Document Art

Actors is an original modern artwork realized in 1820-1830 by Utagawa Sadafusa. Woodcut Print Oban Dyptich Format. Arashi Kanjuro as Benkei, Ichikawa Komazo as Minamoto Yoshitsune ...

Banksy, Dismaland Official Program, 2015 Softcover magazine 29.2 x 33 cm (11.42 x 13.39 in) Unknown edition size This was one of the very few official items that were for sale at...

Portrait of the actor Kawarazaki Gonjuro is an original artwork realized in 1863 by Toyohara Kunichika (30 June 1835 – 1 July 1900) Oban. From the series "Karu asobi hana no senzei", The pleasures of summer in a consecated area. Breast Portrait of the actor Kawarazaki Gonjuro in yukata at night, behind in the darkness houses. Signed: Kunichika ga. Publisher: Izutsuya. Censored by Aratame. Wood engraver: Horicho. Excellent impression with blind printing and glossy black printing and Kirazuri mica at upper black margin, a little bit creased. Toyohara Kunichika (30 June 1835 – 1 July 1900) was a ukiyo-e Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury. Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession. In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings. Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Signed in the plate and unnumber...

Le Gratin Boulangiste is an original Modern Artwork realized in 1885. Original Lithgraph on paper. Passepartout is included. Fair conditions: some foxing is present on the surface.

Manzu Collection is an original offset poster print realized in 1981 by Giacomo Manzu. The artwork was realized on the occasion of the exhibition In the National Gallery of Modern A...

TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was New York to Los Angeles, soon followed by multiple National routes. The...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s Antonio Petruccelli (1907 - 1994) Vanity Fair Illustration proposal, c 1930’s 18 X 13 3/4 inches (sight) ...

The 1964 original travel poster by Bingler Manfred for Swissair, promoting travel to the Middle East, exemplifies the era's fascination with exoti...

This striking art deco style poster was printed C1930 as an advertisement for Vins Camp Romain. Vins Camp Romain, which translates to ‘Camp Roman Wine', was produced in Laudun, Franc...

This stunning 1937 original travel poster by Roland Hugon was commissioned by the PLM (Paris-Lyon-Méditerranée) railway company to promote luxurious overnight travel to the Côte d’Az...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

This original poster from May 1968, Travailleurs Unis – Français Immigrés, is a compelling artefact from the revolutionary student and worker protests that swept France. Created by t...

This original 1948 travel poster by the renowned design duo Lewitt-Him was created for American Overseas Airlines (AOA) to promote transatlantic flights between Europe and the United...

This rare 1975 portfolio Settings & Models is an extraordinary suite of ten photographic plates after Alphonse Mucha, published by Academy Editions London and printed by Graphics Int...

In the golden twilight of the 19th century, when print culture merged with the rising tide of decorative modernism, Alphonse Mucha emerged as a visionary who would forever redefine t...

Josef Muller-Brockmann, Volg, Traubensaft Naturrein, Zuverlässigkeit. 1957 Offset. Rare. Josef Müller-Brockmann was one of the leading pioneers of the ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Ex Libris Aira Konu is an original Contemporary Artwork realized in the mid-20th Century. Original woodcut print on ivory-colored paper. On the upper side in inscripted in capital ...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Finanze is an original artwork realized in the 1870s by Antonio Manganaro. Original colored lithograph Good conditions except for yellowing of paper due to the time and some light ...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

Peinture & Impressionisme Poster Exhibition is a mixed colored offset print printed by Mourlot in 1956. This print was realized on the occasion of the exhibition dedicated to the Im...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Original vintage Danish travel poster: Denmark. Artist Henry Thelander. Size: 24.75" x 39.5". Professional acid-free archival linen-backed lithograph, ready to frame. An Art...

Edition 5 Big bad Wolf JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of...

Chemin De Fer Rhetique, Grisons, Suisse. Chateau De Tarasp. 1913. Color lithograph Cardinaux created an extensive work of different media, he illu...

The photographer stands immobile, perfectly painted in camouflage to blend into detailed backgrounds that range from magazine stands to the Great Wall. With his compositions, Bolin c...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Medium: Watercolor and Ink on Board with Collage Signature: Unsigned Sight Size 16.25" x 11.75;" Framed 24.00" x 19.00" Circa 1925 This illustration was utilized as a movie poster a...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

David Shrigley Sorry I Snapped At You, 2025 Woodcut 53 x 40 cm Edition of 30 hand-signed and numbered by the artist published by Shäfer Editions and comes with COA from the publisher...

Framed Print for the Massachussets Institute of Technology promoting the show "Louise Nevelson: Works on Wood" in 1986. The image depicts the work loaned by Mrs. Albert List, "Tide I...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Album No 6 Portfolio with 3 lithographies. Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. Free shipment worldwide. Vladimir Velickovic was born in 1935 in ...

Divan Japonais is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H- de Toulouse-Lautrec. The artwork is a reproduction of the original affiche re...

Kees Van Dongen - Brigitte Bardot - Vintage Exhibition Poster Vintage Brigitte Bardot, exhibition poster for "Les Peintres Témoins de leur Temps" at G...

David Hockney, The Arrival of Spring, Normandy Royal Academy Exhibition Poster, 2020 Exhibition poster 76.2 x 50.8 cm ( 30 x 20 in ) Published by the Royal Academy, London During...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Bronze bookends by Kent Ullberg "Mountain Lords" Bronze Limited Edition of 100, signed and numbered 23 10.5" x 4.5 " x 5 " Representational sculpting of a Bald Eagle and Mountain Lion This particular casting is available on the secondary market from an original purchaser. It is in excellent condition, sold as pictured. ABOUT THE ARTIST: A native of Sweden, Kent Ullberg is recognized as one of the world's foremost wildlife sculptors. He studied at the Swedish University College of Art in Stockholm and worked at museums in Germany, the Netherlands, France, Africa and Denver, CO. After living in Botswana, Africa, for seven years he has made his home permanently in the United States where he now lives on Padre Island, Corpus Christi, TX. He also maintains a studio in Loveland, CO. Ullberg is a member of numerous art organizations and has been honored with many prestigious awards. In 1990 his peers elected him a Full Academician (NA), thus making him the first wildlife artist since John James Audubon to receive one of the greatest tributes in American art. A selection of his memberships include the National Sculpture Society; the American Society of Marine Art; the Allied Artists of America; Nature in Art, Sandhurst, UK; the National Academy of Western Art in Oklahoma City, OK which awarded him the Prix de West, the foremost recognition in Western Art. In 2010 he received the Briscoe Legacy Award and in 2016 the lifetime achievement award from the Society of Animal Artists. Best known for his monumental works executed for museums and municipalities across the globe, his Fort Lauderdale, FL, and his Omaha, NE installations are the largest bronze wildlife compositions ever done, spanning several city blocks. Both earned him the coveted Henry Hering...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 3/8 inches (228 x 315 mm). Signed in the p...

Futura 2000 NYC 1984: A rare 1980s Futura announcement card published on the occasion of: FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY. Offset printed annou...

An original hard copy of Andy Warhol's Brillo book. 11.25" h x 8.75" w. Wear consistent with age and use. Some wear at corners, as in the images. Andy Warhol, an American artist,...

w/ original couture boucle swatch Sheet Sz: 11 5/8" x 8 1/4"

Original Laguna Beach Tourist Map - Vintage 1998 Fun Map of Southern California Beach Town Linen backed in excellent condition, ready to frame. The special linen backing will he...

An original color lithograph by Jules Cheret numbered 52 of three dancers. 31 5/8" x 23 3/4" art 37 1/2" x 29 5/8" framed Jules Chéret (31 May 1836 – 23 September 1932) was a Frenc...

Original Andalusia, Spain. Iberia Airlines vintage travel poster. A flamingo dancer holds her hand up in the air as the Iberia Constellation plane flies overhead. Reddish-pink ca...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 12.2 x 7.87 inches Inscription: Signed in the plate and unnumbere...

In the realm of artistic mastery, Marc Chagall emerges as a luminary, renowned for his ethereal and enchanting creations. Born in Vitebsk, Russia, in 1887, Chagall's artistic journey took him from the bohemian streets of Montmartre to the global stage. A trailblazer in the world of modern art, Chagall's work is characterized by a harmonious blend of whimsy, symbolism, and a deep connection to his Jewish heritage. The 1956 Kunsthalle Bern poster...

Vinyl Collection, vintage interior photograph from Richard Heeps series, Forward to the Past. Richard was commissioned by Preston Hall Museum in Stockton-on-Tees to document the Muse...

"Viviane, Maindron" is an original color lithograph by Jules Cheret. It is an advertisement for a five-act ballet from 1886. It depicts a performer in a yellow dress with other dance...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Del Monte Roundup Red Shirt is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes in processed...

Edition 5 "You can't put a price on love but Cartier, sure does try." A little tiger is lying on the Cartier signet. JAY-C – the pseudonym of this innovative young artist known for ...

Raymond Pettibon, 'Black Flag Live ‘85 Loose Nut': Folding double-sided merchandise flyer illustrated by Raymond Pettibon for SST Records advertising...