Adaa Art Dealers Association Of America
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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Coffee Table in Pop-Art Form
By John Gwinn
Located in West Chester, PA
Two mahogany boards joined together by polychrome painted blocks in a whimsical pop-art design. Signed by the artist "John Gwinn 1969".
Category
1960s Vintage Adaa Art Dealers Association Of America
Materials
Mahogany
Alberta, Canada, 1978
By Paul Caponigro
Located in Santa Monica, CA
Alberta, Canada, 1978
Signed in pencil on mount recto
Gelatin Silver Print
Image: 9 x 12.5 in. Paper: 11 x 14 in
Category
1970s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Untitled (Horses Kissing)
By Pentti Sammallahti
Located in Santa Monica, CA
Pentti Sammallahti
Untitled (Horses Kissing)
1979
Gelatin Silver print
Category
20th Century Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Pier Table
Located in New York, NY
One of the signature forms of the Neo-Classical period, the pier (or console) table received its name from its typical use against the wall, or pier, between two windows. Pier tables...
Category
1810s American Neoclassical Antique Adaa Art Dealers Association Of America
Materials
Marble, Brass, Bronze, Lead
$65,000
RENDEZVOUS PLATINUM
By Adriana Marmorek
Located in New York, NY
Adriana Marmorek
RENDEZVOUS PLATINUM, 2020
blown glass, porcelain painted platinum
1.97 x 10.24 x 8.27 in. 5 x 26 x 21 cm.
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Porcelain, Blown Glass, Paint
LOVE IS A MANY SPLENDORED THING (LOVE IS IN THE AIR)
Located in New York, NY
In Love is in the Air, Ruiz addresses the politically charged issue of fumigating poppy fields with a deeply human and spiritual tone. This series contrasts the striking beauty of p...
Category
21st Century and Contemporary Adaa Art Dealers Association Of America
Materials
Oil
Fantasy on the Dance Floor, Barbara Mullen, Paris
By Lillian Bassman
Located in Santa Monica, CA
signed and numbered in pencil on verso
Category
Mid-20th Century Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Human and Animal Locomotion. Plate 563.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 563.
Hauling; broken leg chain; dark-gray Belgian horse Dusel.
14 x 20 inch original vintage collotype print from 1887
Image size 8 1/4 x 13 7/8 ...
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Lean To
By Martin Puryear
Located in San Francisco, CA
Edition of 50
Category
21st Century and Contemporary Adaa Art Dealers Association Of America
Materials
Etching
Below South Ferry
By Franz Kline
Located in New York, NY
Signed (at lower right): KLINE
EXHIBITED: Pratt Institute, Brooklyn, New York, November 1–30, 1960, The November Show, as “Moonlight in Lower Manhattan” // Pratt Institute, Brooklyn...
Category
Mid-20th Century Abstract Expressionist Adaa Art Dealers Association Of America
Materials
Oil, Board
Still Life
Located in New York, NY
Signed (at lower right): Bailey 1977
Category
Late 20th Century Contemporary Adaa Art Dealers Association Of America
Materials
Paper, Pencil
Rosalee Sondheimer I
By Winold Reiss
Located in New York, NY
Winold Reiss (1886-1953), who scholars increasingly recognize as a pivotal figure in early 20th-century American art, is known for his evocative portraits that capture the spirit and...
Category
20th Century American Modern Adaa Art Dealers Association Of America
Materials
Pastel, Board
Tuscany, Italy, 1956/Printed Later
By Edouard Boubat
Located in Santa Monica, CA
Signed in ink on recto; signed, titled & dated in pencil on verso
Image 13-3/4" x 9-1/4", Paper 16" x 12", Matted 20" x 16"
Category
1950s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Street Scene: "King George Dies"
By Thomas Fransioli
Located in New York, NY
Fransioli was born in Seattle, Washington, and received a degree in architecture from the University of Pennsylvania in 1930. He worked with John Russell Pope on plans for the exhibition galleries at the National Gallery of Art in Washington, D.C., which he pinpointed as the beginning of his interest in painting. World War II interrupted a promising career in architecture. Fransioli served in the Pacific Theatre from 1943 until 1946, and was among the first American soldiers to survey Hiroshima after the atomic bomb’s detonation in August 1945. He returned to civilian life and took up painting, basing himself in Boston, but working up and down the eastern seaboard.
Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, their forms squarely defined by stark light and long shadows. Saturated color permeates every corner of his canvases, from vibrant oranges and greens to smoky terra cottas and granites. Even the trees that line Fransioli’s streets, parks, and squares are sharp and angular, exactly like those in an architect’s elevation rendering. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for parked cars and an occasional black cat scurrying across the pavement. People make rare appearances in Fransioli’s compositions, and never does the entropy of a crowd overwhelm their prevailing sense of order and precision. People are implied in a Fransioli painting, but their physical presence would detract from the scene’s bleak and surreal beauty.
Magic Realism neatly characterizes Fransioli’s artistic viewpoint. The term was first broadly applied to contemporary American art in the 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. As exhibition curator Dorothy Miller noted in her foreword to the catalogue, Magic Realism was a “widespread but not yet generally recognized trend in contemporary American art…. It is limited, in the main, to pictures of sharp focus and precise representation, whether the subject has been observed in the outer world—realism, or contrived by the imagination—magic realism.” In his introductory essay, Lincoln Kirstein took the concept a step further: “Magic realists try to convince us that extraordinary things are possible simply by painting them as if they existed.”
This is Fransioli, in a nutshell. His cityscapes exist in time and space, but certainly not in the manner in which he portrays them.
Fransioli—and other Magic Realists of his time—was also the heir to Precisionism, spawned from Cubism and Futurism after the Great War and popularized in the 1920s and early 1930s. While Fransioli may not have aspired to celebrate the Machine Age, heavy industry, and skyscrapers in the same manner as Charles Sheeler, his compositions tap into the same rigid gridwork of the urban landscape that was first codified by the Precisionists.
During the 1950s, Fransioli was represented by the progressive Margaret Brown...
Category
20th Century American Realist Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Gold Road (fallen pollen), 2022
By Cig Harvey
Located in Santa Monica, CA
Signed, titled and dated in ink on accompanying photographer's label
Archival pigment print
Image: 16" x 20", Paper: 17" x 21", Matted: 24" x 30"
Edition of 10
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Francesca Woodman, Providence, RI
By George Lange
Located in New York, NY
Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange.
14 x 11" archival pigment print
21 x 17 x 2" frame with UV plexgias
Edition 2 of 10, signed and e...
Category
1970s Adaa Art Dealers Association Of America
Materials
Archival Pigment, Digital Pigment
Against The Tide, Reflections 02
By Ori Gersht
Located in New York, NY
From the series Chasing Good Fortune
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Lily and Bird
By Joseph Stella
Located in New York, NY
Silverpoint and colored pencil on paper, 29 x 23 in.
Signed (at lower right): Joseph Stella
Executed about 1919
EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36
EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present
An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59
[November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...
Category
Early 20th Century American Modern Adaa Art Dealers Association Of America
Materials
Paper, Color Pencil
Palais Royal, Paris, 1989
By Edouard Boubat
Located in Santa Monica, CA
Palais Royal, Paris, 1989/Printed Later
Signed in ink on recto
Gelatin silver print
16 x 12 inches
Category
20th Century Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Muhammad Ali looking in the mirror while training at 5th Street Gym. Miami Beach
By Neil Leifer
Located in Santa Monica, CA
NEIL LEIFER’s photography career has spanned over 50 years since becoming a professional while still in his teens. Beginning in 1960, his pictures regularly appeared in every major national magazine, including the Saturday Evening Post, Look, LIFE, Newsweek, Time and, most often, Sports Illustrated.
Leifer eventually became a staff photographer for Sports Illustrated before leaving in 1978 to become a staffer for Time magazine. In 1988 he was made a contributing photographer at LIFE magazine and spent the next two years dividing his time between Time and LIFE. When Leifer left Time Inc. in 1990, his photographs had appeared on over 200 Sports Illustrated, Time, and People covers—at that point, the most ever published of one photographer’s work in Time Inc. history. Neil Leifer is the 2006 recipient of the prestigious Lucie Award for Achievement in Sports Photography. In 2008 he was honored for his outstanding contribution to Time Inc. journalism with The Britton Hadden Lifetime Achievement Award.
Leifer has published 16 books, 9 of which have been collections of his sports photographs. Sports, his 1978 Abrams book, is considered by many to be the quintessential sports photography book. His two most recent, Ballet in the Dirt and Guts and Glory—both published by TASCHEN, showcase the very best of Leifer’s professional baseball and football photographs...
Category
1960s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Butler's Desk and Etagére, New York, Possibly Duncan Phyfe
By Duncan Phyfe
Located in New York, NY
Butler’s Desk and Etagére, circa 1825
New York, possibly by Duncan Phyfe
Mahogany (secondary woods: mahogany, pine, poplar), with ormolu mounts, marble,...
Category
1820s American Neoclassical Antique Adaa Art Dealers Association Of America
Materials
Mahogany
Figure in Garden
By Donald S. Vogel
Located in Dallas, TX
Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...
Category
1980s American Impressionist Adaa Art Dealers Association Of America
Materials
Oil, Panel
Folk Art Early 19thC American Sampler Wrought By "Ruthanna Stoke" Dated 1836
Located in Incline Village, NV
All original and authentic folk art American hand stitched early 19th century needlepoint sampler, wrought by "Ruthanna Stoke"; the namesake; in dark blue stitchery at the bottom cen...
Category
Early 19th Century American Folk Art Antique Adaa Art Dealers Association Of America
Materials
Tapestry
A Step Up
By William Wegman
Located in New York, NY
An original photograph from the artist's "Cubism and other Isms" series in which brightly painted geometric cubes are arranged in sculptural configuration...
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Archival Pigment
Betty Threat, New York, Harper's Bazaar
By Lillian Bassman
Located in Santa Monica, CA
signed and number in pencil on verso
Category
Mid-20th Century Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Still Life with Polykleitian Head and Ancathus
By David Ligare
Located in New York, NY
SAPERE AUDE. Dare to be wise. Immanuel Kant’s directive is embodied in the work of David Ligare. For thirty-five years, Ligare has dedicated his work to ...
Category
Early 2000s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Two Callas
By Imogen Cunningham
Located in New York, NY
This supremely elegant photograph illustrates why Imogen Cunningham’s botanical pictures are a keystone of modernist photography. In the 1920s, Cunnin...
Category
1920s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
EL PADRE DE LA PATRIA NUEVA
By Julio Larraz
Located in New York, NY
color monotpy of soldier on a horse with raised sword
Category
1990s Contemporary Adaa Art Dealers Association Of America
Materials
Monotype
$11,200 Sale Price
32% Off
Human and Animal Locomotion. Plate 589.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 589.
Ambling (single foot); bareback; white horse Clinton.
14 x 20 inch original vintage collotype print from 1887
Image size 5 3/8 x 18 inches
M...
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Azaleas, 2023
By Cig Harvey
Located in Santa Monica, CA
Signed, titled and dated in ink on accompanying photographer's label
Archival pigment print
Image: 16" x 20", Paper: 17" x 21", Matted: 24" x 30"
Edition of 10
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
$3,000
THIS PIECE IS MINE
By Julio Larraz
Located in New York, NY
Sepia Aquatint. Edition 15/25
slice of watermelon on a table
Category
1980s Contemporary Adaa Art Dealers Association Of America
Materials
Aquatint
Still Life in a Landscape
By Paul LaCroix
Located in New York, NY
Oil on canvas
Category
19th Century Adaa Art Dealers Association Of America
Materials
Oil
Earthenware John Bennett Plaque with Pink and Blue Phlox
By John Bennett
Located in New York, NY
FAPG 20247D
John Bennett (1840-1907), New York
Plaque with pink and blue phlox, circa 1881-1882
Earthenware, painted and glazed
Measures: 14 7/8 in. diameter, 1 13/16 in. high
Signed and inscribed (on the back): J B[monogram] ENNETT /
E 24 NY. / MC [or] CM
If the Herter Brothers was the most distinguished and successful cabinet making and decorating firm in New York in the 1870s-1880s, the transplanted Englishman John Bennett was probably the most gifted ceramicist working in New York in the Aesthetic period. (Bennett was included in The Metropolitan Museum of Art’s landmark exhibition, In pursuit of beauty: Americans and the Aesthetic Movement, in 1986–87, and Alice Cooney Frelinghuysen’s chapter, “Aesthetic Forms in Ceramics and Glass,” pp. 216–19, significantly informs this essay). Born in England, the son of a potter who worked in the Staffordshire district, Bennett came under the influence of John Sparkes, head of London’s Lambeth School of Art. Soon thereafter, he was hired by Henry Doulton of the eponymous firm to teach artisans there the new art of underglaze faience decoration, which was part of a revival of the sixteenth-century interest in hand-painted ceramics.
A number of Bennett’s works for Doulton were shown in the Doulton display at the Centennial Exposition in Philadelphia in 1876, and the considerable success enjoyed by Bennett and Doulton from an American audience undoubtedly played an important role in Bennett’s decision to leave Doulton and England and set up shop in New York in 1877. By the next year, he had already established a studio in New York, where he produced his own pottery in the tradition of the Arts & Crafts innovators, William Morris and William De Morgan, and also taught classes at the new Society of Decorative Art to the growing band of women who had taken up china painting, both professionally and avocationally.
Bennett’s pottery developed a very serious following among students and collectors, and was offered for sale at such leading retail establishments as Tiffany & Company in New York. Typically, his work was brilliantly colored, with carefully drawn naturalistic flowers against a monochromatic background.
Bennett’s fully developed American work, particularly pieces of larger scale, is exceedingly rare, as he worked in New York only from 1877 to 1883, in which year he withdrew to a farm in rural West Orange, New Jersey, where his production continued on a limited basis. He remained listed as a ceramicist there until 1889. While in New York City, Bennett maintained a studio at 412 East 24th Street. The present charger, boldly featuring pink and blue phlox, is signed by Bennett, and is inscribed “E 24 NY,” indicating its manufacture during Bennett’s time in New York. Although it is not dated, this piece is closely related stylistically to various dated pieces from 1881–82, which would place its production toward the end of Bennett’s New York years.
Although we do not know whether Bennett worked out of this 24th Street studio from the outset, he was indeed working there by 1879 when he made (and signed, inscribed, and dated) a charger with white and red flowers now in the collection of the Art Institute of Chicago, which specifically points to “412 East 24 / NY” (acc. no. 1998.317). Additionally, the U.S. Census of 1880 lists Bennett as a ceramicist located at that same address, married to Mary Bennett with whom he had had six children. There are several other examples from Bennett’s time in New York City, which also give his studio address on East 24th Street, including a covered jar in cadmium yellow with indigo and green flowers made in 1881; an undated footed vase with lilac...
Category
1880s American Aesthetic Movement Antique Adaa Art Dealers Association Of America
Materials
Earthenware
Woman at The Bar, Bourbon Street, New Orleans , 1955 (printed 2008)
By George S. Zimbel
Located in Santa Monica, CA
Signed and dated in ink on recto; Signed, titled and dated in pencil on verso
Image: 8 x 12-1/2"; Paper 10-3/4" x 13-3/4"; Mat 16 x 20"
Category
1950s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Thrown Drapery (Redux) Study 1
By David Ligare
Located in New York, NY
Signed and dated (at lower right): L; (on verso): D. Ligare / 2004
Category
Early 2000s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Jones and O'Farrell Street Line
By Fred Lyon
Located in Santa Monica, CA
signed, titled, dated by artist in pencil, verso
(c) The Estate of Fred Lyon Courtesy. Peter Fetterman Gallery
Category
1950s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
LA PORTE (THE DOOR)
By Antoni Tàpies
Located in New York, NY
aquatint and embossing on paper.
plate 19 3/4 x 13 3/4 in.
paper 30 3/4 x 23 in.
Category
Late 20th Century Abstract Adaa Art Dealers Association Of America
Materials
Aquatint
Seated Nude Figure
By Franz Kline
Located in New York, NY
Signed (at lower left): FK [in monogram]
EX COLL.: the artist; to I. David Orr (1904–1997), Long Island, New York; to his estate, 1997 until the present
Originally trained as a fig...
Category
Mid-20th Century Abstract Expressionist Adaa Art Dealers Association Of America
Materials
Paper, Watercolor, Ink
Joyce Ann
By Otis Huband
Located in Dallas, TX
Born in 1933, Otis Huband declared his intention to be an artist at age 6. He earned his BFA and MFA at Richmond Professional Institute of the College of William & Mary, now Virginia...
Category
2010s Abstract Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Georgia O'Keeffe, Profile, Ghost Ranch, New Mexico
By Dan Budnik
Located in Santa Monica, CA
Born in Long Island, Budnik studied painting at the Art Students’ League of New York. After being drafted, he started photographing the New York school of Abstracts Expressionist and Pop Artists in the mid-fifties, making it a primary focus for several decades. He completed major photo-essays on Willem de Kooning and David Smith, among many other artists. It was his teacher Charles Alston...
Category
1970s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Still Life
By Pierre Bisiaux
Located in Dallas, TX
Signed "P. Bisiaux" at lower right
The overall dimensions, including the frame, are 29 x 34 7/8 inches
Category
Mid-20th Century Modern Adaa Art Dealers Association Of America
Materials
Canvas, Oil
"Dutch Boy" Themed Chocolate Mold Pattern Circa 1915, Belgium
Located in Incline Village, NV
Made circa 1915, this hammered tin mold is unmarked but probably was made in Belgium vis a vis the "Dutch Boy" theme. This two part chocolate mold pattern wa...
Category
1910s Belgian Folk Art Vintage Adaa Art Dealers Association Of America
Materials
Metal
Joan and Quintana Roo (Frame 27a.)
By Julian Wasser
Located in New York, NY
Listing includes free shipping for unframed prints and a 14 day return policy.
Joan Didion by Julian Wasser
20 x 16 inch gelatin silver print
Edition 3 of 15
Signed on verso by Julian Wasser
*Please inquire for international shipments. Quotes will be provided at cost via FedEx.
Description -
Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz; and a young Jodie Foster are already classics.)
In 1968 TIME Magazine assigned Wasser to go to the home of the young writer Joan Didion whose book Slouching Towards Bethlehem was becoming a literary sensation. “I’d read her fiction,” said Wasser. “and she didn’t miss a thing. She was such a heavyweight person.”
Wasser shot Didion at her rented house on Franklin Avenue in Hollywood, where she lived with her husband, the writer John Gregory Dunne, and their daughter, Quintana Roo. “It was a nice, cozy house,” Wasser remembers. “And she was a very easy person to talk to...
Category
1960s Adaa Art Dealers Association Of America
Materials
Photographic Paper, Silver Gelatin
Human and Animal Locomotion. Plate 577.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 577.
Walking; saddle; irregular; white horse Clinton.
14 x 20 inch original vintage collotype print from 1887
Image size 5 1/2 x 18 1/8 inches
Muy...
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Trees in Winter Field, Oregon , 2014, printed 2023
By Jeffrey Conley
Located in Santa Monica, CA
Signed & numbered in pencil on print recto; Titled, dated, & numbered in ink with artist's stamp on verso
Platinum/Palladium Print
Image 12x12", Mat 20x20"
Edition of 10
Category
21st Century and Contemporary Adaa Art Dealers Association Of America
Materials
Silver Gelatin
SOLAR WINDS / EKI, (Basque) Sun Goddess
By Julie Hedrick
Located in New York, NY
JULIE HEDRICK
SOLAR WINDS / EKI, (Basque) Sun Goddess, 2021
oil on canvas, triptych
60 x 180 in. 152.4 x 457.2 cm.
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
$64,000 Sale Price
20% Off
CHAMBERED NAUTILUS
By Julio Larraz
Located in New York, NY
Etching, aquatint and sugarlift print of a Still-Life on a table. Edition of 100.
Category
1980s Contemporary Adaa Art Dealers Association Of America
Materials
Etching, Aquatint
Camellia
Located in Santa Monica, CA
Vintage Hand Colored Albumen print
Category
Late 19th Century Adaa Art Dealers Association Of America
$2,500
Menilmontant (Devant chez Mestre)
By Willy Ronis
Located in Santa Monica, CA
Ménilmontant [Devant Chez Mestre], 1957/Printed Later
Titled & dated in pencil with the photographer's stamp on verso; Signed in ink on recto
Gelatin silver print
Image 12-1/2" x 10-...
Category
1950s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Chrysanthemum (Senjogataki), c. 1880's
Located in Santa Monica, CA
Inscribed "Chrysanthemum (Senjogataki)" on recto
Vintage Hand Colored Albumen Print
Paper is 11 5/8 x 9 1/4 inches, Matted to 20 x 16 inches
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
Glimpse
By Ori Gersht
Located in New York, NY
From the series Evaders
Category
Early 2000s Adaa Art Dealers Association Of America
Materials
Archival Pigment
$24,000
Stairs at Montmartre, Paris, 1926
By Andre Kertesz
Located in Santa Monica, CA
Signed in pencil on recto
Gelatin silver print
Image/Paper: 3" x 3-3/4", Mount: 12" x 9", Mat 20" x 16"
Category
1920s Adaa Art Dealers Association Of America
Materials
Silver Gelatin
Dahlias and Hydrangeas in Porcelain Terrine
By Stone Roberts
Located in New York, NY
Signed and dated (at lower left): J. STONE ROBERTS. /2019/20.
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Oil, Panel
Human and Animal Locomotion. Plate 740.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 740.
Bactrian camel; (young), galloping.
14 x 20 inch original vintage collotype print from 1887
Image size 8 5/8 x 13 1/8 inches
Muybridge copyr...
Category
1880s Adaa Art Dealers Association Of America
Materials
Photographic Paper
SILVER GOWN OF ASCENSION
By Lesley Dill
Located in New York, NY
The language featured on this work of art reads "highest moment of impulse... high collateral glory." John Milton
Category
2010s Contemporary Adaa Art Dealers Association Of America
Materials
Wire, Metal
ENCHANTED
By Julie Hedrick
Located in New York, NY
small oil painting on canvas.
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America
Materials
Canvas, Oil
Woman Picking Flowers, 1900
Located in Santa Monica, CA
vintage platinum print
9.5" x 7.5" print; 18" x 13.75" mount, mat 20" x 16"
Category
Early 1900s Adaa Art Dealers Association Of America
Materials
Platinum
UNTITLED (from the KINETIC PORTFOLIO)
By Eusebio Sempere
Located in New York, NY
serigraph, Edition of 100
image of abstract flower
from KINETIC PORTFOLIO
Category
1970s Abstract Adaa Art Dealers Association Of America
Materials
Screen
$1,056 Sale Price
20% Off
USA Flag, Fragment
By Sharon Core
Located in New York, NY
From Sharon Core's series Oldenburgs, which playfully explores the sculptural work of Claes Oldenburg.
Category
2010s Adaa Art Dealers Association Of America
Materials
Archival Pigment
Venice
By Jane Peterson
Located in New York, NY
Singed (at lower left): Jane Peterson
Category
Early 20th Century American Impressionist Adaa Art Dealers Association Of America
Materials
Gouache
$60,000