Dish Art

As most of the time, this artwork is a combination of painting, photography and digital post processing. Lambda c-print on acryl glass; inclusive alu-hanging system. All my works c...

A witty and whimsical chromogenic print in diptych format from the Minimiam Series by Akiko Ida and Pierre Javelle. This small scale scene in green, yellow, blue, red, and white dep...

Acrylic on mounted canvas. Ready to hang. Would be varnished before being sent. She entered the kitchen where her husband was preparing lunch. As soon as she saw the two pieces of ...

In this watercolor painting, four sunhats are delicately arranged against a soft, sunlit backdrop. Each hat is uniquely styled, with a variety of colors and patterns that blend harmo...

Olga Antonova (b. 1956, Volgograd, Russia) completed her classical art training at the Ilya Repin Institute of Painting in St. Petersburg, Russia, in 1980. She subsequently immigrate...

A witty and whimsical chromogenic print in diptych format from the Minimiam Series by Akiko Ida and Pierre Javelle. This small scale scene depicts astronauts exploring the Mars-like...

This is a first from my new collection that I am developing. Using blue anemones and white tulips it still has elements from my signature style, for example the close up crop of the ...

This is a unique work. Image dimensions: 8 x 10 in. Framed dimensions: 16.5 x 18 in. Work comes with a Certificate of Authenticity from The Andy Warhol Foundation for the Visual ...

Giving All works of art contain a story, just as each piece captures the mood of the artist. Much like a writer with pen to paper, sometimes a painter will paint a painting for no o...

Oil Painting by Natalya Nesterova

Painting by a contemporary artist Audrey Ushenko. Audrey Ushenko works in the genre of narrative realism. Her works are rich, complex figurative and still life paintings. They are stories of recurring human issues often prompted by a twisted reality. Ushenko’s earlier works where primarily mythological and allegorical. Her later works are focused on depicting human situations and interactions of people who are both living and dead. These paintings represent social situations, timeless stories and enduring issues that are rendered with a contemporary twist. Always a significant element in Ms. Ushenko’s work is her integration of Venetian Renaissance methods of paint application with Impressionist color and light theory. The combination of the old masters’ technique of glazing the canvas and carefully layered surfaces of paint enhance the luminosity of Ushenko’s work. Audrey Ushenko has exhibited her work extensively throughout the United States including several shows at Denise Bibro Fine Art, NYC; the Fort Wayne Museum of Art, IN; The National Academy of Design, NYC; University Museum, Southeast Missouri State University, Cape Girardeau...

the quest, 2014 Graphite on paper 15.75 x 20.1 inches / 40 x 51 cm (framed) Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and wo...

“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.” -Jean Baudrillard, The System of Objects (1996) The cliché that “one man’s trash...

Born in Transylvania, Romania and of Hungarian origin, Paula Urzica lives and works in London, England. She is known for her hyperrealist paintings depicting large-scale macaroons.

24" x 36" Hahnmühle paper matt fibre 200gr. Archival digital pigment print, unframed. Edition of 5 +2AP Humans are complex. We are made up of many different layers, oftentimes unwi...

King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...

Painting by a contemporary artist Audrey Ushenko. Audrey Ushenko works in the genre of narrative realism. Her works are rich, complex figurative and still life paintings. They are stories of recurring human issues often prompted by a twisted reality. Ushenko’s earlier works where primarily mythological and allegorical. Her later works are focused on depicting human situations and interactions of people who are both living and dead. These paintings represent social situations, timeless stories and enduring issues that are rendered with a contemporary twist. Always a significant element in Ms. Ushenko’s work is her integration of Venetian Renaissance methods of paint application with Impressionist color and light theory. The combination of the old masters’ technique of glazing the canvas and carefully layered surfaces of paint enhance the luminosity of Ushenko’s work. Audrey Ushenko has exhibited her work extensively throughout the United States including several shows at Denise Bibro Fine Art, NYC; the Fort Wayne Museum of Art, IN; The National Academy of Design, NYC; University Museum, Southeast Missouri State University, Cape Girardeau...

Title: Middle Eastern Indoor Scene Artist: Amedeo Simonetti (1874 - 1922) Origin: Italian Date: 19th Century Medium: Watercolor Signature: Signed ‘Amedeo...

As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...

King’s interpretation of nature’s struggle takes the shape of small-format oil paintings, which depict landscapes merged with vessels that work to destroy or protect the environment ...

Created in 1959, Pablo Picasso Arrastro, from Service Scènes de Corrida A.R. 423 is numbered from the edition of 50 on the reverse and stamped with the 'MADOURA PLEIN FEU' and ‘EMPRE...

Mixed media on vintage enamel sign. KADIR LÓPEZ (b. 1972, Las Tunas, Cuba) came to artistic maturity at a time when the image and illusion of the...

Cinda Sparling’s “Untitled” is a captivating 1988 lithograph that embodies the artist’s exploration of form, color, and spatial relationships. This piec...

A painting depicting a male waiter showcasing a plate with a dozen of oysters placed in the plate and two slices of lemon in the center of the plate. The plate covers the lower half of the man's face that only his eyes are visible. The background is painted in blue, implying that he is by the ocean. Oil on canvas Natalya Nesterova...

Excited to share my latest artwork, "Golden Roses I". This piece features gold gilding and calligraphy on a round canvas with a Chinoiserie touch, adding a romantic flair to any decor. Measuring 20cm in radius and 1.5cm in depth, this acrylic painting shines with a soft luster, enhancing the golden moment of opportunity as beautifully described by William James, ''To improve the golden moment of opportunity, and catch the good that is within our reach, is the great art of life.' Golden Roses I (2021) is not just a painting; it's a piece of art signed by me and comes with a Certificate of Authenticity, ensuring its uniqueness and value. Art enthusiasts, feel free to explore this creation and immerse yourself in the elegance of "Golden Roses I". Art © 2019-2022 Fuen Chin...

"No Porten" is a part of a series of conceptual work featuring red, blue and yellow primary colors. Michael Porten is an interdisciplinary artist whose works range from paintings, ...

Olga Antonova (b. 1956, Volgograd, Russia) completed her classical art training at the Ilya Repin Institute of Painting in St. Petersburg, Russia, in 1980. She subsequently immigrate...

A white ceramic plate with black and blue glaze depicting a crowing rooster and a woman's face in profile by Latin American artist Carlos Luna.

A white ceramic plate with deep blue glaze depicting an abstracted head of a man in a hat with three hammers above his head by Latin American artist Carlos Luna.

Panting of Fruits by Natalya Nesterova.

artwork dimensions (unframed): 15h x 20w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

"Elegant Still Life of Two Stacked Cups, One with Dark Blue Stripes" Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cups, plates, teapots, and dish...

From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875 At some point the lying has to stop, right? But when? I’m no longer convinced that any external stimulus...

From a series of paintings by Ed Valigursky. Our technology is staggering. We now have computers that can lie for us. For proof you only need to head over to any online comment boar...

From John Singer Sargent’s Gassed, 1919 When considering the factors that are required (or at least helpful) for a lie to succeed, I constantly look to the audience. I constantly tr...

From Johannes Vermeer’s A Girl Asleep, 1656-57 Learning to lie is a bit like learning how to play a game. There are strategies. There’s an opponent. It can be fun because it’s a cha...

From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875 As we seek this fine line separating safe lying from detrimental misdirection, we often have to cross it...

From Rembrandt van Rijn’s Militia Company of District II under the Command of Captain Frans Banninck Cocq (The Night Watch), 1642 The search for limits is an ongoing endeavor. Circu...

A portrait of news anchor Brian Williams Similar to the regular fall of the Democrats, Brian Williams positioned himself as a figure worthy of our trust nightly. He convinced us tha...

A portrait of Fred Rogers, Mr. Rogers I suppose I like to believe that liars know they’re lying. I like to believe it’s a controlled activity. And if they...

Sandro Botticelli’s The Birth of Venus, 1484-86 We desire attention, but no one likes a show-off. So, we’ve sharpened our ability to practice false modesty. We pretend to cover ours...

From Thomas Eakins’ Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875 Knowing what we do about insufficient consequences, we will always test the limits of acceptable lying. ...

From Nicholas Poussin’s The Death of Sapphira, circa 1652 As we invariably test the waters of lying, we quickly learn to recognize the more forgiving...

A mannequin For some reason, mannequins seemed to be everywhere when I was growing up. Maybe it was growing up during the heyday of malls in America. Nevertheless, with their clearl...

A portrait of Pinocchio from Pinocchio, Disney, 1940 Are there any more recognizable stories about the difficulties that can accompany lying than that of Pinocchio? For the puppet-...

medium: graphite, embroidered thread and beads on linen Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded th...

Gelatin silver print, 7 1/2 x 11 1/2 in. Signed, titled, and dated by Paul Greenberg Paul Greenberg became interested in taking pictures when he was in the 5th grade. At age 12, his...

From "The Good Dishes" and "Creatures of Curiosity" Collection E Shipley Zambezi with Blueberry Onion Cup 36" x 24" Edition of 5 +2AP Other sizes and Editions available Artist's Bio: US, Born in New Jersey, 1962 Lives in New York City. NY JP Terlizzi (American, b.1962) is a New York City photographer whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how the present enlivens the past, shaping one’s identity. Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME. His work has been exhibited widely in galleries including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, Sohn Fine Art in Lenox, MA, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include shows at Foto Relevance...

From "The Good Dishes" and "Creatures of Curiosity" Collection Wedgwood Menagerie with Citrus 36" x 24" Edition of 5 +2AP Other sizes and Editions available Artist's Bio: US, Born in New Jersey, 1962 Lives in New York City. NY JP Terlizzi (American, b.1962) is a New York City photographer whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how the present enlivens the past, shaping one’s identity. Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME. His work has been exhibited widely in galleries including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, Sohn Fine Art in Lenox, MA, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include shows at Foto Relevance...

From "The Good Dishes" and "Creatures of Curiosity" Collection Wedgwood Sapphire Garden with Pineapple Beets 36" x 24" Edition of 5 +2AP Other sizes and Editions available Artist's Bio: US, Born in New Jersey, 1962 Lives in New York City. NY JP Terlizzi (American, b.1962) is a New York City photographer whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced around the notion of home, legacy, and family. He is curious how the past relates and intersects with the present and how the present enlivens the past, shaping one’s identity. Born and raised in the farmlands of Central New Jersey, JP earned a BFA in Communication Design at Kutztown University of PA with a background in graphic design and advertising. He has studied photography at both the International Center of Photography in New York and Maine Media College in Rockport, ME. His work has been exhibited widely in galleries including shows at The Center for Fine Art Photography, Vicki Myhren Gallery at the University of Denver, The Griffin Museum, Tilt Gallery, Panopticon Gallery, Candela Gallery, The Los Angeles Center of Photography, University Gallery at Cal Poly, Sohn Fine Art in Lenox, MA, and The Berlin Foto Biennale, Berlin, Germany, among others. His solo exhibits include shows at Foto Relevance...

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

From "The Good Dishes" Collection Gracie Lemonata with Lemon, 2019 30" x 20" Photograph Archival Pigment Print Edition of 5 + 2 APs Signed in Verso Artist's Bio: US, Born in New Je...

Crystal Quartz, mirrors and led lights Edition 1/3 + 2 AP Mario Arroyave uses visual repetition as a metaphor for time throughout his work. He presents surreal scenarios layered int...

CAROL O'MALIA received a BFA from Rhode Island School of Design and MFA from University of Massachusetts-Dartmouth. Her paintings have caught the attention of both private and corpo...

Represented by George Billis Gallery NYC. In my work I explore family objects as “families” of objects—individual silver heirlooms that are related to one another in a single collec...