Art Dealers Association of America

Lane Timothy was born and raised in the small town of Missoula, Montana where at a very young age he discovered a love of art. Lane sold his first paintin...

Francesca Woodman, Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgia...

Framing Included in Listing Price, Free Shipping, 14-Day Return Policy. Gibbous Moon Willow (2012) by Susan Derges. 24 x 13.5 inches Digital C-Print Edition 9 of 9 *Last print av...

**Framing Included in Listing Price, Free Shipping, and 14-Day Return Policy** Wild Garlic Bridge (2013) by Susan Derges. 30 x 17 inches unframed 34 x 21 inches framed Digital C-P...

Framing Included in Listing Price, Free Shipping for the US, 14-Day Return Policy. Two 4.5 x 3.25 inch unique vintage Kodak prints of Jerry Hall by Antonio...

Listing includes framing, free shipping in the US, and a 14-day return policy. Classic Nude c. 1975 by Brett Weston. 14 x 11 inches Vintage gelatin s...

Sabine Weiss was born in Switzerland in 1924. In 1942, she wonders what she will do with her life, and decides that she should become a photographer because it is what she loves to do. She is the daughter of a mother who showed her art galleries and Roman churches at a very young age, and of a researcher chemist father who loved to see her print her little photos with the resources available at the time. From 1942 until 1945 she was an apprentice at Boissonnas in Geneva, house of a dynasty of photographers that celebrated its 80th birthday. In 1945 Sabine Weiss moved to a studio in Geneva, but in 1946 she decided to leave the city of her childhood to live in Paris. She knew there was no turning back. She asked Willy Maywald...

Framing included in listing price ($1,500 value), free art transport to the continental U.S., and a 14 day return policy. Please note there is some repaired damage to the frame noted in the images. San Francisco from Thierry Cohen...

Listing includes framing with UV plexi, free shipping in the continental US, and a 14-day return policy. Ed Templeton Untitled (The Beverly Hills Hotel...

Manufacturer Status: Discontinued Actual: 2007 - 2009 Rosenthal

serigraph, Edition of 100 image of abstract flower from KINETIC PORTFOLIO

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Image size: 24 x 12 inches Edition of 30

2009, color woodblock print on Hahnemuhle paper, 31 1/4 x 30 1/2 inches, edition of 30

Over the past forty years, Malou Flato’s paintings have focused on the Texas landscape—its native flowers, blooming cactus, diverse citizenry, and especially its precious water and a...

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Sammallahti describes himself as a nomad who enjoys the nature of the great north: the darkness, the cold, and the sea. Sammallahti is a master craftsman, carefully toning his prints...

mounted to 15 x 18 matte signed, titled and dated in pencil on mount

15 x 15 archival pigment print (image size 14 x 14 inches), edition 8. Signed, titled, dated and editioned on frame label provided. Framing also available at an additional cost. In ...

15 x 15 archival pigment print (image size 14 x 14 inches), edition 8. Signed, titled, dated and editioned on frame label provided. Framing also available at an additional cost. In ...

ceramic vessel with semi-matte silver plated brass and matte acrylic crown

15 x 15 archival pigment print (image size 14 x 14 inches), edition 8. Signed, titled, dated and editioned on frame label provided. Framing also available at an additional cost. In ...

Ink, colored marker on paper

Marker on paper

There is a quiet sophistication in Milt Kobayashi’s painted canvases, summoning a pensive, ethereal feeling in the viewer. Kobayashi’s subjects are people from another time and place...

Listing includes free shipping in the US and Europe, framing with UV plexi and a 14-day return policy. Equivalent to a ~$550 or 10% discount. Ships from our New York gallery. Christopher Anderson...

30 x 40 inch type-c print. Edition 25. Signed, titled, dated and editioned on frame label. Other sizes available - please inquire. For more than thirty years, David Graham, has produced photographic images infused with both compassion and humor, as he has documented the homes we have built, our lives both public and private, and a purely American expression of “freedom.” Graham was born in Abington, Pennsylvania, in 1952. He received a BA from The University of the Arts, and his MFA from the Tyler School of Art, both in Philadelphia. He studied under Ray K. Metzker and Will Larson, and was mentored by Emmet...

Publisher: Leo Castelli Gallery, New York Signed in pencil, lower margin

James Turrell Corrected RC Site Plan, 1988/92 Ink on printed paper 35 x 45

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches frame size: 22.5 x 17.5 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Philip Guston was born in 1913 in Montreal, Canada. He began painting at the age of 12, and in 1927 he enrolled in the Los Angeles Manual Arts High School , where both he and Jackson...

Matt Magee Constellations, 2019 Diptych lithograph 22 x 44 inches overall (22 x 22 each sheet) Edition of 30 Unframed

Photograph, mounted on cardboard folded in the middle, 10 x 16 1/2“ (25,5 x 42 cm), Ed. 200, signed and numbered

9-color silkscreen print on plexiglass, 5 x 12” (12,5 x 31cm) Printed by Atelier für Siebdruck, Lorenz Boegli, Zurich Ed. 45/XX, signed and numbered certificate

Offset lithograph on perforated paper Edition of 200

Oil on panel

Two-color silkscreen on Arches, 20 x 24” (50,7 x 60,4 cm), in wooden frame, 20 3/4 x 24 3/4” (54,4 x 64,5 cm), printed by Atelier für Siebdruck, Lorenz Boegli, Zurich, Ed. 60/XX, sig...

"Unfolding the Magic" There is something magical about Kevin Box’s sculptures. Each one of them is an ode to imagination, to simplicity, to childhood fun. Viewers, however, experienc...

10-color silkscreen print on Velin d'Arches Noir 250 gm2, 50 x 50 cm /19 11/16 x 19 11/16", printed by Atelier für Siebdruck Lorenz Boegli Edition of 35/XX/10 APs, signed and numbere...

Vintage Hand Colored Albumen Print

signed, titled, dated and number in pencil on recto

Valerie B Hird NEW MEDIA, 2020 wood, screws, foamcore, paper, watercolor, ink, electrical wire, LEDs, batteries 28 x 14 x 6 1/2 in. 71.1 x 35.6 x 16.5 cm. When the handle is tur...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

LESLEY DILL SMALL POEM DRESS, 1993 lithograph on Hindi newsprint 10 x 3 x 2 in. 25.4 x 7.6 x 5.1 cm. edition of 10 image may be slightly different. Please request exact image if int...

In her latest series "IMAGE CITIES," the artist explores the ever-closer integration of photographic images and the built environment. This succession of glossy depictions expresses ...

Naum Gabo was a major constructivist sculptor and highly influential member of the European avant-garde art movement. Gabo signaled a rejection of conventional sculptural modes by em...

Joseph Lorusso was born in Chicago, Illinois, in 1966 and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Ar...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Artist Reproduction plate. Edition 1401A Reihe "Gustav Klimt – Phantastische Meisterwerke" mit einem diagonalen Durchmesser von 22 cm und einer Goldumrandung an. Es handelt sich dab...

Gouache on board, 20 x 24 in. Signed (at lower right): Atherton Painted about 1940 RECORDED: Art News (May 11, 1940), illus. [clipping citation] EXHIBITED: The Art Institute of Chicago, 1940, The International Watercolor Exhibition, no. 156, illus. on cover as Bird in Cage...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have att...

Signed (at lower right): John Ross Key 1882

Gary Hume Bird with Pink Beak 2009 Five-color screenprint on Somerset Satin White paper 17 3/8 x 14 7/8 inches; 44 x 38 cm Edition of 45 Signed, titled, dated, and numbered in graphi...

abstract painting with yellow and green tones

Signed on verso

In Anastasia Samoylova's "Breakfast With" series, photo books are splayed open and the iconic images therein mingle with the first meal of the day, reading as affectionate homages to...

Rosenthal