Vulture Art

Miss.Bird " Don't Find Her Pretty?" is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Publish...

Ancient Roman Fresco of Animals, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th century. Signed on the plate on...

The border is an original artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original etching on cardboard. Hand-signed on the lower right in pe...

"Fabled Ambassador (Bird Suite)" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the edition num...

"Flying duck" is a bronze sculpture. The bronze is covered with patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 2 of 15 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture on the House Hohenzollern Building in Swakopmund. In 1990, he moved to Town where he sculpted full time. Willem did some freelance work for Jean Doyle, helping with the bronze casting of her work. During his time in Cape Town, he exhibited in several galleries in and around Cape Town. In 1991, he moved to Graskop, where he continued full time sculpting and he opened his own foundry. He moved back to Pretoria in 1992, to continue sculpting and established Art Cast Foundry. In the same year he was commissioned to do several decorative works for the Palace of Sun City, that includes, all the doors bronze handles. Sculptors that he did castings for are to name but a few, the late Bobby Lawrence, Niko van Rensberg, Maureen Quinn, Anton Smit, Andre Prinsloo, Barry Jackson...

All universal life is GOD’s masterpiece. The intricate details that highlight living qualities - pedals, veins, feathers, scales, skin, and fur are all in alignment with GOD’s e...

Available sizes: 32x47 inches (80 x 120 cm) - Edition of 20 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Araquém Alcântara Harpia (Brazilian Birds), 2012 70 x 105 cm 27.5 x 41 inches Edition of 10 Also available: 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches E...

Barnett, a surrealist artist incorporates discarded mechanical objects and gadgets into his artwork. His work is characterized by its unique and ecl...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Artist Commentary: They were just flying at me and the scene was perfect so I took the picture. And then it had to be painted... Keywords: Water, Mountains, Sea, Pelicans Artist Biography: Robert...

Signed/etched by Artist into the base of bronze with edition number. 5/50

Great king vulture on tree trunk Porcelain, Model by J.J. Kaendler 1734. This present porcelain sculpture was made after the model by Kaendler, in the 19th or 20th Century. There are no visible marks. Kaendler and Porcelain: Dresden in the 18th century owed its Europe-wide fame as a centre of courtly splendour to the elector Frederick Augustus I (1670-1733). 'August the Strong' had a distinct passion for collecting and was not only a patron and lover of the arts, but also an enthusiastic patron of science. His natural history cabinet was regarded as the most important collection of its kind in Europe and contained a large number of exotic animals. He financed expeditions, from which the researchers were to bring the 'most possible species of their animals alive or in skins and skeletons or even crushed' back to Dresden. Johann Joachim Kaendler had this extensive collection of partly living exhibits at his disposal when he was commissioned to design life-sized animal sculptures for the 'Japanese Palace...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Art Sz: 13 3/4"H x 10 1/4"W Carlo de Fornaro (sometimes spelled Carlo di Fornaro) (1872–1949) was an artist, caricaturist, writer, humorist, and revolutionary. His work is in the c...

O Tempo Que Me Resta, 2023 Charcoal and Acrylic on Canvas 50 x 50 cm / 13.8 x 13.8 in A meditation on time, introspection, and impermanence, O Tempo Que Me Resta by Ritchelly Oliveira is a deeply evocative piece that merges realism with poetic abstraction. This circular composition presents a contemplative figure, resting in thought, partially obscured by the dynamic presence of a bird in motion. The monochromatic rendering, enriched with subtle textures and intricate shading, invites the viewer into a quiet yet profound dialogue between stillness and flight. Oliveira’s work is distinguished by his masterful use of charcoal, creating depth and contrast that feel almost sculptural. The seamless integration of the figure and bird suggests themes of memory, transition, and fleeting moments. The unconventional cut of the canvas further enhances the organic quality of the piece, making it stand out in both form and composition. This painting is an exquisite example of Ritchelly Oliveira’s ability to balance technical precision with raw emotion. The intimate scale (50 cm diameter) allows for close engagement with the details, making it a striking addition to any collection. His works resonate with collectors who appreciate narrative-driven art—pieces that invite reflection and evolve in meaning over time. The artwork is in impeccable condition, created using high-quality charcoal and acrylic on canvas. The contrast between deep blacks, soft greys, and delicate highlights gives it a tactile richness. The edges are finished, and the piece can be displayed as-is or framed according to preference. Ritchelly Oliveira explores the tension between presence and absence, human emotion, and the natural world. O Tempo Que Me Resta reflects his signature approach—an interplay between hyperrealistic drawing and expressive abstraction. It is an invitation to pause and consider the passing of time, the weight of thought...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Red Kite flying above the stunning Welsh Castle of Carreg Cennen. Original watercolour presented in a double white bevel cut mount 50 cm x 40 cm ( 20 in x ...

Sz: 11 3/4"H x 17"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar E...

Reed borrows visual fragments from predominantly seventeenth- and eighteenth-century Northern European art, citing the artists of these works like a dutiful scholar. She copies and r...

This work was done on the assignment and illustrate myths and culture of a book on the Pima and Papago Indian tribes of southern Arizona and northern Mexico. Tinkelman's vision of t...

American Bald Eagles photographed in Alaska by New York-based wildlife and fashion photographer Ejaz Khan. Ejaz Khan’s wildlife photography focus...

Signature: Signed Lower Right Medium: Oil on Canvas Cover for Life Magazine, January 1, 1914 Caption: "Which Bird?"

Artist: Mark Kostabi Title: John Waters Year: 1989 Medium: Acrylic on Canvas, signed l.l. and verso Size: 48 x 54 inches; 121.9 x 137.2 cm

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...