Shelter Art

original en plein air oil on canvas panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: ...

“Oftentimes the most beautiful of nature’s treasures are so ubiquitous that they can be difficult to discern. This painting spoils the viewer with glorious autumnal colors, a dan...

I've always wondered if I could handle living on a boathouse. This looks inviting so maybe I could. No grass to mow. :: Painting :: Impressionist :: This piece comes with an official...

original architecture plein air oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable wood panels, he created about sixty scenes of daily life, among them this picturesque vignette of a Japanese tea garden...

Astor Place Subway Kiosk, Cooper Union Station depicts a juxtaposition of contrasting architectural styles from different centuries. In the foreground, i...

20"x24" paper size, with print image size: 16"x20" signed by the artist- edition 1 of 5 From the series: "The Hundred Acre Wood" This photographic print depicts a woodland scene cre...

Medium: Oil Painting Signature: Unsigned Cover of 'April Gold' written by Grace Livingston Hill

Digital Photograph from Film Original HP Premium Satin Photo Paper with archival inks     Edition 2 of 9 Shipped in a tube  Born in Japan in 1940 and educated at The Art Center C...

original en plein air oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed:...

Contemporary Impressionism This charming plein-air watercolour was painted on a blustery September afternoon and features Hardingham village sign and bus shelter...

original en plein air oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by ...

It's winter in Alberta And the gentle breezes blow. Seventy miles an hour, At thirty-five below. Oh, how I love Alberta, When the snow's up to your butt, You take a breath of w...

Medium: Oil on Board Signature: Signed Boy and Girl by Church playing together.

Painted after a trip into the parc natural régional Chartreuse. A day that began with a fog so thick it was difficult to see your hands in front of your face, only slightly to blam...

Plein Air painting of a boat house on a lake. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sig...

Original en plein air oil on panel paint in Contemporary Impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by t...

The photograph was taken at Burano island, Venice, Italy. Picturesque Burano is known for its brightly colored fishermen's houses and its casual eateries serving seafood from the lag...

Two Pink Houses paint in plein air oil on panel , contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signe...

This old one-room schoolhouse still stands but just barely. It's sad that it hasn't been restored. It would make a dream studio for this artist! This w...

original oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Sign...

original fine art paint at location oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: ...

original en plein air oil on panel paint near Victor Colorado :: Painting :: Impressionist :: This piece comes with an official certificate of authenti...

Original fine art oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of...

Miami Beach lifeguard tower with parasailing in the background. . This archival color photograph by fine art photographer Mitchell Funk is signed, da...

Auditorium Oscar Niemeyer II, Sao Paulo, Brazil 2012 Chromogenic print 180 x 225 cm Edition of 5 Italian, b. 1954, Florence, Italy, based in Florence, Ita...

Backgammon By The Pool, 1975 Chromogenic Lambda Print Estate edition of 150 West Coast magazine publisher Jack Vietor picnicking on the rocks below his home in southern California. ...

Oil on canvas

Editions of 12. Mounting and framing not included in price.

Pastel on arches paper

Skiing In Vail II, 1960 Chromogenic Lambda Print Estate edition of 150 A group of skiers stand in line waiting for the ski lift in Vail, Colorado, USA, 1964. Estate stamped and ha...

Slim Aarons Kloisters 1963 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Skiers pass by the Hotel Chesa Grischuna in ...

A winter scene depicting a farm near my home. Framed and ready to hang. 3" Plein Air espresso frame is black with brown undertones and a gold accent. ...

original en plein air oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by t...

Mabry Mill sits at milepost 176 on the beautiful Blue Ridge Parkway, Virginia. :: Photograph :: Color :: This piece comes with an official certific...

original oil on panel for holiday season price $1200.00 from original value 1450.00 :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity si...

JOHN Yuyi (*1991, Taiwan) A Daily Life in Tokyo 2, 2019 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Taiwan) is known...

original en plein air oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: ...

Slim Aarons Kloisters 1963 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Skiers pass by the Hotel Chesa Grischuna in K...

Poolside Scenery 1970 Chromogenic Lambda Print Estate edition of 150 Nelda Linsk (left, in yellow), wife of art dealer Joseph Linsk with guests by the pool at the Linsk's desert hou...

Skiers at Courchevel 1963 Chromogenic Lambda Print Estate edition of 150 Skiers on the slopes at Courchevel, France, 1963. Estate stamped and hand numbered edition of 150 with cert...

30"x40" available unframed edition 1 of 5 From the series: "The Hundred Acre Wood" Ragsdale’s process begins with rough sketches of places ...

Signature: Signed Lower Left The Girls of Canby Hall Series by Emily Chase, published by Scholastic (1984–1989), is a collection of young adult novels, based around the lives of a g...

This is a typical stone barn in rural Limousin France. This scene and architecture exists throughout the region, but this one in particular captivated me on a sunny, and unseasonable...

available as: 16"x20" and 23"x 29" edition of 10 unframed, signed on reverse Edie Winograde developed a passion for photographing her surroundings as a rural Nor...

original en plein air oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed:...

An unframed original acrylic painting of a solitary beach hut, making a calm and sunny retreat on a warm summer afternoon at the beach. Painted on stretched canvas and supplied ...

original en plein air oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: ...

The painting is being offered with a work and authenticity certificate

available unframed, signed on reverse by the artist, edition of 5 From the series: "The Hundred Acre Wood" This photograph depicts a scene created completely out of paper, the artist lights the white paper to create organic colors and a realistic sense of luminosity to the landscapes he is depicting. This piece narrates a scenario in which early morning light illuminates a grain elevator...

color toy camera image from the series 'remembered landscapes' 20 x 20 image size in edition of 15 (price increases as edition sells). printed on hahnemuhle bamboo sustainable...

This photograph was taken in Normandy during the summer of 2010. Limited edition, (series of 50), signed and numbered. Printed on archival pigment based inks on acid free archival ,...

This photograph was taken in Normandy in the summer of 2010 Limited edition, (series of 50), signed and numbered. Printed on archival pigment based inks on acid free archival ?fine...

" Gold Mine" original oil on panel :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Read...

Blueprints into Reality - Full-page ad for United Engineers that ran in Fortune Magazine, March 1958, and other business magazines. As Fred Taraba stated, this image is symbolic of optimism and potential. Work includes the original issue of Fortune Magazine with the ad in which United Engineers mentions Stanley Meltzoff. "Here Stanley Meltzoff dramatizes with tools and massive concrete forms...

Original en plein air oil on panel paint in Contemporary Impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by t...

This beautiful fine art photograph of San Francisco de Asis Mission in Taos, NM is a standout in any room. Metal print with mid gloss finish ready for wall mount hanging. Mountin...

available unframed, signed on reverse by the artist, edition of 5 From the series: "The Hundred Acre Wood" This photograph depicts a scene created completely out of paper, the artis...