Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Period: 20th Century
'Church with Star' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Joseph and Potiphar's Wife 1
By Lovis Corinth
Located in Santa Monica, CA
LOVIS CORNTH (German 1858 - 1925)
JOSEPH und POTIPHARS WEIB 1, 1914 (S. 168)
Drypoint, Unsigned, platemark 7 3//8" X 9 5/8 " on good watermarked laid paper. Full margins, deckl...
Category
1910s Expressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint
'European Landscape' —Mid-century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Drypoint
'Three Masted Ship, 2' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Three Masted Ship, 2 (Dreimastiges Schiff, 2)', woodcut, 1937, one of a small but unknown number of letterhead proofs; Prasse W296. Feininger estate stamp and inventory no. 'W 865' in pencil, bottom left sheet corner. Annotated 'W 296' and 'on block : 3702a' in pencil, bottom right sheet corner.
A fine impression, on cream, laid, letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 2 11/16 inches; sheet size 10 x 6 3/4 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Balustrade Vase C
By Betty Woodman
Located in Lyons, CO
Color monotype collage/woodcut.
Since 1985, Woodman collaborated with Master printer Bud Shark to produce monotypes, woodcuts and lithographs with the same inventiveness and exubera...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Monotype
From: You Are The Weather
By Roni Horn
Located in New York, NY
Two-color silkscreen on Arches,
20 x 24” (50,7 x 60,4 cm),
in wooden frame, 20 3/4 x 24 3/4” (54,4 x 64,5 cm),
printed by Atelier für Siebdruck, Lorenz Boegli, Zurich,
Ed. 60/XX, sig...
Category
1990s Ifpda International Fine Print Dealers Association
Materials
Screen
'Havoc in Heaven' — Mid-Century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Havoc in Heaven', lithograph, 1948, edition 30-35, Fine and Looney 270. Signed, titled, and numbered 'Ed 35' in pencil. Initialed in the stone, lower right. Printed...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Aboriginal Child Frightened by Abstraction and Time
By William T. Wiley
Located in Lyons, CO
Color lithograph with chine collé, Edition 30.
William Wiley uses current political and social issues to comment on life in our time. His stunning draftsmanship, and freeform lov...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Sunflower
By Chuck Close
Located in Fairlawn, OH
Polaroid polacolor II photograph
Signed and dated in ink
From: The Indominal Spirit Portfolio, 1990
The Indomitable Spirit Portfolio published in 1990 in an edition of 50. The portfolio, featuring works by John Baldessari, Barbara Kruger, Annette Lemieux...
Category
1980s Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
Suite Catalana, plate 4
By Antoni Tàpies
Located in London, GB
Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Aquatint
'The Bather' — 1930s American Modernism
By Rockwell Kent
Located in Myrtle Beach, SC
Rockwell Kent, 'The Bather', wood engraving, 1931, edition 120, Burne Jones 63. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 1/2 to 3 1/4 inches); slight skinning at the top sheet edge, verso, otherwise in excellent condition. Image size 5 3/8 x 7 7/8 inches (137 x 200 mm); sheet size 11 1/8 x 14 1/2 inches (283 x 368 mm). Archivally matted to museum standards, unframed.
Impressions of this work are held in the following public collections: Burne Jones Collection, IL; Chegodaev Collection, Moscow; Kent Collection, NY; Philadelphia Museum of Art; Princeton University Library, NJ; Pushkin Museum, Moscow; Smithsonian American Art Museum, Spector Collection, NY.
Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world.
Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University.
Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper.
Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Reflet
By Mikio Watanabe
Located in New Orleans, LA
This impression is #8 of 50
Mezzotint artist Mikio Watanabe was born in 1954 in Japan and currently lives in France. He is most known for his elegant, evocative black and white nude...
Category
1980s Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Blue and White Embroidery Design
By Felix Fuzier
Located in New York, NY
Original color Jugendstil design lithograph from "Dessins et Broderies Pour Costum et Ameublement." Paris, 1900.
Category
Early 1900s Jugendstil Ifpda International Fine Print Dealers Association
Materials
Paper
'Church with House and Tree' – Artist's Personal Letterhead, 1940s Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'.
A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce.
Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted.
Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Wendingen, Issue 8/9, Cover by R.N. Roland Holst, 1923.
Located in New York, NY
WENDINGEN- 5-8/9 1923
R. N. ROLAND HOLST. Shells, the Wonder Forms of the Sea. Published November 1923.
Strange resemblance’s by R. N. Roland Holst; Na...
Category
1920s Symbolist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Brussels Griffon Painting
Located in New York, NY
Original Brussels Griffon gouache, probably Belgian, done as a design for a series of matchboxes.
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Board, Gouache
'Little Locomotive' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK).
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
To the Sea
By Jack Coughlin 1
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category
1960s American Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
Untitled V (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Infinity Field - Olympia III
By Theodoros Stamos
Located in New York, NY
The Greek American artist, Theodoros Stamos, was born in 1922 in New York City into a family of Greek immigrants. He was a member of The Irascibles group which consisted of the first...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Screen
Desert Icon II
By Roy Ahlgren
Located in Fairlawn, OH
Desert Icon II
Screen print, c. 1968
Signed, titled and numbered in pencil (see photos)
Edition 100 (17/100)
Printed by the artist
This image is the most elaborate of three color var...
Category
1960s Op Art Ifpda International Fine Print Dealers Association
Materials
Screen
PROLETARIANS
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1893 - 1949)
PROLETARIANS (aka Basurero, Scavengers ) 1935 (Orozco 27)
lithograph, One of 88 signed and numbered of a total edition of 133, (+ 42 unnumbered a...
Category
1930s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Lithograph
Toilet
By Eric Gill
Located in Storrs, CT
Toilet. (After a drawing by Norval Gray.) 1923. Wood engraving on sycamore, end grain. Physick 256. 4 1/2 x 2 1/2 (sheet 5 5/8 x 4 1/8). Proof printed on sturdy Japanese mulberry lai...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut, Engraving
Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
By Frederick Mershimer
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Mezzotint, Aquatint
Untitled IV (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
California Poppies Watercolor
Located in New York, NY
Watercolor illustration for a series of commercial seed packets. Printed by Stecher-Traung Lithograph Corporation, Rochester, NY, circa 1935. Some staining from tape to edges.
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Watercolor, Board
St. Ives Harbor, Cornwall, England, 1905
By Hayley Lever
Located in Myrtle Beach, SC
An early 20th-century Hayley Lever watercolor depicting fishing boats docked at the St. Ives Harbor, Cornwall, England. A fine, spontaneous rendering on watercolor paper, in the orig...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
THE RUG WEAVER
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE RUG WEAVER, 1910 (Chamberlain 26)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category
1910s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Study of an Italian Town with Women in a Doorway
By Jared French
Located in Fairlawn, OH
Study of an Italian Town with Women in a Doorway
Graphite on cream wove paper, c. 1960
Signed by the artist in pencil lower right (see photo)
A master of ...
Category
1960s American Realist Ifpda International Fine Print Dealers Association
Materials
Graphite
Untitled III (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Untitled VI (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
#90 Strange Creature
By Norbert Lenz
Located in Fairlawn, OH
#90 Strange Creature
Oil and pencil on board, 1932
Signed and dated in the image lower right (see photo)
Provenance:
Joseph M. Erdelac, Cleveland, OH
Condition: excellent
Archival framing
Image size: 10 1/2 x 11 3/4 inches
Frame size: 25 x 24 inches
Painter, illustrator and commercial artist Norbert Lenz was born in Norwalk, Ohio and received his artistic training at both the Huntington Polytechnic Institute and the Cleveland School of Art. During his career Lenz exhibited his paintings and drawings at such institutions as the Pennsylvania Academy of Fine Art, the Art Institute of Chicago, the Cleveland Museum of Art and the Butler Institute of American Art. Today the art of Norbert Lenz is held by the Columbus Museum of Art, the Cleveland Museum of Art and the Butler Institute of American Art.
Lenz was also a very highly regarded commercial designer of stamps. He worked for a number
of years at the House of Farman, a leading vendor of first day covers...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Oil
Chrysanthemums and Bands
Located in Storrs, CT
Chrysanthemums and Bands. c.1900. Dark ground Japanese paper stencil on mulberry paper treated with persimmon juice and smoked. Drill and punch carving. 8 x 13 7/8 (sheet 12 1/2 x 16 1/2). Ex-collection Arthur Wesley Dow. $300. Housed in a 16 x 20-inch archival mat, suitable for framing.
Katagami are Japanese stencil patterns that were used for printing kimono patterns...
Category
Early 20th Century Edo Ifpda International Fine Print Dealers Association
Materials
Stencil
Untitled I (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Untitled II (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
The Beach at Kaiganji in Sanuki Province — Lifetime Impression, 1934
By Kawase Hasui
Located in Myrtle Beach, SC
The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso.
Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm).
Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison.
ABOUT THE ARTIST
“I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui
Hasui Kawase...
Category
1930s Showa Ifpda International Fine Print Dealers Association
Materials
Woodcut
Georgiana and Eliza (cousins of Jane Eyre)
By Fritz Eichenberg
Located in New Orleans, LA
Fritz Eichenberg did some original wood engravings for Jane Eyre. This is an image featuring Georgiana And Eliza. As children, Eliza and Georgiana Reed, alon...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Wood, Engraving
La Casita Azul
By Emilio Sanchez
Located in New York, NY
“LA CASITA AZUL”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
SITUATION
By Katsunori Hamanishi
Located in Santa Monica, CA
KATSUNORI HAMANISHI (b.1949)
SITUATION X (S. 32) Mezzotint Signed, titled and numbered 6/90 in pencil.
13 1/4 x 11 5/8 inches, sheet 18 1/4 x 14 1/2 inches. Excellent condition.
She...
Category
1980s Realist Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Edge of the Woods.
By William Harry Warren Bicknell
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
La Receveuse (Bill Collector) —French Cubism
By Jean-Emile Laboureur
Located in Myrtle Beach, SC
Jean-Emile Laboureur, 'La Receveuse', engraving, 1919, edition 8, first state of two (artist's proof). Laboureur, Godefroy 190.
Signed and numbered '3/8 ép' in pencil. Initialed and...
Category
1910s Cubist Ifpda International Fine Print Dealers Association
Materials
Engraving
Le Fondeur Paris [Steel Worker]
By Eugène Carrière
Located in New York, NY
Carriere, Eugene. Le Fondeur, Paris 1900 [Steel Worker], Color lithograph.
Ref: Das Fruhe Plakat 134. 51 x 34 3/4 inches.
Eugène Anatole Ca...
Category
Early 1900s Symbolist Ifpda International Fine Print Dealers Association
Materials
Lithograph
![Le Fondeur Paris [Steel Worker]](https://a.1stdibscdn.com/eugene-carriere-prints-works-on-paper-le-fondeur-paris-steel-worker-for-sale/a_2922/1610896410669/Carriere_E_master.jpg?width=240 "carriere painter")
Avion
By Piero Dorazio
Located in New York, NY
This print is named Avion, meaning Airplane. It shows diverse, vertical colored stripes, some angular and some slightly curved. Different tones of blue dominate the foreground. Some...
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Aquatint
'Le Paradis Terrestre' (Paradise on Earth) — 1930s Symbolism
By Edouard Goerg
Located in Myrtle Beach, SC
Edouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...
Category
1930s Symbolist Ifpda International Fine Print Dealers Association
Materials
Etching
Exits II
By Lynn Shaler
Located in New Orleans, LA
This is a rare example of Shaler's early work. This piece was exhibited in Associated American Artists' exhibition on the Prints of New York City...
Category
1980s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
De trace de pas de trace de…
By Roberto Matta
Located in Fairlawn, OH
Signed in pencil lower right
Color etching with aquatint
From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images)
Edition: 85 portfolios in the re...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching, Aquatint
Woman in a Fur Wrap
By Rudolf Bauer
Located in Fairlawn, OH
Woman in a Fur Wrap
Pen and ink heightened with white, c. 1920
Signed in ink lower right (see photo)
Estate stamp verso (see photo)
Provenance: estate of the artist
Borghi & Company, New York
Condition: excellent
Sheet/Image size: 11 1/8 x 8 1/8 inches
Rudolph Bauer
1889-1953
"Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'.
From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Ink
'Church with Houses' — Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Houses' also 'Tree and Star' ('Kirche mit Hausern', 'Baum und Stern'), woodcut, 1933, one of a small but unknown number of letterhead proofs; Prasse W275. Annotated 'W 275' (Feininger catalogue number) and inventory number '3033' in pencil, in the bottom right sheet corner. A fine, richly-inked impression, on cream, laid letterhead paper, in excellent condition. Very scarce.
Image size 2 7/16 x 2 5/8 inches; sheet size 10 x 6 7/8 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Evening' —Mid-Century American Surrealism
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Evening', color serigraph, 1958, edition 25, Ryan 71. Signed, titled, and annotated 'Ed. 25' in pencil. A fine impression, with fresh colors, on cream wove paper; the...
Category
Mid-20th Century Surrealist Ifpda International Fine Print Dealers Association
Materials
Screen
The Heavenly Suite (purple)
By Robyn Denny
Located in London, GB
Screenprint
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Screen
'Going My Way?' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Going My Way?', lithograph, 1946, edition 14. Signed in pen, recto. Titled, numbered '#118 14/14' and dated '5/5/46' in pen, verso. A fine, richly-inked impression, on heavy, off-white wove paper, with full margins (1 5/8 to 2 15/16 inches), in excellent condition. Image size 13 1/8 x 7 3/8 inches; sheet size 17 x 12 3/8 inches. Scarce. Matted to museum standards, unframed.
An impression of this work is in the permanent collection of the National Gallery of Art.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Church at Chichicastenango
By Jesse F. Reed
Located in Myrtle Beach, SC
Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition.
Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year.
ABOUT THE ARTIST
Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years.
A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise.
The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...
Category
1960s American Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint, Etching
SEA TREASURES
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS)
SEA TREASURES...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
Proscenium IV (grid with lines and white patches)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Jonah
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996)
JONAH, 1959
Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...
Category
1950s Modern Ifpda International Fine Print Dealers Association
Materials
Stencil, Woodcut
Burlesque Girl.
Located in Storrs, CT
Lloyd William Wulff. Burlesque Girl. 1938. Lithograph. 10 1/4 x 11 3/8 (sheet 12 1/2 x 15 1/8). Edition 28, #16. Federal Arts Project blind stamp. Printed on cream wove paper with fu...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Church with House and Tree' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Gargoyle and His Quarry
By John Taylor Arms
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
