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Art Dealers Association of America

Art Dealers Association of America (ADAA)
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.
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Sunset Grip
By Louisa Chase
Located in New York, NY
Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...
Category

20th Century American Modern Art Dealers Association of America

Materials

Canvas, Wax, Oil

Untitled (A)
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...
Category

Early 2000s Abstract Art Dealers Association of America

Materials

Color, Aquatint

New Year's Eve
By Alex Katz
Located in New York, NY
Catalogue raisonné 00594 edition 16/43 Published by Simmelink-Sukimoto Editions Although best known for his portraits, Katz has depicted landscapes both inside the studio and out o...
Category

1990s Contemporary Art Dealers Association of America

Materials

Aquatint

Magnolia Branch and Asian Pears
By Amy Weiskopf
Located in New York, NY
Amy Weiskopf was born in Chicago in 1957, and received her M.F.A. from the Tyler School of Art, Temple University, PA. Though Weiskopf is a master of the still life genre, her painti...
Category

1990s Contemporary Art Dealers Association of America

Materials

Linen, Oil

Self-Portrait (Lion Birth)
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category

2010s Abstract Art Dealers Association of America

Materials

Canvas, Oil

Eastern Sierras
By Ian Ruhter
Located in New York, NY
Listing includes free shipping for unframed prints and 14-day return policy. Ian Ruhter Eastern Sierras 30 x 40 inch archival pigment print Edition of...
Category

2010s Art Dealers Association of America

Materials

Photographic Paper

Joan Didion, 1968
By Julian Wasser
Located in New York, NY
Joan Didion photographed by Julian Wasser for TIME magazine in 1968. This is a 20 x 24 inch platinum print made in 2022 at Weldon Labs in Los An...
Category

1960s Art Dealers Association of America

Materials

Platinum

September
By Randall Exon
Located in New York, NY
Oil on panel
Category

2010s Contemporary Art Dealers Association of America

Materials

Oil, Panel

Tiger Breath, Seesh Mahal, Amer Fort, 2020
By Karen Knorr
Located in New York, NY
Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and a 14 day return policy. Also available for local pick up at our New York City galler...
Category

2010s Art Dealers Association of America

Materials

Photographic Paper, Color, Archival Pigment

North Shore Aquatics Club
By Neal Slavin
Located in New York, NY
Neal Slavin began photographing group portraits of organizations of people in the early 1970s, and it became a career-long passion. Synchronized swimmers are no doubt among one of th...
Category

1980s Art Dealers Association of America

Materials

Archival Pigment

Time Together with Time to Spare
Located in Houston, TX
David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...
Category

21st Century and Contemporary Art Dealers Association of America

Materials

Canvas, Oil

Excavation
By Charles Houghton Howard
Located in New York, NY
Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux Arts in Paris, and apprenticed in Boston with H. H. Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals and reliefs at the Coit Tower and in buildings on the Berkeley campus. Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major, and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39, no. 2 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist. Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time. In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...
Category

20th Century American Modern Art Dealers Association of America

Materials

Canvas, Oil

Portraits: Alba
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...
Category

Early 2000s Contemporary Art Dealers Association of America

Materials

Etching

Spill (The Fall)
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category

2010s Abstract Art Dealers Association of America

Materials

Canvas, Oil

Like Ice in the Clouds (Japan) No. 71
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print, edition 8. Signed, titled, dated and editioned on frame label provided. In this latest body of work, Simone Rosenbauer continues her series "Like Ic...
Category

2010s Contemporary Art Dealers Association of America

Materials

Archival Pigment

Brookside
Located in New York, NY
Signed (at lower right): C A Walker
Category

Late 19th Century American Realist Art Dealers Association of America

Materials

Monotype

Still Life with Figs on Cloth
By David Ligare
Located in New York, NY
SAPERE AUDE. Dare to be wise. Immanuel Kant’s directive is embodied in the work of David Ligare. For thirty-five years, Ligare has dedicated his work to ...
Category

2010s Contemporary Art Dealers Association of America

Materials

Canvas, Oil

Insomnia's Green Ledge
By Terrell James
Located in Houston, TX
Terrell James Insomnia's Green Ledge, 2022 Oil on canvas 66 x 66 in (167.6 x 167.6 cm)
Category

21st Century and Contemporary Abstract Art Dealers Association of America

Materials

Canvas, Oil

Human and Animal Locomotion. Plate 631.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 631. Gallop; saddle; thoroughbred bay horse Bouquet 14 x 20 inch original vintage collotype print from 1887 Image size 7 x 16 inches Muybridge copy...
Category

1880s Art Dealers Association of America

Materials

Photographic Paper

Bark Framed #2
By Maria Elena González
Located in New York, NY
Cuban-born artist María Elena González is an internationally recognized sculptor based in Brooklyn, NY, and San Francisco, CA. González interweaves the conceptual with a strong dedic...
Category

2010s Contemporary Art Dealers Association of America

Materials

Driftwood, Ink, Cardboard

Atami City, Shizuoka Prefecture
By Yoko Ikeda
Located in New York, NY
20 x 24 inch type-c print Edition 10. Signed on verso. Throughout her career, photographer Yoko Ikeda has been finding poetry in the prosaic, and mystery in the mundane. Her photog...
Category

2010s Contemporary Art Dealers Association of America

Materials

C Print

Duck and Dolphin
By Francesca Fuchs
Located in Houston, TX
Francesca Fuchs Duck and Dolphin, 2018 acrylic on canvas over board 30 x 41 1/2 in (76.2 x 105.4 cm) This work is part of a series currently on view...
Category

21st Century and Contemporary Contemporary Art Dealers Association of America

Materials

Canvas, Acrylic, Board

Stars Splinter, Pointed and Wild
By Angela Fraleigh
Located in New York, NY
Unsigned
Category

2010s Contemporary Art Dealers Association of America

Materials

Linen, Oil

Human and Animal Locomotion. Plate 733.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 733. Elephant; walking. 14 x 20 inch original vintage collotype print from 1887 (image size 8.125 x 14.875 inches) Inventor, photographer, entrepr...
Category

1880s Art Dealers Association of America

Materials

Photographic Paper

Afternoon
By Jim Richard
Located in Houston, TX
Jim Richard Afternoon, 2017 Flashe on canvas 41 1/2 x 56 in (105.4 x 142.2 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his fourth...
Category

21st Century and Contemporary Contemporary Art Dealers Association of America

Materials

Canvas, Acrylic

Grapes
By Yozo Hamaguchi
Located in Dallas, TX
épreuve d'artiste 2/5
Category

1950s Art Dealers Association of America

Materials

Mezzotint

The Canary
By Donald S. Vogel
Located in Dallas, TX
The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...
Category

20th Century American Impressionist Art Dealers Association of America

Materials

Oil, Panel

That Yard
By Jim Richard
Located in Houston, TX
Jim Richard That Yard, 2017 Flashe on canvas 42 x 56 in (106.7 x 142.2 cm) This work is on view as part of the exhibition "I Know a Place", through July 7, 2018 For his fourth sol...
Category

21st Century and Contemporary Contemporary Art Dealers Association of America

Materials

Canvas, Acrylic

"Field of Order"
By Gary Ernest Smith
Located in Scottsdale, AZ
Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years th...
Category

2010s Art Dealers Association of America

Materials

Linen, Oil

Red-browed Parrot
By Elizabeth Turk
Located in New York, NY
Anodized aluminum (green)
Category

2010s Contemporary Art Dealers Association of America

Materials

Metal

Human and Animal Locomotion. Plate 646.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 646. Jumping a hurdle; saddle; rider, 105, nude; gray mare Pandora 14 x 20 inch original vintage collotype print from 1887 Image size 6 1/2 x 17 in...
Category

1880s Art Dealers Association of America

Materials

Photographic Paper

Clearing
By John Moore
Located in New York, NY
John Moore was born in St. Louis, MO in 1941. He received a BFA from Washington University in St. Louis (1966) and an MFA from Yale University (1968). Over a career spanning forty ye...
Category

2010s Contemporary Art Dealers Association of America

Materials

Canvas, Oil

Like Ice in the Clouds (Japan) No. 117
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print, framed, edition 8. Signed, titled, dated and editioned on frame label provided. In this latest body of work, Simone Rosenbauer continues her series "...
Category

2010s Contemporary Art Dealers Association of America

Materials

Archival Pigment

Brigitte Bardot Prepares to Meet the Press, London
By Larry Burrows
Located in New York, NY
Image size is 15 x 19.5 inches. Printed in 1999. Larry Burrows Collection and copyright stamps on verso. Larry Burrows career as a LIFE Magazine photographer culminated in his renow...
Category

1950s Art Dealers Association of America

Materials

Silver Gelatin

Full Moon over Jack's Pasture
By Randall Exon
Located in New York, NY
Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. I...
Category

2010s Contemporary Art Dealers Association of America

Materials

Linen, Oil

Iceland (55530)
By Luca Campigotto
Located in New York, NY
Edition of 15 (includes all sizes). Signed, titled, dated and editioned on frame label provided. Final shipping costs will depend on the size of the print ordered, and whether it is purchase framed or unframed. Luca Campigotto's photographic expeditions have taken him to disparate and exotic locations around the world – Japan, India, Thailand, Chiba, Cambodia in the Far East; many European and North American cities; as well as Cairo, Lapland, Argentina, Iceland, and Easter Island. Campigotto’s works are held in private and public collections worldwide, including Maison Européenne de la Photographie (Paris), Museo Nazionale delle Arti del XXI Secolo (Rome), Museo Fortuny...
Category

2010s Contemporary Art Dealers Association of America

Materials

Archival Pigment

Pink sky from airplane
By Nan Goldin
Located in New York, NY
Nan Goldin Pink sky from airplane 2000 Cibachrome 30 x 40 inches; 76 x 102 cm Edition of 15 Signed, titled, dated, and numbered in ink (verso) Available f...
Category

Early 2000s Contemporary Art Dealers Association of America

Materials

Photographic Film, C Print

Woman on a Bed
By Lucian Freud
Located in New York, NY
Lucian Freud Woman on a Bed 1991-92 Etching on Somerset Satin White paper 17 1/2 x 15 1/2 inches; 44 x 39 cm Edition of 30 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...
Category

1990s Contemporary Art Dealers Association of America

Materials

Etching

Japanese Children with Tortoise
By Harry Humphrey Moore
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...
Category

Late 19th Century Art Dealers Association of America

Materials

Oil, Wood Panel

The Chesapeake
By Randall Exon
Located in New York, NY
Oil on Canvas
Category

2010s Contemporary Art Dealers Association of America

Materials

Canvas, Oil

Human and Animal Locomotion. Plate 319.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 319. Heaving 75-lb. rock. 14 x 20 inch original vintage collotype print from 1887 (image size 5.25 x 15.125 inches) Inventor, photographer, entre...
Category

1880s Art Dealers Association of America

Materials

Photographic Paper

South Island Wren (Suspended)
By Elizabeth Turk
Located in New York, NY
Mahogany
Category

2010s Contemporary Art Dealers Association of America

Materials

Wood

Saint-Malo, Brittany
By William Stanley Haseltine
Located in New York, NY
The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...
Category

19th Century American Realist Art Dealers Association of America

Materials

Canvas, Oil

JFK, London
By Larry Burrows
Located in New York, NY
Larry Burrows Collection and copyright stamps on verso. Printed 2004
Category

1960s Other Art Style Art Dealers Association of America

Materials

Silver Gelatin

The Return of the Hunter, Chandra Mahal, Jaipur, 2012
By Karen Knorr
Located in New York, NY
Listing includes framing with UV Plexi ($1,250 value), free shipping to the continental US and a 14-day return policy. Offering local pick up from our Los Angeles location. This is one of the last remaining editions from one of the most popular images from Karen Knorr's acclaimed "India Song" series. The Return of the Hunter, Chandra Mahal, Jaipur, 2010 31.5 x 39.5 inches, 34 x 42 x 2 inches framed Archival pigment print Edition 1 of 5 Karen Knorr Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...
Category

2010s Art Dealers Association of America

Materials

Photographic Paper, Color, Archival Pigment

Seven Cypress Trees, Mill Pond, Caddo Lake, Texas
By David H. Gibson
Located in Dallas, TX
"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...
Category

20th Century Contemporary Art Dealers Association of America

Materials

Silver Gelatin

Monument Valley (How The West Was Won)
By Ian Ruhter
Located in New York, NY
Listing includes free shipping for unframed prints in the U.S. and 14-day return policy. Ian Ruhter Monument Valley (How The West Was Won) 30 x 40 inch archival pigment print Editi...
Category

2010s Art Dealers Association of America

Materials

Photographic Paper, Archival Pigment

Last Quarter II
By David A. Dreyer
Located in Dallas, TX
David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...
Category

21st Century and Contemporary Abstract Art Dealers Association of America

Materials

Canvas, Graphite, Oil

Autumn Roses
By Stone Roberts
Located in New York, NY
Stone’s luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three di...
Category

Early 2000s Contemporary Art Dealers Association of America

Materials

Linen, Oil

Hatton Garden Snooker Club, London, UK
By Neal Slavin
Located in New York, NY
24 x 19.25 inch digital chromogenic print Edition 15 + 3 AP Signed, titled, dated and editioned on frame label provided Neal Slavin, a native New Yorker, began photographing gro...
Category

1980s Contemporary Art Dealers Association of America

Materials

Digital

His Only Pet
Located in New York, NY
Charles Caleb Ward was born in St. John, New Brunswick, Canada, the grandson of a New York Ward who had left for New Brunswick around the time of th...
Category

Late 19th Century American Realist Art Dealers Association of America

Materials

Oil, Board

Pleasant Work (Greenhouse)
By Donald S. Vogel
Located in Dallas, TX
The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...
Category

Late 20th Century American Impressionist Art Dealers Association of America

Materials

Oil, Panel

Jerry Hall
By Antonio Lopez
Located in New York, NY
Framing Included in Listing Price, Free Shipping for the US, 14-Day Return Policy. Two 4.5 x 3.25 inch unique vintage Kodak prints of Jerry Hall by Antonio...
Category

1970s Art Dealers Association of America

Materials

Photographic Paper

LANDSCAPE
By John Alexander
Located in New York, NY
Fall landscape of field of wheat or long grass. yellow, beige and brown colors. American
Category

Late 20th Century American Realist Art Dealers Association of America

Materials

Oil, Canvas

Loguivy, Paysage de Bretagne
By Lucien Ott
Located in Dallas, TX
Ott was part of a generation of painters at the end of the 19th century for whom drawing was the greatest mode of expression. This watercolor was painted at Loguivy in Bretagne where...
Category

Late 19th Century Art Dealers Association of America

Table by the Window
By Edmund Quincy
Located in New York, NY
Estate stamp (on back, on original stretcher): Estate of/ Edmund Quincy/ 1903-1997 ///
Category

20th Century American Realist Art Dealers Association of America

Materials

Canvas, Oil

Like Ice in the Sunshine No. 09
By Simone Rosenbauer
Located in New York, NY
Archival pigment print, edition 3. Signed, titled, dated and editioned on frame label provided. In this new series by Simone Rosenbauer, entitled Like Ice in the Sunshine...
Category

21st Century and Contemporary Contemporary Art Dealers Association of America

Materials

Archival Pigment

Peek-a-Boo
By Seymour Joseph Guy
Located in New York, NY
In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...
Category

19th Century American Realist Art Dealers Association of America

Materials

Canvas, Oil

Self-Portrait as Throne
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category

2010s Abstract Art Dealers Association of America

Materials

Canvas, Oil

"Morning Rush"
By Joseph Lorusso
Located in Scottsdale, AZ
Joseph Lorusso was born in Chicago, Illinois, in 1966, and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City A...
Category

2010s Art Dealers Association of America

Materials

Oil, Wood Panel

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