Horizon Art

In 1984 Life Magazine was in full stride. Their photo editors sent photographers on location to document stories visually. At the US Army Munitions Depot, Edgemont, South Dakota, Mit...

Stamped with artist’s estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Provenance: The Estate of D...

Unique silver gelatin contact print Provenance: The Estate of Dora Maar

Shot on location Near Taos, New Mexico, 4 of an edition of 15, Signed, dated and number lower right recto, Other sizes available, unframed, printed later. Printed on Hahnemüh...

This Water series comes out of Schmidt's life long fascination with water and the color blue. Having grown up in Greece as the daughter of an archeologist, Schmidt spent 3 months ...

This large format, color-photograph belongs to Jay Mark Johnson's wave series - the images from which depict the rhythmic cycling and recycling of oceanfront waves as recorded on rem...

A dramatic seascape with golden seas complemented by an equally golden sky is depicted with a child seen from the back gazing out into infinity. The viewer can read into it what he/...

David Burdeny - Surfers, Oahu, Hawaii, 2010 59 x 73.5 inches Edition of 5 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I...

We present another series of new work highlighting the raw, natural beauty of Californian coastline and the Pacific ocean landscapes and nature, from various California based photogr...

Untitled (Nr. 0189) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

This is a new series of photography featuring the icy tranquil waters of Finland. The beauty of the light and landscape is unparalleled and as such the inspiration for our photograph...

This is a new series of photography featuring the icy tranquil waters of Finland. The beauty of the light and landscape is unparalleled and as such the inspiration for our photograph...

This is a limited edition fine art photography of the beautiful English countryside, capturing the light and quiet tranquility of the landscape. Gallery finds original, gorgeous work...

20" x 16" Unframed Open Edition Silver Gelatin Hand Signed by Bill Lemke

Atlantic Ocean I, Brazil 40 x 60 inches - Edition of 5 Archival Pigment Print Unframed ABOUT THE ARTIST: Born in São Paulo, Sérgio Ranalli manages to ...

Seaweed Farm, South China Sea, China (Sepia) Edition of 10 + 2AP Archival Pigment Print Framed “These works present my abiding interest in the thresho...

Tropical Storm, Sunset Atlantic Ocean, Brazil 47 x 71 inches - Edition of 5 Archival Pigment Print Unframed

Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imm...

David Burdeny Tide Pool, Australia, 2017 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Bernhard Quade Sea Scotland III, 2009 Archival Pigment Print 49 x 75 cm on a 64 x 90 cm paper 20 x 30 inches on a 25 x 35 in paper Edition of 7 85 x 130 cm on a 105 x 150 cm pape...

Bernhard Quad Hazy Sea Licata, Italy, 2008 Archival Pigment Print 49 x 75 cm on a 64 x 90 cm paper 20 x 30 inches on a 25 x 35 in paper Edition of 7 85 x 130 cm on a 105 x 150 cm...

Mac Oller Classic 12 x 12 inches Edition of 29 Archival Pigment Print 20 x 20 inches Edition of 19 Archival Pigment Print 30 x 30 inches Edition of 9 Archival Pigment Print 40 x ...

Image Size: 18" x 24" Original - Acrylic on Canvas Hand Signed by Andre Philibert

Signed, dated, numbered 4/15 recto, unframed, printed later, other sizes available, Printed on Hahnemühle Fine Art paper Cover Camera 35 Magazine Aug/Sept 1976

Edition of 3 Signature Label on verso, framed.

Monument Valley Navajo Tribal Park, Four Corners at dawn. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, printed later, Printed on Hahnemühle Fi...

Edition of 3 Signature Label, numbered and dated, mounted and framed.

Cerulean Blue Sky with cumulus clouds and reflections in the water evokes an ethereal view of man on boat at sunset in East Hampton NY. Shipping should be around $125. This archival ...

Signed and dated on lower right, numbered , 2/15 Printed later, other size available, unframed. printed later Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Co...

Shipping should be around $100. San Francisco Vista Signed and dated and numbered on the lower right, , Edition 4 of 15, Unframed, other size available

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

East Hampton Fences. Fields being farmed are interpreted as a color field painting by Mitchell Funk. Signature: signed and dated lower right, ...

"Drift 02" Abstract Landscape Photography 30" x 20" Edition 8/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the s...

Omaha Sketchbook: Road in Snow - Contemporary Photography, American Signed on reverse Digital chromogenic print 22 x 18 inches From a limited edition of 7 prints For the last fiftee...

C Print (Unframed) Internationally renowned photographer and multidisciplinary artist David Drebin is celebrated for creating spectacular shots of dazzling subjects. Including photo...

The Mouth of the Okarito River and the Tasman Sea, New Zealand, Autumn 2018 Signed and inscribed with title and date on reverse Archival pigment print 35.5 x 25.75 inchess Edition of...

This piece can be framed in white wood for an additional $550.

David Géry's paintings are mostly black and textured. For him, it is only possible to perceive the mysteries and truths of life through black. David Géry creates an interraction between his paintings and the viewer; the painting is always different depending on the viewer's position or the intensity and direction of light. He takes us into the kingdom of the night, in a secret world wainting for light. David Géry is also a theatre director. The main plays he directed were Bartleby by Herman Melville at the Théâtre de la Tempête (Paris), Autum Dream by Jon Fosse at L’Athénée-Théâtre Louis Jouvet and an adaptation of Fahrenheit 451 by Ray Bradbury.

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT a...

This piece can be framed for an additional $1,500. 4" white border

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4000 
20 x 20 in. $5000
 24 x 24 in. $6000
 30 x 30 in. $8000
 42...

This Water series comes out of Schmidt's life long fascination with water and the color blue. Having grown up in Greece as the daughter of an archeologist, Schmidt spent 3 months...

This Water series comes out of Schmidt's life long fascination with water and the color blue. Having grown up in Greece as the daughter of an archeologist, Schmidt spent 3 months ...

Edition of 25 Signed and dated in black ink on print margin by Peter Brown Published: West of Last Chance (2008) Available in additional sizes, limited to a single edition of 25 pr...

Edition 6/15 Archival pigment print “Water’s Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. Having spent much of her l...

Edition of 8 Dye-sublimation print on aluminum, 25 x 36 in. Signed, titled, dated and numbered by Jeanine Michna-Bales Dye-sublimation print on Aluminum, wall mount on back. From the series, Through Darkness to Light: Photographs Along the Underground Railroad...

Signed, titled, and dated in print verso.

Signed, titled, and dated in pencil on print verso.

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...