Ornament Art

This pointillism painting is not made in dots, but in points set up one by one with a small paintbrush. This unique style is named by the artist as 'conical pointillism' and with ove...

This pointillism painting is not made in dots, but in points set up one by one with a small paintbrush. This unique style is named by the artist as 'conical pointillism' and with ove...

Polish painter and graphic designer, Czeslaw Tumielewicz was born in 1942. In 1968, he studied at the Architecture faculty of Gdank, before continuing his course at the Technical Un...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

This image was made in the courtyard of a castle in Lisbon. You guessed that, right? Didn't think so. Somewhere in this picture is a drain, taking all of the mud from the courtyard. ...

This is an unframed original painting. June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Galle...

16" x 20" Unframed Fuji Crystal Archival Silver Print Numbered of 250 Hand Signed by Robert Knight

Bear Dentist by Christophe FRATIN (1801-1864) Bronze with nuanced old gilt-light brown patina Signed on the base "Fratin" Old edition cast France mid-19th century height 15 cm A s...

a body of colors done mostly in vertical rounded lines and then a few solid shapes, all done for the achievement of this : an aesthetically pleasing abstraction :: Painting :: Modern...

SLIPOUBLIETTE NEW RIVER GEOTHERMAL, 2009 digital chromogenic print , aluminum back mount, acrylic face mount 50 x 30 inches / 1270 x 762 mm edition of 3 plus...

This folding screen is a stunning example of Japanese artistry. Beautifully painted with delicate brushwork, the evocative screen depicts a lively festival during the Edo period (1615–1912). The raucous scene is full of life; within the dense crowd, you can make out people dancing...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

The experience of art itself can be an intimate one, and this bed canopy, hand-painted over 100 years ago by an artist in Canton, was more intimate than most. Delicately painted pheasants...

Signed/etched by Artist on bronze base of sculpture with an edition number. 1/75

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes available in inches: 24x48 at $2990, 32x64 at $3990, 36x72 at $4990, 48x...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x18 at $1490, 32x24 at $1990, 36x27 at $2490, 40x30 at $349...

A Shamanic Vision usually appears through the third eye during deep rumination, meditation, and psychic exploration. It is a portal to higher realms of clarity and consciousness. In ...

Warm night light 2006, oil on canvas, 140x160 cm Kristīne Luīze Avotiņa is a young and bright personality whose talent is appreciated not only in Latvia, but also in other parts of the world. Her deep inner experiences and feelings of the soul are not hidden from the eyes of the audience, but are openly and engagingly narrated: about relationships, man and woman, passion, emotions, about experience and connection with nature. Characters live in Kristine's compositional solutions, where figurative painting and ornament appear. When painting large-format works, she masters the entire format, composition and color of the work, as well as linear drawing. Kristīne herself emphasizes: "Relationships between nature and people - it has always been a relevant topic in my painting. The more I work on it, the more interesting it seems to me. It is infinite and unending. With paint I refresh the beauty of nature and love on the canvas and I want to show that nature and love are equal in their beauty. In my works, I always want to show that nature is beautiful and worthy of admiration - a newly blooming water lily, falling leaves from golden trees, a pink sunset sky... This could go on forever..." Education: 2009 – 2010 Studies in „Escola Massana”, Painting Department, Barcelona, Spain 2003 - 2009 Studies in Painting Department, Latvian Academy of Arts, Riga, Latvia 2003 – „Jaņa Rozentāla Riga Art College”, graduation work in photo design. 1999 - 2003 „Jaņa Rozentāla Riga Art College”, Riga, Latvia 1990 - 1999 „Riga French Lycee”, Riga, Latvia Solo exhibitions: 2010 – „1000 and 1 night” Barcelona painting...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x48 at $2990, 32x64 at $3990, 36x72 at $4990, 48x96 at $649...

2024 digital, dye transfer to aluminum with a high gloss finish and float-back framing. Edition 1 of 1. Sizes in inches: 24x48 at $2990, 32x64 at $3990, 36x72 at $4990, 48x96 at $649...

Edward BURTYNSKY (*1955, Canada) Chino Mine #5, Silver City, New Mexico, USA, 2012 Pigment inkjet print on Kodak Professional Photo Paper Sheet: 148,5 x 198.2 cm (58 1/2 x 78 in.) Ed...

Chevy Black and Ford green on fiberglass. Edition of 6.

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

"WB2" Abstract Photography (FRAMED) 48" x 90" inch Edition 3/6 by Giuliano Bekor Print size 90x48 Inches trim bleed Artwork finished size 94x52 Inches Limited edition 3 of 6 Artis...

The artworks presented in ÍSLENSKIR FOSSAR were produced in Iceland in October of 2021 towards the end of global travel restrictions. Traversing the stark volcanic landscape, Johnson...

The photographs of “Wall of Natureâ€

Comes with original COA from Karma NY Dan Colen's art combines the intensity of real life with reflection on the subjects of immanence and belief, taking up with the extant objects...

Contemporary animal terracotta Unique Signed by the artist

Edition #10/45 - Original bronze sculpture by Gerald Balciar. Signed on bronze sculpture.

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the result...

Edition of 8 Signed, titled, dated and numbered by Stuart Allen 24 x 24 in. white frame included. "This series exploits an optical phenomenon that occurs when visible light is disto...

Ed of 5 + 2AP Among the contributors to the contemporary art world’s boundary-breaking experimentation in media, Kim Keever has hit on something truly unique—a photographic art in w...

watercolor on paper 28"x40" (available framed) Thomas Broadbent has shown extensively throughout the U.S. as well as internationally. Broadbent’s numerous solo exhibitions includ...

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Balance of darkness and light creates a dreamlike window through the sandstone walls of Lower Antelope Canyon, Northern Arizona. This beautiful fine art photograph is a standout i...

Balance of darkness and light creates a dreamlike window through the sandstone walls of Lower Antelope Canyon, Northern Arizona. This beautiful fine art photograph is a standout i...

The artwork is a digital decoupage and an artistic experiment with this medium. Technically, it is Giclée quality print on the fine art paper 265 gram Hahnemühle. The edition i...

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Oil on canvas Keti Shapatava is a Georgian artist born in 1995 who lives and works in Tbilisi, Georgia. She was introduced to the world of art at Anastasia Virseladze Art Gymnasium ...

High definition, digitally manipulated photograph printed on archival Optica One a luxurious, smooth, matte, 300 gsm paper. The print comes with a 2" border in addition to the specified size. The artists signature is on the bottom right with the edition number. TThis artwork is part of a limited edition of 3, 40x55" prints and ships in a sturdy tube. The same image is also offered as a one-of-a-kind hand crafted artwork in size 48x48" . It features archival metallic paper fused between optically clear UV plexiglass & aluminum with a hidden float frame. It sells for for $8,500 and ships in a crate. Please contact support...

My Reflection 50.0 x 28.0 x 0.25, 5.0 lbs Oil Paint Signed by artist Artist's Commentary: "If you love someone who looks like you, you are a reflection of a mountain in a pond. ...

As an eclectic artist with wide-ranging interests, approaches, techniques and tools, Hunter's work can be a challenge to classify. In a playful celebration of gesture and color, "Esc...

a gargoyle on the top of the Notre dame Cathedral in Paris looking over the city of light :: Digital :: Photorealism :: This piece comes with an official certificate of authenticity ...

Stéphane COUTURIER (*1957, France) Angers – Chant de l'Apocalypse #02, 2020 C-Print Sheet 120 x 160 cm (47 1/4 x 63 in.) Edition of 5 (#2/5) Framed print Born in 1957 in Neuilly s...

Maximilien Louis Fiot (French, 1886 - 1953) A very large bronze animalier sculpture of combatant eagles in flight above an outcropping or rocks. The Eagles are fighting for their li...

Oil on canvas

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

Marcel Cerdan, a French boxer, is one of the few to have dethroned, thanks to his fearsome right hook, the Americans who have held the world title of "English middleweight boxing" si...

This thangka is hand painted on canvas with 24K gold. It has a center figure of Mayadevi, mother of Gautama Buddha, in the center. Buddha who is believed to have taken seven steps ri...

By the rhythm of lines and colors, this oil painting plays with the message and code that live in an arena where ideas are let to transcend the cognitive distance between people. It does not have a subject, object, or justification. It does not depict, symbolize or represent. Human consciousness is a direct result of quantum processes occurring in tiny microtubules inside of our brain’s neurons, and this work revolves around an idea that, through art, we can somehow tune into each other’s minds...

Photography-based artwork, the original photograph was taken in Istanbul, Turkey. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube. The print is made on Canson fine art paper (310gsm) that the artist personally selects for this photograph. It is textured premium quality fine art paper which delivers the most accurate and vibrant colors in print as you see onscreen and also gives a touch of classic painting to the photo. The photo is printed with 2cm(0.8 inch) white border each side, which makes it easy for putting in frame. Comes with signed & numbered Certificate of Authenticity issued by the artist, to be affixed to the back when framed. Also artist signature at the back of the photo. The photograph is available in the following sizes and editions: * Small Edition: 29 x 40 cm (11.4” x 15.7”) – Edition of 20 * Medium Edition: 44 x 60 cm (17.3” x 23.6”) – Edition of 15 * Collector Edition: 58 x 80 cm (22.8” x 31.5” ) – Edition of 10 * Museum Edition...

This artwork was made entirely under digital conditions and inspired by the sensitivity that images can evoke in you. Lambda c-print on acryl glass; inclusive alu-hanging system. ...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

Print on plexiglass - artwork can be shipped in a crate

Photography-based artwork, the original photograph was taken in Istanbul, Turkey. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube. The pri...