Storm Art

There is a lot of snow on the boulevard in winter. He wraps the trees like a duvet. Frosty air creates sfumato by plunging and blurring objects in space. Converging colors and tones ...

Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, his images at once capturing seemingly eternal geological formations and the ever-...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential am...

Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, his images at once capturing seemingly eternal geological formations and the ever-...

For nearly a decade, Mitch Dobrowner has ventured out with professional storm chasers into the American heartland photographing the energy of a wondrous and sometimes perilous planet...

War of the Worlds, limited edition photograph, signed and numbered, archival ink For nearly a decade, Mitch Dobrowner has ventured out with professional storm chasers into the Ameri...

For nearly a decade, Mitch Dobrowner has ventured out with professional storm chasers into the American heartland photographing the energy of a wondrous and sometimes perilous planet...

For nearly a decade, Mitch Dobrowner has ventured out with professional storm chasers into the American heartland photographing the energy of a wondrous and sometimes perilous planet...

New 2015 Storms Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at tim...

New 2015 Storms Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at tim...

New 2015 Storms Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at tim...

The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at times beautifully surreal, pow...

The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at times beautifully surreal, pow...

"Another rainy day in Havana – “tiempo bruto” as the locals say. But life goes on, people come and go and those old, classic cars just keep chuggin’ on, through the rainy mist as th...

Title: Void Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is un...

Hacienda Trailer Park (Oxana's 30th Birthday) - part of the 29 Palms, CA project - 2010, Edition 2/5. 38x36cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal...

Contemporary pigment print 36 x 34 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, three blue and white panels...

Peter Paul "Supposed Bartolet" From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Color Lithograph on Arches Edition: 80 Size: 25.59 x 19.88 in. Publis...

Branko Bahunek, Croatian (1935 - ) - View from Stable. Year: 1988, Medium: Oil on Canvas, signed and dated, Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

House up in the Mountains (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1235. Signat...

Hidden Valley (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1992. Signature label a...

Branko Bahunek, Croatian (1935 - ) - Frozen Morning - III. Year: 1990, Medium: Oil on Canvas, Size: 18 in. x 15 in. (45.72 cm x 38.1 cm)

Hacienda Mobile Park II (Oxana's 30th Birthday) - 2007 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature labe...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W...

Palm Trees in the Rain (Stranger than Paradise) - 2000 Edition 2/10, 44x59cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. ...

Archival pigment print Signed and numbered, verso 16 x 20 inches (Edition of 7) 20 x 24 inches (Edition of 7) 30 x 40 inches (Edition of 7) This artwork is offered by ClampArt, l...

Oil and acrylics on canvas, 2017. Joanna Woyda (b. 1981) Studied painting at the Academy of Fine Arts in Warsaw (2000-2005). She received her honorary degree in 2005. She was also ...

'Baltic freeze #3' 2022 A photograph captured with a 35mm camera showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these limited...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Distant Trees, Sorachi, Hokkaido, Japan by Michael Kenna is a 8 x 7.75 inch* silver gelatin print, available in an edition of 25. *Please note: the measurements of this print are app...

House up in the Mountains -- what can I say - (Wastelands) - 2003 Edition of 5 , 57x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the ...

House of Tomorrow (Californication) - 2021 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Palm Springs Palm Trees (California Dreaming) - 2021 20x20cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Arti...

A contemporary realist oil painting by American artist A.J. Fries. Artist’s Statement: My paintings are less about the images or scenes that they depict and more about my state o...

Deserted Bee Boxes (California Dreaming) - 2017 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Sign...

My own private Travel Diary - Bishop, CA - Winter - 2001, 20x29cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid Slide. Signature label and Certifi...

Approaching Train (Wastelands) - 2003 Edition 4/10, 43x59cm. Analog C-Print, hand-printed and by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory...

Palm Springs Palm Trees (Californication) - 2021 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certif...

Serve (Ghost Town) - 2021 Sketches of a downtown disappearing. 20x20cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back with...

Hacienda Mobile Park (Oxana's 30th Birthday) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label. ...

Deserted Bee Boxes (California Dreaming) - 2017 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signatu...

This silver gelatin print is signed, dated and editioned in pencil on the front of the mount with the artist's studio stamp on the back of the mount. From an edition of 50, this icon...

29 Palms, CA - 2010 40x40cm, Edition of of 10, plus 2 Artist Proofs. Digital C-Print, based on a Polaroid. Certificate and signature label. Artist Inventory # 1897. Not mounted....

Stefanie Schneider's Minis Summer Snow (Sidewinder), 2005 Signed and signature brand on verso. Lambda digital Color Photographs based on a Polaroid. Sandwiched in between Plexiglass...

Untitled (29 Palms, CA), 2009, 39x38cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on a Polaroid, Signed on back and ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

This contact print on 60-year-old single-weight Azo was made in 2020. This print is one of five known. It is signed and dated in pencil on the front of the mount, with title on the b...

Amanda Seckington's "Heat Lightning Herald I" is an original, handmade oil painting that depicts a face transposed over a green, yellow, and blue skyscape that's exploding with light...

Amanda Seckington's "Heat Lightning Herald II" is an original, handmade oil painting that depicts a face transposed over a red and blue stormy skyscape.

For nearly a decade, Mitch Dobrowner has ventured out with professional storm chasers into the American heartland photographing the energy of a wondrous and sometimes perilous planet...

photo-eye Galley is excited to debut 9 new images form Mitch Dobrowner's STORMS series. Dobrowner has always been drawn to weather and in 2009 he actively started seeking out temp...

photo-eye Galley is excited to debut 9 new images form Mitch Dobrowner's STORMS series. Dobrowner has always been drawn to weather and in 2009 he actively started seeking out temp...

Mammatus, limited edition photograph, signed and numbered, archival ink Dobrowner has always been drawn to weather and in 2009 he actively started seeking out tempests and twisters...

photo-eye Galley is excited to debut 9 new images form Mitch Dobrowner's STORMS series 2016 release. Dobrowner has always been drawn to weather and in 2009 he actively started see...

photo-eye Galley is excited to debut 9 new images form Mitch Dobrowner's STORMS series. Dobrowner has always been drawn to weather and in 2009 he actively started seeking out temp...

Adrift is a project that uses a visual language as a means of polar comparison. By pairing photographs of Antarctic icebergs and empty In~upiat Eskimo hunting cabins, it offers a res...

2015 STORMS Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at times bea...