Valley Art

Molded frame in plaster and gilded wood Oil dimensions : 38x59 cm With Frame :58 x 78.5 x 5.5 cm This oil on canvas by Eugène Castan depicts a mountain landscape at Arolla, in the V...

Black and white fine art panorama landscape photography print. Madeira's mountain peaks in the wonderful light at sunrise, Portugal. Archival pigment ink print, edition of 7. Signed,...

"Yeow! Pt, Death Valley", a black and white landscape photograph that borders on abstraction by Jeff Nixon (American, 20th century). Signed "Jeff Nixon" lower right. Titled "Yeow! Pt, Death Valley" on verso. Unframed. Photograph size: 8"H x 9.5"W. Mat,12"H x 15"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton...

Crater is a limited-edition photograph by contemporary artist Luca Marziale, from the Fracture series. This photograph is sold unframed as a print only. It is available in 2 dimens...

Yosemite #54 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH pape...

Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photographers, who used a Leica. His images today are d...

'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel' French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794). From 'Th...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 20 inche...

Grand Canyon #35 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH ...

Artist/ School: French School, mid 20th century, signed Title: The Village in the Valley Medium: oil painting on board, unframed Size: board : 15 x 18 i...

Bryce Canyon #84 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH ...

Black and white fine art panorama landscape photography print. Madeira's mountain peaks in the wonderful light at sunrise, Portugal. Archival pigment ink print, edition of 5. Signed,...

Artist/ School: Barry Peckham, British contemporary Title: The Highland Stream Medium: signed oil painting on board, framed, inscribed verso. framed: 16 x 20.75 inches canvas: 12...

The Provençal Lane by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 22 x 18 inches very good condition provenance: from the artists estate, Franc...

'Vue d'un pont sur le Tesin, dans le Mont St Gothard' French copper-line engraving by Maillet after Claude Louis Chatelet (1753-1794). From 'The Scenery and Science of Switzerland ...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. At Home in the West was created as a companion to Yosemite: Seeking Sublime, which premiered at photo-eye Gallery in November 2020. In December of that year, work from that series was invited to the Art of Staying at Home; Artists in the Time of Corona exhibition at the Bibliotheca Alexandrina in Egypt, where I was the only U.S. artist from eight countries included. Additional works from that series will soon be exhibited at the Krakow Triennial in Poland and at the Earth Photo...

'II.e Vue d'un passage du Mont St Gothard' French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794). From 'The Scenery and Science of Switzerland illustrated'...

Work on wood Wooden frame and gilded plaster 39.5 x 45.5 x 5.5 cm

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses ...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas...

The circa 1970 original travel poster Suisse Jungfrau Region Lauterbrunnen, designed by Swiss artist Rolf Krebs, beautifully captures the serene majesty of Switzerland's Jungfrau Region, particularly the idyllic village of Lauterbrunnen. This poster, like many travel advertisements of the time, aimed to transport viewers into the picturesque Alpine landscapes, enticing them to explore the natural beauty and tranquility of the Swiss mountains. The artwork features a panoramic view of Lauterbrunnen Valley, framed by the towering snow-capped peaks of the Jungfrau, Mönch, and Eiger mountains. Krebs masterfully uses a combination of vibrant greens from the valley floor and stark whites of the surrounding mountains to evoke a sense of awe and grandeur. The quaint village of Lauterbrunnen, with its charming wooden chalets and cascading waterfalls, adds a sense of serenity to the dramatic landscape, emphasizing Switzerland’s timeless appeal as a destination for nature lovers and adventure seekers. This poster is emblematic of mid-20th-century travel art, which emphasized both the natural beauty of destinations and the sense of escape they offered. The simple yet evocative design showcases the unspoiled wilderness of the Bernese Oberland, a region renowned for its hiking trails, skiing resorts, and breathtaking vistas. Lauterbrunnen, with its iconic Staubbach Falls, is prominently depicted, serving as a gateway to the larger Jungfrau Region and its endless opportunities for outdoor exploration. Rolf Krebs' poster is not only a promotional piece but also a work of art that invites viewers to experience the Swiss Alps in all their grandeur. It reflects the era’s focus on travel as an immersive, rejuvenating experience, and the poster continues to be a cherished collector’s item, representing both the nostalgia of vintage travel advertising and the timeless allure of Switzerland’s natural landscapes. Original Poster Tourism - Photography...

Monument Valley, limited edition photograph, signed, archival pigment ink. The 14x20 in. and 20x30 in. editions are one collective edition of 40. Dobrowner presents landscapes wi...

Frank Nelson Wilcox (American, 1887-1964) Crashing Waves on the Atlantic Coast, 1957 Watercolor and graphite on paper Signed and dated lower right 22 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Beautifully soft yet expansive landscape of a river winding through the coastal bluffs of Big Sur, California, by Ken Lucas (American, 20th Century). This pi...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Watercolor on Paper, signed lower left Size: 24 x 18 in. (60.96 x 45.72 cm)

Charles Hallé's 1910 poster for the Chemins de fer de l'État, titled "Excursion en Normandie," stands as a picturesque journey to the heart of Normandy's...

Large scale color monotype of a Western landscape with sapphire blue sky, green trees, river, yellow and orange hills, and red clay cliffs, to enliven minimalist, modern, and contemp...

"Nambe Reservation" (1985) By Joellyn Duesberry is an original handmade oil painting on linen that depicts an expressionist landscape. A self-taught landscape oil painter, Duesberry...

Gorgeous contemporary impressionist oil painting landscape of striking desert bluffs by California artist Mike Wright (American, b.1958), 2014. Dramatic re...

Three Graces is a beautiful red rock formation found in the Garden of the Gods Colorado State Park. This large painting captures the stunning group at twilight, with the full moon on...

Title: Stream Under The Snow Peak Medium: Oil on canvas Size: 19.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Soft red and orange toned naturalistic landscape painting by Houston based artist Nancy Paris Pruden. The work features a serene scene of the red mountains of the American southwest....

The picture "Stozhki nakhilis" transports the viewer to the winter fairy tale of Transcarpathia, where a sunny day envelops the snow-covered slopes of the mountains with warm rays. O...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

"Into the Gorge" Over many, many years, the waters of Oregon have delicately and precisely formed their own path as captured in this intimate vignette of the Columbia River Gorge. ...

"Above the Junction, Canyon de Chelly" (2023) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. Artist Biography and Statement: "I am focused on the vis...

A finely detailed 19th century watercolour depicting an Italian mountain town or village, with figures leading donkeys over an ancient stone bridge. The manner and handling of the sc...

"Above the Junction, Canyon de Chelly" (2023) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. Artist Biography and Statement: "I am focused on the vis...

"Smith Rock Pinnacles" - Original Contemporary Painting on Canvas A mountainous peak, Smith Rock Pinnacles, is depicted in brilliantly contrasting colors of sepia tones against a bl...

A fine 20th Century landscape in impasto oil showing a winding path into rocky hills. The artist has signed to the lower left. On board.

In Looking Through the Window, the artist captures a breathtaking view through the iconic rock formation known as "The Window" in Big Bend National Park. Towering rose-hued cliffs fr...

Title: Wilderness Medium: Oil on canvas Size: 15.5 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

"Above the Junction, Canyon de Chelly" (2023) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. Artist Biography and Statement: "I am focused on the vis...

Mark Daily's (US based) "Facing the Setting Sun" is an oil painting that depicts the impressionistic rendering of rock formations and distant plateaus ...

Charles-Jean Hallo (Alo)'s 1927 poster for Chemin de Fer de Paris à Orléans, showcasing Le Mont-Dore in Auvergne, stands as a visual ode, transcending the boundaries of a mere advert...

Artist: Stuart Klipper (American, 1941-) Title: Betataken, Anasazi Places Year: 1980 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted, 20 x 45 framed Signature: Signed, titled, dated on the mat and on reverse Condition: Very good This photograph depicts the Anasazi settlement of Betataken in New Mexico. It is a chromogenic print, also called a C-print on Kodak paper. It is from Klipper’s series called Anasazi Places done in 1980 under the auspices of the National Endowment for the Humanities. The photograph is in very good condition. The mat is in very good condition. The bronze metal frame and Plexiglas are in fair to good condition with some small scratches. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...

Original painting signed by the Artist on the lower right.

"Cathedral Spires, South Dakota," attributed to the accomplished painter Grafton Tyler Brown, is a stunning representation of the American landscape, i...

Judd Mercer's (US based) "037 - Plein Air-Boulder Falls, CO" is a gouache painting depicting a rocky waterfall. Artist bio/statement Judd Mercer is a contemporary landscape painter...

Judd Mercer's (US based) "022 - Plein Air-Roxborough Park" is a gouache painting depicting a canyon and a large tree. Artist bio/statement Judd Mercer is a contemporary landscape pa...

Beautiful desert landscape photograph of the Whitehouse Ruins at Canyon de Chelly National Monument by an unknown artist, 1984. Signed "CJB" in the lower right corner. Dated "April '...

Leemane, Connemara is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Leema...

Miraculous formation upon miraculous formation, seemingly just east of the biblical Garden of Eden, the Grand Canyon is resplendent with layers and layers of rock and glacial carvings captured brilliantly by artist Charles Tersolo with his trademark "seven layer method" of painting that he developed over a period of years. This original expressionist landscape exhibits impressionist impasto with varied strokes in rich turquoise, aqua, lime green side by side with a multitude of earth tones. Tersolo earned his bachelor of studio arts degree from the University of New Hampshire and is an elected member of the prestigious Copley...

Landscape is an original lithograph on paper, realized by E. Laport around 1860. The state of preservation is good except for some diffused stains. Hand-colored. Plate no.12 She...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.