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Adaa Art Dealers Association Of America

Art Dealers Association of America (ADAA)
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.
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19th C. Popcorn Maker Figural "Toasty Roasty" American, Circa 1893, Rare
Located in Incline Village, NV
In all original clothing and condition, this very rare Authentic "Punch" looking figural, of American manufacture, would have been atop a popcorn maker o...
Category

1890s American Victorian Antique Adaa Art Dealers Association Of America

Materials

Iron

Francesca Woodman, Providence, RI
By George Lange
Located in New York, NY
Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 14 x 11" archival pigment print 21 x 17 x 2" frame with UV plexgias Edition 2 of 10, signed and e...
Category

1970s Adaa Art Dealers Association Of America

Materials

Archival Pigment, Digital Pigment

Poplar Green Paint Decorated Blanket Chest
Located in West Chester, PA
With an old dry surface, this green painted blanket chest has a white tombstone with a brown edge painted in the centre with "Elisabeth Enderleinich, 1817" written upon it. A mid mol...
Category

1810s American Antique Adaa Art Dealers Association Of America

Materials

Poplar

New York from Hoboken
By William Rickarby Miller
Located in New York, NY
Signed (at lower left): W.R. Miller/ 1851
Category

Mid-19th Century American Realist Adaa Art Dealers Association Of America

Materials

Canvas, Oil

BLIND SELF PORTRAIT
By Gregg Louis
Located in New York, NY
ink drawing on paper blind contour drawing artists self-portrait
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Paper, Ink

Vintage Hawaiian Shirt, Surf Board and Local Tropical Floral Design, Men's Large
Located in Incline Village, NV
Made of soft, smooth, rayon and with an authentic sewn in on three sides "Diamond Head Sportswear" label, this vintage Hawaiian shirt is from t...
Category

1970s Hawaiian Mid-Century Modern Vintage Adaa Art Dealers Association Of America

Materials

Fabric

Betty Threat, New York, Harper's Bazaar
By Lillian Bassman
Located in Santa Monica, CA
signed and number in pencil on verso
Category

Mid-20th Century Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Georgia O'Keeffe, Profile, Ghost Ranch, New Mexico
By Dan Budnik
Located in Santa Monica, CA
Born in Long Island, Budnik studied painting at the Art Students’ League of New York. After being drafted, he started photographing the New York school of Abstracts Expressionist and Pop Artists in the mid-fifties, making it a primary focus for several decades. He completed major photo-essays on Willem de Kooning and David Smith, among many other artists. It was his teacher Charles Alston...
Category

1970s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

TRANSPARENT GREEN SQUARES
Located in New York, NY
large abstract oil painting on canvas green orange brown
Category

1980s Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Peek-a-Boo
By Seymour Joseph Guy
Located in New York, NY
In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...
Category

19th Century American Realist Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Glimpse
By Ori Gersht
Located in New York, NY
From the series Evaders
Category

Early 2000s Adaa Art Dealers Association Of America

Materials

Archival Pigment

Too Big
By William Wegman
Located in New York, NY
image size: 8 1/2 x 8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conventiona...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Pigment

COSMOGONY #18
By Adriana Marmorek
Located in New York, NY
Porcelain egg inspired abstract sculpture. From FLOWER TO BEE exhibition, Winter 2019. Included in Catalogue.
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Porcelain

Four White Apples, circa 1970
By Jed Devine
Located in Santa Monica, CA
Signed in pencil on recto Platinum Print on Japanese Rice Paper Image Size: 7 1/2 x 9 1/2 inches; Paper Size: 8 3/4 x 11 7/8 inches
Category

Late 20th Century Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Color Squares 1
By Ellsworth Kelly
Located in New York, NY
Ellsworth Kelly Color Squares 1 2011 Five color lithograph 21 x 77 inches; 53 x 196 cm Edition of 35 Signed and numbered in graphite (lower right recto) Frame available upon request...
Category

2010s Abstract Geometric Adaa Art Dealers Association Of America

Materials

Lithograph

COSMOGONY #15
By Adriana Marmorek
Located in New York, NY
Porcelain egg inspired sculpture. From FLOWER TO BEE exhibition, Winter 2020. Included in the catalogue.
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Porcelain

Chrysanthemum (Senjogataki), c. 1880's
Located in Santa Monica, CA
Inscribed "Chrysanthemum (Senjogataki)" on recto Vintage Hand Colored Albumen Print Paper is 11 5/8 x 9 1/4 inches, Matted to 20 x 16 inches
Category

1880s Adaa Art Dealers Association Of America

Materials

Photographic Paper

Mahogany Chippendale Carved Side Chair
Located in West Chester, PA
Crest rail with a shell and volutes, fluted stiles, pierced splat with volutes, shell on front rail, cabriole legs with shells terminating in claw and ball feet. Philadelphia, PA cir...
Category

18th Century American Chippendale Antique Adaa Art Dealers Association Of America

Materials

Mahogany

Asprey Desk Set and Document Holder, English, circa 1875
By Asprey International Limited
Located in Incline Village, NV
The Asprey Company is an iconic British luxury home goods maker, located in London, England and was established by William Asprey in 1781, They established their current residence in London on Bond Street between 1847 and 1859 after a couple of acquisitions. They were the Nieman-Marcus of the day and made only the finest products, utilizing the best quality materials; dealing in everything from jewelry to fashion, and appealing to those wanting to buy gifts for weddings, occasions, and events. This is a customized desk set, consisting of a crystal cut glass inkwell with a brass hinged lid, resting in a velvet lined well. Markings on the velvet lining under the inkwell indicate Asprey manufacture and Bond Street location “Asprey London, 166 Bond Street 22 Albemarle Street”. To the sides of the well are two Wedgwood cameos with the typical Greek mythology themed blue and white jasperware. Resting inside the recessed pen holder is a 14-karat gold nib pen marked “no. 3”, made by Aiken & Lambert, an American company (New York City) and manufacturer of fine quality gold fountain pens. Hand engraved brass mounts are applied to the surface, while the oval shaped inkwell and pen holder rests on three bun feet. The wood is an ebonized calamander (coromandel wood) which is a rare and valuable hardwood from Sri Lanka. Also included as part of the desk set is a hinged, fold over, double sided document holder with a blotter lined interior. The exterior of the document holder is also of calamander wood, with hand engraved brass mounts to the top surface. As with the desk inkwell and pen holder, the document holder has a Wedgwood blue and white jasperware cameo...
Category

1870s English Victorian Antique Adaa Art Dealers Association Of America

Materials

Brass

Self-Portrait as Throne
By Julie Heffernan
Located in New York, NY
Oil on canvas
Category

2010s Abstract Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Why Do I Love You? Louis Armstrong at 14, 000 feet over Africa, May 1956
By Larry Burrows
Located in New York, NY
A 16 x 20 inch gelatin silver print, with image size of 12 x 17.75 inches. Printed in 2004. "Larry Burrows Collection" and copyright stamps on verso. Larry Burrows career as a LIFE ...
Category

1950s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Nevis Letter
By Brice Marden
Located in New York, NY
Brice Marden Nevis Letter 2009 Etching 30 x 22 1/2 inches; 76 x 57 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...
Category

Early 2000s Contemporary Adaa Art Dealers Association Of America

Materials

Etching

Joan and Quintana Roo (Frame 27a.)
By Julian Wasser
Located in New York, NY
Listing includes free shipping for unframed prints and a 14 day return policy. Joan Didion by Julian Wasser 20 x 16 inch gelatin silver print Edition 3 of 15 Signed on verso by Julian Wasser *Please inquire for international shipments. Quotes will be provided at cost via FedEx. Description - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz; and a young Jodie Foster are already classics.) In 1968 TIME Magazine assigned Wasser to go to the home of the young writer Joan Didion whose book Slouching Towards Bethlehem was becoming a literary sensation. “I’d read her fiction,” said Wasser. “and she didn’t miss a thing. She was such a heavyweight person.” Wasser shot Didion at her rented house on Franklin Avenue in Hollywood, where she lived with her husband, the writer John Gregory Dunne, and their daughter, Quintana Roo. “It was a nice, cozy house,” Wasser remembers. “And she was a very easy person to talk to...
Category

1960s Adaa Art Dealers Association Of America

Materials

Photographic Paper, Silver Gelatin

Saint-Malo, Brittany
By William Stanley Haseltine
Located in New York, NY
The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...
Category

19th Century American Realist Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Epic Western III
By Jim Krantz
Located in New York, NY
Listing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service. Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery. Jim Krantz Epic Western III, 2019 40 x 68 inch chromogenic print Edition 3 of 5 Signed on signature label. Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...
Category

2010s Adaa Art Dealers Association Of America

Materials

Photographic Paper, Archival Pigment

Human and Animal Locomotion. Plate 769.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 769. American eagle; flying. 14 x 20 inch original vintage collotype print from 1887 Image size 6 5/8 x 17 1/4 inches Muybridge copyright imprint ...
Category

1880s Adaa Art Dealers Association Of America

Materials

Photographic Paper

Muhammad Ali looking in the mirror while training at 5th Street Gym. Miami Beach
By Neil Leifer
Located in Santa Monica, CA
NEIL LEIFER’s photography career has spanned over 50 years since becoming a professional while still in his teens. Beginning in 1960, his pictures regularly appeared in every major national magazine, including the Saturday Evening Post, Look, LIFE, Newsweek, Time and, most often, Sports Illustrated. Leifer eventually became a staff photographer for Sports Illustrated before leaving in 1978 to become a staffer for Time magazine. In 1988 he was made a contributing photographer at LIFE magazine and spent the next two years dividing his time between Time and LIFE. When Leifer left Time Inc. in 1990, his photographs had appeared on over 200 Sports Illustrated, Time, and People covers—at that point, the most ever published of one photographer’s work in Time Inc. history. Neil Leifer is the 2006 recipient of the prestigious Lucie Award for Achievement in Sports Photography. In 2008 he was honored for his outstanding contribution to Time Inc. journalism with The Britton Hadden Lifetime Achievement Award. Leifer has published 16 books, 9 of which have been collections of his sports photographs. Sports, his 1978 Abrams book, is considered by many to be the quintessential sports photography book. His two most recent, Ballet in the Dirt and Guts and Glory—both published by TASCHEN, showcase the very best of Leifer’s professional baseball and football photographs...
Category

1960s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

In the middle of the road
By Dana Frankfort
Located in Houston, TX
Dana Frankfort In the middle of the road, 2017 oil on canvas over panel 48 x 48 x 1.75 inches For over two decades, Dana Frankfort has explored the vexing periphery between language and sight by painting words. Rather than laying claim to the paintings, controlling their semiotic pulse, her words serve as the formal armature; they prop up, ventilate, and allow the many layers of paint to breathe. Imperatives, allusions, evocations—the words dissolve into a palimpsest of obscured serifs and stems, into color and form. The title of the work is a phrase from a poem by Carlos Drummond de Andrade’s “In the Middle of Road.” Here it is, translated from the Portuguese by Elizabeth Bishop...
Category

21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil, Wood Panel

Girl in Decorative Wrap
By Winold Reiss
Located in New York, NY
Winold Reiss (1886-1953), who scholars increasingly recognize as a pivotal figure in early 20th-century American art, is known for his evocative portraits that capture the spirit and...
Category

20th Century American Modern Adaa Art Dealers Association Of America

Materials

Mixed Media, Board

Iceland (56112)
By Luca Campigotto
Located in New York, NY
Edition of 15 (includes all sizes). Signed, titled, dated and editioned on frame label provided. Final shipping costs will depend on the size of the print ordered, and whether it is purchase framed or unframed. Luca Campigotto's photographic expeditions have taken him to disparate and exotic locations around the world – Japan, India, Thailand, Chiba, Cambodia in the Far East; many European and North American cities; as well as Cairo, Lapland, Argentina, Iceland, and Easter Island. Campigotto’s works are held in private and public collections worldwide, including Maison Européenne de la Photographie (Paris), Museo Nazionale delle Arti del XXI Secolo (Rome), Museo Fortuny...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Archival Pigment

Cherry Blossoms, Nara, Honshu, 2002
Located in Santa Monica, CA
Signed, numbered and dated in pencil on recto; Signed, titled, and dated with artist's copyright stamp on verso Gelatin Silver Print Image 8 x 8, Matted 20" x 16" Edition of 45
Category

21st Century and Contemporary Adaa Art Dealers Association Of America

Materials

Silver Gelatin

The Race
By William John Hennessy
Located in New York, NY
William John Hennessy was born in Ireland. He came to America in 1849 with his mother and brother a year after his father had fled their homeland after taking part in the unsuccessful Young Ireland Party uprising. The Hennessys settled in New York, and when young William came of age, he decided upon a career as an artist. At the age of fifteen, he enrolled at the National Academy of Design, where he learned to draw from the antique, and the following year he was granted admission to the Academy’s life-drawing class. Hennessy first exhibited at the National Academy in 1857, starting a continuous run of appearances in their annuals that lasted until 1870, when he expatriated himself to Europe. During his time in America, Hennessy was principally known as a genre painter and prolific illustrator for such publications as Harper’s Weekly and a number of books, including illustrated works of William Cullen Bryant...
Category

19th Century American Realist Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Reeds and Water
By Malou Flato
Located in Dallas, TX
Over the past forty years, Malou Flato’s paintings have focused on the Texas landscape—its native flowers, blooming cactus, diverse citizenry, and especially its precious water and abundant sky. Flato has a studio in Austin and another on her great-grandfather’s ranch on the southwestern shoulder of the Hill Country, in Edwards County. “Texas is my inspiration,” she says. “I have made my life here, and I would like to think that my art reflects the place I know best.” Malou Flato’s works can be seen in many public places in Texas and beyond. They enliven a border crossing...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Paper, Acrylic

Jones and O'Farrell Street Line
By Fred Lyon
Located in Santa Monica, CA
signed, titled, dated by artist in pencil, verso (c) The Estate of Fred Lyon Courtesy. Peter Fetterman Gallery
Category

1950s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Brigitte Bardot Prepares to Meet the Press, London
By Larry Burrows
Located in New York, NY
Image size is 15 x 19.5 inches. Printed in 1999. Larry Burrows Collection and copyright stamps on verso. Larry Burrows career as a LIFE Magazine photographer culminated in his renow...
Category

1950s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

Smith College
By Alfred Eisenstaedt 1
Located in New York, NY
This vintage gelatin silver print is signed, titled, and dated by the artist on verso, with artist stamp.
Category

1930s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

BREAK IN THE HORIZON
By Valerie B Hird
Located in New York, NY
VALERIE HIRD BREAK IN THE HORIZON, 2019 oil, monotypes, gesso, Arches paper, silver leaf, silver amulet 23 1/2 x 22 in. 59.7 x 55.9 cm. mythology
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Silver

After Chardin
By Lucian Freud
Located in New York, NY
Lucian Freud After Chardin 2000 Etching on White Somerset Textured Paper 30 3/4 x 37 3/4 inches; 78 x 96 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...
Category

Early 2000s Contemporary Adaa Art Dealers Association Of America

Materials

Etching

Portraits: Jessica
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...
Category

Early 2000s Adaa Art Dealers Association Of America

Materials

Etching

Still Life with Peaches
By Lilly Martin Spencer
Located in New York, NY
Lilly Martin Spencer was a professional artist for over sixty years, painting portraits, still lifes, miniatures, and genre scenes. In the 1850s to mid-1860s her genre scenes depicti...
Category

19th Century American Realist Adaa Art Dealers Association Of America

Materials

Canvas, Oil

USA. JFK's Presidential Inauguration Ball. Washington DC. 1961. Frank Sinatra
By Dennis Stock
Located in Santa Monica, CA
Dennis Stock was born in 1928 in New York City. At the age of 17, he left home to join the United States Navy. In 1947 he became an apprentice to Life magazine photographer Gjon Mili...
Category

1960s Adaa Art Dealers Association Of America

Materials

Silver Gelatin

ENCHANTED
By Julie Hedrick
Located in New York, NY
small oil painting on canvas.
Category

21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Very Rare Bannister Back Side Chair
Located in West Chester, PA
Arched crest, good turnings, molded splats, rush seat. Turned legs terminating in ball feet. Wonderful old grained paint and patina. Pennsylvania, circa 1730-1740.
Category

1730s American William and Mary Antique Adaa Art Dealers Association Of America

Materials

Rush, Wood

How Does Your Garden Grow
By Allison Gildersleeve
Located in Dallas, TX
Allison Gildersleeve addresses the theme of memory, exploring the phenomenon of past and present becoming collapsed or entwined by the emotional experience. Gildersleeve states: “In ...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Old Country Bazaar
By William S. Schwartz
Located in New York, NY
Oil on canvas, 36 x 42 in. Signed, dated, and inscribed (at lower right): WILLIAM S. SCHWARTZ 1926; (on the back): “OLD COUNTRY BAZAAR” / BY / WILLIAM S. SCHWARTZ / 1926 RECORDED: C. H. Bonte, “122nd Annual opens at Pennsylvania Academy,” in The Philadelphia Inquirer, Jan. 30, 1927 EXHIBITED: The Art Institute of Chicago, 1926, The Thirty-Ninth Annual Exhibition of American Paintings and Sculpture, no. 174 // The Pennsylvania Academy of the Fine Arts, Philadelphia, 1927, The One-Hundred-and-Twenty Second Annual Exhibition, p. 37 no. 181 // The Chicago Culture Club...
Category

20th Century American Modern Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Human and Animal Locomotion. Plate 631.
By Eadweard Muybridge
Located in New York, NY
Human and Animal Locomotion. Plate 631. Gallop; saddle; thoroughbred bay horse Bouquet 14 x 20 inch original vintage collotype print from 1887 Image size 7 x 16 inches Muybridge copy...
Category

1880s Adaa Art Dealers Association Of America

Materials

Photographic Paper

On the Edge of Landscape
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...
Category

1990s Surrealist Adaa Art Dealers Association Of America

Materials

Canvas, Oil

Doorstop "Golfer" by Hubley, circa 1920
By Hubley Manufacturing Company 2
Located in Incline Village, NV
This doorstop, also known as "Overhead Swinging Golfer," is more difficult to find than it's "Putting Golfer" counterpart doorstop; which is also made by Hubley. Manufactured by the Hubley Manufacturing Company of Lancaster, Pennsylvania in 1920, this cast iron doorstop is in outstanding all original bright paint with no touch up or restoration of any kind, and in wonderful patina. It depicts an older, grey haired man, with typical knicker golf garb, taking a wild swing at a golf ball resting on the grass. It has a semi "hollow" rear with a "238" factory marking, indicating that it is, in fact, by Hubley and original. It is noted in Jeanne Bertoia's 1985 book on doorstops page 60; and referenced on page 211 of the Smith book on doorstops. A must for the doorstop or golfing memorabilia...
Category

Early 20th Century American Folk Art Adaa Art Dealers Association Of America

Materials

Iron

Japanese Children with Tortoise
By Harry Humphrey Moore
Located in New York, NY
Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...
Category

Late 19th Century Adaa Art Dealers Association Of America

Materials

Oil, Wood Panel

Floating Bridge
By Ori Gersht
Located in New York, NY
From the series Floating World
Category

2010s Adaa Art Dealers Association Of America

Materials

Archival Pigment

Mt. Etna from Taormina
By Thomas Fransioli
Located in New York, NY
Thomas Fransioli, born in 1906 in Seattle, Washington, trained as an architect at the University of Pennsylvania. He worked as an architect before his service in World War II. Largel...
Category

20th Century American Realist Adaa Art Dealers Association Of America

Materials

Canvas, Oil

USA Flag, Fragment
By Sharon Core
Located in New York, NY
From Sharon Core's series Oldenburgs, which playfully explores the sculptural work of Claes Oldenburg.
Category

2010s Adaa Art Dealers Association Of America

Materials

Archival Pigment

Folk Art Oil on Canvas, circa 1830 Attributed to S.V.D. Schans, Unsigned
By S.V.D. Schans
Located in Incline Village, NV
This American portrait descended through same family from 1830s until July 2012, when I acquired it from executor in Oregon. Early family had lived in New England. It is unusual to h...
Category

1820s American Folk Art Antique Adaa Art Dealers Association Of America

Materials

Canvas

North Shore Aquatics Club
By Neal Slavin
Located in New York, NY
Neal Slavin began photographing group portraits of organizations of people in the early 1970s, and it became a career-long passion. Synchronized swimmers are no doubt among one of th...
Category

1980s Adaa Art Dealers Association Of America

Materials

Archival Pigment

"Nature's Solitude"
By Gary Ernest Smith
Located in Scottsdale, AZ
Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have attracted the attention of collectors from coast to coast. His three year exhibit, “Journey I Search of Lost Images” hung in 22 museums and institutes across the United States. In an exhibit curated by the Brooklyn Museum of Art, his work toured the New Orleans Contemporary Art Center, San Jose Museum of Art, the Palm Springs Desert Museum and many more prestigious art institutions. Although he must strictly limit the number of commissions he accepts, his mural size paintings are highly prized by corporate collectors. Gary Ernest Smith was born and raised in a relatively isolated farm community 25 miles northeast of Baker City, Oregon. His interests and intensity for painting began at an early age and progressed through college degrees, numerous commissions and awards to a full time pursuit of painting. The commission work that dominated the early years eventually stifled his creativity. Dissatisfaction with this career direction forced him to reach inward and search beyond popular style and accepted artistic norms to a personal vision. Following years of artistic training and experimentation, subject matter began to emerge based on the artist’s background of a rural life-style that celebrates the values of hard work and self-reliance. These aspects of Smith’s life came together and became the catalyst for his distinctive style. Living in the west, his work is primarily of that region, but it is not western in the traditional sense. Although it defies precise classification, the artist considers his style “minimal” and seeks to express the essence and simplicity of each subject. Whatever the focus might be, his work expresses the artistic elements of bold form and color. These two components become the vehicle that melds the style and subject into a symbolic visual language, expanding the artistic appeal beyond the west...
Category

2010s Adaa Art Dealers Association Of America

Materials

Linen, Oil

The Observer and The Observed
By Susan Derges
Located in New York, NY
This is a newly released platinum print of "The Observer and Observed" by Susan Derges. Printed in 2022. Listing includes framing, a label of authentici...
Category

1990s Adaa Art Dealers Association Of America

Materials

Photographic Film, Photographic Paper, Platinum

Iceland (55530)
By Luca Campigotto
Located in New York, NY
Edition of 15 (includes all sizes). Signed, titled, dated and editioned on frame label provided. Final shipping costs will depend on the size of the print ordered, and whether it is purchase framed or unframed. Luca Campigotto's photographic expeditions have taken him to disparate and exotic locations around the world – Japan, India, Thailand, Chiba, Cambodia in the Far East; many European and North American cities; as well as Cairo, Lapland, Argentina, Iceland, and Easter Island. Campigotto’s works are held in private and public collections worldwide, including Maison Européenne de la Photographie (Paris), Museo Nazionale delle Arti del XXI Secolo (Rome), Museo Fortuny...
Category

2010s Contemporary Adaa Art Dealers Association Of America

Materials

Archival Pigment

Blue Coat
By Alex Katz
Located in New York, NY
Image size: 24 x 12 inches Edition of 30 Portrait of the artist's son Vincent. Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. ...
Category

1990s Adaa Art Dealers Association Of America

Materials

Aquatint

Walnut Queen Anne Potty Chair
Located in West Chester, PA
Cupid's bow crest, solid splat, great concave arm supports and carved knuckles. Spooned back, deep scalloped skirts, cabriole legs terminating in trifid feet. Wonderful old patina. P...
Category

18th Century American Queen Anne Antique Adaa Art Dealers Association Of America

Materials

Walnut

Time Together with Time to Spare
Located in Houston, TX
David Aylsworth (born 1966, Tiffin, OH) earned a BFA from Kent State University in 1989 and was an artist resident at the Core Program, Museum of Fine Arts, Houston, from 1989-1991. ...
Category

21st Century and Contemporary Adaa Art Dealers Association Of America

Materials

Canvas, Oil

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