Art Dealers Association of America
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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Blow Up, Untitled 17
By Ori Gersht
Located in New York, NY
From the series Blow Up
Category
2010s Art Dealers Association of America
Materials
Archival Pigment
Tina Chow
By Antonio Lopez
Located in New York, NY
Listing includes framing with UV plexi, free shipping to the continental US and a 14-day return policy.
One 4.5 x 3.25 inch unique vintage Kodak print of Tina Chow (1975). Prints ar...
Category
1970s Art Dealers Association of America
Materials
Photographic Film, Polaroid
Cascade Lake
By Ian Ruhter
Located in New York, NY
Listing includes free shipping for unframed prints and 14-day return policy.
Ian Ruhter
Cascade Lake
30 x 40 inch archival pigment print
Edition of 30
*Please note that most order...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper
Red-browed Parrot
By Elizabeth Turk
Located in New York, NY
Anodized aluminum (green)
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
Cerro Castellan from Costolon
By Bob Stuth-Wade
Located in Dallas, TX
The overall dimensions including the frame are 13 3/8 x 17 3/8 inches.
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...
Category
21st Century and Contemporary American Realist Art Dealers Association of America
Materials
Oil, Panel
Untitled
By Charles Houghton Howard
Located in New York, NY
Charles Houghton Howard was born in Montclair, New Jersey, the third of five children in a cultured and educated family with roots going back to the Massachusetts Bay colony. His father, John Galen Howard, was an architect who had trained at M.I.T. and the École des Beaux-Arts in Paris and apprenticed in Boston with Henry Hobson Richardson. In New York, the elder Howard worked for McKim, Mead and White before establishing a successful private practice. Mary Robertson Bradbury Howard, Charles’s mother, had studied art before her marriage. John Galen Howard moved his household to California in 1902 to assume the position of supervising architect of the new University of California campus at Berkeley and to serve as Professor of Architecture and the first Dean of the School of Architecture (established in 1903). The four Howard boys grew up to be artists and all married artists, leaving a combined family legacy of art making in the San Francisco Bay area that endures to this day, most notably in design, murals, and reliefs at the Coit Tower and in buildings on the Berkeley campus.
Charles Howard graduated from the University of California at Berkeley in 1921 as a journalism major and pursued graduate studies in English at Harvard and Columbia Universities before embarking on a two-year trip to Europe. Howard went to Europe as a would-be writer. But a near-religious experience, seeing a picture by Giorgione in a remote town outside of Venice, proved a life-altering epiphany. In his own words, “I cut the tour at once and hurried immediately back to Paris, to begin painting. I have been painting whenever I could ever since” (Charles Howard, “What Concerns Me,” Magazine of Art 39 [February 1946], p. 63). Giorgione’s achievement, in utilizing a structured and rational visual language of art to convey high emotion on canvas, instantly convinced Howard that painting, and not literature, offered the best vehicle to express what he wanted to say. Howard returned to the United States in 1925, confirmed in his intent to become an artist.
Howard settled in New York and supported himself as a painter in the decorating workshop of Louis Bouché and Rudolph Guertler, where he specialized in mural painting. Devoting spare time to his own work, he lived in Greenwich Village and immersed himself in the downtown avant-garde cultural milieu. The late 1920s and early 1930s were the years of Howard’s art apprenticeship. He never pursued formal art instruction, but his keen eye, depth of feeling, and intense commitment to the process of art making, allowed him to assimilate elements of painting intuitively from the wide variety of art that interested him. He found inspiration in the modernist movements of the day, both for their adherence to abstract formal qualities and for the cosmopolitan, international nature of the movements themselves. Influenced deeply by Surrealism, Howard was part of a group of American and European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organized and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. Levy remained the preeminent force in advocating for Surrealism in America until he closed his gallery in 1949. Howard’s association with Levy in the early 1930s confirms the artist’s place among the avant-garde community in New York at that time.
In 1933, Howard left New York for London. It is likely that among the factors that led to the move were Howard’s desire to be a part of an international art community, as well as his marriage to English artist, Madge Knight...
Category
20th Century American Modern Art Dealers Association of America
Materials
Paper, Gouache, Graphite
The Family
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1980s Modern Art Dealers Association of America
Materials
Canvas, Oil
Like Ice in the Clouds (Japan) No. 117
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print, framed, edition 8.
Signed, titled, dated and editioned on frame label provided.
In this latest body of work, Simone Rosenbauer continues her series "...
Category
2010s Contemporary Art Dealers Association of America
Materials
Archival Pigment
Gulf Stream Overlay, The Delta
By David A. Dreyer
Located in Dallas, TX
In his essay about David A. Dreyer's work, Philip Van Keuren writes:
"He distills infinite visual and sensory stimuli he encountered while working in the field into the relatively...
Category
21st Century and Contemporary Abstract Art Dealers Association of America
Materials
Oil, Wood Panel
Nu au Tub
By Claude Venard
Located in Dallas, TX
Signed "C. VENARD" at lower right
Overall dimensions, including the frame, are 33 3/4 x 18 1/4 inches
Category
Mid-20th Century Modern Art Dealers Association of America
Materials
Canvas, Oil
JFK, London
By Larry Burrows
Located in New York, NY
Larry Burrows Collection and copyright stamps on verso.
Printed 2004
Category
1960s Other Art Style Art Dealers Association of America
Materials
Silver Gelatin
Sparrow
By Beth Secor
Located in Houston, TX
Beth Secor
Sparrow, 2016
gouache, pencil and ink on paper
24-3/4 x 24-3/4 inches
Category
2010s Realist Art Dealers Association of America
Materials
Gouache, Pencil
$6,000
Still Life with Box
By David Ligare
Located in New York, NY
Signed (at lower right): L; (on verso): David Ligare
Category
2010s Contemporary Art Dealers Association of America
Materials
Canvas, Oil
Untitled
By Francis Chapin
Located in Dallas, TX
Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...
Category
1930s American Modern Art Dealers Association of America
Materials
Paper, Watercolor
Table by the Window
By Edmund Quincy
Located in New York, NY
Estate stamp (on back, on original stretcher): Estate of/ Edmund Quincy/ 1903-1997 ///
Category
20th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Figured Base
By William Wegman
Located in New York, NY
2015, pigment print, mounted: 30 x 24 inches, edition of 7
Edition of 7
"Figured Base" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is rep...
Category
21st Century and Contemporary Art Dealers Association of America
Materials
Archival Pigment
Untitled I
By Thomas Nozkowski
Located in New York, NY
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...
Category
2010s Abstract Art Dealers Association of America
Materials
Color, Linocut, Woodcut
Smith College
By Alfred Eisenstaedt 1
Located in New York, NY
This vintage gelatin silver print is signed, titled, and dated by the artist on verso, with artist stamp.
Category
1930s Art Dealers Association of America
Materials
Silver Gelatin
The Flowers of the Street of Spirits
By Gail Norfleet
Located in Dallas, TX
Artist Statement:
How many ways can I depict a flower?
I can draw it, paint it, and photograph it. Then I can manipulate those images on a printer. I can enlarge it. Make it smaller. Make the negative. Make the positive. Change the color.
My mornings in Santa Fe start with a walk around the garden to see what has bloomed overnight. Two summers ago, I rented an adobe guest house that is surrounded by Hollyhocks, Roses, Poppies, and Yellow Thistles. The flowers have crept into my vision.
The first summer, I painted the flowers using oil on canvas. The second summer I became more experimental, combining drawing, photography, and painting. Mixing the media all in one artwork, I abandoned canvas for transparent Lucite panels. The new works are essentially mixed media collage applied to Lucite. Working on front and back, layered to see through to the next. Creating a real space with real shadows but in an ambiguous world.
The flowers are dense but there is an identity and clear shape of each. These works are labor intensive, requiring precise cutting of the paper and careful application.
In "The Flowers of the Street of Spirits," black Hollyhocks stand tall with turquoise Firewheels and magenta Coneflowers. Real and unreal. Cut paper and paint come together in a surreal garden...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Acrylic, Lucite, Paper
Street Scene: "King George Dies"
By Thomas Fransioli
Located in New York, NY
Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard.
Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty.
Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.”
This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them.
Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists.
During the 1950s, Fransioli was represented by the progressive Margaret Brown...
Category
20th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Chestnut Racehorse with a Jockey Up On a Training Strap
By Henry H. Cross
Located in New York, NY
It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world.
Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...
Category
19th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Celadon Muse
By Brice Marden
Located in New York, NY
Brice Marden
Celadon Muse
2003
Two color etching / one color lithograph
22 x 30 inches; 56 x 76 cm
Edition of 45
Signed, dated, and numbered in graphite (lower recto)
Frame available...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Etching, Lithograph
Reeds and Water
By Malou Flato
Located in Dallas, TX
Over the past forty years, Malou Flato’s paintings have focused on the Texas landscape—its native flowers, blooming cactus, diverse citizenry, and especially its precious water and abundant sky. Flato has a studio in Austin and another on her great-grandfather’s ranch on the southwestern shoulder of the Hill Country, in Edwards County. “Texas is my inspiration,” she says. “I have made my life here, and I would like to think that my art reflects the place I know best.”
Malou Flato’s works can be seen in many public places in Texas and beyond. They enliven a border crossing...
Category
2010s Contemporary Art Dealers Association of America
Materials
Canvas, Paper, Acrylic
Spill (The Fall)
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Abstract Art Dealers Association of America
Materials
Canvas, Oil
Untitled
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
1990s Abstract Art Dealers Association of America
Materials
Woodcut
Distant Voices
By John Moore
Located in New York, NY
John Moore was born in St. Louis, MO in 1941. He received a BFA from Washington University in St. Louis (1966) and an MFA from Yale University (1968). Over a career spanning forty ye...
Category
2010s Contemporary Art Dealers Association of America
Materials
Canvas, Oil
Self-Portrait (Lion Birth)
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Abstract Art Dealers Association of America
Materials
Canvas, Oil
Full Moon over Jack's Pasture
By Randall Exon
Located in New York, NY
Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. I...
Category
2010s Contemporary Art Dealers Association of America
Materials
Linen, Oil
Untitled (A)
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...
Category
Early 2000s Abstract Art Dealers Association of America
Materials
Color, Aquatint
Church Gate Station, Western Railroad Line, Bombay, India
By Sebastião Salgado
Located in Santa Monica, CA
Signed in pencil on verso
Category
1990s Art Dealers Association of America
Materials
Silver Gelatin
In the Garden of the Hummingbirds, No. XIX
By Michael Tracy
Located in Houston, TX
Michael Tracy
In the Garden of the Hummingbirds, No XIX, 1992
22 1/2 x 30 in (57.2 x 76.2 cm), unframed
25 1/2 x 33 1/2 in (64.8 x 85.1 cm), framed
JPHB 5649
Category
Late 20th Century Abstract Art Dealers Association of America
Materials
Paper, Oil Pastel, Watercolor, Gouache
Human and Animal Locomotion. Plate 733.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 733.
Elephant; walking.
14 x 20 inch original vintage collotype print from 1887 (image size 8.125 x 14.875 inches)
Inventor, photographer, entrepr...
Category
1880s Art Dealers Association of America
Materials
Photographic Paper
n Memory of the Great Fire at Chicago (Cartoon for the Mural Lunette in the Chic
Located in New York, NY
On October 8, 1871, one of the greatest fires of modern times broke out in Chicago. Engulfing the entire city within hours, it left over 90,000 people homeless and destroyed thousands of buildings, causing many people to flee into the water to escape the flames. Among the property destroyed were the proudest cultural and civic institutions of the city. While the financial center was rebuilt within a year and trade was greater in 1872 than it had been in 1870, it took over a decade for the city’s cultural resources to recover from the disaster. Many of the city’s best artists did not even return to Chicago for several years. Foreign aid poured in from around the world, with half coming from England alone. It is not surprising therefore, that in 1872 it was an English artist that should have designed the mural for City Hall commemorating the Great Fire...
Category
Late 19th Century Realist Art Dealers Association of America
Materials
Paper, Charcoal
Francesca Woodman, Providence, RI
By George Lange
Located in New York, NY
Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange.
14 x 11" archival pigment print
21 x 17 x 2" frame with UV plexgias
Edition 2 of 10, signed and e...
Category
1970s Art Dealers Association of America
Materials
Archival Pigment, Digital Pigment
Tracking Over
By Allison Gildersleeve
Located in Dallas, TX
In her work, Allison Gildersleeve addresses the theme of memory, exploring the phenomenon of past and present becoming collapsed or entwined by the emotional experience.
Gildersle...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Oil, Wood Panel
Clam Digger
By Otis Huband
Located in Dallas, TX
This painting is included in the exhibition "Otis Huband: Recent Work," June 7 - July 19, 2014.
Valley House Gallery is honored to present our first exhibition for Houston artist ...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Marina Grande, Capri
By Charles Temple Dix
Located in New York, NY
Charles Temple Dix was born in Albany, New York, the youngest son of the distinguished statesman and soldier, General John Adams Dix. Having already visited Europe as a child, Dix re...
Category
19th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Earth Tie (Stoned Moon Series)
By Robert Rauschenberg
Located in Houston, TX
Robert Rauschenberg
Earth Tie (Stoned Moon Series), 1969
Color lithograph
48 x 34 inches
Edition of 48
Category
Mid-20th Century Art Dealers Association of America
Materials
Lithograph
Bushman, Botswana [man with bird]
By Sebastião Salgado
Located in Santa Monica, CA
signed, titled and dated by artist in pencil on verso
Category
21st Century and Contemporary Art Dealers Association of America
Materials
Silver Gelatin
![Bushman, Botswana [man with bird]](https://a.1stdibscdn.com/archivesE/art/upload/14/1547/salgado_busmanwbird08_72.jpg?width=240 "Sebastião Salgado - Bushman, Botswana [man with bird]")
Untitled (Hotel Bel-Air)
By Ed Templeton
Located in New York, NY
Ed Templeton grew up and lives in Huntington Beach. While Templeton originally gained fame as a professional skateboarder, he is now recognized as a semin...
Category
2010s Contemporary Art Dealers Association of America
Materials
Acrylic
Figure in a Landscape
By David Johnson
Located in New York, NY
Signed (at lower right): DJ [monogram]; (on back): David Johnson 1865
Category
Mid-19th Century American Realist Art Dealers Association of America
Materials
Oil, Board
After Constable's "Elm"
By Lucian Freud
Located in New York, NY
Lucian Freud
After Constable's "Elm"
2003
Etching on Somerset Textured White paper
18 7/8 x 15 inches; 48 x 38 cm
Edition of 46
Initialed and numbered in graphite (lower recto)
Frame available upon request
Published by Matthew Marks Gallery...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Etching
Feast of Lights
By David FeBland
Located in Dallas, TX
Category
Art Dealers Association of America
Materials
Oil, Canvas
Portraits: Alba
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Etching
Absence No. 12
By Denis Darzacq
Located in New York, NY
In his "Absence" series, Denis Darzacq’s mines his own work for raw material. By cutting and tearing recent photographic prints of his own work, he generated a wealth of formal mater...
Category
2010s Contemporary Art Dealers Association of America
Materials
Digital Pigment
The Winds of Change, Villa Farnese, Caprarola, 2014
By Karen Knorr
Located in New York, NY
Listing includes free shipping, and a 14-day return policy.
24 x 30 inch archival pigment print
Edition 4 of 5
Signed on artist certificate
Also available in 3 other sizes.
Arti...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Color
Lana 2
By Brice Marden
Located in New York, NY
Brice Marden
Lana 2
1966
Screenprint on paper
20 x 24 inches; 51 x 61 cm
Edition of 11
Signed, titled, and numbered in graphite (lower recto)
This silkscreen was printed by Brice...
Category
1960s Minimalist Art Dealers Association of America
Materials
Screen
$12,000
Coalesced Series Number Four
By Mike Cunningham
Located in Dallas, TX
This sculpture is edition 2/20
Category
2010s Abstract Art Dealers Association of America
Materials
Bronze
Prop
By Randall Exon
Located in New York, NY
Oil on canvas
Category
2010s Contemporary Art Dealers Association of America
Materials
Oil, Canvas
$20,000
LANDSCAPE
By John Alexander
Located in New York, NY
Fall landscape of field of wheat or long grass.
yellow, beige and brown colors.
American
Category
Late 20th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
$18,000
"Superstition Mountains"
By Claudia Hartley
Located in Scottsdale, AZ
"The comment I hear most often about my paintings is 'happy'". I've loved art all of my life and it warms my heart to know that I'm able to pass that love and joy on to others. I use...
Category
2010s Art Dealers Association of America
Materials
Canvas, Acrylic
Seven Cypress Trees, Mill Pond, Caddo Lake, Texas
By David H. Gibson
Located in Dallas, TX
"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson
David H. Gibso...
Category
20th Century Contemporary Art Dealers Association of America
Materials
Silver Gelatin
American Dad
By Sedrick Huckaby
Located in Dallas, TX
This is a three-color photo lithograph
Edition of 30
Printed by P.R.I.N.T. (The Print Research Institute of North Texas) at the University of North Texas, Denton, Texas
Sign...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Lithograph
West 28th Street (from the series A Story of the New York Subway)
By Kazuo Sumida
Located in New York, NY
14 x 11 inch gelatin silver print.
Edition 15. Signed on verso.
Kazuo Sumida first visited New York in 1995. He found the city to be one of “both bustle and silence,” particularly the underground world of the subway, where he encountered “a place full of characters.” By 2002, he had produced a large body of work of images taken in this subterranean metropolis – tender scenes of lovers and children; gritty portraits of beggars for whom the subway is home; artists, musicians, commuters, and others who pass through the tunnels on their daily journeys. The resulting monograph, A Story of the New York Subway, was published in 2002, and this image appeared on the cover.
Sumida was born in 1952 in Kochi Prefecture in southern Japan. Although photography was not his formal career, Sumida has pursued the art throughout his life. He graduated from Osaka Photography Graduate School in 1983, and also studied at the International Center of Photography in New York, on a fellowship from the Japanese Agency for Cultural Affairs. He lives in Japan, and continues to visit New York frequently.
His work has been shown at the Tokyo Ginza Kodak Photo...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Silver Gelatin
Vine and Tree, Village Creek, Texas
By David H. Gibson
Located in Dallas, TX
"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson
David H. Gibso...
Category
20th Century Contemporary Art Dealers Association of America
Materials
Silver Gelatin
Inocencio X (I)
By Miguel Zapata
Located in Dallas, TX
This print is a hybrid relief, with embossing and chine collée on heavy paper. It is edition 14/20, it is signed "Miguel Zapata 88" and the paper size is 32 1/2 x 24 inches. The pric...
Category
1980s Contemporary Art Dealers Association of America
Epic Western No. 38
By Jim Krantz
Located in New York, NY
Listing includes free shipping for unframed prints in the continental U.S. and a 14 day return policy.
Jim Krantz
Epic Western No. 38, 2020
40 x 60 inch chromogenic print
Edition 5 of 7
Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions.
If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Archival Pigment
Long Time No See... Almost 9 Months
Located in New York, NY
Ink, watercolor, colored marker on paper
Category
2010s Art Dealers Association of America
Materials
Paper, Ink, Watercolor, Permanent Marker
Dancing Party, c 1870
Located in Santa Monica, CA
Titled on recto
Vintage hand painted albumen print
Paper 13 x 9 1/2 inches; Image 11 x 8 inches
Category
Late 19th Century Art Dealers Association of America
Materials
Photographic Paper
Contrapposto Series: Remembering
By Deborah Ballard
Located in Dallas, TX
The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...
Category
2010s Contemporary Art Dealers Association of America
Materials
Cast Stone, Bronze
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