Pasture Art

This image is signed, dated and numbered 2/15 lower right recto. Other sizes are available. The work is unframed and printed later. Can a street photograph be a grab shot and precise...

Colin Hunt (b. 1973) is a Brooklyn, NY-based artist working primarily in egg tempera and watercolor. His recent series of landscapes of the Avebury stone circle outside of London are...

"Something And/Or Nothing? - Nike" is a figurative landscape photograph with hues of green, yellow, and black. Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication. Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others. Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason...

Signed, dated and numbered lower right, Edition 2 /15 unframed, other size available, printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color P...

Signature: Signed , dated lower right, Edition 2 /15 Printed later, unframed, other size available Printed on Hahnemühle Fine Art paper

Original oil painting on panel by Seth Winegar. Signed on lower right. Framed Size: 20.25 X 26.25

available as: 16"x20" and 23"x 29" edition of 10 unframed, signed on reverse Edie Winograde developed a passion for photographing her surroundings as a rural Northern Californian te...

28"x40" photograph, edition of 5 signed on reverse. In this photograph by Zoe Wetherall, “Horses” two horses stand next to a wire fence, the shadows of the fence posts and horses d...

20 x24 inch type-c print, edition 25 Toshio Shibata is one of Japan's leading landscape photographers. But he has chosen a most unconventional subject for his landscape photography ...

Editions of 12. Mounting and framing not included.

The pastoral setting of an East East Hampton landscaped with grazing horses is captured by Mitchell Funk. Signed, dated and numbered lower right, E...

This piece can be framed for an additional $1,500. 4" white border

French artist Trimborn is renowned for his large-­scale, stunning landscapes in oil on canvas. Trimborn, trained as an architect, categorizes his work as “contemporary impressionism”...

French artist Trimborn is renowned for his large-­scale, stunning landscapes in oil on canvas. Trimborn, trained as an architect, categorizes his work as “contemporary impressionism”...

Oscar E. Berninghaus (American, 1874-1952) "Winter Pasture" Oil on Canvas Unframed: 20 x 24 inches Framed: 25.5 x 29.5 inches Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included) * Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254) He was born in St. Louis, Missouri and developed an interest in art through his family's lithography business. He attended night classes at the St. Louis School of Fine Art. In 1898, he was on an illustration assignment for "McClure's" magazine, which took him for the first of many times into New Mexico and Arizona. He had heard of the special beauty of Taos and there met Bert Geer Phillips, who was already a resident, and Phillips invited him to return. This visit began a tradition of spending the winter months in St. Louis and the summers in Taos. He remained active in both communities, and for many years designed the costumes and floats for the Veiled Prophet parade, a famous annual event in St. Louis. He also did a series of western scenes commissioned by the Anheuser-Busch Brewing Association to promote a manly, ruggedness theme in their products and to enhance their image as good Americans, an image that was being attacked by suffragettes. In this capacity and without visiting the area, Berninghaus did a painting titled "Old Faithful, Yellowstone" in 1914, which was used as a calendar illustration in the series. Berninghaus was a sketch artist for the Denver and Rio Grande Railroad to depict landscape of Colorado...

By Milbie Benge 20" x 24" Oil on Canvas

Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...

Black and White Prints, Animal Photography, Black & White Photo-Dusty Dale ABOUT THIS PIECE: This beautiful black and white photo named "Dusty Dale" was part of a landscape series ...

Steve McCurry Biography American, b. 1950 Steve McCurry has been one of the most iconic voices in contemporary photography for more than 30 years, with scores of magazine and book c...

Horse photography, Black & White Horse Photography, Horses-Black and Equwhite 0241 ABOUT THIS PIECE: "Black and Equwhite 0241" was part of a Black and White Photography landscape s...

The photographs are unframed. Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990's. Living in New York, she completed high school at the Lyc...

Amboseli, Kenya 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 66 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is one of the most unusual contextual images I have taken in East Africa in the last few years. The white of the flowering meadows and the white of the summit of Kilimanjaro combine to give the image an ethereal glow. The extreme weather conditions - it had rained torrentially for four or five days - had resulted in an implausible theatre of dreams. There was more snow on Kilimanjaro than I have ever seen before and the normal arid dustbowl of Amboseli was a garden bursting into acres of white carpet. For anyone that knows this area, the combination of whites provokes a degree of visual disquietude. It was quite a remarkable sight that was all down to the freak weather. The biblical rainfall had discouraged almost any other visitors and we had the amphitheatre to ourselves. We also had a film permit which allowed us to go off road - albeit the ground was very saturated and we were getting stuck regularly - we needed two vehicles to be safe. The bigger problem was that there were very few elephants in the park - the rain had pushed them out of the park and into the forests below Kilimanjaro. I knew, however, that in the vicinity of the KWS Rangers’ HQ, there are always a good number of big elephants hanging around as they feel safe. It was here that we spent much of our time this March - despite it being a 90 minute drive from our base. As soon as I saw the white meadows, I knew we had the chance of an image that offered a story of both lyrical grace and beauty - especially if the cloud lifted and we were exposed for a few brief minutes to the summit of Africa’s tallest mountain. Then we just needed the elephants and this was the X factor. No elephant - no party. About 5 pm on one unforgettable evening, everything came together as a small group of elephants headed to the foothills for the night and in so doing walked right through the white meadows. Getting in the right place for the composition was a fairly intense 10 minutes - I knew that this was a moment in time and I would not forgive myself if we missed it. I look at this picture a great deal and wonder whether it would be better if the elephants had been coming away from Kilimanjaro rather than moving towards it? We will never know, but the formation of the herd has a nice diagonal shape and it tells a story of a journey unaffected by my presence. I think the anonymity of the individual elephants helps focus on the wider context - which is really a hallmark of some sort of fantasy. Was this what The Garden of Eden...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Feels Like Real

Hanzlova

Hanzlova

From an edition of 30

Sze Tsung Leong's series of color photographs, Horizons, depicts expansive views of a broad spectrum of environments throughout the world. The locations of the images may be distant ...

from the series, "Let's sit down before we go"
Ed. of 5