Archaeology Art

Medium: Charcoal on Board Signature: Signed Lower Right

Cast Glass and Granite Sculpture Base 17 x 12 x 2

Roman bronze figure after the antique is capture in an introspective moment. Highlights on the eyelids accent the dreamy quality of the gaze. ...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he displayed a strong predisposition for ...

Arthur George Collins American, b.1866 Biskra Algeria Oil on canvas Signed and dated Biskra, 1893 26 ½ by 32 ½ in. W/frame 32 ½ by 38 ½ in. Arthur studied at the Julien Academy, P...

“Misanthrope” – A Contemporary Ceramic Sculpture of Solitude and Strength “Misanthrope” is a ceramic bust of a wolf, mounted on a metal base, evoking the timeless structures of huma...

Can be sold as a pair with Crystal Companion #1 (PICTURED ON LEFT)

An Indonesian offer post from the Tetum people of Timor Island. The work is stone and is unsigned.

Leonor Fini - Rejection - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsign...

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

Can be sold as a pair with Aurora 1913 (LEFT IN PICTURE)

In Thornton Dial's assemblage, masklike faces with staring eyes and open mouths emerge from a dense maze of layers streaked in red, white, blue, and black. Ropes painted brown snake over the surface, twisting into bodies that stretch from one side of the painting to the other. Additional objects have been attached to the surface—a paint-covered metal grill at the top and a wire rack on the right edge, for example—which accentuate the artwork's sculptural appearance. The resulting lattice of colors, forms, and objects gives the impression that, if the artwork's strata were excavated, much more could be discovered. In many respects, "excavation" is an appropriate way to approach Top of the Line (Steel).By layering paint and objects that Dial collects from around his home in Bessemer, Alabama, a suburb of Birmingham, the artist creates a series of evocative relationships. Dial encourages viewers to look closely at the artwork, excavating meaning from the interplay of forms and even from the title, which has several interpretations. For example, "top of the line" refers both to a position in an assembly line...

Bronze #85 by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figural life-si...

This surrealist work is distinguished by the economy of elements in its scene. Specifically, it presents two main components: a levitating figure against a background divided into th...

Established Catalan painter Jordi Prat Pons is best known for his uniquely modern approach to the traditional still life. The works are characterized by bold use of color and manipul...

A pastel on paper executed in deep blues, tans and reds by contemporary artist Ricardo Maffei. Signed upper left, "Ricardo Maffei, 1997." Provenance: General Electric Corporate C...

Cast Glass and Granite Sculpture Base dims: 12 x 10 x 2

Cast Glass and Granite Sculpture Base dims: 23 x 14 x 2

Artist Commentary: Bronze Mask with Turquoise Embellishment - Bronze colored mask wall hanging with an ancient bronze patina glaze and turquoise eyes. Medium: ceramic porcelain. Size...

Can be sold as a pair with Crystal Companion #2 (PICTURED ON RIGHT)

Bronze #90 by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figural life-si...

Can be sold as a pair with Aurora 1912 (RIGHT IN PICTURE)

Wall Mounted

Can be sold as a pair with Companion 2 (LEFT IN PICTURE)

Bronze sculpture by artist Andrea Wilkinson. Edition 8/30.

Bronze sculpture signed/etched by the Artist on bronze base with an edition number. 15/50

Edition #15/75 - Original bronze sculpture by Gerald Balciar. Signed on bronze sculpture.

The ball changes sides... Mêlée! Bodies link up, muscles tear. Elbow strikes the nasal cartilage. The nose changes direction... And to think this sport is called French Flair!

Ly Hung Ahn is a Vietnamese artist who works with oil on canvas. She has had her shown in Southeast Asia as well as the United States. Her work is ...

Roman bronze figure after the antique is capture in an introspective moment. Highlights on the eyelids accent the dreamy quality of the gaze. Signed, dated and numbered lower rig...

Signed, dated and numbered on reverse Inkjet print 46 1/2 x 55 1/2 inches / 118 x 141 cm Edition of 6 + 2 APs Jem Southam (born 1950) is one of the most critically respected British...

Cast Iron #86 by Hanneke Beaumont Beaumont's sculptures are realized in terracotta, bronze and cast iron, and she is known for sculpting figural life...

Contemplation by Nguyen Tuan The Vietnamese master sculptor Nguyen Tuan is internationally known for his seemingly “weightless” figurative sculpture merging Western techniques with...

Cast Glass and Granite Sculpture

Center in picture.

Left in picture.

Right in picture.

Signed by the photographer

Study for Men in the Trench, Pen, Ink & Watercolour on Paper Painting 1950 circa Additional information: Medium: Pen, ink and watercolour on paper 11 3/4 x 26 in 29.8 x 68.5 cm Reginald " Reggie" Brill was a versastile 20th century artist and teacher. Brill was born in London in 1902 and spent his early childhood there and in Yorkshire. By the time of the First World War, at the age of 13, he was living in lodgings in London, working in a City office and attending St Martins School of Art in the evenings. Considering his lack of education, winning a scholarship to The Slade (now part of University College London) in 1921 where he studied under Henry Tonks for three years, was a huge achievement. On leaving The Slade he found patronage in Lincolnshire, but by the time of the General Strike (1926) he had returned to London and was working on Lansbury's Labour Weekly. He married Rosalie, also an artist, and in 1927 won the Prix de Rome in Decorative Painting. Following two years at The British School in Rome, Brill went to teach at Blackheath School of Art. During 1930 he spent three months painting in Egypt and it was there that he met Col. T G Gayer-Anderson, one of the twin brothers who were to bequeath The Little Hall in Lavenham as a hostel for art students. It was there that Brill retired to act as warden, thus continuing his nurturing of art students until his death in 1972. Brill took up his appointment at The School of Art, Kingston upon Thames in January 1934. It was situated in the Technical Institute (Kingston Hall Road) and Brill found it bohemian and disorganised. He proceeded to inject enthusiasm, order and discipline. Within 5 years of his appointment a purpose-built School of Art was opened in Knights Park. It remained open throughout the war and by 1945 there was a waiting list for places. Under the skilled and totally dedicated direction of Brill, Kingston School of Art became established with national reputation for excellence. In 1961 Sir Charles Wheeler opened the new building at Knights Park. Costing £100,000, this more than doubled the size of the Art School. Brill, was a well-known figure in Kingston. His eloquence made him popular as a guest speaker and his promotion of Art and Design stretched well beyond the doors of Knights Park. Apart from establishing two of the main buildings which makeup what is now known as the Faculty of Design, one of the most visible local contributions he made was the setting up of a topographical collection of paintings depicting Kingston, which has since become known as The Brill Collection at Kingston Museum. Brill gained huge respect and admiration from the hundreds of pupils who studied at Kingston during his 30-year leadership. He published two books, Modern Painting 1946 and Art as a Career 1962, both bearing a strong educational angle. He regularly exhibited along with leading artists of his era at The Royal Academy, both his paintings and his acutely observed drawings. All the while he was a prolific artist, although reading his diaries, intensely self-critical. His perfectionism, acute powers of observation and relentless research can be seen in his drawings, which via the media and methods he explored throughout his life reflect mid 20th century British Art at its most typical. His major series of work, known as 'The Martyrdom of Man', was carried on in parallel to his career as a teacher. These paintings reflect his care for fellow man and depict people at work, e.g., The Operation, The Jury, Linemen, Waiting Room and Rest, which recently sold at Sotheby’s and was specially restored for The Brill Retrospective. His smaller works also play with the theme of everyday events and communication amongst people, such as The Bull Ring and Market Place paintings. Brill's name is associated particularly with human figure compositions, but he also worked on landscapes, portraits and details of plants, animals, interiors etc. As one would expect he moved from one media to another, and his unusual hand painted and cut paper mosaics...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Composition #8 Stoneware and slip

This head is a porcelain piece fired in wood kiln on a mountaintop in Cold Spring, NY. A community of ceramists is needed to fire one of these kilns as we take shifts around the cloc...

Hydrocal blend, ground Carrara marble (wall-hung)

"Cats and Coffins" Oil Painting 15" x 17" inch (1971) by Zohra Efflatoun Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

Day at the Dunes John Hardy, American (1923–2014) Date: 1975 Acrylic on Canvas, signed verso Size: 61 x 97.25 inches

Mid-day, Zuni Village, 1897 By. Frank Reed Whiteside (American, 1866-1929) Unframed: 20" x 30" Framed: 28" x 38" Frank Reed Whiteside, born in Philadelphia on 20 August 1867, became a student of Thomas Anshutz at the Pennsylvania Academy of the Fine Arts (1888-92). He already began exhibiting there during his student years (1887-98). In 1893, he enrolled in the Académie Julian in Paris where he received instruction from Jean-Paul Laurens and Benjamin Constant. After his French academic training, Whiteside taught art in Philadelphia high schools. He took frequent trips to the Southwest between 1890 and 1928 to live with and paint the Zuni Indians. Whiteside depicted ceremonial dances, Zuni buildings, and other genre scenes, usually in blinding afternoon sunlight. He carefully observed the effects of light on vibrant color, using a finely crafted impressionist technique. He was fond of broad areas of color, subtle combinations of hues, and simplified shapes and silhouettes. Whiteside continued to exhibit at the PAFA (1905-15), at the Art Institute of Chicago (1896-1916), at the Carnegie International (1905 and 1907) and at the Corcoran Gallery (1907). He was a member of Philadelphia art societies and beginning in 1909 had a summer studio in Ogunquit, Maine, where he took part in Hamilton Easter Field's discussion groups. Frank's wife, Clara Walker Whiteside, who published Touring New England in 1926, was active in the Ogunquit Art Association. Like Stanford White, Frank Reed Whiteside was the victim of murder, on 19 September 1929, but Whiteside's case remains unsolved. One night, the sixty-three year-old painter answered the doorbell. Two witnesses...

Signed on the back side.

'Nico Jnr' by Tobias Martin is a Solid Bronze Animal Sculpture. Based on the famous Gorilla 'Nico' who was the largest and oldest Silverback Gorilla kept in captivity. Tobias Martin was born in 1972 in Wiltshire, 12 miles from Stonehenge. Influenced by his idyllic rural upbringing, and the forces of nature and magic that permeated his childhood surroundings, these works have something of the mystical about them. Each piece is approached with precise observation and an acute interest in the minutiae of the subject matter, manipulating the material with a delicacy and lightness of touch. Despite being realised in heavy materials such as bronze, the resulting piece achieves a sense of movement and character that conveys the essential spirit of the animal. Inspired by the work of Grinling Gibbons and Alfred Gilbert...

Shared Dreams, stone, sculpture, by Allan Houser, Texas steatite, mother, child signed by the artist at the base of the child's blanket Allan Houser (Haozous), Chiricahua Apache 191...

Title: "Gossips, A Venetian Scene" Artist: Francis William Topham Medium: Oil paint on paper Size: 7.75" x 6.5" Period: 19th Century Framed

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane "Rosa Parks...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...