Mist Art

Black and white fine art landscape photography. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

'Exhalation' Limited Edition 60 x 48" Photograph. Edition of 25. Unframed _________________ The wild Atlantic pounds the granite cliffs in raw abandon, breathes and exhales graceful...

Black and white fine art landscape photography print. Bent tree in fog in the fairy forest on the island of Madeira, Portugal. Archival pigment ink print, edition of 5. Signed, title...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 20. All Gerald Berghammer prints are made to ord...

Black and white fine art landscape photography print. Old laurel tree in the fairy forest at foggy mystical mood, Fanal, Madeira, Portugal. Archival pigment ink print, edition of 8. ...

Bosque Alto Andino Chingaza, 2021 by Miguel Winograd From the Enjambre Series Pigment Prints Image Size: 43 in H x 43 in W Edition of 5 + 2AP Black and white Edition Unframed Th...

#10282-a Lake Erie, Buffalo, New York, USA 2011/2023 Signed in black ink, verso Archival pigment print 6 x 6 inches, sheet 5.25 x 2.25 inches, image This work is offered by CLAMP...

Canadian artist Peter Hoffer (1965) is best known for his landscape paintings. His style has also been compared to the idealistic landscapes of the 19th-century landscape painter Joh...

oil on canvas b. 1951, Nagasaki, Japan Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes o...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Edition of 45 Signed, titled, dated, and numbered. Michael Kenna's black and white photographs are powerful and alluring. His imagery transports you to iconic and placid landscapes ...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 5. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Black and White Fine Art waterscape long exposure photography - Boat house in fog at the beautiful Almsee, Austria. Archival pigment ink print, edition of 9. Signed, titled, dated an...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Platinum/Palladium (there was no pull down for this) Print Date 2025 Hand printed by artist Edition 1/15 Outer dimensions 16x20" Corner Mounted

A misty morning landscape with wild poppies. Presented in a textured pastel red frame. Unsigned. On board.

This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog and wildflowers are in the woods across the bay fr...

Edition of 25 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

"A herd of horses running with dust being kicked up in black and white A herd of dark horses running with sand and dust around them This powerful global series explores horses in ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

The tree is a native Californian Monterey pine. They are found up and the down the coast of California from Carmel to San Francisco and all the way up north Mendocino. The moody scen...

Ethereal landscape with water celebrating morning light. Oil on canvas is 30 x 40 inches, and it is meticulously painted by Brooks Anderson. Signed, ti...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Dreaming of the dawn is one of the best photo on canvas realized by Giuseppe Marani in 2010. Always passionate about landscapes and photography, the artist then devoted himself to l...

A solitary oak tree is backlit by the glow of sunrise at dawn along a trail. The scene is a hiking trail in the hills of Oakland, California. This is a one-off mini studio proof. A h...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Black and white fine art panorama landscape photography. Mystical Trees in Fairy Forest in fog, Madeira, Portugal. Archival pigment ink print, edition of 7. Signed, titled, dated and...

A framed edition of this cyanotype sold to Timothée Chalamet at The Other Art Fair in Los Angeles. One of 10 mini editions of the same photograph printed by hand using the antique ...

Contemporary landscape painting of Monserrate in South America, neutral palette with light white mist over a dark green mountain 36 x 60 inches oil on canvas, unframed (thin wood stripping only) Painting is wired on the back for installation Magnificent contemporary landscape painting of "Monserrate", a mountain near Bogota in Columbia that rises 3.152 meters above sea level. All downtown Bogotá, south Bogotá and some sections of the north of the city are visible facing west, making it a popular destination for watching the sun set over the city. Bill Sullivan expertly paints wispy clouds that settle down around the mountain's peak. About the work by John Ashbery: With only a tinge of irony, Bill Sullivan makes new the vast spaces and swooning optimism of nineteeth-century Luminist painting. Reaffirming the contemplation of nature as its own reward, he also sets new tasks for painting and undertakes them with compelling eagerness. While there has been a tendency among some contemporary artists to present a revisionist view of the "great outdoors" of nineteenth-century landscape painters, Sullivan has no satirical agenda. After spending several years in South America amid the landscapes that attracted Frederic Edwin Church and Martin Heade, among others, he refined and strengthened this awesome imagery after returning to New York. A certain surreality floats though these vaporous visions of Columbia, though this may just be the result of Sullivan's careful documentation of scenes that looked unreal to begin with. About the Artist: Sullivan attended Silvermine College and earned an M.F.A. from The University of Pennsylvania, where he studied with Fairfield Porter, Neil Welliver, Jane Freilicher, John Button and Rudy Burckhardt. He also studied privately with Josef and Annie Albers. In the late 1960s, Sullivan joined Bowery Gallery, an artist-run gallery that was dedicatedto figurative art. Later, when the Alliance of Figurative Artists was starting, Sullivan organized weekly panels and discussions at The Educational Alliance. Sullivan's first solo show at Bowery Gallery in 1970 included paintings depicting people, New York cityscapes and still lifes. After this show, Sullivan developed an interest in landscape painting. New York City, the Hudson River and Manhattan's West Side highway became his main subjects. He had several shows of these paintings at Bowery Gallery and continued to paint the Hudson River until the end of his life. At one of these shows he met art collector G. W. Einstein, who became his friend and represented him for many years. Sullivan had his first solo show at G. W. Einstein Company in 1978. In 1977, Sullivan met Colombian writer Jaime Manrique; they traveled to Colombia, where Bill painted the places that Frederick Edwin Church and Martin Johnson Heade had painted in the 1850s. In Colombia he had a solo show in the Bogotá Museum of Modern Art in 1978. The years following his return from South America was the period when Sullivan's work was most in display in New York City. Sullivan remained in New York City until 2001 where he had several solo shows. In 2002, he settled in Hudson, New York, where his two nineteenth-century heroes, Frederick Church and Sanford Robinson Gifford, had lived. He painted many of the sites Church and Gifford rendered on canvas. Resume: 2009 Carrie Haddad Gallery, Hudson, NY 2008 BCB Gallery, Hudson, NY 2007 BCB Gallery, Hudson, NY 2006 The Autobiography of Bill Sullivan: A Landscape Retrospective, The Albany Institute of History and Art, Albany, NY 2005 Roxbury Art Group, Roxbury, NY Hudson River Views, Bonnie Andretta Fine Arts, Hudson, NY 2004 Indelible, Gallery 2/20, New York, NY Workshop Exhibition, Dannette Koke Fine Art, New York, NY 2003 The Gallery at The St. Charles, Hudson, NY Paintings of South America, Hudson, NY Painted City, Carrie Haddad Gallery, Hudson, NY Juried Art Show, Columbian Council on the Arts, Hudson, NY Made In Hudson, Artwalk, Hudson, NY 2002 Musselman Gallery, Hudson, NY 2001 HHA Gallery, Riverdale, NY The Landscape That Changed America, The Albany Institute of History and Art, Albany, NY 1999 Silas-Kenyon Gallery, Provincetown, MA Greenwoods and Crystal Waters: The American Landscape Tradition, Philbrook Museum of Art, Tulsa, OK 1998 Suitcase Will Travel, Conductor’s Gallery, London, UK 1997 House/Scene, Kunsthaus, Hamburg, Germany Selected Prints, Atrium Gallery, Long Island City, NY Contemporary Selections, Albany Institute of History and Art, Albany, NY 1996 Uptown Gallery, New York, NY Eight Realists: Realism Then and Now, K & E Gallery, New York, NY Recent Acquisitions, Albany Institute of History and Art, Albany, NY Pencilvanians Drawn to New York, Pennsylvania Alumni Exhibition, Roger Smith Gallery, New York, NY New Acquisitions, Museum of the City of New York, New York, NY 1995 Five Aspects of American Landscape Painting, Creiger Dane Gallery, Boston, MA New York City Views, Owen Gallery, New York, NY Increased Visibility, Leslie-Lohman Gallery, New York, NY American Realism, Gallery Bijutsu Sekai, Tokyo, Japan Group Show, G.W. Einstein Co., New York, NY 1994 25th Anniversary Exhibition, Bowery Gallery, New York, NY Pride in Our Diversity, 24 Hours for Life Gallery, New York, NY Paint Props and Process, Castle Gallery, College of New Rochelle, New Rochelle, NY 1993 Celebration, G.W. Einstein Co, Inc., New York, NY Far Away Places Artists Who Travel, SSC&B Lintas Worldwide, New York, NY Group Show, John Szoke Gallery, New York, NY Art & Fantasy, Amos Eno Gallery and The Puck Building, New York, NY Organization of Independent Artists Benefit, Brook Alexander Gallery, New York, NY 19th & 20th Century Works of Art, Friends of OLANA Benefit, Hudson, NY 1992 New York Icons, Michael Ingbar Gallery, New York, NY Group Show, John Szoke Gallery, New York, NY Shanti Foundation Benefit Exhibition, Tatistcheff Gallery, Santa Monica, CA Contemporary American Landscape, World Art Collection in conjunction with Quatre Pieces Gallery, Yokohoma, Japan The Scarf, Bergdorf Goodman, New York, NY 1991 Urban Icons, Klarfeld Perry Gallery, New York, NY City Edge of Night, The Muckenthaler Cultural Center, Fullerton, CA Spirit of Place Dada Gallery, Fukuoka, Japan Group Show, Tatistchieff, Santa Monica, CA Group Show, John Szoke Gallery, New York, NY American Images, Crane Art Gallery, Tokyo, Japan; World Art Collection, Yokohama, Japan; Daimon Art Gallery, Sapparo, Japan; Beersheba Gallery, Osaka, Japan 1990 Susan Schreiber Gallery, New York, NY Tatistcheff Gallery, Santa Monica, CA Invitational Exhibition, American Academy of Arts and Letters, New York, NY Plein Air Painting: Capturing the Moment, Tatistcheff Gallery, Santa Monica, CA Land/Sea/Air, Steven Scott Gallery, Baltimore, MD Penn Prints: 30 Years of Printmaking at the University of Pennsylvania, Arthur Ross Gallery, University of Pennsylvania, Philadelphia, PA A Little Night Music...

Jarrett Redd Fog Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal black fra...

Mayenne - Signed limited edition archival pigment print, 1992 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then p...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog and wildflowers are in the woods across the bay fr...

This silver gelatin print is signed in ink on the front of the mount beneath the image with title in pencil on the back of the mount. Likely printed in the early 1960s. From the co...

"Tilted Tree, Mendocino, California" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey...

3 Trees - Signed limited edition archival pigment print, France, 1996 - Edition of 5 This image was captured on film in 1996. The negative was scanned creating a digital file w...

Mayenne - Signed limited edition archival pigment print, 1992 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality Archival Pigme...

This is a hand-printed contact photograph using the antique cyanotype process and very big negatives which are the same size as the final print. These are the iconic Monterey Pines ...

David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition. He has also photographed extensi...

Landscape Iceland, 2018 Contemporary Art, Photograph Printed on cotton paper, unmounted Limited Edition Ships rolled up

Black and white fine art landscape photography. Fairy forest of madeira in the fog with cows and crooked trees, Fanal, Portugal. Archival pigment ink print, edition of 7. Signed, tit...

The drawings and paintings of Dozier Bell are at once deep evocations of natural environments culled from memory and experience past, and reflections of a life of philosophical inquiry and keen observation that merge in her work as marvels of virtuosity and poignant imagery. Her work is a visual autobiography of a sort, one that recalls generations of a Maine family that worked the land, kept the wilderness at bay, planted tree farms...

Oil painting of trees seen at the edge of a field. Inspired by farms on the Eastern Shore of Maryland. :: Painting :: Impressionist :: This piece comes ...

'Flight Mexico, 2025 Artist Biography: Ugne is a Lithuanian fine art photographer based in London. Her work explores the intricate systems and subtle beauty of nature, finding ins...

Edition of 5 Signed, titled, dated and numbered by Jeanine Michna-Bales Archival pigment print Image size: 24 x 36 in. From series, Standing Together: Inez Milholland's Final Campaig...

Albert WATSON (*1942, Scotland) Tree Fairy Glen, 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Print only Albert Watson was born 1942 in Ed...

Edition of 5 Signed, titled, dated and numbered by Jeanine Michna-Bales Archival pigment print Image size: 24 x 36 in. From series, Standing Together: Inez Milholland's Final Campaign for Women's Suffrage In 1916, Inez Milholland Boissevain (1886–1916) embarked on a grueling campaign across the Western US on behalf of the National Women’s Party appealing for women’s suffrage ahead of the 1916 presidential election. Standing Together, by artist Jeanine Michna-Bales (born 1971), retraces Milholland’s journey. The 30-year-old suffragist delivered some 50 speeches to standing-room-only crowds in eight states in 21 days: Wyoming, Idaho, Oregon, Washington, Montana, Utah, Nevada and California. She battled chronic illness and lack of sleep during her travels and died a month after her last speech in Los Angeles, where her final public words were, “Mr. President, how long must women wait for liberty?” Through her photographs, combining dramatic landscapes and historical reenactments of important vignettes of Milholland on her journey with archival materials, Michna-Bales captures a glimpse of the monumental effort required to pass the 19th Amendment.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wil...

Hand printed by the artist. From film. Silver Gelatin Sepia Toned. Edition 6/20

'Exhalation' Limited Edition 30 x 24" Photograph. Edition of 25. Unframed _________________ The wild Atlantic pounds the granite cliffs in raw abandon, breathes and exhales gracefull...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...

Stillness 5 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Today, most of us live in urban env...

Field East of Hardwick, British landscape photograph from Richard Heeps series, 36 Minutes in Cambridgeshire. Richard Heeps was awarded a Millennium Year of the Artist Arts Council ...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set with a field with yellow goldenrod flowers shrouded in fog, in early August. Signed, dated and...

Editions of 12. Mounting and framing not included.