Child Art

"Arabian Cafe I” Figurative Oil Painting 47" x 47"in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

"And wasn't it good for a boy to be Out to old Aunt Mary's" Charcoal and watercolor on artist illustration board, 1900 Initialed and dated lower right: H.C.C. 1900 by the artist (see...

EUGENIO ZAMPIGHI Italian, 1859-1944 The Baby’s Bath Signed ‘E Zampighi’ Oil on canvas 22 1/4 x 41 1/2 inches Born in Modena, Italy, Eugenio Zampighi e...

This is a one of a kind original oil painting by San Diego artist, Julia San Roman. Its dimensions are 41" x 61" x 1.5". It is framed as pictured. A ce...

Family Portrait Of Mrs Spencer & Children, 18th Century circle of William BEECHEY (1753-1839) Huge 18th Century English School portrait of a lady trad...

One of the characters in this scene is a mature man, kneeling with his head bowed and hands clasped near his chest in a gesture of supplication. His posture conveys a sense of humili...

Oil on canvas Ramaz Chantladze is a Georgian artist was born in 1960 who lives and works in Tbilisi, Georgia. He studied at Jacob Nikoladze School of Art. In 1979-1985 he studied at...

This colorful piece, "Frozen in Time", is a 18x24 oil painting on canvas featuring two riders atop their horses in a green field during a fox hunt. A group of hounds eagerly run alo...

Aaron Bohrod Complementary Angels, 1977 Signed lower center Oil on gesso panel 16 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

'Flower maidens,' a large oil-on-canvas painting by Émile Eisman-Semenowsky French/Polish, Late 19th Century Frame: height 72.5cm, width 111cm, depth 9cm Canvas: height 54cm, width 9...

"Tea Party" By Greg Harris is a perfect example of his most sought after paintings. Measuring 24x36 in., this painting has two woman dressed in pink and white sitting down for tea wi...

French impressionist boudoir portrait of a young woman. Oil on board. Original carved frame. Circa 1950's. Signed illegibly lower right.

This listing is for an unframed print. Tokie Rome-Taylor is inspired by the works of Harmonia Rosales, Kehinde Wiley, Tawny Chatmon, Ayana V. Jackson, Omar Victor Diop, Deborah Roberts...

A schist stone carving from 2nd/3rd Century Gandhara depicting scenes from the life of Buddha. Provenance: Spink and Sons LTD, 1985.

Crispin van de Passe The Younger (c. 1594-1670) Untitled (Royal Stallion), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in plate: Le Bonit...

Artist: Marshall Goodman, American (1916 - 2003) Title: Children Playing Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 30 x 25 in. (76.2 x 63.5 cm)

Food is a modern artwork realized d'apres Karl Werner  Mixed colored Chromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt between 18...

Hutty, Alfred. PHOEBE PASSES MY GATE. Drypoint, c. 1931. Edition size c.75. 8 1/8 x 7 1/4 inches (plate), 10 1/4 x 8 3/4 inches (sheet). Print...

Women's Rights - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation for their r...

Mur de Huy Eliza Southwood Cycling Print Screen Print 5 colour screen print, edition of 45 Inspired by the Mur de Huy climb Size: H:70 cm x W:50 cm. Artist Bio: Eliza Southwood is ...

Claraland references two historical paintings: The Blue Boy by Thomas Gainsborough and Pinkie by Sir Thomas Lawrence. Painted 25 years apart in the late 18th century, both paintings ...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

1959: Young women canoeing on the Nevada side of Lake Tahoe, a large freshwater lake in the Sierra Nevada Mountains, straddling the border of California and Nevada. Three young woman are pictured in their red, turquoise and white canoes in the sunshine. Zephyr Cove. Lake Tahoe Canoes / Lake Tahoe Trip Slim Aarons Estate Edition Printed Later Framing options available Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Lake Tahoe is a large freshwater lake in the Sierra Nevada Mountains, straddling the border of California and Nevada. It’s known for its beaches and ski resorts. On the southwest shore, Emerald Bay State Park contains the 1929 Nordic-style mansion Vikingsholm. Along the lake’s northeast side, Lake Tahoe Nevada State Park includes Sand Harbor Beach and Spooner Lake, a gateway to the long-distance Tahoe Rim Trail. Internal Vintage Canoeing, Vintage Sport, Midcentury Modern, Vintage Lake Tahoe, Vintage Glamour, Vintage Slim Aarons, Vintage Zephyr Cove, American Realist, Vintage Sport, Midcentury sport, Midcentury Glamour, California Nevada State Line, Midcentury Tahoe, Lake Tahoe Trip, Vintage Watersports...

A pair of African carved wood and cloth ancestral figures from Nigeria. Meant to be sold as a pair, these ancestral figures are meant to convey the achievements of those they represe...

"Revolutions" is a dynamic and unique ink and pastel drawing on paper by Patsy McArthur showing a fashionable female figure dancing. The energy and movement makes it fun and whimsica...

Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford's home in Palm Beach, Florida. Estate stamped and hand numbered edition o...

ROBERT WALKER MACBETH, RA (1848-1910) Fenland Reed Cutters Signed with initials and dated 1900 Oil on canvas 59 by 79 cm., 23 ¼ by 31 in. (frame size 82 by 102 cm., 32 ¼ by 40 in.) Provenance: Agnews; Fine Art Society, London. Macbeth was born in Glasgow, the son of the Scottish portrait painter Norman Macbeth, RSA. He first studied at the Royal Scottish Academy, before moving to London in 1870 to join the staff of The Graphic. On his arrival in London he first exhibiting at the Dudley Gallery. He soon became acquainted with Hubert von Herkomer, Fred Walker...

Henri Fantin-Latour Prelude de Lohengrin (2e planche) (The Appearance of the Holy Grail), 1898 Sight: 19 1/2 x 13 3/4 in. Framed: 24 3/4 x 17 1/2 x 1 1/2 in. Signed and dated in the ...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Aaron Bohrod Gallimaufry, 1989 Signed on the right Oil on gesso panel 14 x 11 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism...

From my Cellists Series of abstracted, cubist women musicians. The actual title is in French but it was too long for the title box so on the back of the painting is the French versio...

The Death Of King William II, dated 1866 by Alexander Davis Cooper (1820-1895) Huge 19th Century Pre-Raphaelite Hunting scene depicting the Death of King William II, oil on canvas by Alexander David Cooper. Exhibition scale and quality panoramic scene of the Death Of King William II while hunting. The has been a lot of speculation as to the nature of his death whether it was an accident or murder. Presented in an antique renaissance style frame...

A large portrait of Vivien Chartres, by Vittorio Matteo Corcos, Italian/British, 1907 Frame: height 175cm, width 95cm, depth 5cm Canvas: height ...

Lupine by Jane DeDecker Cast bronze figure ©2010 ed/17 37x15x12" Classical female partial nude, gathering a bouquet of Lupine. first four photos with colorful patina are of the a...

Artist: Dali, Salvador Title: Intra-uterine Paradisiac Locomotion Series: Imaginations and Objects of the Future Date: 1975 Medium: Lithograph with original drypoint Framed...

This carving is of a large head with three horns. This piece is made of wood and skin by the Ekoi people of Nigeria. Ekoi people, also known as Ejagham, are an ethnic group in the ex...

This is an Pino Daeni Large original giclee embellished “flight of femininity” . In excellent condition measures 52x39x2.

Salvador Dalí­ L'Ouroboros from Alchimie des Philosophes, 1976 Lithograph and drypoint on parchment Hand signed and Edition 179 / 225 Sheet size 77 x 56 cm Printer: Art Lithographie...

This exhibition poster, titled Portrait of Celia Wearing Checkered Sleeves, was created for David Hockney’s show Drawings and Graphics of Celia: Flowers & Pools at the Natalie Knight...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Oil on Canvas by post-impressionist French artist Francois Gall (1912-1987). Signed lower right and titled on the verso “Jeunne Fille de Coiffan.” Painting measures: 16” H x 13” W. ...

Aaron Bohrod Autobiography, 1991 Signed lower right Oil on gesso board 12 x 16 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Ernie Banks, aka "Mr. Cub" and "Mr. Sunshine", was a professional baseball player who starred in Major League Baseball as a shortstop and first baseman for...

Kar_Part is an LA native, mechanical engineer product designer turned street artist fueled by a growing frustration with socio-political, economic,...

Press A 59 x 101 cm Oil on canvas A unique work where a classical theme as a male nude and todays game world come together. As a young boy Ferenc Erdok ...

Poster/Print. Measures 36 x 20.75 inches and is Unframed. Good Condition-signs of wear consistent with age and handling/minor tear along the edge of white border.

This is an Marcus Glenn Art Imitating Life, 2000 Hand embellished giclee on canvas. In good condition measures 33x29

Michael Vasquez is an American artist most recognized for his works that explore identity and the cultivation of community amidst an inherent disposition of broken homes inside margi...

Gouache on paper. Stamped. Frame dimensions: 63x78 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in New York at t...

This artwork "Girl with Roses" c.1990 is an oil painting on canvas by noted British artist Brenda Burke, b.1957. It is signed at the lower right corner by the artist. The canvas size is 30 x 20 inches, framed size is 37.5 x 27.5 inches. Framed in original wooden beige and gold ornate frame, with fabric liner. The artwork and frame are in excellent condition. The fabric liner is separated at the 4 corners and will be replaced by a new one when sold, before shipping, This will bring the over all condition to excellent. About the artist: Brenda Burke started to paint at an early age of three years. Her career has spanned more than half a century, encompassing paintings, portraits, sculpture and printmaking. She has trained in the classical style of the old masters at the renowned Farnham art school just outside of London, England and continuing her studies in Florence and Rome, Italy, Burke’s wealth of experience, technical excellence and artistic vision is evident in each of her exceptional works of art. Her work can be seen in private collections around the world. Sometimes known as the Painter of Royalty, Brenda has been chosen to present her work to Her Majesty The Queen of England. She was commissioned to paint the celebratory portrait for Prince Charles and Lady Diana's engagement, and she was again selected to create the painting for the christening of Prince William. Her skill and versatility has also been shown in a collection of limited edition wax and porcelain dolls, dressed in fine silks and antique French lace...

Signed verso. As Darsney’s work has developed, his compositions and influences have evolved. An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt and Degas. These artists’ attention to detail and adherence to classical ratio, coupled with Darsney’s own innate sense of structural integrity, inform his vision. He is also particularly influenced by the art on view in Boston museums and collections as seen here with his portrayal of The Daughters of Edward Darley Boit...

Javier Báez was nicknamed "El Mago" (Spanish for "The Magician") when he was a middle infielder for the Detroit Tigers. On the international level, he represents the Puerto Rican national team. Báez was named the National League Championship Series co-MVP alongside left-handed starter Jon Lester as the Chicago Cubs clinched their 2016 National League pennant en route to winning the 2016 World Series. He is a two-time All-Star, as well as a Gold Glove Award, and Silver Slugger Award winner. He is also the cover athlete for MLB The Show 20. Margie Lawrence Javier Báez watercolor and graphite on paper 12.50h x 22.50w in 31.75h x 57.15w cm MAL031 Margie Lawrence b. 1957, Chicago Education School of the Art Institute of Chicago – Illustration, Printmaking, Chicago, IL University of Wisconsin-Madison – Theatre, Madison, WI Drake University, BFA – Theatre, Des Moines, IA National Theatre Institute, Waterford CT Royal Shakespeare Company, Stratford, England Exhibitions 2018 Baseball Art, Second Story Studios, Chicago, IL Baseball as Art, Cleveland County Arts Council, Shelby, NC Masterful Moxie – The Power of Art, Dank Haus, Chicago, IL Connections – Exploring the Ties that Bind, Open Walls, Chicago 2017 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2015 Group Show, Bergino Baseball Clubhouse, New York, NY Baseball as Art, Cleveland Count Arts Council, Shelby, NC 2014 All Stars of Baseball Art, The Mason Civic League Gallery, Hoboken, NJ Pine Tar Portraits & Other Notables, Firecat Projects, Chicago, IL 2013 Baseball Art Show, George Krevsky Gallery...

Portrait of a bay horse with army officer seated on a drinking trough, signed with monogram and and dated 81', inscribed verso 'by W E Milner, Gainsborough', oil on canvas. The size overall being 44 x 57 cm (17.5 x 22.5 inches) whilst the image is 35 x 48 cm ( 19 14 inches ) In very good condition housed in a gilt frame. William Edward Millner...

Figures like these appear in the annual celebrations of Jo, an association of initiated men and women living near the towns of Bougouni and Dioïla in southern Mali. They also appear ...

Exhibited: Royal Academy, London, 1880, no. 355 (as Summer)