Computer Art

Print mounted on aluminium with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French photographer, he has always been interested in history and architectural remains. He ...

This is not one of McMackin's widely available reproductions. This is the actual oil painting of the Canadian Snowboarder. Arrives framed. One cannot appreciate this beautiful painting on a computer screen. In real life, it is fantastic. Snowboarding is a recreational and competitive activity that involves descending a snow-covered surface while standing on a snowboard that is almost always attached to a rider's feet. It features in the Winter Olympic Games and Winter Paralympic Games. Snowboarding was developed in the United States, inspired by skateboarding, sledding, surfing, and skiing. It became popular around the world, and was introduced as a Winter Olympic Sport at Nagano in 1991 and featured in the Winter Paralympics at Sochi in 2014.2 As of 2015, its popularity (as measured by equipment sales) in the United States peaked in 2007 and has been in a decline since. The first snowboards were developed in 1965 when Sherman Poppen, an engineer in Muskegon, Michigan, invented a toy for his daughters by fastening two skis together and attaching a rope to one end so he would have some control as they stood on the board and glided downhill. Dubbed the "snurfer" (combining snow and surfer) by his wife Nancy, the toy proved so popular among his daughters' friends that Poppen licensed the idea to a manufacturer, Brunswick Corporation, that sold about a million snurfers over the next decade.5 And, in 1966 alone, over half a million snurfers were sold. Modern snowboarding was pioneered by Tom Sims and Jake Burton Carpenter, who both contributed significant innovations and started influential companies. In February 1968, Poppen organized the first snurfing competition at a Michigan ski resort that attracted enthusiasts from all over the country.7 One of those early pioneers was Tom Sims, a devotee of skateboarding (a sport born in the 1950s when kids attached roller skate wheels to small boards that they steered by shifting their weight). In the 1960s, as an eighth grader in Haddonfield, New Jersey, Sims crafted a snowboard in his school shop class by gluing carpet to the top of a piece of wood and attaching aluminum sheeting to the bottom.8 He produced commercial snowboards in the mid-70s.9 Others experimented with board-on-snow configurations at this time, including Welsh skateboard enthusiasts Jon Roberts and Pete Matthews developed their own snowboards to use at their local dry ski slope. Also during this same period, in 1977, Jake Burton Carpenter, a Vermont native who had enjoyed snurfing since the age of 14, impressed the crowd at a Michigan snurfing competition with bindings he had designed to secure his feet to the board. That same year, he founded Burton Snowboards in Londonderry, Vermont.12 The "snowboards" were made of wooden planks that were flexible and had water ski foot traps. Very few people picked up snowboarding because the price of the board was considered too high at $38 and were not allowed on many ski hills, but eventually Burton would become the biggest snowboarding company in the business.13 Burton's early designs for boards with bindings became the dominant features in snowboarding. The first competitions to offer prize money were the National Snurfing Championship, held at Muskegon State Park in Muskegon, Michigan.14 In 1979, Jake Burton Carpenter came from Vermont to compete with a snowboard of his own design. There were protests about Jake entering with a non-snurfer board. Paul Graves, and others, advocated that Jake be allowed to race. A "modified" "Open" division was created and won by Jake as the sole entrant. That race was considered the first competition for snowboards and is the start of what became competitive snowboarding. Ken Kampenga, John Asmussen and Jim Trim placed first, second and third respectively in the Standard competition with best two combined times of 24.71, 25.02 and 25.41; and Jake Carpenter won prize money as the sole entrant in the "open" division with a time of 26.35.15 In 1980 the event moved to Pando Winter Sports Park near Grand Rapids, Michigan because of a lack of snow that year at the original venue. In the early 1980s, Aleksey Ostatnigrosh and Alexei Melnikov, two Snurfers from the Soviet Union, patented design changes to the Snurfer to allow jumping by attaching a bungee cord, a single footed binding to the Snurfer tail, and a two-foot binding design for improved control. As snowboarding became more popular in the 1970s and 1980s, pioneers such as Dimitrije Milovich (founder of Winterstick out of Salt Lake City, UT), Jake Burton Carpenter (founder of Burton Snowboards from Londonderry, Vermont), Tom Sims (founder of Sims Snowboards), David Kemper (founder of Kemper Snowboards) and Mike Olson...

So many televisions and not a thing to see. :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sign...

This oil painting features a calm lake where eleven black ducks swim. The artist painted a water pipe on the lake's left bank while a palm tree stands alone at the center. John Mit...

Perran started a Bachelor of Fine Arts at the College of Fine Arts (COFA) Sydney in 2006 and held his first exhibition in the same year. Perran has never limited himself to a single ...

Still life of white objects. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes ::...

In his current series, “In Your Room”, Alex Blas explores modern day life by examining the private spaces of his friends. In these paintings, Blas carefully considers the shadows, co...

This is an oil on canvas fine art piece of a Tern in flight. When I am at the beach, I always have an eye out for the shore birds. The Tern is one of the most graceful flyers that ...

This work was shot at sunset. over 400 individual photos make up this work. It was citrus season in the desert where I live when this work was created. So I played on the "C" major...

MILES ALDRIDGE (*1964, Great Britain) Venus Etcetera (after Botticelli) 2021 Screenprint in colours with silver ink Image 109 × 150 cm (42 3/4 × 59 in.) Sheet 121 × 162 cm (47 3/4 ×...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

limited edition of 5, signed on reverse by the artist, Phillip Buehler. This photograph depicts the time ravaged former "Footlocker" storefront in the abandoned Wayne Hills Mall...

8" x 24" framed Original Acrylic on Panel Hand Signed by Jaye Ouellette

24" x30" edition 2 of 5 available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book "Wardy Forty" which he wrote in 2013 about the last days of Woody Guthrie.

An inspiring digital photography on plexiglass art work by the contemporary artist Marc Vandermeer ( American, 1950's). The photography entitled " Night on Broadway...

Portrait of a male model photographed by Andy Warhol at The Factory at 860 Broadway circa the late 1970s or early 1980s. This is a unique work. Image dimensions: 10 x 8 in. Framed di...

Jung LEE (*1972, South Korea) Only God Knows, 2010 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist born in ...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...

Jung LEE (*1972, South Korea) You Will Never Know How Much I Love You, 2014 C-Type Print, Diasec 100 x 125 cm (39 3/8 x 49 1/4 in.) Edition of 5, plus 2 AP – Biography Jung Lee is...

This Blue Dog work consists of a purple and yellow split background with a light blue open laptop and 2 dogs on the screen with the website name. Both dogs have soulful yellow eyes....

For the last ten years, the work of Patrick Beaulieu has been built around the initiation of performative trajectories resulting in a corpus of visual artworks combining installation...

This unique object features a dye sublimation print on aluminum framed in a handmade sunken cypress frame. Cecilia Montalvo & Charlie McCullers are a collaborative team. “Places R...

This unique object features a dye sublimation print on aluminum framed in a handmade sunken cypress frame. Cecilia Montalvo & Charlie McCullers are a collaborative team. “Places R...

8" x 24" framed Original Acrylic on Panel Hand Signed by Jaye Ouellette

JFK, JBK Posed Portrait, 2971_d_11a. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. ...

Mystical, chemical or sexual ecstasy... it's the same prison.

Etching and aquatint, 1980, on Rives BFK, signed and numbered from the edition of 100, printed at Studio Crommelynck, Paris, published by Waddington Graphics, London, 58.4 × 38.1 cm. (23 x 15 in.) The title is from a song of the 1960s by The Kinks...

Bio Aaron M. Brown was born in Wichita, KS. He received a BFA from the University of Kansas, MFA from Syracuse University. Awards include grants from the Pollock-Krasner Foundation...

Open and Limited Edition C-Prints Hand Signed by Richard Beland 8" x 10" Unframed Open Edition 11" x 14" Unframed Limited Edition of 150 16" x 20" Unframed Limited Edition of 150 ...

Perran started a Bachelor of Fine Arts at the College of Fine Arts (COFA) Sydney in 2006 and held his first exhibition in the same year. Perran has never limited himself to a single ...

2009, unique artwork oil on canvas 42 1/2 × 63 3/4 in - 108 × 162 cm The artwork is signed by the Artist & stamped with the logo of the Artist's Studio on verso of the canvas The art...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

2009, unique artwork Oil on Canvas 31 1/2 × 39 2/5 in - 80 × 100 cm The artwork is signed by the Artist & stamped with the logo of the Artist's Studio on verso of the canvas The artw...

2008, unique artwork oil on canvas 45 × 57 1/2 in - 114 × 146 cm The artwork is signed by the Artist & stamped with the logo of the Artist's Studio on verso of the canvas The artwork...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...

Okurimono 66 cm. x 200 cm. Edition 6 (+2 ap) 100 cm. x 200 cm. Edition 3 (+1ap) Euro 8,000 Pigment Print Okurimono (meaning both “gift” and “that which is in-between” in Japanes...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thro...

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instag...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

Sculpture of a businessman attempting to reach the motherlode

BACK TO DARK symbolises a man locked behind prison bars. The movement of the viewer in front of the repetitive and geometrical motif creates optical illusions, just like in kinetic a...

I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...

Monique Lowy is indeed a contemporary artist. His painting work is also a research on the duality of human feelings; a symbolic and cultural confrontation through a dreamlike world, ...

Born in Liverpool, England, Julian Lennon began his artistic trajectory at a young age with an inherent talent for playing musical instruments. Those talents would soon broaden into ...

Closeup of a Model in vintage Lingerie standing in a kitchen next to Cakes and Sweets, photographed by Ellen von Unwerth in 2019. All prints are limited edition. Available in multip...

Untitled 54" from the esteemed collection of Photograms Literary is a captivating piece that merges art with technical elements. Crafted in 2023, this exemplary creation stands as a ...

One night ii, 2016 Stoneware and slip

Adam Straus is an American artist based in Riverhead, NY. Starting as a photographer and sculptor in the the late 70's and early 80's, he began making small paintings in 1986 of noc...

A glowing pink impression of the city of Firenze as seen from above. The painting centers mostly on the Ponte Vecchio, a covered bridge filled with shops crossing the Arno River. Cit...

Signed by artist lower left corner. Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Stockbridge, Massachusetts, 1986, vol. I, no. A242, p. 362, illustrated Notes: Painted circa 1925. A letter from Norman Rockwell to the Graham family discussing the painting accompanies the lot.In April 1921, Dodge Brothers entered into a burgeoning partnership with the Graham Brothers, an Evansville, Indiana family-run, truck manufacturing business, headed by three siblings, Joseph B., Robert C. and Ray A. Graham. By 1920, their company was building complete truck and bus bodies with various engines which, in April 1921 caught the attention of Dodge’s president, Frederick J. Haynes. Haynes saw the Graham product as a way to get Dodge into the heavy truck business without compromising their own car production. The two companies agreed to have Graham Brothers build trucks solely with Dodge engines and drive trains, and sell them exclusively through Dodge dealerships nationwide. The partnership resulted in a new name, Graham Brothers, Inc., a company relocation to Detroit, and the opening of numerous factories nationwide over the next several years. In 1925, Joseph, Robert and Ray were appointed Dodge directors and executives, and were among the largest stockholders of the company. By 1926, Graham Brothers, Inc. was the largest exclusive truck manufacturer in the world. In later years, the brothers went on to build the Graham-Paige Motors Corporation, further expanding their success in the automotive business.Around 1925, the current painting was commissioned from Normal Rockwell...

Louise Marler You Are My Type Colorized Archival Pigment Print 2022 Size: 16x16in Edition: 25 Signed and numbered by hand Stamped COA provided Ref.: 924802-1411 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...

X-ray lenticular artwork Lenticular is a ribbed lens that refracts light from different angles. When sequential images are split behind the lenticular lens the image looks like it moves or animates. It is amusing that this motion brings our x-ray of cadavers to life. By creating...

Ardan Özmenoğlu draws from her own experiences as a Turkish woman to explore ideas about history, popular culture, and the formation of a national and cultural identity. Known for he...

Titled by the photographer on the mount One of less than 15 prints made in this size and signed