Antiques Associations Members Andirons

Unusual with brass post and curved legs with copper and brass detail.

A cute pair of late 19th century gilt and Patina bronze chenets / bookends Depicting a dog and cat perched on a pillow, sitting on a bronze base.  This...

A Beautiful Late 19th Century Gilt Bronze Fireplace Fender The center of the fender with a wreath and scrolling foliage with berries, each end with a child reaching toward a flame ...

A very impressive large pair of Dutch influenced classical 19th century brass andirons or firedogs. Each with two circular brass finials b...

A large pair of 19th century renaissance style bronze andirons in the manner of Nicolo Roccatagla, mounted with cherubs and mystical figures. These impressive andirons are after the ...

A Nice Pair of Late 19th Century Gilt Bronze Chenets Each with swagged flaming-urn finial, flanked by pine cone finial. Sizes Height: 17 inches / 43cm Width: 18.5 inches / 47cm

A decorative pair of French chenets modelled with a couple seated on scrolling acanthus, the male playing the flute. Mid 19th century

An Interesting Pair of Late 19th Century Gilt Bronze Chenets Each depicting Bacchus, wrapped in grape vines, flanked by a cherub and standing on a bronze base. Details: Height – 19...

An amazing pair of Arts & Crafts burnished steel andirons by Walter Frank Knight OBE 1885 to 1972. Knight was a silver smith working in Wellingborough and these are a one off commis...

A pair of Charles II style, enamel brass and cast iron armorial firedogs, in the manner of Anthony Hatch and Stephen Pilcherd. Each firedog is decorated with red, blue and white enamel, the upperpart bearing the arms of Charles II or James II, the middle part formed of two nude male figures supporting the arms with a vase of flowers between them, the lower portions in the form of two convex disks decorated with flowers, with wrought iron supports. They are modelled after an example in the collections of the Victoria & Albert Museum, London, formerly belonging to the Earl of Cowley. For a long time, their method of production -whereby the fields to be enameled were cast in the original moulds and not, as was more common, engraved (champlévé) or enclosed (cloisonné) - was referred to as Surrey Enamels after the author Charles R. Beard ascribed their manufacture to a factory in Esher, Surrey. However, documentary evidence makes a strong case for their reattribution to the London workshops of Anthony Hatch and Stephen Pilcherd, members of the Armourers' and Braziers' Company (see C. Blair and A. Petterson, 'Details for Surrey Enamels Reattributed (Part 1)', Journal of the Antique Metalware...