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Adaa Art Dealers Association Of America

Art Dealers Association of America (ADAA)
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.
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Molecule Drawing
By Spencer Finch
Located in San Francisco, CA
Colored pencil on paper
Category

2010s Adaa Art Dealers Association Of America

Materials

Color Pencil

Atlantic Ocean (Cadiz) April 3, 2015
By Spencer Finch
Located in San Francisco, CA
Fluorescent fixtures and filters
Category

2010s Adaa Art Dealers Association Of America

Materials

Lights

EXHM (3839)
By Sterling Ruby
Located in San Francisco, CA
Collage and urethane on cardboard
Category

2010s Adaa Art Dealers Association Of America

Materials

Paper, Cardboard

Drawing for Sanctuary
By Martin Puryear
Located in San Francisco, CA
Framed: 24 1/2 x 21 5/8 inches
Category

1980s Adaa Art Dealers Association Of America

Materials

Pencil

Pointed Reclining Figure
By Henry Moore
Located in San Francisco, CA
Pencil, charcoal, chalk, chinagraph, wax crayon, wash, ballpoint pen and gouache on paper
Category

Late 20th Century Adaa Art Dealers Association Of America

Materials

Chalk, Charcoal, Wax Crayon, Gouache, Ballpoint Pen, Pencil

The Issue of Spring
By Jim Dine
Located in San Francisco, CA
Charcoal, pastel, gesso, and acrylic on paper
Category

Early 2000s Adaa Art Dealers Association Of America

Materials

Gesso, Charcoal, Pastel, Acrylic

COCTEAU
By Joana Vasconcelos
Located in New York, NY
faience boxer covered with cotton crochet in orange and white
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Faience, Cotton

ANOTHER ONE STRUGGLED
By Carol K. Brown
Located in New York, NY
abstract watercolor and ink painting of intertwined tubular forms on archival paper, varnished.
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Varnish, Ink, Watercolor, Archival Paper

A FEW WERE QUITE LOUD
By Carol K. Brown
Located in New York, NY
abstract watercolor painting of intertwined tubular forms on a wood panel, varnished.
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Gesso, Varnish, Watercolor, Wood Panel

BK0061
By Miho Kajioka
Located in Santa Monica, CA
Signed and numbered by artist on verso.
Category

2010s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

BK0061
Price Upon Request
Creek Pea
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Adaa Art Dealers Association Of America

Materials

Linen, Oil

Creek Pea
Price Upon Request
Train
By Alex Corno
Located in Dallas, TX
In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Iron

Train
Train
Price Upon Request
BK0006
By Miho Kajioka
Located in Santa Monica, CA
Signed and numbered by artist on verso.
Category

2010s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

BK0006
Price Upon Request
Traccia
By Alex Corno
Located in Dallas, TX
In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Iron

Traccia
Traccia
Price Upon Request
Realizing Revealed Contingent Anomalies
By Jim Woodson
Located in Dallas, TX
The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Paper, Oil

Starry Night
By Alex Corno
Located in Dallas, TX
In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Iron

Vela
By Alex Corno
Located in Dallas, TX
In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Stainless Steel, Iron

Vela
Vela
Price Upon Request
Flop
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1980s Modern Adaa Art Dealers Association Of America

Materials

Oil, Board

Flop
Price Upon Request
Floating World 01
By Ori Gersht
Located in New York, NY
From the series Floating World
Category

2010s Adaa Art Dealers Association Of America

Materials

Archival Pigment

Drown Two
By Ori Gersht
Located in New York, NY
From the series Falling Bird
Category

Early 2000s Adaa Art Dealers Association Of America

Materials

Archival Pigment

Drown Two
Price Upon Request
Blow Up, Untitled 18
By Ori Gersht
Located in New York, NY
From the series Blow Up
Category

2010s Adaa Art Dealers Association Of America

Materials

Archival Pigment

Bird Dropping
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1990s Abstract Adaa Art Dealers Association Of America

Materials

Linen, Oil

Interrupting Temporal Emergents Incorporated
By Jim Woodson
Located in Dallas, TX
The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Grande Spazio
By Alex Corno
Located in Dallas, TX
In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Iron

Ore-T-Ba
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Adaa Art Dealers Association Of America

Materials

Linen, Oil

Ore-T-Ba
Price Upon Request
Suruwaha, Amazonas, Brazil
By Sebastião Salgado
Located in Santa Monica, CA
Signed, titled & dated in pencil on verso; Photographer's blindstamp on recto
Category

2010s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Korubo, Amazonas, Brazil
By Sebastião Salgado
Located in Santa Monica, CA
Signed, titled & dated in pencil on verso; Photographer's blindstamp on recto.
Category

2010s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Korubo, Amazonas, Brazil
By Sebastião Salgado
Located in Santa Monica, CA
Signed, titled & dated in pencil on verso; Photographer's blindstamp on recto.
Category

2010s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Miami Star
By Alex Corno
Located in Dallas, TX
In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Iron

Miami Star
Miami Star
Price Upon Request
Ovale
By Alex Corno
Located in Dallas, TX
In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Iron

Ovale
Ovale
Price Upon Request
BLIND PAINTING ( YUCCA VALLEY)
By Gregg Louis
Located in New York, NY
Ink painting on canvas.
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Canvas, Ink

BLIND 57 (BLACK LEAVES)
By Gregg Louis
Located in New York, NY
Mobile sculpture of black leaves made up of powder coated aluminum.
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Metal

Fossil Ship
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Outsider Art Adaa Art Dealers Association Of America

Materials

Rag Paper, Etching, Aquatint

Birth
By Julie Hedrick
Located in New York, NY
color-filed painting, various shades of pink with gold on the edges
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Birth
Price Upon Request
The Corn Maidens
By Julie Hedrick
Located in New York, NY
Diptych, Color field painting
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Foggy Night, Land's End, San Francisco, CA
By Fred Lyon
Located in Santa Monica, CA
Lyon has been called "San Francisco's Brassaï," and has also been compared to Cartier-Bresson, Atget, and Andre Kertesz, but with a San Francisco twist. The lifelong San Francisco Native happily admits his debt to those icons.

 Now at eighty-eight years old, his nonstop career reaches back to the early 1940s and embracing news, fashion, architecture, advertising, and food. In the golden years of magazines, his picture credits were everywhere from LIFE to VOGUE. He is now combining his extensive picture files for galleries, publishers, and print collectors. c) The Estate of Fred Lyon Courtesy. Peter Fetterman Gallery
Category

1950s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

William DeKooning, 831 Broadway Studio, New York
By Dan Budnik
Located in Santa Monica, CA
Born in Long Island, Budnik studied painting at the Art Students’ League of New York. After being drafted, he started photographing the New York school of Abstracts Expressionist and Pop Artists in the mid-fifties, making it a primary focus for several decades. He completed major photo-essays on Willem de Kooning and David Smith, among many other artists. It was his teacher Charles Alston...
Category

1960s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Black Smith Anger
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1990s Modern Adaa Art Dealers Association Of America

Materials

Linen, Oil

Spindles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1980s Surrealist Adaa Art Dealers Association Of America

Materials

Rag Paper, Etching

Spindles
Price Upon Request
Enchanted I
By Julie Hedrick
Located in New York, NY
Oil on Canvas
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Oil

Blackening
By Julie Hedrick
Located in New York, NY
Oil on Canvas
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Oil

Alchemy
By Julie Hedrick
Located in New York, NY
Oil on Canvas
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Oil

Alchemy
Price Upon Request
154 Foot Sculpture That Never Was
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

1970s Surrealist Adaa Art Dealers Association Of America

Materials

Rag Paper, Etching, Aquatint

Intermediating Semi-Articulated Mediations No. 3 (High Mesas, NM)
By Jim Woodson
Located in Dallas, TX
The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...
Category

21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Dimly Arising Approaches Comprehended
By Jim Woodson
Located in Dallas, TX
The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Eagle's Nest
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print: “The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...
Category

1970s Outsider Art Adaa Art Dealers Association Of America

Materials

Rag Paper, Etching, Aquatint

Dinner in the Sky
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...
Category

1970s Surrealist Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Desertica 6
By Alex Corno
Located in Dallas, TX
Alex Corno achieves a sense of poetry in his use of proportion, rhythm, color, texture, and the dance between negative and positive spaces. Casting sentimentality aside, Corno is rel...
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Iron

Desertica 6
Desertica 6
Price Upon Request
Front Elevation of Section 17
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...
Category

1970s Surrealist Adaa Art Dealers Association Of America

Materials

Rag Paper, Etching, Aquatint

A Sculpture Framed by a Print
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category

Late 20th Century Surrealist Adaa Art Dealers Association Of America

Materials

Rag Paper, Etching, Aquatint

Anticipating Temporal Consequences
By Jim Woodson
Located in Dallas, TX
The High Desert near Abiquiu is the inspiration for Texas artist Jim Woodson. His paintings are a unity of the intuitive process of painting, personal ideology, and the desert landsc...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil

American Indian
By Edward Curtis
Located in Santa Monica, CA
Vintage platinum/palladium print Signed with the photographer's embossed stamp on recto For over thirty years, photographer Edward Curtis traveled the length and breadth of North America, seeking to record with images the traditional life of its vanishing indigenous inhabitants. No other photographer has created a larger oeuvre on the theme of Native American...
Category

Early 20th Century Adaa Art Dealers Association Of America

Materials

Platinum

Eyes of Allah, Islam [Muslim Woman]
By Chester Higgins
Located in Santa Monica, CA
Mat 36 x 30 inches; Paper 31 x 25 inches; Image 28 x 22 inches Edition 11 of 25 Signed, dated, and numbered in pencil with artist's copyright stamp on verso Higgins has been a sta...
Category

Late 20th Century Adaa Art Dealers Association Of America

Materials

Platinum

Fruta Prohibida
By Manuel Alvarez Bravo
Located in Santa Monica, CA
Signed in pencil on recto Manuel Alvarez Bravo was a pioneer of artistic Latin American Photography in the 20th Century and produced a proliferate body ...
Category

Late 20th Century Adaa Art Dealers Association Of America

Materials

Platinum

Look Down, Bazaar
By Melvin Sokolsky
Located in Santa Monica, CA
Paper 30 x 39 1/4 inches; Image 27 1/2 x 35 1/2 inches Edition 4 of 7 Signed, titled, dated, and numbered in pencil on print verso The American photographer, Melvin Sokolsky, began...
Category

1960s Adaa Art Dealers Association Of America

Materials

Platinum

Petit's Mobil Station, Cherry Hill, New Jersey
By George Tice
Located in Santa Monica, CA
Edition 28 of 30 Signed, titled and dated in pencil on verso Signed in pencil on recto George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. Tice’s work often features the architectural and industrial motifs that identify American society. The black-and-white platinum print photograph...
Category

Late 20th Century Adaa Art Dealers Association Of America

Materials

Platinum

Amish Children Playing in Snow, Lancaster, Pennsylvania
By George Tice
Located in Santa Monica, CA
Signed, titled and dated in pencil with the photographer's copyright stamp on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. This platinum print photograph, from the Lancaster...
Category

Late 20th Century Adaa Art Dealers Association Of America

Materials

Platinum

Country Road, Lancaster, PA
By George Tice
Located in Santa Monica, CA
Signed in pencil on recto; dated and titled in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. Tice’s work features the architectural and industrial motifs that identify American society. His black-and-white photographs often engage a fascination in the understated beauty of the mundane. This platinum print photograph, from the Lancaster, Pennsylvania series, concentrates on the daily life of the Amish people and their integration with the landscape around them. The image captures a car driving down...
Category

Mid-20th Century Adaa Art Dealers Association Of America

Materials

Platinum

Porch, Monhegan Island, Maine
By George Tice
Located in Santa Monica, CA
Matte 14 x 11 inches; Image 9 3/8 x 6 1/8 inches Signed in pencil on recto Titled and dated in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. Tice’s work features the architectural and industrial motifs that identify American society. His black-and-white photographs often engage a fascination in the understated beauty of the mundane. Tice’s platinum print image seems to reveal the cultural nuances of rural American...
Category

Late 20th Century Adaa Art Dealers Association Of America

Materials

Platinum

Two Amish Boys, Lancaster, Pennsylvania
By George Tice
Located in Santa Monica, CA
Image 9 1/2 x 7 1/2 inches; Paper 14 x 11 inches Signed in pencil on recto Titled and dated in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. This platinum print...
Category

Mid-20th Century Adaa Art Dealers Association Of America

Materials

Platinum

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