Worker Art

U.S. College Trains Engineers - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the ...

Religion in Industry - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th Cent...

Modern newspaper Plant - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Ce...

The inside the barricade, Algeria is an original black and white vintage photograph realized by an Anonymous photographer. With the stamp of copyright "Associated Press Photo" on the...

Getting Ready 1955 A stylish female skier prepares her skis, 1955. by Toni Frissell 16 x 20" inches / 41 x 51 cm paper size Archival pigment print unframed (framing available s...

Getting Ready 1955 A stylish female skier prepares her skis, 1955. by Toni Frissell 16 x 20" inches / 41 x 51 cm paper size Archival pigment print unframed (framing available s...

Getting Ready 1955 A stylish female skier prepares her skis by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available see ex...

Getting Ready 1955 A stylish female skier prepares her skis by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available see ex...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Signed verso American, b. 1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collec...

This Oil Painting is a Major piece for me. It is something that I can relate to since I worked in some capacity as a Steelworker for 42 years. I worked on this for awhile. I really w...

Slopes and Trails at Cranmore Mountain, 1955 C print 16 x 12 inches Skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA, 1955. Estate stamped and hand numbere...

Slim Aarons Ready To Roll, John Ford in Hawaii, 1955 Silver gelatin print 16 x 20 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the est...

ANONYMOUS. (American) Oil Well Supply company. Dallas TX, Photographer: Richie Photo. Workmen place pipes (iron tubes) in an oil well. Derrick produced by ...

Signed. Photograph mounted to black paper & paper mounted to large Album Sheet. Vintage gelatin silver print

Scott Duce is an international artist working in New York. His work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, ...

I love to paint portrait from live model and also from picture. I took this man picture from Toronto during his break time, his name is Ben. I was trying to capture his passionate pe...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

This painting started as an acrylic sketch, but I enhanced it with oils. I have many pictures of this stop with different people. On cotton canvas stretched over pine boards, can be ...

I love to paint portrait from live model and also from picture. I took this man picture from Toronto during his break time, his name is Ben. I was trying to capture his passionate pe...

Slim Aarons Ready To Roll, John Ford in Hawaii, 1955 Fiber print 20 x 24 inches Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. ...

these paintings are about learning and childhood. The things we learn from watching streams and diverting the course of water. The power of might :: Painting :: Impressionist :: This...

Stephen GILL (*1971, Great Britain) Untitled, from the series 'Hackney Flowers', 2005/2007 Hand print on C-type paper Image 58.4 x 44 cm (23 x 17 3/8 in.) Sheet 60.7 x 50.8 cm (23 7/...

Graffiti-clad New York City Street scene with wall shot by veteran street photographer Mitchell Funk in his trademark colorful style. In Funk's oeuvre co...

American, b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include ...

The early 1970s was a period of reexamination of the state of photography for Mitchell Funk. He broke with the tradition of shooting gritty street photography in black and white and ...

Scott Duce is an international artist working in New York. His work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, ...

Kathryn Maher’s oil paintings pluck the viewer from the mundane, racing, complicated world and transports them to an experience of wonder and quiet exhilaration. The paintings trans...

Ormond Gigli Girl in the Steam Shovel, New York City Gelatin Silver Print Printed by artist 23" x 27" Unique: $7400 Provenance: Printed by the artist, from the artist's studio Sign...

Signed and dated on lower right, numbered on verso, 2/15, other size available, printed later, unframed Printed on Hahnemühle Fine Art paper

Western Photography, Rodeo Photography, Horse Art-Bright Knight “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. I wanted to ...

Robert "Bob" Lavin Title: "Hanging the Transformers" Medium: Oil on Canvas Size: 32" x 20" Framed: 36.5" 23.5" Marking: Hand-Signed LR "Lavin" In Bob Lavin's Original Frame

Micah Johnson Big Brother 40 x 36 inches Charcoal and gouache on canvas This piece is unique Signed by artist Please contact us for additional artworks by...

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra, to name just a few, and have appeared on the covers of Life, Rolling Stone, and Vogue. Over the years O’Neill has formed close bonds with many of his sitters, evidenced by the intimate, snapshot-style nature of many of his photographs from the 1960s and ’70s. “I’m a reportage photographer, and I just like fading into the background,” says O’Neill. “The more discrete you are the better off you are.” Terry O’Neill is one of the world’s most collected photographers whose work hangs in national art galleries and private collections worldwide. For over six decades, he has photographed the front line of fame, from the greats of screen and stage to presidents, prime ministers and rock stars. Portrait of the band for the cover of their album 'Who Are You...

In "WEST The American Cowboy", Anouk revisits this enduring iconic symbol of America's pioneering spirit. The new series inspire with a fresh and contemporary perspective of the Amer...

Man standing in New York City, painted so he is barely visible in the image, photographed by Liu Bolin in 2011. All prints are limited edition. Available in...

Tim Hetherington photographed the experience of war from the perspective of the individual. During the Liberian Civil War, Hetherington photographed people struggling to survive thei...

Edition of 20

Painter of the Eiffel Tower, Paris 1953 / Printed Later Gelatin Silver print Signed in pencil with the photographer's stamp on verso.

signed, titled and dated by artist in pencil on verso