Art Dealers Association of America
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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Epic Western No. 4
By Jim Krantz
Located in New York, NY
Edition 5 of 7. Signed on signature label. Produced by Jim Krantz.
Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions.
If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images from Marlboro ads, and in something of an ironic compliment, when Prince had his mid-career retrospective at the Guggenheim Museum not only were Krantz’s re-photographed images included in the exhibit but the image on all the banners flying along 5th Avenue was also one of Krantz’s. All uncredited.
Krantz’s art has been embraced by the worlds of fashion and popular culture with collaborations with Supreme, Adam Kimmel...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Archival Pigment
Joan and Quintana Roo (Frame 27a.)
By Julian Wasser
Located in New York, NY
Listing includes free shipping for unframed prints and a 14 day return policy.
Joan Didion by Julian Wasser
20 x 16 inch gelatin silver print
Edition 3 of 15
Signed on verso by Julian Wasser
*Please inquire for international shipments. Quotes will be provided at cost via FedEx.
Description -
Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz; and a young Jodie Foster are already classics.)
In 1968 TIME Magazine assigned Wasser to go to the home of the young writer Joan Didion whose book Slouching Towards Bethlehem was becoming a literary sensation. “I’d read her fiction,” said Wasser. “and she didn’t miss a thing. She was such a heavyweight person.”
Wasser shot Didion at her rented house on Franklin Avenue in Hollywood, where she lived with her husband, the writer John Gregory Dunne, and their daughter, Quintana Roo. “It was a nice, cozy house,” Wasser remembers. “And she was a very easy person to talk to...
Category
1960s Art Dealers Association of America
Materials
Photographic Paper, Silver Gelatin
"Star Confetti"
By John Schieffer
Located in Scottsdale, AZ
John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...
Category
2010s Contemporary Art Dealers Association of America
Materials
Oil, Wood Panel
"Her Mother's Locket"
By Tim Rees
Located in Scottsdale, AZ
Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...
Category
2010s Contemporary Art Dealers Association of America
Materials
Linen, Oil Pastel, Panel
Untitled
By Fred Sandback
Located in Houston, TX
Fred Sandback
Untitled, 1976
Aquatint
21 1/2 x 25 3/4
ed. 35
Category
20th Century Minimalist Art Dealers Association of America
Materials
Etching
Girl in Decorative Wrap
By Winold Reiss
Located in New York, NY
Winold Reiss (1886-1953), who scholars increasingly recognize as a pivotal figure in early 20th-century American art, is known for his evocative portraits that capture the spirit and...
Category
20th Century American Modern Art Dealers Association of America
Materials
Mixed Media, Board
February
By Mary Vernon
Located in Dallas, TX
"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...
Category
2010s Contemporary Art Dealers Association of America
Materials
Ink, Oil, Panel
Street Scene: "King George Dies"
By Thomas Fransioli
Located in New York, NY
Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard.
Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty.
Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.”
This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them.
Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists.
During the 1950s, Fransioli was represented by the progressive Margaret Brown...
Category
20th Century American Realist Art Dealers Association of America
Materials
Canvas, Oil
Sam Bass Canyon, Set Ranch
By Bob Stuth-Wade
Located in Dallas, TX
The overall dimensions, including the blond wood float frame, are 21 3/8 x 17 5/16 inches.
The painting is oil on canvaspanel.
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...
Category
2010s American Realist Art Dealers Association of America
Materials
Canvas, Oil, Panel
"Dawn Answers"
By Ron Hicks
Located in Scottsdale, AZ
Born in Columbus, Ohio, in 1965, Ron Hicks was an avid artist from an early age. Hicks began his formal studies in art at the Columbus College of Art and Design in Ohio. Hicks contin...
Category
2010s Contemporary Art Dealers Association of America
Materials
Oil, Wood Panel
Untitled
By Allison Gildersleeve
Located in Dallas, TX
"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...
Category
2010s Contemporary Art Dealers Association of America
Materials
Paper, Ink, Acrylic
The Bottom of the River
By Randall Exon
Located in New York, NY
Signed and dated (at lower right): Randall Exon 2012
Category
2010s Contemporary Art Dealers Association of America
Materials
Oil
The Japanese Corner
By Elliott Daingerfield
Located in New York, NY
A child of the American South, Elliott Daingerfield was born in Harper’s Ferry, Virginia, and raised in Fayetteville, North Carolina, where his father, C...
Category
19th Century American Impressionist Art Dealers Association of America
Materials
Canvas, Oil
Bird in Cage
Located in New York, NY
Gouache on board, 20 x 24 in.
Signed (at lower right): Atherton
Painted about 1940
RECORDED: Art News (May 11, 1940), illus. [clipping citation]
EXHIBITED: The Art Institute of Chicago, 1940, The International Watercolor Exhibition, no. 156, illus. on cover as Bird in Cage...
Category
Mid-20th Century American Modern Art Dealers Association of America
Materials
Tempera, Wood Panel
Inocencio X (I)
By Miguel Zapata
Located in Dallas, TX
This print is a hybrid relief, with embossing and chine collée on heavy paper. It is edition 14/20, it is signed "Miguel Zapata 88" and the paper size is 32 1/2 x 24 inches. The pric...
Category
1980s Contemporary Art Dealers Association of America
Aquila Degli Abruzzi, Italy
By Henri Cartier-Bresson
Located in Santa Monica, CA
Signed in ink on recto
Gelatin silver print
Image: 14 x 9 1/2 inches, Paper: 15 7/8 x 12 inches, Mat: 20 x 16
Category
1950s Art Dealers Association of America
Materials
Silver Gelatin
"Magenta Jack"
By John Schieffer
Located in Scottsdale, AZ
John Schieffer graduated in 1995 from Paier College of Art in Hamden, Connecticut with a Bachelor of Fine Arts degree. The salutatorian entered the world of illustration at Mercer Ma...
Category
2010s Contemporary Art Dealers Association of America
Materials
Oil, Wood Panel
Still Life with Rocks
By Mary Vernon
Located in Dallas, TX
"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Oil, Panel
Ampitheater, Havana, Cuba
By David Graham
Located in New York, NY
This image, taken in Cuba during the artist's visit in 1997, was part of a collaboration with author Andrei Codrescu, and resulted in the publication of a 1999 book entitled "Ay Cuba...
Category
1990s Contemporary Art Dealers Association of America
Materials
C Print
Dancing Party, c 1870
Located in Santa Monica, CA
Titled on recto
Vintage hand painted albumen print
Paper 13 x 9 1/2 inches; Image 11 x 8 inches
Category
Late 19th Century Art Dealers Association of America
Materials
Photographic Paper
Epic Western III
By Jim Krantz
Located in New York, NY
Listing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service.
Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery.
Jim Krantz
Epic Western III, 2019
40 x 68 inch chromogenic print
Edition 5 of 5
Signed on signature label.
Artist Biography -
Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions.
If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Archival Pigment
Pink sky from airplane
By Nan Goldin
Located in New York, NY
Nan Goldin
Pink sky from airplane
2000
Cibachrome
30 x 40 inches; 76 x 102 cm
Edition of 15
Signed, titled, dated, and numbered in ink (verso)
Available f...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Photographic Film, C Print
Arkoi
By Matt Magee
Located in Houston, TX
Matt Magee
Arkoi, 2022
Monotype on BFK Rives
26 1/4 x 19 3/4 in (66.7 x 50.2 cm)
JPHB 5644
Category
21st Century and Contemporary Abstract Art Dealers Association of America
Materials
Monotype
$1,400
Wishlist
By Matt Magee
Located in Houston, TX
Matt Magee
Wishlist, 2016
Lithograph
35 1/2 x 29 in (90.2 x 73.7 cm)
Edition of 14
Category
21st Century and Contemporary Abstract Geometric Art Dealers Association of America
Materials
Lithograph
$2,200
Eastern Sierras
By Ian Ruhter
Located in New York, NY
Listing includes free shipping for unframed prints and 14-day return policy.
Ian Ruhter
Eastern Sierras
30 x 40 inch archival pigment print
Edition of...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper
Hong Kong, November 2016
By Luca Campigotto
Located in New York, NY
19.75 x 25 inch Canson pure pigment print, framed to 28.5 x 33.5 inches.
Edition 15. Signed, titled, dated and editioned on label verso.
Luca Campigotto uses big equipment to captur...
Category
2010s Contemporary Art Dealers Association of America
Materials
Pigment
Francesca Woodman, Providence, RI
By George Lange
Located in New York, NY
Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange.
11 x 14" archival pigment print
17 x 21 x 2" frame with UV plexgias
Edition 2 of 10, signed and e...
Category
1970s Art Dealers Association of America
Materials
Archival Pigment, Digital Pigment
Still Life with Box
By David Ligare
Located in New York, NY
Signed (at lower right): L; (on verso): David Ligare
Category
2010s Contemporary Art Dealers Association of America
Materials
Canvas, Oil
The Old Monastery Wall
By William S. Schwartz
Located in New York, NY
Signed (at lower left): WILLIAM S. SCHWARTZ
Category
Early 20th Century American Modern Art Dealers Association of America
Materials
Canvas, Oil
Clouds Came In
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...
Category
2010s Realist Art Dealers Association of America
Materials
Canvas, Oil, Panel
Grand Canyon National Park, National Park Service
By Neal Slavin
Located in New York, NY
24 x 24 inch digital chromogenic print
Edition 15 +3AP
Signed, titled, dated and editioned on frame label provided
Neal Slavin, a native New Yorker, began photographing groups in 1972. He quickly realized that shooting in color yielded greater nuance and detail, placing him among the first generation of photographers, along with William Eggleston and Joel Meyerowitz, to fully embrace color.
Over the past four decades, Slavin has recorded hundreds of groups from the most obscure to the most celebrated, both in the US and abroad: Sabrett Hot Dog vendors, NYC; The Silurian Border Morris Men, Herefordshire; the Mormon Tabernacle Choir, Salt Lake City; Elephant Keepers with Katie and Kumara, Bedfordshire; and the Mahayana Buddhist Service, NYC.
He has published three books: “Portugal” (Lustrum Press, 1971), “When Two or More Are Gathered Together” (Farrar Straus Giroux, 1974); and “Britons” (Aperture, 1986). His prints have been acquired by the Metropolitan Museum of Art, New York; the Centre Pompidou, Paris; the International Center of Photography (ICP), New York; the National Portrait Gallery and the National Museum of American Art, Washington, DC; the National Media Museum, London; and the John Paul Getty...
Category
1970s Contemporary Art Dealers Association of America
Materials
Digital
Hatton Garden Snooker Club, London, UK
By Neal Slavin
Located in New York, NY
24 x 19.25 inch digital chromogenic print
Edition 15 + 3 AP
Signed, titled, dated and editioned on frame label provided
Neal Slavin, a native New Yorker, began photographing gro...
Category
1980s Contemporary Art Dealers Association of America
Materials
Digital
Woman on a Bed
By Lucian Freud
Located in New York, NY
Lucian Freud
Woman on a Bed
1991-92
Etching on Somerset Satin White paper
17 1/2 x 15 1/2 inches; 44 x 39 cm
Edition of 30
Initialed and numbered in graphite (lower recto)
Frame available upon request
Published by Matthew Marks Gallery...
Category
1990s Contemporary Art Dealers Association of America
Materials
Etching
Pinto's Spinetail
By Elizabeth Turk
Located in New York, NY
Anodized aluminum (gold)
Category
2010s Contemporary Art Dealers Association of America
Materials
Metal
Puerta del Hospicio (II)
By Miguel Zapata
Located in Dallas, TX
This print is a hybrid relief, with embossing and chine collée on heavy paper. It is edition 14/20, it is signed "Miguel Zapata 88" and the paper size is 32 3/4 x 24 1/4 inches. Th...
Category
Late 20th Century Modern Art Dealers Association of America
Brookside
Located in New York, NY
Signed (at lower right): C A Walker
Category
Late 19th Century American Realist Art Dealers Association of America
Materials
Monotype
Garden Walk
By Donald S. Vogel
Located in Dallas, TX
Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...
Category
Late 20th Century American Impressionist Art Dealers Association of America
Materials
Oil, Panel
The Outskirts of Guatemala City, [girl with candy apples] Guatemala
By Sebastião Salgado
Located in Santa Monica, CA
Signed, titled & dated in pencil on verso with the photographer's embossed stamp on recto
Gelatin silver print
Image - 12"x17.5", Matted - 20"x24"
Category
1970s Art Dealers Association of America
Materials
Silver Gelatin
![The Outskirts of Guatemala City, [girl with candy apples] Guatemala](https://a.1stdibscdn.com/sebastiao-salgado-photography-the-outskirts-of-guatemala-city-girl-with-candy-apples-guatemala-for-sale/a_14/1749080794361/BC78AEAA_DC0A_4706_BE85_7C22E5FF5979_master.jpg?width=240 "Sebastião Salgado - The Outskirts of Guatemala City, [girl with candy apples] Guatemala")
Absence No. 12
By Denis Darzacq
Located in New York, NY
In his "Absence" series, Denis Darzacq’s mines his own work for raw material. By cutting and tearing recent photographic prints of his own work, he generated a wealth of formal mater...
Category
2010s Contemporary Art Dealers Association of America
Materials
Digital Pigment
Feast of Lights
By David FeBland
Located in Dallas, TX
Category
Art Dealers Association of America
Materials
Oil, Canvas
Audrey Hepburn, Rockefeller Tower, New York
By George Douglas
Located in Santa Monica, CA
This is all about the work of George Douglas, a brilliant photographer of the mid 20th Century. In the 1940s, 50s and 60s he worked for leading magazines of the day, both in Britain...
Category
1950s Art Dealers Association of America
Materials
Silver Gelatin
Grapes
By Yozo Hamaguchi
Located in Dallas, TX
épreuve d'artiste 2/5
Category
1950s Art Dealers Association of America
Materials
Mezzotint
Painters of the Forth Rail Bridge, Firth of Forth, Scotland
By Neal Slavin
Located in New York, NY
24 x 19.25 inch digital chromogenic print
Edition 15 + 3AP
Signed, titled, dated and editioned on frame label provided
Neal Slavin, a native New Yorker, began photographing grou...
Category
1980s Contemporary Art Dealers Association of America
Materials
Digital
Lunch in the Studio
By Gail Norfleet
Located in Dallas, TX
Dallas artist Gail Norfleet is best known for her color monotypes, paintings, collages, and paintings on glass. Norfleet earned her BFA at The University of Texas, Austin, and her MFA at Southern Methodist University. Among others, she has had solo exhibitions in Dallas at The McKinney Avenue Contemporary and the former Delahunty and DW Galleries.
Gail’s studio and the studios where she teaches serve as the settings for her recent body of work titled "The Studio." The studio is a rich visual environment that has inspired artists for centuries. Gail’s studio is strung with brightly colored Mexican papel picado...
Category
21st Century and Contemporary Contemporary Art Dealers Association of America
Materials
Monotype, Paper
Canal
Located in Dallas, TX
Signed "Lifschitz 85" at lower right
The overall dimensions, including the frame, are 26 1/2 x 32 3/8 inches.
Category
1980s Contemporary Art Dealers Association of America
Materials
Pastel
"Nature's Solitude"
By Gary Ernest Smith
Located in Scottsdale, AZ
Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have attracted the attention of collectors from coast to coast. His three year exhibit, “Journey I Search of Lost Images” hung in 22 museums and institutes across the United States. In an exhibit curated by the Brooklyn Museum of Art, his work toured the New Orleans Contemporary Art Center, San Jose Museum of Art, the Palm Springs Desert Museum and many more prestigious art institutions. Although he must strictly limit the number of commissions he accepts, his mural size paintings are highly prized by corporate collectors.
Gary Ernest Smith was born and raised in a relatively isolated farm community 25 miles northeast of Baker City, Oregon. His interests and intensity for painting began at an early age and progressed through college degrees, numerous commissions and awards to a full time pursuit of painting.
The commission work that dominated the early years eventually stifled his creativity. Dissatisfaction with this career direction forced him to reach inward and search beyond popular style and accepted artistic norms to a personal vision.
Following years of artistic training and experimentation, subject matter began to emerge based on the artist’s background of a rural life-style that celebrates the values of hard work and self-reliance. These aspects of Smith’s life came together and became the catalyst for his distinctive style. Living in the west, his work is primarily of that region, but it is not western in the traditional sense.
Although it defies precise classification, the artist considers his style “minimal” and seeks to express the essence and simplicity of each subject. Whatever the focus might be, his work expresses the artistic elements of bold form and color. These two components become the vehicle that melds the style and subject into a symbolic visual language, expanding the artistic appeal beyond the west...
Category
2010s Art Dealers Association of America
Materials
Linen, Oil
Nocturne
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. Valley House began showing his multi-articulated, painted w...
Category
1990s Contemporary Art Dealers Association of America
Materials
Woodcut
Harney County, Oregon
By Robert Adams
Located in New York, NY
Robert Adams
Harney County, Oregon
2005
Set of four photogravures
Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm
Each frame: 29 x 25 inches; 74 x 64 cm
Edition of 30
Each signed, ...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Photogravure
No. 12-1957
By Stanley Twardowicz
Located in New York, NY
Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble upbringing in Detroit to become a po...
Category
Mid-20th Century Abstract Art Dealers Association of America
Materials
Enamel
La poire
By Laurent Schkolnyk
Located in Dallas, TX
This is a three-plate color mezzotint.
The mat dimensions are 20 x 16 inches.
Signed "Schkolnyk" at lower right.
Category
20th Century Art Deco Art Dealers Association of America
Materials
Mezzotint
"Bel Air"
By Gail Morris
Located in Scottsdale, AZ
Landscape painter, Gail Morris, has won many prestigious awards for her paintings and her work can be found in private and corporate collections throughout the United States, Japan, and Europe. Painting since 1999, her work as an artist has taken her on a number of extraordinary adventures around the globe, from the Navajo lands in New Mexico to the Dogon villages of West Africa.
Morris attended Washington University, where she studied art history and eventually graduated from Webster College. However, as an artist, she considers herself to be self-taught. With her artwork, she likes to experiment with deconstruction and making the layers of paint as thin as possible, often times rubbing 60% of the paint off the canvass, or using steel wool and razor blades to distress the paint.
She captures the soothing exuberance of the Western landscape by reducing each experience to its visual and emotional essence. Her serene paintings are influenced by the traditions of early California painting...
Category
2010s Art Dealers Association of America
Materials
Canvas, Oil
$12,500
Like Ice in the Sunshine No. 08
By Simone Rosenbauer
Located in New York, NY
Archival pigment print. Framing available at additional cost.
Signed, titled, dated and editioned on label verso.
In the latest series by Simone Rosenbauer, entitled Like Ice in the Sunshine...
Category
2010s Contemporary Art Dealers Association of America
Materials
Archival Pigment
Epic Western No. 35
By Jim Krantz
Located in New York, NY
Free shipping for the continental U.S. and a 14-day return policy.
Jim Krantz
Epic Western No. 35
40 x 68 inch chromogenic print
Edition 2 of 5
Signed on adhesive signature label
Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions.
If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Archival Pigment
Epic Western No. 37
By Jim Krantz
Located in New York, NY
Epic Western No. 37 by Jim Krantz. Price includes framing with U.V. lamination in a raw walnut frame ($1,500 cost).
40 x 60 inch chromogenic print
Edition 2 of 7
Signed on signature label
Artist Biography
Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions.
If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images from Marlboro ads, and in something of an ironic compliment, when Prince had his mid-career retrospective at the Guggenheim Museum not only were Krantz’s re-photographed images included in the exhibit but the image on all the banners flying along 5th Avenue was also one of Krantz’s. All uncredited.
Krantz’s art has been embraced by the worlds of fashion and popular culture with collaborations with Supreme, Adam Kimmel...
Category
2010s Art Dealers Association of America
Materials
Photographic Paper, Archival Pigment
Tooth Ache
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1980s Surrealist Art Dealers Association of America
Materials
Canvas, Oil
Untitled #5
By Thomas Nozkowski
Located in New York, NY
2012, 4-plate aquatint with 22 colors, 21 7/8 x 29 3/8 inches, edition of 25
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a si...
Category
21st Century and Contemporary Art Dealers Association of America
Materials
Aquatint
Human and Animal Locomotion. Plate 576.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 576.
Walking; free; light-gray horse Eagle.
14 x 20 inch original vintage collotype print from 1887
Image size 6 3/4 x 16 7/8 inches
Muybridge cop...
Category
1880s Art Dealers Association of America
Materials
Photographic Paper
Portrait of Kevin's playmate
By Donald S. Vogel
Located in Dallas, TX
Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...
Category
Mid-20th Century American Modern Art Dealers Association of America
Materials
Oil, Panel
Equilibres
By Peter Fischli & David Weiss
Located in New York, NY
Peter Fischli / David Weiss
Equilibres
1984–85/2006
Limited-edition book with photograph in linen-bound portfolio
Photograph: 12 1/4 x 9 1/8 inches; 31 x 23 cm
Book: 9 1/4 x 7 3/4 x 7/8 inches; 24 x 20 x 2 cm
Portfolio: 15 x 11 1/2 x 1 1/2 inches; 38 x 29 x 4 cm
Edition of 60
Photograph signed and numbered in ink (lower verso)
Book signed and numbered in graphite on title page
For Equilibres, the well-known series of photographs from the mid-1980s, Peter Fischli and David Weiss balanced everyday household items on top of each other in an absurd equilibrium. The Equilibres photographs anticipate Fischli and Weiss...
Category
Early 2000s Contemporary Art Dealers Association of America
Materials
Linen, Mixed Media, Photographic Paper, Black and White, Archival Pigment
Self-Portrait as Mad Queen
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category
2010s Abstract Art Dealers Association of America
Materials
Canvas, Oil
