Watercraft Art

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Signed lower right. A prominent landscape and marine painter, Jules Eugène Pages spent most of his career in France where he was a well-known Impressionist painter, but he mainta...

From the estate of the artist.

5163 Vingage American framed painting Montauk Fleet Signed James Salmone Image size 23x19"

1983 New York Graphic Society Ltd. Printed in Italy. Measures 22.25 x 30 inches and is unframed. The piece is in Good Condition-minor discoloration/wrinkling consistent with age and ...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

'Summer boys' Tellaro, Italy 2024 Limited edition of 20. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand...

The gallery presents the Norwegian artist Nadezda (Nadya) Stupina , a high professional who has been working in the international art market for many years. Professional artist with ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

'Seaward', depicting a cargo ship exiting Golden Gate, passing Seal Rock, and entering the Pacific.Ocean, is a highly collectable original 10 x 16 inch watercolor painting by Interna...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x 22 cm. Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the raw power and beauty of the ocean and other bodies of water. The images showcase a range of seascapes, from calm and serene to tumultuous and chaotic. Waves are a prominent feature in many of the photographs, with their sharp edges and frothy white caps creating a sense of energy and movement. Other photographs in the series explore the more subtle aspects of the sea, such as the gentle ripples that form on the surface of the water, or the abstract reflections of sunlight and moonlight over the moving surface of the sea. The print measures 24 x 36 inches total, with an image size of 20 x 32 in. and a 2 inch surrounding white border. Details: + Title: Misty Sailboat...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print (Hahnemühle 308g), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: An der alten Universität von Königsberg, im Hintergrund die Schloßkirche, Ostpreußen, 1930er Jahre. At the old university of Koenigsberg, the Schlosskirche in the background, East Prussia...

Signed Adolfo Perez Frameless

Emile Rampelberg, French (1911 - 2001) - Wharf, Medium: Watercolor on Paper, signed lower left, Image Size: 20 x 27.5 inches, Size: 26 x 33.5 in. (...

A watercolor painting with a southern summer landscape with boats - saturated blue colors of water, coastal greenery and white boats near the shore. The painting with boats and the sea is based on memories of a trip to St. Nicholas Island, Crete. The rich, but at the same time calm color of the painting with boats will bring the warmth of a summer day into the room and give a calming mood. This painting with boats and the sea is made on magnificent cotton paper with light-resistant paints of world manufacturers. Watercolor painting the sea port will perfectly complement any interior. Light watercolor painting with boats in the port will look good in the living room, bedroom or kitchen. Painting with the sea and boats will also be a wonderful gift to friends and family for any celebration. "Sunny day in Crete", watercolor, paper The size of the painting is 38x56cm Author Irina Pronina

Oil measures 54x65 cm. Frame measures 59x70 cm. Francisco Carbonell Massabe (1928) Francisco Carbonell Massabe was a Catalan painter with an impressionist spirit. It was in La Lonj...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Black and white fine art long exposure waterscape - panorama landscape photography. Canal Grande with gondola at night, Rialto viewpoint, Venice, Italy. Archival pigment ink print, e...

Marine Nationale. Artist: Evan. Size: 24.5" x 39". This is an original vintage military poster backed with archival linen. It is in very good to excellent condition and ready to fram...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

Signed verso Born in Chicago in 1986, Adam Umbach currently lives and works in Brooklyn, New York. Inspired from an early age by the Modern Masters collection at the Art Institute o...

‘The Pont Marie and Bateau Mouche’ in Paris, watercolour on art paper, by Roland Hamon (1971). The artist combines two icons of Paris in this depiction on a beautiful blue summer day...

"The New Steamship Cephalonia, of the Cunard Line" is an original hand-colored lithograph by Currier & Ives. It depicts a large sailing steamship. There is a significant stain in the artwork in the upper center. 12" x 16 3/4" art 21" x 26" frame Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

38cm x 56cm (15" x 22"). An elegant white yacht with sails becomes the protagonist of a serene and enchanting sea scene. The work reflects the grandeur and ease of navigation, prese...

"The Venice of the East" is a b/w photographic print on polished paper in 1938,  by Press Photo, Berlin. The photo depicts  a port in Singapore rich of vessels. Stereotype in Germa...

Gerald Berghammer - Limited Edition 1/9. Archival Pigment Ink Print, Printed 2020. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown,...

Signed Lower Right Film Fun magazine cover, July 1934

Hankau Conquest is a photograph on polished paper taken on October 28, 1938 . Stamp of Atlantic-Photo and stereotype in German on the back.  The photo shows a view on the port of Ha...

Lithograph on Magnani-Pescia paper. Paper size cm.17,5x cm.24,5 work size cm. 14,5 x cm. 22 Excellent condition, no defects.

Delightful watercolor and pencil painting of sailboats in the bay of Cannes by French artist Gaston Coursaget, 1927. Signed lower left. Original artwork on paper displayed on a wh...

Signed Adolfo Perez Frame size 42x50 cm.

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Plate size: 4 7/8 ...

This artwork was painted in 2015. The beauty of Venice inspired me. The sketch was made in an open air from a boat in Venetia gulf during the vacation in Italy. It was a very romantic trip with my future husband. Later this picture was painted with a feeling of emotional joyfulness. That’s why looking at this painting you can feel a sense of peace, love and happiness. The artwork was created on high-quality canvas (50/60 cm), using environmentally friendly colors with natural pigment. It is framed a in a black wooden frame. The size with frame 53/63 cm. Painting is covered with UV varnish. Signed. Ready to hang. One-of-a-Kind Painting (only one piece worldwide ). This painting was exhibited at: Red Carpet Gallery in Castle Gütsch. Lucerne (Switzerland). 03.09-03.11.2019. Zürich. “Perfect Art Match”, Peyer Fine Art Gallery. 30.11-13.12.2017. «Austrian Art Week» (Austria. Vienna. 28.01-05.02.2020.) And this painting has taken the 2-nd place at the competition of classical painting in the nomination "Architecture". Сontemporary Art. One-of-a-Kind Painting (only one piece worldwide). Certificate and copy of Diplom are attached. About the artist: Vik Schroeder...

French lithograph of boats at low tide by artist Jean Claude Quilici, circa 1960. Signed lower right. 37/175 Original artwork on paper displayed ...

Title: Brittany Watercolor of Beached Fishing Boats by the Harbour by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 12.25 x 16.25...

Unframed this piece measures 12"H x 16"W Presenting "A Place to Rest," a stunning small horizontal oil painting by esteemed American artist Stephanie Amato...

Medium: original etching. This impression on cream wove paper was printed in 1897 and published in Paris by Gazette des Beaux Arts. Plate size: 5 x 9 inches (125 x 227 mm). Signed in...

"Twilight" Oil on artist's board, Signed in Cyrillic, and inscribed in Cyrillic in pencil verso, 15.5in x 24.25in. 21in x 30 in. Igor Larionov is an impressionist artist, born in ...

This limited edition lithograph, titled Sailboat in the Port of Cadaques, was created by the artist Amedeu Casals in 1970. The lithograph is part of a limited edition of 250 copies,...

Work on canvas with frame Total size with frame: 86x66x6 cm Jean-Louis GETAZ is an artist born in 1931 and died in 2002. His works have been sold at public auction 60 times, mainly...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Graham Bannister (born 1954) A Venetian Canal Screenprint 76 x 50 cm A screen...

Likely a study for an illustration for Harper's Weekly, for which Wiser was a Civil War-era illustrator, focusing on shipwrecks and battles occurring along the mid-Atlantic coast. ...

'Conca dei Marini' by Slim Aarons Limited Estate Edition - numbered to 150 in ink on front and emboss stamped. A bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984...

Domingo Alvarez (Spain 1942) - Boats - oil on canvas Canvas size 33x41 cm. Unframed.

This limited edition print by Daniel Pollera depicts a figure wearing a hat, sitting in a sailboat, sailing out into the open bay. The sailboat creates misty ripples in the water as ...

A fine lithograph print depicting a steamer coming in to dock. This work is part of the Prints for Schools series. The purpose of Prints for Schools was to provide schools and other ...

Lithograph on Magnani-Pescia paper. Paper size cm.24,5x cm.17,25 work size cm. 22 x cm. 14,5 Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in t...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Rafael Duran Benet (1931-2015) - fishing port - Oil on canvas Oil measurements 54x65 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

The photo shows a brightly painted fishing boat on the beach of Nazaré, a coastal town in the Centro region of Portugal. It appears to have been taken around 1981. The boat's bow, pa...

Lithograph on Magnani-Pescia paper. Paper size cm.17,5x cm.24,5 work size cm. 14,5 x cm. 22 Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5cm x 22cm. Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in the ...

Lithograph on Magnani-Pescia paper. Paper size 24,5 cm x 17,5 cm work size 22 cm x14,5 cm .Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in the...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x 22 cm. Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x22 cm . Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

Beach Bay by Georges Bordonave (French contemporary) signed oil painting on board, unframed dated 1989 unframed: 20 x 24 inches condition: very good...

The French Harbor (we think most likely this is Honfleur, which is a subject visited by the artist several times). by Georges Bordonave (French contemporary) signed oil painting ...