Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Backyard II
By Robert Kipniss
Located in Fairlawn, OH
Backyard II
Lithograph, 1972
Signed lower right
Signed lower right
Annotated: Printer's Proof
Reference: Karl Lunde 58
An impression is in the collection of the Art Institute of Chic...
Category
1970s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
THE WAGON SHOP
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE WAGON SHOP, 1910 (Chamberlain 24)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category
1910s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Child Reaching' — 1940s American Modernism
By Will Barnet
Located in Myrtle Beach, SC
Will barnet, 'Child Reaching', woodcut, 1940, edition 25, Cole 82. Signed and titled in pencil. A fine, black impression, on fibrous Japan paper, with full margins (5/8 to 1 3/4 inch...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Arising
By Alessandro Mastro-Valerio
Located in Fairlawn, OH
Arising
Mezzotint, 1942
Signed in pencil lower right (see photo)
Publisher : Issued by the Miniature Print Collectors Society.
Edition: 200
Condition: Mint
Archival framing wit...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Trim Fit (Deconstructed Singer machine gives both steel and silk equal weight)
By Carol Wax
Located in New Orleans, LA
Carol Wax deconstructs a Singer sewing machine in this mezzotint created in an edition of 75. The image gives equal weight to the steel of the machine and the silk of the fabric. It...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
John Lennon sitting on an advertising hoarding at Marylebone Station II
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
Y is for Yacht, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category
1990s Pop Art Ifpda International Fine Print Dealers Association
Materials
Screen
MISSOURI MOUSE - Large Folio "The Viviparous Quadrupeds of North America" Pl.100
By After John James Audubon
Located in Santa Monica, CA
(After) JOHN JAMES AUDUBON (1785 - 1851)
MISSOURI MOUSE, 1846 - Plate 100 (C) No. 20
Lithograph with original hand coloring. From Audubon's "The Viviparous Quadrupeds of North America...
Category
1840s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
$600 Sale Price
20% Off
SIXTEEN ETCHINGS
By Raphael Soyer
Located in Portland, ME
Soyer, Raphael. SIXTEEN ETCHINGS.
Published by Associated American Artists, NY, 1965.
From the Deluxe suite of 25 on Japan paper, this copy number 24/25. (There were a further 60 p...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Etching
Along the Avenue
Located in Storrs, CT
Ruben Gelardi's depiction of a yellow tram in Copenhagen. Pastel on paper measures 15 7/8 x 20; frame dimensions measure 22 1/4 x 26 3/4 x 1 1/4. Artist'...
Category
1950s Abstract Impressionist Ifpda International Fine Print Dealers Association
Materials
Pastel
The Beatles, Paul McCartney on a train at Marylebone Station
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
Daureen, II
By Nell Blaine
Located in Fairlawn, OH
Daureen, II
Etching, 1969
Signed in pencil lower right
Edition: 28 (17/28)
Condition: Excellent
Two hinges from previous matting
Blaine studied etching at Atelier 17 in New York and considered one of their distinguished alums.
"Blaine was foremost an abstract painter, first a student of Theresa Pollak...
Category
1960s Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
Eroded Rock, Point Lobos
By Edward Weston
Located in Fairlawn, OH
Eroded Rock, Point Lobos
Gelatin silver print, 1929
Unsigned
Signed with the estate stamp verso (see photo)
A lifetime printing by Brett Weston, supervised by his father Edward
Editi...
Category
1920s Abstract Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
Sanctuary - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
This etching is #2 out of an edition of 10
Category
2010s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Plate I, Le Cocu Magnifique
By Pablo Picasso
Located in Fairlawn, OH
Plate I, Le Cocu Magnifique
Etching, 1968
From: Le Cocu Magnifique
Unsigned as issued in the portfolio
The set of 12 etching & aquatints is signed by Picasso on the justification pa...
Category
1960s French School Ifpda International Fine Print Dealers Association
Materials
Etching
The Ruby R
By William Thon
Located in Myrtle Beach, SC
William Thon, 'The Ruby R', watercolor, c. 1990. Signed, lower right; titled verso. A fine, expressionist work, on off-white watercolor paper; the image extending to the sheet edges....
Category
1950s American Modern Ifpda International Fine Print Dealers Association
Materials
Watercolor
COMPOSITION - Lovely design portraying a future Abstract Expressionist.
Located in Santa Monica, CA
JAMES CHAPIN (1887 – 1975)
COMPOSITION c. 1940
Lithograph signed in pencil, Image 11 7/8 x 7 ¾ inches, sheet 13 5/8 x 10 5/8 inches. Just a hint of mat line in the margins and on the verso. Some remnants of old tape prImarily at the left & right sheet edges. Rather scarce print but possibly published by Associated American Artists.
WONDERFUL PORTRAYAL OF AN UP AND COMING ARTIST...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Bullfight'— Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bullfight', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '105' (the artist's inventory number) and '13/15' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/16 to 2 3/8 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 5 1/16 x 4 1/16 inches (129 x 103 mm); sheet size 8 9/16 x 6 5/16 inches (217 x 160 mm).
An impression of this work is included in the museum collection of the National Gallery of Art.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Woodcut
$360 Sale Price
20% Off
Missing Peace (Homage to 911)
By Carol Wax
Located in New Orleans, LA
The Artist's Christmas homage to the attack on the twin towers with reindeer atop the buildings.
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting.
In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association
Materials
Intaglio
TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985)
TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category
1940s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
'Cerro Paine Grande, Chile' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Cerro Paine Grande, Chilean Patagonia', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted.
Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches.
From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire.
Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023.
ABOUT THE IMAGE
Cerro Paine Grande is the highest summit of the Cordillera Paine Mountain Range located within Chile's Torres del Paine National Park, one of the most breathtaking national parks in the world and a UNESCO Biosphere Reserve since 1978. The Torres del Paine or Towers of Paine are three massive granite pillars...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching, Photogravure
THE RUG WEAVER
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE RUG WEAVER, 1910 (Chamberlain 26)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category
1910s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Untitled
By Dorothy Heller
Located in Fairlawn, OH
Untitled
Watercolor on paper, 1990
Signed lower left corner
Provenance: Gift of the Artist to one of hr patrons
Distinguished Midwest Private Collection
Conditi...
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Watercolor
'The Yankee' — America's Cup, 1934
By Jacques La Grange
Located in Myrtle Beach, SC
Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed.
When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules."
ABOUT THE ARTIST
Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
$560 Sale Price
20% Off
Park Scene (Chelsea, Manhattan)
By Virginia Dehn
Located in Fairlawn, OH
Park Scene (Chelsea, Manhattan)
Oil on artist's board, c. 1947-49
Signed lower right (see photo)
Provenance: Estate of the artist
Dehn Heirs
Condition: Good, needs a light cleaning
Original wormy chestnut frame
Painting size: 9 1/4 x 12 inches
Frame size: 14 1/4 x 17 inches
One of the earliest know Virginia Dehn paintings after her marriage to Adolf in 1947. The lived in Chelsea at 433 West 21st St.
Inscription by artist verso:
Virginia Dehn
443 W. 21 St.
New York City
V.70
Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn
Virginia Dehn in her studio in Santa Fe
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India.
Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies.
Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Oil
Making Leaves - In Celebration of Pride Month
By Arthur Tress
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Tress uses a bed, the juxtaposition of two rakes and a scattering of fallen leaves ...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
$1,280 Sale Price
28% Off
Nude sunning on Floor (out of the shadows) - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
A signed Certificate of Authority will be included with all photographs. A nude m...
Category
2010s Photorealist Ifpda International Fine Print Dealers Association
Materials
Digital, Photographic Paper
Water Margin
By Matt Magee
Located in Houston, TX
Matt Magee
Water Margin, 2023
Lithograph
24 1/4 x 18 3/4 in (61.6 x 47.6 cm)
Edition of 20
Category
21st Century and Contemporary Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
Girl in Profile
By William Sommer
Located in Fairlawn, OH
Girl in Profile
Lithographic crayon and watercolor on thin wove paper, c. 1930
Signed twice in pencil (see photos)
Provenance: Estate of the Artist
Edward Somme...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Watercolor
A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category
1920s Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$1,750 Sale Price
30% Off
'Mehr Sonne fur 1924' (More Sun for 1924)— German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Mehr Sonne fur 1924. Viel Gluck Wunscht Karl Michel U. Frau', woodcut, 1924, edition 20. Signed, dated, and numbered 'op. 162' and '15/20' in pencil. Signed in the image, lower left. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in very good condition. Printed by the artist. Scarce. Matted to museum standards, unframed.
New Year's Greeting – English translation: "More Sun for 1924. Good Luck Wishes from Karl Michel and his Wife."
Image size 4 5/8 x 4 3/4 inches (118 x 121 mm); sheet size 7 3/4 x 10 inches (198 x 254 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Duomo, Florence
By Donald Shaw MacLaughlan
Located in Fairlawn, OH
The Duomo, Florence
Watercolor, 1914
Signed and dated lower center edge (see photo)
Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi.
Condition: Excellent
Image size: 16 3/4 x 14 1/2 inches
Frame size: 24 1/4 x 22 inches
Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters.
Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year.
He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...
Category
1910s American Modern Ifpda International Fine Print Dealers Association
Materials
Watercolor
'Early Marshes' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Early Marshes', from the portfolio 'Ten Engravings'. engraving, 1943, edition 50. Signed, dated, titled, and numbered '37/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with margins (2 5/8 to 7 inches), in excellent condition.
With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed.
Image size 5 x 5 7/8 inches (127 x 149 mm); sheet size 15 x 11 inches (381 x 279 mm).
Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions.
“The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.”
—Anais Nin, from the forward to the portfolio ‘Ten Engravings’
ABOUT THE ARTIST
Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature.
Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research.
Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June.
Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages."
In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking.
Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Engraving
Sleeping Car
By James L. Hendershot
Located in New Orleans, LA
Associated American Artists published "Sleeping Car" by James Hendershot. This image shows a rail car filled with passengers and conductors.
This exhibit...
Category
Late 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
$150 Sale Price
62% Off
'Les Penitentes #3' — 1970s Modernist Abstraction
By Ralston Crawford
Located in Myrtle Beach, SC
Ralston Crawford, 'Los Penitentes #3', etching, 1976, edition 20. Signed and numbered '6/20' in pencil; titled and annotated 'specially selected for Marcelle and Dan' in the bottom s...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
PHOTOGRAM
By Roi Partridge
Located in Santa Monica, CA
ROI PARTRIDGE (1888-1964)
PHOTOGRAM c 1940
Gelatin Silver Print c. 1940 9 ½ x 7 ¾ signed & titled. Mounted on card. Partridge was a well known California etcher. He was married...
Category
1940s Abstract Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
$2,600 Sale Price
20% Off
EXPANSION
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. EXPANSION. B&M 334. Etching and soft-ground etching, in color, 1969-70. Edition of 100 (there were also 20 artist's proofs, and several trial proofs in other...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Etching
Figured Base
By William Wegman
Located in New York, NY
2015, pigment print, mounted: 30 x 24 inches, edition of 7
Edition of 7
"Figured Base" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is rep...
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association
Materials
Archival Pigment
Lobsterman's Cove, Winter Harbor, Maine
By Stow Wengenroth
Located in Fairlawn, OH
Lobsterman's Cove, Winter Harbor, Maine
Lithograph, 1941
Signed in pencil lower right (see photo)
Edition 50
Impressions are in the collection of the Pennsylvania Academy of the Fine...
Category
1940s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
On the Beach at Long Branch - The Children's Hour
By Winslow Homer
Located in Fairlawn, OH
On the Beach at Long Branch - The Children's Hour
Wood engraving, 1874
Published in "Harper's Weekly" August 15, 1874 (p. 672)
Image size: 9 1/4 x 13 5/8 inches
Provenance: Wunderlic...
Category
1870s Hudson River School Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category
1920s Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Drypoint
$2,000 Sale Price
20% Off
Love and Death.
By Sir Frank Short
Located in Storrs, CT
Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder
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Winged Love...
Category
Early 1900s Victorian Ifpda International Fine Print Dealers Association
Materials
Mezzotint
$1,000 Sale Price
33% Off
Isaiah's Prayer
By Marc Chagall
Located in Fairlawn, OH
Isaiah's Prayer
Etching, c. 1931-1939
Signed in the plate (see photo)
Plate No. 99
From: La Bible. L'Ancien Testament (105 plates)
Edition of 275 unsigned (there were an additional 2...
Category
1930s French School Ifpda International Fine Print Dealers Association
Materials
Etching
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled Cubist Abstraction
Signed and dated lower right
Watercolor, charcoal and gouache on paper, 1922
Provenance: Estate of the Artist
Schroeder, Romero & Sh...
Category
1920s Cubist Ifpda International Fine Print Dealers Association
Materials
Charcoal, Watercolor, Gouache
$20,000
'Venice, Maria della Salute' — Serenissima Impressionism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...
Category
1930s Realist Ifpda International Fine Print Dealers Association
Materials
Etching
Schooner St. Croix
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created the watercolor entitled “Schooner St. Croix” in 1952. This piece is signed in pen at the lower right and titled on the verso. The paper size is 16.88 x 22.25 inches. Stamped on verso "Estate of Emilio Sanchez." Good to very good condition.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1950s American Realist Ifpda International Fine Print Dealers Association
Materials
Watercolor, Graphite
'Rue du Hallage - Rouen' — 1920s British Impressionism
By Sybil Andrews
Located in Myrtle Beach, SC
Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....
Category
1920s Post-Impressionist Ifpda International Fine Print Dealers Association
Materials
Monotype
'To Market, to Market' — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'To Market, to Market', lithograph, c. 1935, edition 20. Signed, titled, and numbered '6/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full ma...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
$360 Sale Price
20% Off
Broadway from the Bowling Green, 1828 — early New York City, hand-coloring
Located in Myrtle Beach, SC
J. R. Hutchinson, 'Broadway from the Bowling Green, 1828', hand-colored etching, 1828. Signed and dated in the plate, beneath the image, lower right. Ann...
Category
1820s Realist Ifpda International Fine Print Dealers Association
Materials
Etching
Coisa Linda.
By Beatriz Milhazes
Located in New York, NY
MILHAZES, Beatriz. Coisa Linda. Unpaginated. Illustrated with 34 hand-printed screen prints and a unique collage. 4to., bound in original decorated blue and gold cloth, yellow paper spine in a yellow cloth slipcase. New York: Library Council of The Museum of Modern Art, 2002.
The first book published in "Contemporary Editions" by the Library Council of the Museum of Modern Art. This exquisite book was created by contemporary Brazilian artist Beatriz Milhazes. Each copy contains thirty-four hand-printed screenprints by Milhazes, and a unique collage. The screenprints are printed in forty colors and are bound in a hand-printed cover, all created by Milhazes in collaboration with the printmaker Jean-Paul Russell...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association
Materials
Paper
Lillies and Bowls (still life of flowers and colorful bowls)
Located in New Orleans, LA
The moon, bowls, lillies and birds are featured in this 2002 mezzotint. It is #17 from an edition of 75 and is signed, titled, dated and edition by hand by this Korean artist born i...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association
Materials
Mezzotint
$140 Sale Price
36% Off
UP TO THE WOOLWORTH
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857- 1926)
UP TO THE WOOLWORTH 1915 (Wuerth 673)
Etching, signed in pencil. Early state before additional work, especially before extensive darkening in the sky. I...
Category
1910s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
The Pump House, Notre Dame, Paris
By Charles Meryon
Located in Storrs, CT
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x.
1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris .
Initial...
Category
Mid-19th Century Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
$3,000 Sale Price
70% Off
Icare- Icarus
By André Verdet
Located in Fairlawn, OH
Icare- Icarus
Linocut in colors, 1972
Unsigned
Stamped in ink on verso: "Imprimerie Arnéra" Archives/ Non Signé
Provenance: Arnéra Archive
...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Linocut
Flamingo Engraving
Located in New York, NY
Original engraving, hand-colored at publication, after the work of Mark Catesby by Johann Michael Seligmann from "Sammlung verschneider auslandischer und seltener Vogel." Nuremberg:...
Category
Mid-18th Century Ifpda International Fine Print Dealers Association
Materials
Laid Paper
'Bird Dog' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bird Dog', color lithograph with relief collagraph, 1946, edition 14. Signed, dated, titled, and numbered '123' (the artist's inventory number) and '12/14' in pen. A fine impression, with fresh colors, on heavy, cream, wove paper; the full sheet with margins(1 3/4 to 3 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 10 1/8 x 6 7/8 inches (257 x 174 mm); sheet size 17 x 11 7/16 inches (432 x 291 mm).
A collagraph is a relief print made from a collage of various materials adhered to a metal, plastic, hardboard, or other type of ground plate. In this work, the artist appears to have combined a lithograph with a collagraph to achieve the intricately textured image.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States.
Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Lithograph
$600 Sale Price
20% Off
Geometric Abstraction
Located in Myrtle Beach, SC
A unique, beautifully composed, large-scale geometric abstraction encaustic, with fresh colors, on fibrous buff, wove paper; the image extending ...
Category
Mid-20th Century Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Encaustic
'Eyes for the Night' — Mid-Century American Surrealism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Eyes for the Night', color lithograph, 1948, edition 35, Fine and Looney 261. Signed, dated, and titled, and annotated 'Ed 35' in pencil. A fine impression with fresh colors, on cream wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Printed by master lithographer Theodore Cuno. Archivally matted to museum standards, unframed.
Image size 19 x 13 inches; sheet size 21 1/8 x 15 1/4 inches.
Selected by the artist for his retrospective exhibition 'Benton Spruance: Lithographs...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Dangerous: The Appearance of a Contemporary Geisha of the Meiji Era
By Taiso Yoshitoshi
Located in Fairlawn, OH
Dangerous: The Appearance of a Contemporary Geisha of the Meiji Era
Color woodcut, 1888
Plate 28 from the series "Thirty-two Aspects of Customs and Manners" (Fuzoku Sanjuniso)
Format...
Category
1880s Ifpda International Fine Print Dealers Association
Materials
Woodcut
A Sunset in Ireland.
By Seymour Haden
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
19th Century Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off