Refrigerator Art

A Soviet-era fridge and an American Singer sewing machine as found in Jorge’s kitchen. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, t...

Andy Warhol's Medicine Cabinet East 66th Street NYC 1987 6x7 Format Film Archival Inkjet on Paper *Also available on Aluminum. Please inquire regarding sizing and prices* Availabl...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

At once intimate and engaging, Shani Mootoo’s photographs are portraits of a life. This image of a kitchen—the worn white cabinets, the fridge covered in notes and photos, the toaste...

A Soviet-era fridge and an American Singer sewing machine as found in Jorge’s kitchen. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, t...

"Holding Carm" by RU8ICON1 is an oil painting on canvas, from 2021. It is a figurative panting that depicts a girl holding a cat in the kitchen in RU8ICON1's signature time bending ...

Nobuyoshi ARAKI (*1940, Japan) 69YK #39, 2009 Gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

Toeing the line between the real and the unreal, David Trautrimas' photographic renderings of interior spaces push us to consider the ways that we live today. Conceptually, this ser...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

A Soviet-era fridge and an American Singer sewing machine as found in Jorge’s kitchen. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, t...

A Soviet-era fridge and an American Singer sewing machine as found in Jorge’s kitchen. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, t...

A Soviet-era fridge and an American Singer sewing machine as found in Jorge’s kitchen. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, t...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In Gordon’s third exhibition, his remarkable capacity for discovery and self-described “pathological curiosity” makes for an entirely unpredictable series of photographs, while the small size of the gelatin silver prints emphasizes their detailed nature and enhances the mysterious quality generated by his choice in cameras (namely, the increasingly popular Holga film camera). Stettinius’ wry sense of humor, references to popular culture, and use of kitschy subject matter permeate the entire black and white exhibition. The invitational image, “Yoda’s Garden”, is a perfect emblem of the exhibition’s mischievously comedic representation of Americana. In this image, a scarecrow proudly stands at the center of a growing cornfield, a gingham dress wrapping its body and a mask of the popular Star Wars character “Yoda” serving as its head. Although the references to both Star Wars and The Wizard of Oz may appear staged, Stettinius’ photography is anything but. Stettinius frequently finds inspiration in road trips, generating an aesthetic with the satirical playfulness of David Graham or Ralph Meatyard. This spontaneous, anthropological approach to photography can be seen in several of the pieces in Stettinius’ collection. This is perhaps most notably found in “Fast Money...

This is an edition of 10. Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” cons...

Photograph available in 15 x 15" (edition of 20), 22 x 22" (edition of 20) and 38 x 38" (edition of 10). Availability and pricing is subject to change without notice. Patty Carroll h...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...