnen für Architekten an der Technischen Universität Berlin. In den Folgejahren unternahm Eglau zahlreiche Studienreisen, die ihn nach Skandinavien, in den arabischen Raum, nach Fernost und bis nach Macau führten. Auf diesen Fahrten kultivierte er die Technik des Aquarellierens, die eine zügige Bildschöpfung im Freiraum erlaubt und dennoch eine stark malerische Qualität aufweist. Stipendien ermöglichten es Eglau, sich von 1962 bis 1963 in Japan aufzuhalten und 1970 länger in Neapel zu verweilen. Von 1969 bis 1976 hatte Eglau die Professur für Radierung an der Internationalen Sommerakademie für Bildende Kunst in Salzburg inne. Zwischen 1983 und 1988 war Eglau parallel in seinem Berliner Atelier am...

The Thorny Roses, 2022 Oil on canvas 23 5/8 H x 19 11/16 W in. 60 H x 50 W cm The painting imagines a city in a continuous present in which elements of the past intertwine with elem...

Schoeman's Drift, landscape photograph from Richard Heeps South Africa series, The New Lantern. Richard Heeps' work takes you on a journey, the road is a reoccurring theme, often the...