Mountain Art

Beautiful desert landscape photograph of the Whitehouse Ruins at Canyon de Chelly National Monument by an unknown artist, 1984. Signed "CJB" in the lower right corner. Dated "April '...

This photograph Expired_09_2020 was taken by the Italian photographer Serena Zeppilli. It is part of the series "I was looking for something that I ha...

The Sanjo Bridge is an original artwork realized in 1858 by Hasegawa Sadanobu (1809 - 1879). Chuban yokoe. From the series "Miyako meisho no uchi" (Famous views of the Imperial Ca...

Leemane, Connemara is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Leema...

Skiers In Th Alps 1951 Skiers stand and take in a classic alpine scene, Klosters, 1951 by Toni Frissell 40 x 40" inches / 101 x 101 cm paper size Archival pigment print unframe...

A Drink With A View 1959 A group of friends enjoy an alfresco après-ski drink, 1959 by Toni Frissell 40x30 inches / 101 x 76 cm paper size Archival pigment print unframed (fram...

Preparing To Go 1955 Skiers gather near the top of the piste at the Stowe Mountain resort, Vermont, USA, 1955. by Toni Frissell 40 x 30" inches / 101 x 76" cm paper size Archiv...

On The Way Up 1954. Red mountain railway train at Klosters ski resort, Switzerland, 1954. by Toni Frissell 20 x 30" inches / 51 x 76 cm paper size Archival pigment print unframe...

Mountain Top 1951 A member of the Klosters ski patrol, Switzerland, 1951. by Toni Frissell 30 x 30" inches / 76 x 76 cm paper size Archival pigment print unframed (framing avai...

Java, The Papundujyan crater (Der Krater des Papundujyan) - April 13th 1893 - is an original vintage black and white photo realized during journey throughout the world performed by p...

Light pillars, a captivating atmospheric optical phenomenon, have been observed during extremely cold weather conditions. These mesmerizing columns of light appear to beam directly upwards from unshielded lights, creating a spectacle that captures the imagination. While they may seem otherworldly, light pillars are actually a result of plate-shaped ice crystals suspended in the air close to the ground. Here, artist Jeff Aeling uses loose brush strokes and gentle dabs of paint evoke impressionist painting while the palette sets a tranquil scene for this singular light pillar. The painting is framed in a heavy black wooden frame burnished to reveal red undertones measuring 20.5h x 16.5h x 1.75d inches. Jeff Aeling Light Pillar oil on panel 14h x 10w in 35.56h x 25.40w cm JAE034 Jeff Aeling b. 1958, Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Leedy-Voulkos Art Center Gallery - Kansas City, MO Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery - Kansas City, MO 1991 Tribal Textile Gallery - Kansas City, MO Selected Group Exhibitions 2022 Kiss Me, It’s Beginning to Snow, Gallery Victor Armendariz, Chicago, IL 2021 2019 Es-Scape, Gallery Victor Armendariz, Chicago, IL Earth Wind & Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Places: Select works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL Art Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Front and Center, Gallery Victor Armendariz, Chicago, IL 2004 Art Chicago, Navy Pier...

Night is an original etching realized by the artist Nicolas Pichon. The State of preservation is good. Sheet dimension: 14 x 23.5 cm. The drawing represents the darkness of night ...

Frozen XVI (Stranger than Paradise) - 2001 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

A delightful watercolour scene depicting four Ptarmigan, a plump type of game bird, sat in highland rocks. Signed to the lower right. Presented in a gilt frame. On paper.

Jennifer Nehrbass paintings speak to forbidden thoughts and desires and suggest that somethings that is denied to the viewer. What the paintings yield is an intimacy of time and plac...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed later by Cole Weston from ...

“Desert Moonrise” by Catherine Picard-Gibbs is a dynamic desert scene, inspired by time spent by the artist exploring southwestern regions of the United States. This gestural oil pai...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

Landscape is an original lithograph on paper, realized by E. Laport around 1860. The state of preservation is good except for some diffused stains. Hand-colored. Plate no.12 She...

An epic desert landscape photograph of Canyon de Chelly by Rick Canham (American, 20th Century). Titled "There is Purity and Strength Here" lower left. Numbered 54/250 limited edition print. Signed R. Canham lower right. Presented in a giltwood frame. Rick graduated from San Jose State University in 1973 with an BFA in ceramic art, and has been working exclusively with the camera for over forty years. His work has been shown throughout the United States, and much of Europe. His works are a result from a combination of technical competence, forty years of experience, and hard work. Rick has trained himself over the years to see well, and to get to extraordinary places at the right time of day, with the appropriate film for the effects he wants to create. Mr. Canham takes unusual measures to assure a sharp, properly exposed negative...

"Landscape" is an original etching hand-watercolored, realized by Nicole Teireitnet Levitan. The state of preservation of the artwork is good with some browning of the paper.. She...

"Auferstehung" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From M...

Alps is an original lithography artwork on paper realized by A. Lauro in the XX century. The State of preservation is very good. Included a white Passepartout: 34 x 49 cm. The ar...

The Mountain (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Batumi. 1987, paper, watercolor, 18.5x30 cm Landscape with, blue mountains and clouds

Strata VII is a limited-edition diptych photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 sizes: *76.2 cm × 15...

Walking Up Cortina D'Ampezzo Skiers walk up a mountain in Cortina D’Ampezzo, a ski resort in northern Italy, 1962. Photo by Slim Aarons Chromogenic print Paper size 40 x 40" inc...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mou...

'Lounging In Verbier' by Slim Aarons Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. This photograph epitomises the Travel, Lifestyle and Glamou...

A wonderful oil deception of the idyllic Swallow Falls in the hills of North Wales. The artist has signed to the lower right corner and the location has been inscribed at the reverse...

Inspired by the Bay Area Figurative Movement, Mulligan blurs the line between abstraction and realism, transforming everyday scenes into wondrous plays of color, line and form. Timothy Mulligan's painting, "Crossing California...

Miraculous formation upon miraculous formation, seemingly just east of the biblical Garden of Eden, the Grand Canyon is resplendent with layers and layers of rock and glacial carvings captured brilliantly by artist Charles Tersolo with his trademark "seven layer method" of painting that he developed over a period of years. This original expressionist landscape exhibits impressionist impasto with varied strokes in rich turquoise, aqua, lime green side by side with a multitude of earth tones. Tersolo earned his bachelor of studio arts degree from the University of New Hampshire and is an elected member of the prestigious Copley...

PAULINA CZERNEK (born in 1983) She studied at the Warsaw Academy of Fine Arts, where in 2008 she gained her theatre scenography diploma, along with a p...

John Leaf a traditional landscape painter’ – ‘John Leaf a painter of landscapes in contemporary style’. Two opinions, two extremes; both could be true, and both are true! He comes fr...

Keys View (29 Palms, CA) - 2008 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #25061....

'Skiing In Vermont' 1963 Slim Aarons Limited Estate Edition Print Skiers on the slopes at the Sugarbush Resort, Vermont, USA, March 1963. (Photo by Slim Aarons/Getty Images) Prod...

Ships from Palm Desert Depicts the ongoing drama of volcanic eruption at the summit of Kilauea in Hawaii's Volcanoes National Park. Exhibited at the Jefferson National Monument as p...

Peaceful seascapes by Australian artist Fern Smith (Australian, 20th Century). This piece is two-sided, and each side is complete. Signed "Fern Smith" in the lower right corner of both sides. Presented in a new cream mat (on both sides). Image size: 16.5"H x 22.5"W Fern Smith (Australian, 20th Century) is a Melbourne-based artist who works in a variety of styles and media. Her art is frequently influenced by social justice, feminism, activism, and political causes. Since 1985, she has had nearly 20 solo shows and many group exhibitions. Selected Group Exhibitions: 2013: 40x40, Brunswick Street Gallery, Fitzroy, Victoria. Current Tendencies, Counihan Gallery, Brunswick Victoria. 2010: Women’s Salon, Counihan Gallery, Brunswick Victoria. 2009: Women’s Salon, Counihan Gallery, Brunswick Victoria. Art of Suff-Rage and moving landscape, Portland Art Centre Gallery, Victoria 2008: Women’s Salon, Counihan Gallery, Brunswick Victoria. Art of Suff- Rage in 30 locations around Victoria. 2006: Post Mod, Toyota Australia corporate headquarters. She Who Belongs, Walker Street Gallery, Dandenong Victoria. 2002: Freefall, Axiom Gallery Inc., North Melbourne Victoria. 2000: Digi-Tales’, Arty Ms. Balmain Watch...

A painting depicting a tranquil scene in the mountains, with a focus on a snow-covered peak that has a faint purple hue. In the foreground, there is a noticeable contrast presented b...

Chalet Costi Skiers outside the Chalet Costi in Zermatt, 1968. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilising the only original tra...

A large oil painting of a dramatic Mountain Range by Tunisian-born artist, Jalal Gharbi (1920 - 2005). The painting measures 30 x 40 inches and the frame 37.5 x 47.5 inches.

Strata IV is a limited-edition diptych photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 sizes: *76.2 cm × 152...

Ice Bar in Lech 1960 Slim Aarons Limited Edition Estate Stamped Print Customers at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. Produced from the original transparency ...

Pink Flower Carpet (Zuma Beach) - 1999 43x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back and Certificate. Artist Inventory #2...

Provenance Acquired by the gallery directly from the artist. Artist Statement "First light on mountain spires reveal brilliant exclamation points— morni...

Depicts the ongoing drama of volcanic eruption at the summit of Kilauea in Hawaii's Volcanoes National Park. Exhibited at the Jefferson National Monument as part of the Paint the Par...

Original oil painting on linen by artist Darcie Peet. Framed

'Tyrol #3' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pre...

'Skiing At Courchevel' 1963 Slim Aarons Limited Edition Estate Stamped Print The ski resort of Courchevel, in the French Alps, 1979. Produced from the original transparency Certif...

'Eagle Club' 1969 Slim Aarons Limited Estate Edition Print Holidaymakers dining at the Eagle Club, Gstaad, Switzerland, March 1969. Produced from the original transparency Certif...

Slim Aarons Estate Stamped Edition Limited to 150 only Skiers on the slopes at Courcheval, France, 1963. (Photo by Slim Aarons) This photograph epitomises the travel style and gl...

Glaciers creep their way across vast regions, spreading their hefty mass of hundreds of years of compacted snow and ice down the land. Some glaciers appear dusty and rocky and others...

'Curling At St. Moritz' 1963 Slim Aarons Limited Estate Edition Print Curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. (Photo by Slim Aarons/Hulton Archi...

Louisa Lizbeth Chase American, 1951-2016 Sunrise Oil on canvas 30 by 60 in, w/ frame 31 ¼ by 61 ¼ in Signed and titled verso Louisa Lizbeth Chase was born in 1951 to Benjamin and W...

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Beth Ganz, 'Adam's Peak, Sri Lanka', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. Archivally sleeved, unmatted. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Adam's Peak is a 2,243 m (7,359 ft) tall conical mountain located in the southern reaches of the Central Highlands of Sri Lanka. Revered as a holy site by Buddhists, Hindus, Muslims, and Christians, it is well known for the Sri Pada, "sacred footprint," a 1.8 m (5 ft 11 in) rock formation near the summit, which in the Buddhist tradition is held to be the footprint of the Buddha, in Hindu tradition that of Hanuman or Shiva, i.e., "Mountain of Shiva's Light." Some Muslims and Christians in Sri Lanka ascribe it to where Adam, the first ancestor, set foot as he was exiled from the Garden of Eden. The legends of Adam are connected to the idea that Sri Lanka was the original Eden, and in the Muslim tradition, Adam was 60 cubits tall. A shrine to Saman, a Buddhist "deity" (seekers who have devoted their lives to spiritual values are deified by Sri Lankan Buddhists) charged with protecting the mountaintop, can be found near the footprint. A bell lies on top of the temple, and tradition holds that pilgrims ring it as many times as they have achieved the pilgrimage to the top of the peak. Sri Pada is first mentioned (as Samanthakuta) in the Deepawamsa, the earliest Pali chronicle, (4th century), and also in the 5th-century register Mahawamsa, where it is stated that the Buddha visited the mountain peak. The log Rajavaliya records that King Valagamba (1st century BCE) had taken refuge in the forests of Adam's Peak against invaders from India, and later returned to Anuradhapura. The Mahawamsa again mentions the visit of King Vijayabahu I (1058–1114) to the mountain. The famous Chinese pilgrim and Buddhist traveler Fa Hien stayed in Sri Lanka in 411–12 CE and mentions Sri Pada. The Italian merchant Marco Polo in his Travels of 1298 CE, noted that Adam's Peak was an important place of pilgrimage. The Arab traveler Ibn Battuta climbed to the summit, which he called Sarandīb, in 1344 CE. In his description, he mentions a stairway and iron stanchions with chains to aid pilgrims in the climb. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Gelatin silver print with Selenium toning Signed, dated and numbered, verso 55.5 x 55.5 inches (Edition of 5) 30 x 30 inches (Edition of 10) This photograph is offered by ClampArt...

'Himalayan Hills' 1984 by Alain Le Garsmeur Limited Edition Archival Pigment Print Himalayan Hills peek through the clouds to create layers of landsc...