Document Art

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital f...

Banksy, Banksy vs Bristol Museum Portfolio, 2009 1 x Banksy vs Bristol Museum show poster, Dorothy: 42 x 59.5 ( 16.5 x 23.4 in) 1 x Banksy vs Bristol Museum show poster, Copper: 42 ...

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Artiste Animaliers, Year: 1981, Medium: Poster with Embossed Cat Blindstamp, Size: 20.5 x 25 in. (52.07 x 63.5 cm), Prin...

DAVID SHRIGLEY Witness my Joy Screenprint in colours on 410gsm Somerset wove Hand Signed, dated verso Edition 9 / 125 in pencil verso Published by Galleri Nicolai Wallner Sheet 75 x...

Original limited edition poster for Mozart '91, Salzburg. Published by Marlborough Gallery, New York. Lithograph printed on Arches paper with deckled edges. This original lithograph...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

Vintage advertising poster made by Derouet Lesacq in 1939 for the National Lottery with the slice of the Eiffel Tower. Economy - Paris Lafayette Paris

Artist: Faile Title: Save Stilettos Size: 39 x 27.5 in Medium: Silkscreen Edition: of 100 Year: 2016 Notes: Custom Framed 18 Color Silkscreen Ink on Paper Archival Coventry Rag 290gsm. Signed & Stamped, Faile 2010 "The prints where released in conjunction with the Bedtime Stories show featuring some of the new processes involved in the wood paintings. These are 18-color silkscreen prints on an archival Coventry Rag 290gsm, deckled edge paper. Based off 3 new images from the show. It was quite a journey to try and convey the wood block paintings...

50 x 52 inches ed. of 10 $6,000 60 x 62.4 inches ed. of 7 $9,000 70 x 72.8 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format pho...

Law And Order by Harry Bunce [2021] limited_edition Original Print mounted on mountboard Edition number 24 Image size: H:59 cm x W:73 cm Complete Size of Unframed Work: H:59 cm x...

"In the Beginning There Were Mistakes" is a Gallery Poster featuring the artwork of CHARLES BRAGG (American, b. 1931). The print measures 28 x 22 inches and is unframed. It is Plate-...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 184/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Number...

Hammond (British, fl. 1930s) Original design for poster and flyer for Carnival Night at the King's Head 26x19 cm Gouache, 1937 Sadly nothing is known of the life of the artist of th...

Guinness Family 1963- Slim Aarons Estate Stamped Hon Desmond Guinness in his recently acquired home Leixlip Castle, Co Kildare, Ireland with his children Marina and Patrick. Their m...

An icon of American graphic design, Milton Glaser lent his visionary aesthetic to this 1979 poster celebrating the Morris A. Mechanic Theatre in Baltimore, known here as “The New Mec...

Look Jane, ink, watercolor on archival paper. From the new series. Jane and Dick conversation. Keith Carrington’s experiences have led him to express his talents through the fluid &...

Artist: Bernard Buffet Medium: Original Lithographic Poster, 1969 Dimensions: 30.3 x 20.5 in / 77 x 52 cm Arches Poster Paper - Perfect Condition A This lithographic poster after Bernard Buffet was executed by Charles Sorlier in 1969, under the artist's supervision for the exhibition "Les Peintres Témoins de Leurs Temps...

Artist: Kees Van Dongen Medium: Lithographic Poster, 1964 Dimensions: 30.25 x 20.5 in

Le Cenacle is an 1897 chromolithograph of Victor Mignot's poster, printed at Imprimerie Chaix under the direction Ernest Maindron and G. Boudet for the lauded poster collection 'Les ...

"Cecil Beaton (1904-1980)", Published by Electa Editrice Portfolios, 16.25 x 12.50, 1982 A portfolio of twelve heliogravure plates with tissue guard-leaves and limitation leaflet wi...

7 volumes, complete. Six 8vo volumes (292 x 190 mm), and one 4to (Huitieme année, 1919, 310 x 245 mm). Publisher's pictorial paper board portfolios, patterned endpapers, housing loos...

Diptych Screen Print Set – Signed & Numbered Limited Edition Golden Future for Some Shepard Fairey Screen print on Cream Speckle Tone fine art paper Metallic gold ink Limited editio...

This wonderful lithographic and photographic poster was created as a mixed media to promote an exhibition of Jacques Prévert's surrealist and symbolist...

After graduating with an engineering degree, Grossman soon discovered his passion for photography. In 2000, he graduated from NYU and the International Center of Photography with an...

Salvador Dali Sol y Dali Vintage lithographic poster (Mourlot workshop) Printed signature in the plate Edited in 1967 by Jean Schneider On paper 78 x 54 cm...

Engraving on gold plate on a silver base. Signed by the author and numbered. Edition of 3.000. Very good condition.   Corrado Cagli (Ancona, 1910 - Rome, 1976) was an Italian art...

Original mixed media painting by Adam Baranello. Size 36 x 36 in. Offered unframed. Mixed media, acrylic, spray paint on canvas. Multidisciplinary artist Adam Baranello creates mus...

In this whimsical design created by the gifted poster artist Bernard Villemot, we see the modern day dog admiring the voice and image of his master in the television screen. In the b...

Paper Size: 40.75 x 27 inches ( 103.505 x 68.58 cm ) Image Size: 38.75 x 25 inches ( 98.425 x 63.5 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible ma...

Reinhard Görner Inter Arma Charitas Lisbon, Portugal 2014 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Halle, Germany, Large-Scale Photography, Large-scale German photography, German Libraries, German Monuments...

Banksy, Captured by Steve Lazarides (Black edition), 2019 Volume 1, Hardcover by Banksy’s ex-manager Steve Lazarides Edition of 1000. Numbered inside book Has many never-before-s...

Like a Rolling Snowball (2019). Lithograph by Izumi Kato Limited edition of 300 numbered and signed by the artist 17 7/10 × 13 4/5 in 45 × 35.1 cm Edition 155/300 "Like a Rolling...

Reinhard Görner Salle Labrouste Library Paris, France 50" x 62.5" Edition of 10 $6,000 60" x 75" Edition of 7 $9,000 70" x 87.5" Edition of 5 $11,00...

Harper's May (Plate 115) is an 1898 lithograph of Edward Penfield's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters 'Les Maîtres de l'Affiche.' From the deluxe edition of 100 printed on japon - total edition size unknown. Framed in an ornate, gold-tone frame. Designed by Edward Penfield for a May edition...

Signed and dated "H. Pyle 1901" lower right corner Title-page illustration published in The Odes and Epodes of Horace, (Boston: Bibliophile Society, 1901). A beautiful and detailed...

An entire generation was traumatized by the grotesque classroom films on driving safety. After their sensible removal from the education system, these films became the stuff of legen...

Artist/Designer; Manufacturer: Helmut Newton (German 1920-2004) Marking(s); notes: no marking(s) apparent (book is shrink wrapped); ed. of 10,000 Materials: paper, acrylic Dimensions...

Created by one of the true pioneers of psychedelic poster design, this original 1967 piece by Victor Moscoso captures a pivotal moment in the merging of counterculture, music, and graphic experimentation. Designed for the Hawaii Pop Rock Festival, this poster advertises an impressive lineup featuring Canned Heat...

Morgan Library New York 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label,...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 11/40 Image Size: 25 x 19.5 inch...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Signed in the plate and unnumber...

Alcazar d'Eté, Lidia (Plate 25) is an 1886 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque poste...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

This is an early original stone lithograph poster created by the noted artist Maurus, for Air France. In In this image he shows vignettes of various destinations that Air France flie...

This is a 1944 WWII American war bond poster. The 6th War Loan emphasized a drive to target Japan in the South Pacific front. It began after the November Presidential election, with ...

Bernhard Hoetger’s 1914 Expressionist poster for the Darmstadt Artists' Colony’s (Darmstädter Künstlerkolonie) fourth and final exhibition depicts the legend of Saint George slaying ...

'Fan Mail' 1955 Marilyn Monroe (1926 – 1962), wearing a red negligee trimmed with black lace, sorts out her fan mail shortly after her film ‘The Asphalt Jungle’ had been released. ...

Poster Adverting the Entertainer Simon Frevalles. 1923. Color lithograph. On Linen. An outstanding twentieth century painter, printmaker and illustrator, Marcel Vertes moved from his native Hungary to Paris during the First World War. The art of Marcel Vertes was at its peak during the vibrant and somewhat wild decade of the 1920’s. Concentrating upon scenes of Paris street life, portrayals of women and depictions of circus and cabaret acts, Vertes left a legacy of original lithographs and drawings that superbly capture the spirit of 1920’s Paris. Vertès is also responsible for the original murals in the Café Carlyle...

Banksy, Dismaland Official Program, 2015 Softcover magazine 29.2 x 33 cm (11.42 x 13.39 in) Unknown edition size This was one of the very few official items that were for sale at...

Artist: D*Face Title: Careless Whispers Size: 20 9/10 × 39 2/5 in (53 × 100 cm) Technique: Screen Print Edition: of 140 Year: 2019 Notes: D*Face, aka Dean Stockton...

This striking original travel poster from circa 1970 captures the pristine beauty of Grindelwald in Switzerland, photographed by E. Schudel. The composition immerses viewers in an et...

This rare and highly collectible original advertising poster from circa 1900 was created by the prolific Italian-French poster artist Tamagno for Kina-Cadet, an aperitif produced by ...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

Lucian Bernhard was an award-winning graphic, interior, and typography designer and highly influential to the world of 20th century graphic and poster ...

Le Rire is a vintage Comic Magazine printed on November 1896, with illustration by A. Willette. Good condition on a yellowed paper, except for some torn paper...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

The Waltham Manufacturing Company was co-founded in 1893 in New York by Charles Metz and three business partners. The company's designer, Metz, called his cycles “Orient racing bicycles,” named after the Orient Fire Insurance...

In the golden twilight of the 19th century, when print culture merged with the rising tide of decorative modernism, Alphonse Mucha emerged as a visionary who would forever redefine t...

Edition 5 Big bad Wolf JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of...