Goat Art

The photograph "Ginzan Spa, Yamagata, August 1976 from Fushikaden," is by Japanese photographer Issei Suda. The print is hand-signed by the photographer on ...

Robin Hextrum's "No Longer a Sacrifice" is an original, handmade oil painting that depicts a horned goat with a red draped background. The piece is unframed yet ready to hang. Rob...

Jules Moigniez "Mountain Goat" Bronze approx 11 x 9 x 4 inches Signed Jules Moigniez (1835-1894) Jules Moigniez was born in Senlis sur L'Oise, France ...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at ani...

Segno Zodiacale Capricorno is an original screen print on grey paper realized by Sergio Barletta. Signed on the lower left margin. In good conditions...

“Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic disposition or nature. Some animals have a long cultural history while others d...

This artwork "Chevre Allongee (Reclining Goat)" c. 1860, is bronze sculpture after renown French artist Antoine Louis Barye, 1796-1875. Signature is impressed in the bronze. The subject size is 4.25 x 7 x 3.35 inches, including marble base is 5.25 x 4 x 7.75 inches. It is in excellent condition. About the artist: Antoine-Louis Barye lived his entire life in Paris and may never have left France. He was born in 1795 (a date revised in the 1990s from 1796 as a result of Martin Sonnabend's recalculation of the Revolutionary calendar). He is reported to have had minimal formal schooling even in reading, and to have acquired his extensive liberal-arts education on his own. His initial professional training was in metalwork: first with his father, a goldsmith from Lyons, then with a metal engraver in military equipment, and finally with Martin-Guillaume Biennais (active 1800-1832), then master goldsmith to Napoleon. After serving in the army from 1812 to 1814, Barye trained in the fine arts with sculptor François-Joseph Bosio (1768-1845) and painter Baron Gros (1771-1835). He then studied at the Ecole des Beaux-Arts from 1818 to 1823. His miniature medallion, Milo of Crotona Devoured by a Lion, won an honorable mention in metal engraving in 1819, but he failed to win the Prix de Rome. He worked as a craftsman for the goldsmith Jacques-Henri Fauconnier (1779-1839) from 1823 to 1831 and made his Salon debut in 1827 with a selection of busts. Barye made his critical and public mark as a sculptor four years later, in the Salon of 1831, with groups representing predatory violence in the wild. His first government commission came soon after, precisely for such a subject. The Minister of the Interior purchased Barye's monumental plaster Lion (since called Lion Crushing a Serpent), shown in 1833, and had it cast in bronze by Honoré Gonon and shown in 1836, before placing it in the public Tuileries Gardens (now Musée du Louvre, Paris). In 1834 Barye was chosen for a project that was never executed, the colossal eagle as the crowning element of the triumphal arch at the Etoile. Around 1836 the government commissioned him to execute the emblematic animal decoration on the July Column at the place de la Bastille, inaugurated in 1840. He produced a monumental effigy of Saint Clotilde for the Church of the Madeleine, Paris, in the early 1840s. In 1846 the government commissioned a pendant Seated Lion for the Tuileries Lion Crushing a Serpent (1847, bronze, Portal, Pavillon de Flore, Palais du Louvre, Paris). During these same years the royal family began buying and commissioning small-scale works from Barye for their private collections. Around 1834, the duc d'Orléans commissioned a highly publicized surtout de table representing hunts of different regions and historical periods, possibly one of several tabletop projects that he ordered from Barye. The duc's sister Marie d'Orléans allegedly commissioned a lost-wax bronze of Barye's Charles VI Surprised in the Forest of Le Mans (location unknown; later serial variants), a model first shown in the Salon of 1833; his brother, the duc de Montpensier, apparently commissioned a pair of figurative...

Edition of 15 Signed, titled, dated, numbered, and copyright. Paper size: 17 x 13 in. Image size: 14 x 11 in. From the Chattel series. AVAILABLE SIZES: 13 x 17 in. , Edition of 15 $...

'1. Chevre de India 2. Chevre de Syrie' French engraving with original hand-colourimg, circa 1840.

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

"Untitled 44" In this award-winning image, a young Suri boy carries a goat. It's a familiar scene in the Omo Valley and his tribe relies on livestock so he must take part in the car...

The oil paintings of the contemporary Dutch artist Paul Jansen invites the viewer to look beyond the standard picture within the frame. It feels as if the ...

Heather and Zeuss (The Girl behind the White Picket Fence) - 2013, 20x24cm, Edition 10/10, digital C-Print print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 13137.17. Not mounted, featuring Heather Megan Christie Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in 29 Palms, California, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. 

Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose 10 acre property is dotted with vintage trailers. They surround her mid century home, and serve as sets for her photo shoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer named Heather, and played by Heather Megan Christie, Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Never in the history of movie making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise the project 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004, when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and couldn't travel to the desert. Filming took place in Spring 2011 and 2012. Schneider will submit the film to the Slamdance film festival 2018 and it was broadcast in 2013 by leading German television channel, Arte. For more information visit Stefanie's 29 Palms, CA project. Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne...

'Cretan goats' 30x45cm limited edition of 20. Taken in Crete, Greece 2022. Printed on heavyweight Photo rag Baryta Hahnehnmule fine art paper. Signed front and back, comes with a...

Title: White Goat Medium: Oil on canvas Size: 15.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Unsigned work Work on paper Carved brown and gold wood frame with glass window 68.5 x 53 x 2 cm

"Untitled 44" In this award-winning image, a young Suri boy carries a goat. It's a familiar scene in the Omo Valley and his tribe relies on livestock so he must take part in the car...

Le Bouc is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"....

Archival pigment print Signed, titled, dated, and numbered, verso 30 x 40 inches, sheet (Edition of 5) 16 x 20 inches, sheet (Edition of 10) This photograph is offered by ClampArt...

Bold modernist portrait of a goat done in black and blue watercolor by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in an off-white mat. No fra...

Something New Rowena Fruth American (1896–1983) Date: 1941 Gelatin Silver Print, signed in pencil on matting l.r. Size: 17.5 x 15.5 in. (44.45 x 39.37 cm)

Original Acrylic painting signed by the Artist on lower left corner.

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Artist Statement I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might addres...

La Chevre is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particuliè...

La Brebis D'islande is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Le Bouquetin is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particul...

La Chevre De Juda is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Go...

Original oil painting signed by the Artist on lower right corner.

On the way to the parking lot, after a Plein air session on the Aue, this Goat caught my eye. Started of as a Plein air painting, the final touches were added in my Studio. Oil on L...

Feroz Khan - Untitled Oil & Acrylic on Canvas 55 × 42 × 1 in ( unframed size) We suggest to collect the painting unframed and rolled for the sake of Conven...

Lela #1 by Kevin Horan presents a portrait of a dark haired goat looking off to the side, from Horan's series Chattel. This photograph is a 11 x 14 inch print, with the paper size me...

Sydney #1 by Kevin Horan presents a portrait of a curly haired white goat with a long goatee. This photograph is listed as a 14 x 11 inch archival pigment print, with the paper size measuring 17 x 13 inches. It is available in an edition of 15. This photograph is signed, titled, dated, numbered, print date and copyright in pencil on print verso. Sydney #1 is from Kevin Horan's series, Chattel. This photograph is also available in a larger size. Kevin Horan photographs goats in a very regal manner in his series, Chattel. A variety of domestic goats and sheep get their close-ups, allowing us to explore the detail of their beards, wattels, eyes, horns and hair. Horan's interest in exploring the exchange between people and animals lead to these dramatic, yet humorous portraits...

Edition of 15 Archival pigment print, 17 x 13 in. Signed, titled, dated and numbered in pencil on print verso by Kevin Horan Kevin Horan is a photographer based in Langley, Washing...

A large Charles Paillet French (1871-1937) bronze of two playful goats "Medaille D'or" Here we have a fun and whimsical statue sculpture of two young goats playing in the grass. One...

Edition of 15 Signed, titled, dated, print date, numbered and copyright by Kevin Horan Archival pigment print Paper size: 17 x 13 in., Image size: 14 x 11 in. AVAILABLE SIZES: 13 x ...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright by Kevin Horan Paper size: 30 x 24 in. Image size: 28 x 22 in. From the Chattel series. AVAILABLE SIZES: 13 x 17 in., Edition of 15, $1000 24 x 30 in., Edition of 8, $2100 Kevin Horan photographs goats in a very regal manner in his series, Chattel. A variety of domestic goats and sheep get their close-ups, allowing us to explore the detail of their beards, wattels, eyes, horns and hair. Horan's interest in exploring the exchange between people and animals lead to these dramatic, yet humorous portraits...

Edition of 8 Signed, titled, dated, print date, numbered and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at ani...

Edition of 8 Signed, titled, dated, numbered and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at animals as peopl...

Edition of 8 Signed, titled, dated and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at animals as people, people ...

Edition of 8 Signed, titled, dated, numbered, print date and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at anim...

Edition of 15 Image size: 14 x 11 in. Paper size: 17 x 13 in. Archival Pigment Print Signed, titled, dated and copyright in pencil on print verso Kevin Horan is a photographer based...

Edition of 8 Signed, titled, dated, print date, numbered and copyright by Kevin Horan Archival pigment print 30 x 24 in. AVAILABLE SIZES: 13 x 17 in., Edition of 15, $1000 24 x 30 i...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at ani...

Edition of 8 Signed, titled, dated and numbered. Paper size: 30 x 24 in. Image size: 28 x 22 in. From the Chattel series. Kevin Horan photographs goats in a very regal manner in his series, Chattel. A variety of domestic goats and sheep get their close-ups, allowing us to explore the detail of their beards, wattels, eyes, horns and hair. Horan's interest in exploring the exchange between people and animals lead to these dramatic, yet humorous portraits...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at ani...

Mountains landscape with an alpine, painted by oil on canvas :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Rea...

English, b. 1962 Louise is fortunate to be living her dream in the rural mountains of Colorado. Her time is spent hiking with her Great Danes, sculpting in her studio and operating ...

Original painting signed by the Artist lower right.

Signature: Signed Lower Left

Edition of 15 Signed, titled, dated and copyright. Paper size: 17 x 13 in., Image size: 14 x 11 in. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on...

Edition of 15 Signed, titled, dated, numbered, and copyright. Paper size: 17 x 13 in. Image size: 14 x 11 in. From the Chattel series. AVAILABLE SIZES: 13 x 17 in. , Edition of 15 $...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Paper size: 30 x 24 in. Image size: 25 1/2 x 20 in. From the Chattel series. AVAILABLE SIZES: 13 x 17 in., ...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Paper size: 30 x 24 in. Image size: 25 1/2 x 20 in. From the Chattel series. Kevin Horan photographs goats ...

Carl #1 by Kevin Horan presents a portrait of a light colored goat with its ears tucked back, staring straight ahead. This photograph is listed as a 14 x 11 inch archival pigment pri...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at ani...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at ani...