Dress Art

Jean Seberg in Paris Wearing Laroche, 1959. Mark Shaw's image of Iowa born Jean Seberg wearing Laroche and taken in Paris for a 1959 issue of LIFE, makes h...

Indian Inspired Fashion at MOMA, 1955 -- Mark Shaw photographed a story on Indian inspired fashion for LIFE which was published on May 16, 1955. The story came out in conjunction with New York's Museum of Modern Art show of Indian Textiles which opened in April of 1955. This dress was featured in the MOMA show in this somewhat bizarre tableau. Image size is 32" X 32" (for 36" X 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a red Sari dress...

Model in Yellow in Paris Café, 1957 – Laroche's yellow skirt and sweater set was photographed by Mark Shaw in a Paris Cafe for the LIFE September 1957 artic...

Courtyard Fath Blue Ball Gown -- Jacques Fath ball gown, photographed for the September 1955 issue of Life. Shot at Mme. Fath's townhouse. Image size is...

Landon Nordeman is inspired by the work of Garry Winogrand and William Eggleston. Nordeman's unique point of view, characterized by National Geographic senior picture editor Sadie Quarrier, as "delightful, bold and unexpected," provided his audience - many of whom follow his work on his Instagram feed - with a fresh perspective on the world of fashion. "Photography for me is about discovery and appreciation," states Nordeman. "It is a way of probing the world, and making pictures to satisfy my curiosity." Landon Nordeman (born 1974, NYC) has photographed around the world for fine art projects as well as commercial clients. American Photography, Communication Arts, Pictures of the Year International, The PDN Photo Annual, The Best of Photojournalism, The Center for Documentary Studies, PDN's 30, The Society for Publication Design and The James Beard Foundation have all commended his work. "The Conversation (Nicole Kidman & Meryl Streep...

Original painting by Dan Alva

Vera Valdez and Models at Chanel Salon, 1961 -- This image is a an outtake from the September 1, 1961 issue of LIFE. The article was primarily printed in b...

Mod Black Ricci Cape Chagall -- Ricci satin ball gown with cloak of silk and cellophane. Photographed for the September 1961 issue of Life, against a backdrop of Chagall's windows of the 12 tribes of...

Backstage Red Gown with Rubies -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints...

Chinese Ink on paper Sandra de Jaume is a Spanish artist born in 1978 who lives and works in Palma de Mallorca, Spain. In 2024, she took part on the exhibition "Miradas Femeninas" i...

Acrylic on canvas Sandra de Jaume is a Spanish artist born in 1978 who lives and works in Palma de Mallorca, Spain. In 2024, she took part on the exhibition "Miradas Femeninas" in t...

Acrylic on canvas Sandra de Jaume is a Spanish artist born in 1978 who lives and works in Palma de Mallorca, Spain. In 2024, she took part on the exhibition "Miradas Femeninas" in t...

"Violet" Figurative Oil Painting 55" x 32" inch by Yousra Hafad Yousra Hafad is a young artist who excels in portraiture and particularly the meticulous art of drapery which she adorns her demure female figures in. Her works capture the ideals of female empowerment, and the feminine traits of motherhood, sisterhood, intuition, compassion and grace, all of which her carefully created subjects embody. Yousra Hafad is an Egyptian artist...

Hotel 1 2019 Archival Print on Ilford Smooth Cotton Rag M10 11.5x17.25 Edition of 10 Joan Haseltine is a visual artist whose practice revolves around complex ideas of perception and...

24 x 15.5 inches - Edition 2 of 5 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the hist...

A variation of this image appeared in the December 24, 1956 issue of LIFE magazine in an article titled, "Price Puzzles Proves a Point: 12 Styles Tell Why US is Best Dressed". Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography in color of eleven models posing in front of a wall of newspapers. On the left, a model wearing a dotted dress is standing. Next to her, a model is wearing a black shirt with a white skirt. She is sitting on the stairs covered in newspapers. Below the two models, another model wearing black pants and a ruffled shirt is lying down. Two other models are sitting on the floor. One is wearing a long fitted striped dress. Another model is wearing a checkered dress. Behind them, two models are standing. One is wearing a fitted red dress with a buttoned coat and black fur lining. The other model is wearing a black fitted dress with red flowers across the chest. A model seating on the floor looks up at the model. She is wearing a black dress. Behind them, there are four other models. On the left, the model is wearing a red coat with the hood on. Next to her, the model is wearing a plaid skirt with a matching plaid blazer. On her left, the model is wearing a red fitted skirt with a red coat over her shoulders. Next to her, the model is sitting and wearing a red coat dress.

Dior, Gainsborough Girls, Studio with Afghan, 1956. Image size is 40" x 50" (for 44" x 54" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo...

Backstage Red Gown with Rubies -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints ...

Victoire Wears Dior Red Gown, 1954. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hah...

Dior, Two Models in Vivante Line, "1953", 1956. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag...

Audrey Hepburn Dances, c24_16 -- Audrey Hepburn during the filming of Sabrina. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited e...

Audrey Hepburn Dances, c24_16 -- Audrey Hepburn during the filming of Sabrina. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limite...

Audrey Hepburn, c24_25 -- Audrey Hepburn during the filming of Sabrina. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editi...

Haute Couture - Karen Mulder at Christian Lacroix I

Balenciaga Green Skirt -- Shot in 1953 and published in the September 6, 1954 issue of LIFE at the Couture Salon of Cristobal Balenciaga. The source f...

editions available 1, 3-5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in ...

40.75" x 11.25" Unframed Limited Edition Giclée on Canvas with Hand Embellishment Numbered of 80 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

I don't know exactly what the technological process of creating a new dress looks like. Much less do I know what that process looked like a hundred years ago. But I can make it up. A...

Look no further than a little black dress! Turning this popular phrase into a bemusing - and life-sized - painting of the character Olive Oyl from the Po...

Tiger Morse Black Dress b3, 1961. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each p...

Dior, Palais de Glace Dress, 1957. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each ...

Models on Train, Bois de Boulogne, Paris, 1957 -- Models clad in designer evening dresses posing on the children’s miniature train in the Bois de Boulogne as photographed by Mark Shaw for the Sept. 2, 1957 issue of Life. Designers (L-R) are Lanvin-Castillo, Cardin, Dior, Laroche, Lanvin-Castillo, Cardin, Laroche and Patou. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of models wearing evening dresses on the children's green train. The models are all standing except the first model on the left. She is sitting with the conductor. She is wearing a yellow dress. The next model is standing on the train with her hand resting on the roof over the conductor. She is wearing a pink strapless dress...

Christian Dior Adjusts Victoire, 1954 -- Outtake from a photo shoot for the Sept. 6, 1954 issue of Life, Mark Shaw’s camera captures a moment of adjustment at the Dior Salon. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of Victoire de Castellane getting her jewelry adjusted by Christian Dior. She is standing in the middle of the salon. She is wearing a red Dior strapless dress...

Dior, Two Models in Vivante Line, "1953", 1956. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag...

Socialite Lee Radziwill, Blue Cape in Brocade Room -- Photographed by Mark Shaw in the 1960's, socialite Lee Radziwill, younger sister of Jacqueline Kennedy ...

Courtyard Dior Lavish Gold on Red Velvet -- Dior Dress with lavish gold embroidery. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image size is 32" x 40" (for 36" x 48" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a Dior dress. Her strapless dress is red velvet with gold decorations. She is also wearing long brown gloves...

Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XV...

Backstage Two Bare Backs -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of backstage at the 1954 Pierre Balmain Couture show. A model undress with her bareback to the camera. She is wearing only underwear. Another model next to her is wearing a white...

Coco with Suzy Parker in Dark Suit, 1957 -- Chanel in her salon with American model Suzy Parker. Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film processing methods that enabled him to eliminate all other photographic equipment. Although Shaw's techniques increased the grain and contrast of the photographs, the lack of intimidating, distracting flash and lights allowed him to capture an unusually relaxed Chanel. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Coco Chanel with Suzy Parker. Coco is wearing a long white skirt...

Balenciaga Green Skirt -- Shot in 1953 and published in the September 6, 1954 issue of LIFE at the Couture Salon of Cristobal Balenciaga. The source f...

Backstage Balmain Blue Bejeweled -- Backstage at the 1954 Pierre Balmain Couture show. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in l...

Elizabeth Taylor in Yellow with Ivy, Side 3 -- Mark Shaw was sent by LIFE to photograph Elizabeth Taylor for the April 28, 1961 issue. The images he took were never used for the arti...

Art Sz: 13"H x 8 5/8"W 1973

Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XVI dining room or decorator Henry Samuel...

Jackie, JFK, Caroline, Hyannis Patio, Colorful Skirt rap_013. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnem...

Mod Party on Cruise -- A hip party scene photographed by Mark Shaw for a 1962 US Lines Cruise ship advertising campaign. Image size is 40" x 59" (for 44" x 63" paper size). All Mark ...

Balenciaga Green Skirt -- Shot in 1953 and published in the September 6, 1954 issue of LIFE at the Couture Salon of Cristobal Balenciaga. The source f...

Courtyard Balenciaga Red and White Satin -- Considered the "prettiest dress in Paris," this image of Balenciaga's untrimmed faille and satin gown is an out take of the photo shoot fo...

Photographed for Dior, Palais de Glace Dress, 1957. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a grey Dior dress outside by the Louvre metro. A model is wearing a dress with gloves...

Fabiani Bag Dress Outside Harry's Bar, Paris, 1957 -- A model wearing a Fabiani "Bag" dress is photographed outside Harry's Bar in Paris. Photographed in 1...

Close Up in Chanel Red Velvet, Cour de Rohan, 1955 -- A velvet dinner dress by Chanel, was photographed in the vine hung Paris courtyard, Cour de Rohan, ...

Elizabeth Taylor in Yellow with Ivy, Side 1 -- Mark Shaw was sent by LIFE to photograph Elizabeth Taylor for the April 28, 1961 issue. The images he took were never used for the arti...

Dior, Renee in Gazette du Bon Ton, 1954. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editi...

Dior, Victoire in Pink Amadis, 1954 Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...

Photographed for Dior, danse dress, Autumn-Winter 1956 Haute Couture collection, Aimant line. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to ord...

Mod Girls in Sequined Dresses at Night, Paris, 1961 -- Photographed by Mark Shaw in Paris for Life's Fall 1961 issue, this image shows models wearing beaded dresses from Ferreras, Matta, Dior ( 2 dresses long and short) and Desses. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography in color of five models in Dior sequin dresses. They are outside at night in a city. They are posing on the sidewalk. There is a crowd of people behind them. A row of cars is parked on the curb. The model on the far left is wearing a long sleeveless dress. Her sequin dress is black and blue. The model next to her is wearing a long peachy sequin dress. The model in the center is wearing a long silver sequin dress...

Vera Valdez and Models at Chanel Salon, 1961 -- This image is a an outtake from the September 1, 1961 issue of LIFE. The article was primarily printed in b...

A model wearing Dior photographed by Mark Shaw in the mid 1950s. Recently published in the book Dior, Glamour, Mark Shaw. Rizzoli, 2013. Image size is 10" x 15" (for 11" x 17" pap...