Adaa Art Dealers Association Of America Prints and Multiples
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
1
55
7
30
19
6
11
10
8
14
12
Overall Height
to
Overall Width
to
9
9
7
2
2
1
1
12
11
6
5
4
4
4
4
3
3
3
3
3
3
2
2
2
2
2
1
2
214
133
1
4
33
55
42
38
19
9
6
4
3
20
20
17
17
14
Period: 1970s
UNTITLED (from the KINETIC PORTFOLIO)
By Antonio Asis
Located in New York, NY
2-layer serigraph, edition of 100. From the KINETIC PORTFOLIO.
top layer is a clear polymer with black printing, bottom layer is red and black dots on a gold paper.
Category
1970s Abstract Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
Hermit Crab Cup
By Ken Price
Located in New York, NY
Ken Price
Hermit Crab Cup
1972
Silkscreen on paper
Print: 28 x 22 inches; 71 x 56 cm
Frame: 30 5/8 x 24 3/4 inches; 78 x 63 cm
Edition of 60
Signed, title...
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
UNTITLED (from the KINETIC PORTFOLIO)
By Eusebio Sempere
Located in New York, NY
serigraph, Edition of 100
image of abstract flower
from KINETIC PORTFOLIO
Category
1970s Abstract Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
UNTITLED
By Francisco Sobrino
Located in New York, NY
Abstract serigraph from the KINETIC PORTFOLIO.
Edition of 100.
Category
1970s Abstract Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
COSI FAN TUTTE
By Roberto Matta
Located in New York, NY
color etching and aquatint. Edition 1/100
Fantastical
Surreal
Fantasy
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching, Aquatint
UNTITLED (from the KINETIC PORTFOLIO)
By Hugo Demarco
Located in New York, NY
serigraph from KINETIC PORTFOLIO
Edition of 100
gold ink on black paper
signed and numbered in pencil by the artist
Category
1970s Abstract Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
Colored Paper Image VI (White with Black Curve II)
By Ellsworth Kelly
Located in New York, NY
Printer: Kenneth Tyler
Publisher: Tyler Graphics Ltd., Bedford, New York
Catalogue Raissone: Axsom 146
Edition Size: 23
Signed and numbered in pencil, lower margin
Category
1970s Abstract Adaa Art Dealers Association Of America Prints and Multiples
Color Forms (F)
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....
Category
1970s Color-Field Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
UNTITLED (from the ON THE BOWERY portfolio)
Located in New York, NY
screenprint in colors AP V/XX ed.100
ON THE BOWERY, West Germany, Edition Domberger
Category
1970s Modern Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
UNTITLED (from the ON THE BOWERY portfolio)
Located in New York, NY
ON THE BOWERY, West Germany, Edition Domberger
screenprint in colors AP V/XX ed.100
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
We're All Here
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Black/Yellow
By Ellsworth Kelly
Located in New York, NY
Printer: Gemini, G.E.L., Los Angeles
Publisher: Gemini G.E.L., Los Angeles
Edition size: 55, plus proofs
Catalogue raisonné: Axsom 83
Signed and numbered, lower margin
Category
1970s Minimalist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Color Forms (B)
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....
Category
1970s Color-Field Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
North Sea
By Mimmo Paladino
Located in Dallas, TX
from the Padoli Monotypes III
Category
1970s Modern Adaa Art Dealers Association Of America Prints and Multiples
Materials
Monotype
Color Forms (G)
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....
Category
1970s Color-Field Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
Color Forms (A)
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....
Category
1970s Color-Field Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
Proof of Pudding
By Bruce Nauman
Located in New York, NY
Frame size: 44 x 51 inches
Printer and Publisher: Gemini G.E.L., Los Angeles
Edition size: 18, plus proofs
Catalogue raisonné: Cordes 31
Signed, dated, and numbered in pencil, lower...
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Color Forms (E)
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....
Category
1970s Color-Field Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
Color Forms (D)
By Leon Polk Smith
Located in New York, NY
Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....
Category
1970s Color-Field Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
Leaf VIII
By Ellsworth Kelly
Located in New York, NY
Printer and Publisher: Gemini G.E.L., Los Angeles
Edition: 20, plus proofs
Catalogue Raisonné: Axsom 173
Signed, titled, and numbered in pencil, lower margin
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Leaf I
By Ellsworth Kelly
Located in New York, NY
Portfolio: Twelve Leaves
Printer and Publisher: Gemini G.E.L., Los Angeles
Edition size: 20, plus proofs
Signed, titled, and numbered in pencil, lower right
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Silver Grotto/Yellow Grotto
By Bruce Nauman
Located in New York, NY
Printer and publisher: Gemini G.E.L., Los Angeles
Catalogue raisonné: Cordes 36
Edition size: 20, plus proofs
Signed, dated, and numbered in pencil, lower margin
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Screen
Whistle
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Proposed Monument for Alcatraz Island
By Claes Oldenburg
Located in San Francisco, CA
Edition of 150
Offset lithograph
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Offset, Lithograph
'63 Bel Air, from Four Chevies
By Robert Bechtle
Located in San Francisco, CA
Edition of 60
Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his BFA in 1954 and MFA in 1958. He began painting seriously in the early 1960s, finding his own voice through a tightly controlled realism that was distinct from the expressionistic paint-handling characteristic of Bay Area Figurative art...
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Untitled (Large Desert)
By Vija Celmins
Located in New York, NY
Medium: Lithograph
Printer and Publisher: Cirrus Editions, Los Angeles
Catalogue reference: MMA 4
Edition size: 65, plus proofs
Signed, dated, and numbered in pencil, lower margin
Category
1970s Photorealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Leaf XI
By Ellsworth Kelly
Located in New York, NY
Printer and Publisher: Gemini G.E.L., Los Angeles
Edition size: 20, plus proofs
Catalogue Raisonné: Axsom 176
Signed, titled, and numbered in pencil, lower margin
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Peach Branch
By Ellsworth Kelly
Located in New York, NY
Printer and Publisher: Gemini, G.E.L., Los Angeles;
Catalogue raisonné: Axsom 93
Signed and numbered in pencil, lower margin
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Fossil Ship
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
154 Foot Sculpture That Never Was
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Aquatint, Rag Paper, Etching
Eagle's Nest
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
"Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print:
“The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Front Elevation of Section 17
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
"Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Etching, Rag Paper, Aquatint
Birth Then?
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Woman with Corset and Long Hair
By Willem de Kooning
Located in New York, NY
Printer: Hollanders Workshop, New York
Publisher: Knoedler, New York
Edition size: 61, plus proofs
Catalogue Raisonné: Graham 17
Signed, dated, and numbered inpencil, lower margin
Category
1970s Abstract Expressionist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Untitled (Ocean)
By Vija Celmins
Located in New York, NY
Frame size: 30 7/8 x 48 inches
Printer: Ed Hamilton, Cirrus Editions
Publisher: Cirrus Editions, Los Angeles
Edition: 65, plus proofs
Catalogue reference:...
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Neighborhood
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Paper, Etching, Aquatint
Space Eagles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Paper, Etching
Colored Paper Image I (White Curve with Black I)
By Ellsworth Kelly
Located in New York, NY
Medium: Colored and pressed paper pulp
Printer: Tyler Graphics Ltd.
Publisher: Tyler Graphics Ltd., Bedford, New York
Edition size: 20, plus proofs
Category
1970s Minimalist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Other Medium
Raw War
By Bruce Nauman
Located in New York, NY
Publisher: Castelli Graphics, NY and Nicholas Wilder Gallery, Los Angeles
Edition size: 100, plus proofs
Catalogue raisonné: Cordes 7
Signed, dated, and numbered, lower margin
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Music Box
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Night Shift
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Surrealist Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Love Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Storage #2
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Environment Man
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Height Almost 34'
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“Height...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Aquatint
Still Life
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
World of Watermelons
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Leaf IV
By Ellsworth Kelly
Located in New York, NY
Portfolio: Twelve Leaves
Printer and Publisher: Gemini, G.E.L., Los Angeles
Edition size: 20, plus proofs
Signed, titled, and numbered in pencil, lower right
Catalogue Raisonné: Axso...
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Do Not Touch
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching, Aquatint
Freezing Point
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Adaa Art Dealers Association Of America Prints and Multiples
Materials
Rag Paper, Etching
Colored Paper Image XVIII (Green Square with Dark Gray)
By Ellsworth Kelly
Located in New York, NY
Medium: Colored and pressed paper pulp
Printer: Tyler Graphics Ltd., Mt. Kisco, New York
Publisher: Tyler Graphics, Mt. Kisco, New York
Edition size: 22, plus proofs
Catalogue ra...
Category
1970s Post-War Adaa Art Dealers Association Of America Prints and Multiples
Materials
Paper
Valentine
By Willem de Kooning
Located in New York, NY
Printer: Fred Genis, Hollanders Workshop, New York
Publisher: Knoedler, New York
Edition size: 47, plus proofs
Catalogue raisonné: Graham 16
Signed, dated, and numbered, lower m...
Category
1970s Abstract Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
'61 Impala, from Four Chevies
By Robert Bechtle
Located in San Francisco, CA
Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his BF...
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
'71 Caprice, from Four Chevies
By Robert Bechtle
Located in San Francisco, CA
Edition of 60
Lithograph in colors
Plate: 8 1/2 x 11 inches
Sheet: 13 x 17 inches
Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic des...
Category
1970s Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
'64 Impala, from Four Chevies
By Robert Bechtle
Located in San Francisco, CA
Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his ...
Category
1970s Contemporary Adaa Art Dealers Association Of America Prints and Multiples
Materials
Lithograph
Read More
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”
Red Grooms Salutes the ‘Ninth Street Women’ Who Revolutionized Modern Art
In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.
Just What Is an Intaglio Print, and What Makes It a Good Investment?
Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.
Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print
Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.
A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects
Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.
Recently Viewed
View AllMore Ways To Browse
Retro Mountain Poster
African American Female
Vintage Fun Posters
Railroad Paper
Snowy Mountain
November 1961
Collage Vintage 2
Hats Books
Vintage Letter Light
Antique Framed Bird Prints
Antique Bird Prints Framed
Framed Antique Bird Prints
Framed Japanese Textiles
Poster Soviet Ussr
Vintage Wwii Posters
Rising Sun Painting
Retro String Art
Concert Posters