Canal Art

The Barge, 1958 - Jerry Schatzberg (Portrait Photography) Signed on Reverse Silver Gelatin Print Printed on 20 X 24 inch paper From an edition of 20 Jerry S...

A beautiful 1960's French naïf oil on canvas depicting a busy summer scene on the French coast, with tug boat, yachts and figures on the promenade. The work is very well painted in ...

Stunning black & white landscape photograph with trees reflecting in water in the Sierra Nevada mountains by California artist Robert Werling. Signed on mat lower right: "Bob Werling." Presented in a silver metal frame. Image, 15"H x 19"W. Robert Werling was born in San Francisco, California in 1946 and realized an interest in art at an early age. While briefly attending a commercial art school, he found photography to be his medium and went on to obtain both a BA and an honorary MS from the Brooks Institute of Photography in Santa Barbara, CA. He also studied privately under Ansel Adams from 1966 to 1970 and Imogen Cunningham from 1969 to 1975. Through his affiliation with Adams, Werling came to know and work with other noted photographers. Brett Weston became his close friend and mentor and Marion Post Wolcott, relying on his darkroom expertise, entrusted her negatives to his printing genius. While creating an impressive number of his own fine art prints, Werling also lectured extensively and worked as an instructor for the Brooks Institute, the University of California, Santa Barbara, the Zone System Seminars and Workshops in the United States, and for the Werkschule fur Fotografie in Soltau, Germany. Werling has exhibited his photographs in over sixty one-man and group shows in both the United States and Europe. He was guest curator of photography for the Santa Barbara Museum of Art organizing VIVO, the Contemporary Japanese Photography and Brett Weston’s photographs...

Westin Excelsior 1957 by Slim Aarons Slim Aarons Limited Estate Edition The Westin Excelsior Hotel on the Lido in Venice, 1957. unframed c type print printed 2023 20 x 20" - pap...

Painting of Idyllic River Scene On the Lagan in Ireland by Modern Irish Artist William Henry Burns (1924-1995) Art measures 24 x 18 inches Frame measures...

Trafford Mill by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled and dated 'April 1972' *FREE SHIPPING ON THIS PA...

Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) Paris : Seine River and Notre Dame Church Stone lithograph after a painting Printed signature i...

Winter in Paris signed by Josine Vignon (French 1922-2022) oil painting on canvas, unframed inscribed verso canvas: 36 x 29 inches very good condition...

Sunlight, water and beautiful ancient architecture is a wonderful home decor for your interior! The sunny Venetian landscape will give you only positive emotions and a good mood. Th...

Black and White Fine Art Long Exposure Cityscape Photography. Grand Canal View from Rialto Bridge, Venice, Italy. Archival pigment ink print, edition of 7. Signed, titled, dated and ...

Alexander III Bridge and the banks of the Seine Oil on canvas, 55x81 cm Gustave Madelain (1867-1944) Landscape painter, Gustave Madelain was born in...

Black and white fine art cityscape - waterscape photography. View from the rialto bridge into the grand canal of Venice, Italy. Archival pigment ink print, edition of 9. Signed, titl...

Artist/ School: French School, early 20th century, inscribed verso Title: Tranquil River landscape Medium: watercolour painting on card, unframed canvas: 15 x 10.5 inches Provena...

Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...

Honey Street by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22.25 inches titled *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EU...

A charming oil study depicting a thatched cottage on the riverside before a stone bridge. Unsigned. On canvas.

Black and white fine art landscape - cityscape photography. Gondoliere in a side canal in the fabulous harbor city of Venice, Italy. Archival pigment ink print, edition of 9. Signed,...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Alexandre Jacobs tranquil and subtle landscapes show a masterful evocation of light, atmosphere and colour, transporting the viewer into the peaceful countryside of rural France. He ...

Signed (at lower left): W.R. Miller/ 1851

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley...

Michel Delacroix was born in 1933 on the Left Bank, in the 14th Arrondissement of Paris. He started painting at the early age of seven just as the German Occupation of Paris began. P...

Rolf RAFFLEWSKI (1943-) Paris : Near the Seine River (Quai de Bethune) Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent c...

Historical Places Photo- Paris and Amsterdam is a black and white vintage photo, realized in the early 20th century. It belongs to historical album including masterpieces of historic...

Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. ...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...

Artist: Hans Figura (Austrian, 1898-1978) Title: The Bridge House Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark (Image) size: 10 ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Mabel Oliver Rae (1868 - 1956) Queens' Bridge, Cambridge Etching 13 x 9 cm Titled lower left and signed lower right in plate, and again in pencil outside plate. The college's famed Mathematical Bridge, which reflects in the ruffled waters of the River Cam. Kate Hillman of the Cambridge University Engineering Department notes that: "One of the most recognisable structures on the Cam, Queens' College bridge was originally built in 1749 by James Essex the Younger. Since then it has been rebuilt twice to the original design of William Etheridge, once in 1866 and again in 1905. In 1866 the bridge deck...

ULPIANO CHECA Spanish, 1860 - 1916 VENICE CANAL signed & located "U. Checa" Venezia (lower left) Also dedicated: "A Marguerite Pinédo affectueusement" ...

Ancient View of Pont Rouge in Saint Petersburg is an original modern artwork realized in France in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Insc...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 VENETIAN CANAL signed & located "A. Reyna, Venezia" (lower left) oil on canvas 11-1/2 x 19-3/4 inche...

An exceptional oil on canvas circa 1910 by French Impressionist painter Pierre Eugène Montezin depicting figures and a horse & cart on a bridge over the river. Beautifully painted an...

This delightful summer scene depicts figures on a woodland river bank. A boat gently carries a man fishing down the calm river. In the distance there is a lock before houses and more...

A quiet, secluded poolside scene :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Ye...

This charming oil depicts a picturesque river landscape, with country walkers either side of a disused railway bridge. Signed by the artist to the lower left. Well presented in a 20t...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Robert Thomson...

I was inspired by the enchanting canals and the timeless architecture of Venice. Using oil paints and impressionist techniques, I wanted to capture the flickering light on the water...

Cityscape The new bridge. Oil on canvas, 60,5x70,5 cm Artwork was exhibited: Exposition d'Art Moderne-Belge Barcelone Mai 'a Novembre 1929

A farmer ploughs his field at golden hour in this beautiful oil painting. Well presented in a whitewashed wood frame with a gilded inner border. Signed. On canvasboard.

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Anna Richards Brewster is the daughter of the great marine painter William Trost Richards. Her father's reputation always precedes her own; however, Anna was an accomplished artist i...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

A View of Bruges Cassel Leon Lille 1873 – 1937 Paris French Painter Signature: Signed bottom right and dated 1918 Dimensions: Image size 62,50 x 81 cm, not framed Medium: Oil on canvas Biography: Cassel Léon was born in Lille, France in 1873. He was a French Impressionist painter of mostly landscapes and cityscapes. He studied with master teachers Léon Bonnat and d’Auguste Glaize. He was a Parisian that came to Belgium in the thirties, in particular to Bruges to paint. He was a friend with Julien Schaeverbeke, a Bruges painter. In 1937, he exhibits “A View of Bruges” in Paris with the “Salons des Artistes Français”. For his merits, he received the award of King Léopold...

Oil on Canvas, 2007 12 x 14 in. Unframed Signed by Artist, comes with Certificate of Authenticity Good Condition

Ancient views of Tokyo is a set of four original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized between the 1880s and the 1890s. Four images on the fron...

Country Stream, Original Contemporary Impressionist Landscape Painting, 2016 30" x 40" x 1.5" (HxWxD) Acrylic on Canvas Hand-signed by the artist. A lush green landscape surrounds a...

Work on wood

Louis Aston Knight New York/California/France, 1873-1948 Twilight along the River Bend Oil on canvas signed lower left"Aston Knight/Paris" 26 by 32 in. ...

This original landscape painting is done on a gallery wrapped canvas in an impressionist style. It is inspired by my recent trip to the low country of South Carolina. There are 15+...

Spain Square in Seville :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature...

Signed to the lower left. On canvas laid to board.

Venice Rio San Barnaba, rif. 535 Platemark inches 27.24 x 11.42 - mm 692 x 289 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in ...

Venice, Rio dei mendicanti, rif. 530 Original, signed and numbered etching, inches 20.4 x 31.1 (cm 52.7 x 79.4) The etching was exhibited last year in the critical retrospective tha...

Artwork is lambda c-printed on alu-dibond ; museum quality. Ready to hang. Artwork comes with an international certificate of authenticity, signed by the artist. If you wish the ar...

Venezia, Campo de l' Abazia, 1984 plate mm 491 x 243 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospective...

Vincenzo Caprile (Naples 1856 - 1936), Labia Palace, Grand Canal, Venice Oil painting on canvas by 36 x 24 cm signed and located Venice lower left.