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Antiques Associations Members Animal Paintings

Antiques Association Members
Antiques Association Members

Our distinguished antique sellers belong to leading worldwide associations with the highest vetting standards in the industry. Explore pieces from a range of historical periods offered by these design experts.

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A Break from Play
By Jane Maria Bowkett
Located in Belgravia, London, London
Oil on canvas Canvas size: 24 x 18 inches Framed size: 31 x 25.5 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Princes and Jesters
By Mark Chester
Located in Belgravia, London, London
Acrylic on board Board size: 20 x 30 inches Framed size: 26.25 x 36.5 inches Signed lower right
Category

20th Century Antiques Associations Members Animal Paintings

Materials

Acrylic, Board

19th Century Dutch Landscape oil painting of cattle by a river
By William Frederick Hulk
Located in Moreton-In-Marsh, Gloucestershire
William Frederick Hulk British/Dutch, (1852-1922) Cattle Watering Oil on board, signed Image size: 8.5 inches x 5.5 inches Size including frame: 13 inches x 10 inches A charming sma...
Category

Late 19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Board

19th Century Highland landscape oil painting of sheep near Loch Awe
Located in Moreton-In-Marsh, Gloucestershire
William Watson Jnr British, (1847-1921) On the Mountains, Loch Awe Oil on canvas, signed & dated 1892, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 18.5 inches x 24.5 inches A wonderful painting of Highland sheep resting near Loch Awe by William Watson Jnr. Loch Awe is located in Argyll and Bute in the Scottish Highlands and this scene is taken from the mountain side overlooking the loch. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Sporting oil painting of horses & hounds hunting
By George Wright
Located in Moreton-In-Marsh, Gloucestershire
George Wright British, (1860-1942) On the Scent Oil on canvas, signed Image size: 9.5 inches x 15.5 inches Size including frame: 13 inches x 19 inches George Wright was a sporting and landscape artist who was born in Leeds in 1860. He was the son of George E Wright a cashier and his wife Elizabeth. His brother Gilbert Scott Wright...
Category

Late 19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

19th Century landscape oil painting of horses near a barn with figures & a dog
By Thomas Blinks
Located in Moreton-In-Marsh, Gloucestershire
Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

The New Litter
By Heywood Hardy
Located in Belgravia, London, London
Oil on canvas Canvas size: 19 x 27.25 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

A dark bay horse standing in an extensive English landscape
Located in Bath, Somerset
A 19th century portrait of a dark bay horse standing in an extensive English landscape by David Dalby of York (fl.1797-1836). Oil on canvas in a giltwood p...
Category

Early 19th Century English School Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

19th Century landscape oil painting of sheep in a Sussex lane
By William Luker Sr.
Located in Moreton-In-Marsh, Gloucestershire
William Luker Snr British, (1828-1905) Sheep in a Sussex Lane with Pevensey Bay in the distance Oil on canvas, signed & dated 1875 Image size: 17.25 inches x 25.25 inches Size including frame: 23.25 inches x 31.25 inches A tranquil landscape scene of a shepherd and his flock resting in a lane near Pevensey Bay, Sussex by William Luker. The ruins of Pevensey Castle can be seen in the distance with the sea beyond. William Luker Snr was born in 1828 at Faringdon, Berkshire to William and Jane Luker (née Charlwood). His father was a plumber and glazier by trade and the family lived at London Street in Faringdon. Little is known about his early education and it is believed for the most part he was self -taught. However, given the quality of his work and the fact that his family were able to keep a servant, he may well have received some artistic tuition. By the early 1850’s, he had begun earning a living as an artist by advertising in local directories, earning commissions from local landowners. He made his debut at the Royal Society of British Artists in 1851 and was a prolific exhibitor there for over 40 years. He began exhibiting at the Royal Academy in 1852 and also exhibited at the British Institution. He married the artist Ada Augusta Margetts (1839-1930) on 27 October 1864. Their eldest son William Luker Jnr (1867-1951) also became a well-known artist. The couple soon moved to London where they lived at 22 Gloucester Terrace, Campden Hill from where they both exhibited. From 1867, they lived at 15 Sheffield Terrace in Kensington until 1874 when they moved for the final time to 22 Notting Hill Square, later renamed Campden Hill Square in 1893. He died at Campden Hill-square on 28 February, 1905. Luker specialised in landscapes featuring animals such as sheep and cattle, horses and deer. He travelled around visiting areas such as Sussex, Buckinghamshire, Kent, Wales and the Highlands. However, he also made trips to Egypt and Libya producing a series of Oriental scenes in the early 1860’s. His works show a great attention to detail and his use of a lighter palette gives his subjects a luminous quality that instantly attracts the viewer. Examples of his paintings are held by the Atkinson Art Gallery, National Library of Wales, Newstead Abbey...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Pair of landscape hunting scenes with wild boar
Located in Moreton-In-Marsh, Gloucestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 17 INCHES X 20 INCHES** Godfrey Douglas Giles British, (1857-1941) Wild Boar & her Young in an Indian Landscape & Pursuit o...
Category

Early 20th Century Victorian Antiques Associations Members Animal Paintings

Materials

Panel, Oil

Serval Cat
By Frank Wootton
Located in Belgravia, London, London
Oil on canvas Canvas size: 20 x 24 inches Framed size: 27.5 x 31.75 inches Signed lower right
Category

20th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

19th Century sporting oil painting of a horse and dogs hunting
Located in Moreton-In-Marsh, Gloucestershire
John Duvall British, (1815-1892) Directing the Shoot Oil on canvas, signed Image size: 17.75 inches x 13.75 inches Size including frame: 25.5 inches x 21....
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

19th Century landscape oil painting of swans on a river
By Alfred Augustus Glendening Senior
Located in Moreton-In-Marsh, Gloucestershire
Alfred Augustus Glendening Snr British, (1840-1921) Swans on the River Oil on canvas, signed & dated (18)96 Image size: 17.75 inches x 30.75 inches Size including frame: 25 inches x 38 inches Provenance: Ravensbourne Galleries, Beckenham, Kent A beautiful river landscape painting of swans...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

19th Century exhibition size landscape oil painting of Sheep on a cliff
By Charles Jones (b.1836)
Located in Moreton-In-Marsh, Gloucestershire
Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

19th Century landscape oil painting of sheep
Located in Moreton-In-Marsh, Gloucestershire
Henry/Harry Maidment British, (1868-1942) Sheep Resting Oil on canvas signed Image size: 15.5 inches x 23.5 inches Size including frame: 22.5 inches x 30.5 inches Henry or Harry Ma...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

19th Century coaching oil painting
By John Charles Maggs
Located in Moreton-In-Marsh, Gloucestershire
John Charles Maggs British, (1819-1896) Bristol, Bath & London Coach Outside The Crown Inn, Bath Oil on canvas, signed & dated 1882 Image size: 17.5 inches x 29.5 inches Size includ...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Early 19th Century sporting dog oil painting of a setter in a landscape
By Francis Calcraft Turner
Located in Moreton-In-Marsh, Gloucestershire
Francis Calcraft Turner British, (c. 1782-1846) Standing Proud Oil on canvas, signed Image size: 19.5 inches x 23.5 inches Size including frame: 25 inches x 29 inches A well-executed early 19th century painting of an Irish red and white setter in a country landscape, by Francis Calcraft Turner. Irish setters were highly popular gundogs bred to hunt gamebirds such as partridges, grouse or pheasants. The Rossmore family of County Monaghan...
Category

Early 19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Whilst the Sleeping Dog Lies
By Horatio Henry Couldery
Located in Belgravia, London, London
Oil on canvas Canvas size: 20.25 x 27.25 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Scottish landscape oil painting of sheep resting near a Highland Loch
By Robert Watson
Located in Moreton-In-Marsh, Gloucestershire
Robert Watson British, (1855-1921) Sheep Resting, Sunset Oil on canvas, signed & dated 1901 Image size: 13.5 inches x 20.5 inches Size including frame: 20.5 inches x 27.5 inches Robert William Watson was born on 9 March 1855 at 33 Marlborough Place, Brighton, Sussex the son of William John Watson (1807-1871) and Caroline Butcher. He was part of a family of highland landscape painters and his brothers Charles (1857-1923) and William Watson Jnr...
Category

Early 20th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

19th Century coaching scene oil painting
By Heywood Hardy
Located in Moreton-In-Marsh, Gloucestershire
Heywood Hardy British, (1842-1933) The Arrival of the Coach Oil on canvas, signed Image size: 19 inches x 29 inches Size including frame: 25.75 inches x 35.75 inches A superb paint...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Siberian Tiger
Located in Belgravia, London, London
Acrylic on board Board size: 20 x 32 inches Framed size: 26.5 x 38.5 inches Signed lower right
Category

20th Century Antiques Associations Members Animal Paintings

Materials

Acrylic, Board

Genre animal oil painting of a West Highland Terrier dog
By Samuel Fulton
Located in Moreton-In-Marsh, Gloucestershire
Samuel Fulton Scottish, (1855-1941) A West Highland Terrier Oil on canvas, signed & dated 1921 Image size: 17.5 inches x 13.5 inches Size includ...
Category

Early 20th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Cattle Watering
By Thomas Baker of Leamington
Located in Belgravia, London, London
Oil on canvas Canvas size: 13 x 19 inches Framed size: 18.25 x 24.25 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

19th Century landscape genre oil painting of ploughmen with horses & a dog
By George Cole
Located in Moreton-In-Marsh, Gloucestershire
George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

19th Century landscape animal oil painting of cattle & sheep by a river
By Thomas Sidney Cooper
Located in Moreton-In-Marsh, Gloucestershire
Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Sheep Resting
By Thomas Sidney Cooper
Located in Belgravia, London, London
Oil on panel Panel size: 17 x 14 inches Framed size: 22.75 x 20 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Oil, Panel

Grazing Pastures
By William Sidney Cooper
Located in Belgravia, London, London
Oil on canvas Canvas size: 18 x 30 inches Framed size: 25.25 x 37.5 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

On the Farm
By John Frederick Herring Jr
Located in Belgravia, London, London
Oil on canvas Canvas size: 21 x 17 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

19th Century sporting animal oil painting of a horse & groom in a stable
By John Ferneley Junior
Located in Moreton-In-Marsh, Gloucestershire
John Ferneley Jnr British, (1815-1862) Horse & Groom in a Stable Oil on canvas, indistinctly signed Image size: 18.75 inches x 23.25 inches Size including frame: 23.5 inches x 28 inches Provenance: The Parker Gallery, Berkeley St., London John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Highland Pastures (Pair)
By Sidney Richard Percy
Located in Belgravia, London, London
Oil on board Board size: 7 x 10.25 inches each Framed size: 9.5 x 12.75 inches each A monogrammed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Oil, Board

19th Century landscape oil painting of cattle
By Thomas Baker of Leamington
Located in Moreton-In-Marsh, Gloucestershire
Thomas Baker British, (1809-1864) Cows with a Willow Tree Oil on canvas, signed & dated 1860 Image size: 14 inches x 11.75 inches Size including frame: 20.5 inches x 18.25 inches P...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

Taunting the Geese
By Herbert William Weekes
Located in Belgravia, London, London
Oil on canvas Canvas size: 25 x 16.5 inches Framed size: 32.75 x 24.75 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Study of the Head of a Moorhen
By Joseph Mallord William Turner
Located in Belgravia, London, London
Watercolour on paper Paper size: 4 x 5 inches Framed size: 19 x 19.75 inches PROVENANCE A gift from Joseph Mallord William Turner to Miss Amelia Hawksworth (later Mrs Hotham), niece of Walter Fawkes. The watercolour descended through the ownership of Amelia Hawksworth, daughter of Francis Fawkes ( Walter Fawkes's brother) who was the main compiler of the Ornithological Collection (Miss Hawksworth owned five other bird studies by Turner). Private collection, London LITERATURE: For similar works by J M W Turner see Anne Lyles, The Tate catalogue for the exhibition 'Turner and Natural History, The Farnley Project', 1988. The present watercolour was drawn circa 1815-1820 for Walter Fawkes of Farnley Hall, for his Ornithological Collection Volume IV. Between 1808 and 1824, Turner visited Farnley Hall in Yorkshire to stay with the Fawkes family. Turner felt at home at Farnley - the Fawkes daughters reminded him of his own. He helped illustrate a five volume ornithological scrap book for the Fawkes children, making watercolour studies of the birds for the children to stick in opposite the pages on which feathers from similar birds were attached. His bird portraits were most effective, most "life-like", when in fact the bird was dead ! His watercolours of a live robin and goldfinch have a more hesitant touch. At this time Turner enjoyed the patronage first of Edward Lascelles, the heir to Harewood, and after 1808, of the radical landlord Walter Fawkes of Farnley Hall, near Otley. He became a close friend of the Fawkes family with whom he stayed for most summers until 1824. The last owner of Old Farnley Hall was Francis Fawkes, a rich widower with no direct heirs. When Francis Fawkes died in 1786 he left the house to Walter Beaumont Hawksworth of Hawksworth Hall, on condition that Hawksworth adopt the Fawkes name by Royal Licence. Walter Fawkes brought in architect John Carr of York to make extensions to the house, but he died before the work was completed, and Farnley Hall was passed on to his son, also called Walter who also took the Fawkes name and was known as Walter Ramsden Fawkes. It was this Walter who was a great friend of J M W Turner. Anne Lyles has confirmed the attribution and writes: "Everything fits in relation to the style of the watercolour and most especially the provenance - in the Turner and Natural History exhibition catalogue of 1988 we know that Amelia Hawksworth (Mrs Hotham) owned three studies of birds' heads by J M W Turner (previously with the Maas Gallery, and numbers 36, 37 and 61 in that catalogue) as well as two studies of dead game by the artist (catalogue numbers 59 and 63, the latter untraced in 1988). Interestingly, catalogue numbers 36 and 37 (the Merganser and the Smew) seem also originally to have been intended for Volume IV of the Ornithological Collection - it is likely that the "Study of the Head of a Moorhen...
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Watercolor, Paper

Bassets
By Valentine Thomas Garland
Located in Belgravia, London, London
Oil on canvas Canvas size: 16 x 22 inches Signed and dated '1894' lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Still life
By Edward Ladell
Located in Belgravia, London, London
Oil on canvas Canvas size: 12 x 14 inches Framed size: 18.5 x 20.5 inches Signed and dated 1876 lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Glen Lyon
By William Perring Hollyer
Located in Belgravia, London, London
Oil on canvas Canvas size: 20 x 30 inches Framed size: 30 x 39 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Planning the Journey
Located in Belgravia, London, London
Oil on canvas Canvas size: 18 x 23 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Asleep in the Manger
By Walter Hunt
Located in Belgravia, London, London
Pastel on paper Paper size: 13.75 x 20.5 inches Framed size: 21.5 x 28.25 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Paper, Pastel

A Caring Hand
By William Bromley
Located in Belgravia, London, London
Oil on canvas Canvas size: 12 x 10 inches Framed size: 20.5 x 18.5 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Making Friends
Located in Belgravia, London, London
Oil on canvas Canvas size: 30.5 x 25 inches Framed size: 35 x 29.5 inches Signed and dated 1865 lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Cattle Watering in the Shadows of Windsor
Located in Belgravia, London, London
Oil on canvas Canvas size: 28 x 36 inches Framed size: 41 x 48.75 inches
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Head of a Grey Pony with two Setters & Head of a Bay Pony with two Setters -Pair
By Colin Graeme Roe
Located in Belgravia, London, London
Oil on canvas Canvas size: 16 x 12 inches each Framed size: 24.25 x 20 inches each Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Near Hampstead
By Walter J. Watson
Located in Belgravia, London, London
Oil on canvas Canvas size: 13 x 18.5 inches Framed size: 17.75 x 23.75 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Leopard Cub
By Charles Fracé
Located in Belgravia, London, London
Oil on canvas Canvas size: 21 x 18 inches Framed size: 33.5 x 30.75 inches Signed lower right
Category

20th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Kittens Playing Around a Saddle
By Frank Paton
Located in Belgravia, London, London
Oil on canvas Canvas size: 22 x 30 inches Framed size: 31.5 x 39.5 inches Signed and dated '1893' lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Cattle Watering on The Thames, Near Goring
By Henry Hillingford Parker
Located in Belgravia, London, London
Oil on canvas Canvas size: 20 x 30 inches Framed size: 25.5 x 36 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Oil, Canvas

An Appreciative Audience
By Herbert William Weekes
Located in Belgravia, London, London
Oil on canvas Canvas size: 22 x 36 inches Framed size: 30.75 x 44.75 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Saint Bernard
By Carl Reichert
Located in Belgravia, London, London
Oil on panel Panel size: 6.25 x 5.75 inches Framed size: 10.75 x 10.25 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Oil, Panel

The Young Hunter
By Charles Fracé
Located in Belgravia, London, London
Oil on canvas Canvas size: 18 x 22 inches Framed size: 27.5 x 31.5 inches Signed lower left
Category

20th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

The Gathering Storm
Located in Belgravia, London, London
Oil on canvas Canvas size: 20 x 30 inches Framed size: 27.5 x 37.5 inches Signed lower right
Category

20th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

A Woeful Companion
By Arthur Batt
Located in Belgravia, London, London
Oil on canvas Canvas size: 27 x 24 inches Framed size: 33 x 30.5 inches Signed and date '87 lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Spotting his Reflection
Located in Belgravia, London, London
Oil on canvas Canvas size: 10 x 14 inches Signed and dated '1887' lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Large scale 19th Century genre/sporting oil painting of lady with donkey & cart
By Alfred William Strutt
Located in Moreton-In-Marsh, Gloucestershire
Alfred William Strutt British, (1856-1924) Good Sport Oil on canvas, signed, old hand written label verso with the artist’s address Image size: 31.5 inches x 54.5 inches Size includi...
Category

19th Century Victorian Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Before a Days Shooting
By Colin Graeme Roe
Located in Belgravia, London, London
Oil on canvas Canvas size: 20.5 x 27.5 inches Framed size: 24.75 x 32 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

In Pursuit
By Heywood Hardy
Located in Belgravia, London, London
Oil on canvas Canvas size: 20 x 30 inches Framed size: 25.25 x 35.25 inches Signed in lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

On the Lledr, North Wales
By Walter J. Watson
Located in Belgravia, London, London
Oil on canvas Canvas size: 16 x 26 inches Framed size: 22.5 x 33 inches Signed lower right
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

A Parting Glass
By Heywood Hardy
Located in Belgravia, London, London
Oil on canvas Canvas size: 20 x 30 inches Framed size: 26.25 x 36.25 inches Signed lower left
Category

19th Century Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

Tiger
By David Shepherd
Located in Belgravia, London, London
Oil on canvas Canvas size: 20 x 34 inches Framed size: 28.25 x 42.5 inches Signed lower right
Category

20th Century Impressionist Antiques Associations Members Animal Paintings

Materials

Canvas, Oil

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