Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Landscape
By Cornelis Ploos van Amstel
Located in New York, NY
Original engraving by old master print-maker Ploos Van Amstel after Jan van Goyen. Holland, 1767. Unframed. Trimmed to size.
Category
1760s Ifpda International Fine Print Dealers Association
Materials
Paper
$325
Building New York
By Leon Kroll
Located in Fairlawn, OH
Building New York
Watercolor on paper, c. 1915
Signed by the artist lower right (see photo)
Partial watermark: "MADE IN ENGLAND... LINEN FIBER"
Excellent, COLORS FRESH AND VIBRANT
Br...
Category
1910s American Realist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Young Lad ( haunting portrait of young boy on a crowded London street)
By Richard Sadler
Located in New Orleans, LA
Richard Sadler's "Young Boy" is a haunting portrait of a very serious young British lad amidst a crowd of other people. He is dressed very formally in hat, coat and tie. He clutche...
Category
1950s Contemporary Ifpda International Fine Print Dealers Association
Materials
Photographic Film, Photographic Paper
Piazzetta, Venice
By Jan C. Vondrous
Located in Myrtle Beach, SC
Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...
Category
1930s Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
Lithographie originale our XXe siecle
By Hans Hartung
Located in Fairlawn, OH
Lithographie originale our XXe siecle
Color lithograph, 1964
Unsigned (as issued)
From: XXe siecle, Permanence du Sacre, No. 24
Publisher: G. di San Lazzaro, Paris
Printed by Mourlot...
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
Pont Marie, Paris — Mid-Century Photogravure
Located in Myrtle Beach, SC
Rémy Duval, 'Pont Marie, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives paper; the sheet with dec...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Photogravure
Atlas Cornice Drawings 1 — Vienna Secessionist
By Heinrich Brad Schmidt
Located in Myrtle Beach, SC
Heinrich Brad Schmidt, two early 20th-century German Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot ...
Category
1920s Vienna Secession Ifpda International Fine Print Dealers Association
Materials
Pencil
The Loop II (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category
1990s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
'Petrouchka's Predicament' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Petrouchka's Predicament', color lithograph, 1946, edition 20. Signed, dated, titled, and numbered '115' and '14/20' in pen. A fine, richly-inked impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 1/2 inches), in excellent condition. Image size 21 3/4 x 13 3/4 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed.
'Petrouchka', a ballet with music by the Russian composer Igor Stravinsky and choreography by Michel Fokine, is based on the legend of Russian folklore. 'Petrouchka', a puppet made of straw with a bag of sawdust as his body, comes to life and has the capacity to love, a story conceptually resembling that of Pinocchio.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Little Locomotive' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK).
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Whale's Back [Connecticut]
By Kerr Eby
Located in Storrs, CT
The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby.
The scene is probably Westport or Cos Cob, Connecticut.
The scene is probably Westport or Cos Cob, Connecticut.
Kerr Eby...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
![The Whale's Back [Connecticut]](https://a.1stdibscdn.com/kerr-eby-prints-works-on-paper-the-whales-back-connecticut-for-sale/a_3352/a_115476821673484515318/whalesbackeimage3_master.jpg?width=240 "Kerr Eby - The Whale's Back [Connecticut]")
$750 Sale Price
25% Off
Asian Massif - 1
By Jules Olitski
Located in London, GB
Jules Olitski
Asian Massif - 1
1975
Water base acrylic on canvas
213.4 x 88.9 cms (84 x 35 ins)
JO001
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Acrylic
'#9' — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Dean, '#9', color lithograph, 1970, edition 7. Signed, titled, and annotated 'Ed 7' in pencil. A fine impression, with fresh colors, on Arches, ...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Formation - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Formation is from a limited edition of 12. It is signed in pencil on back, Nude males are the falling leaves in this autumnal wonderland.
A new book on the artist will be published in Spring.
London-based Photographer and Graphic designer Omer Ga...
Category
2010s Surrealist Ifpda International Fine Print Dealers Association
Materials
C Print
Angel and Skeleton (the rescuing Angel appears to be female)
By Donna Evans
Located in New Orleans, LA
Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape.
Donna Evans is one of a group of N...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
Rehearsal, "Long Day's Journey Into Night" — Mid-Century American Impressionism
By Robert Philipp
Located in Myrtle Beach, SC
Robert Philipp, 'Rehearsal, "Long Day's Journey Into Night" ', color pastel, c. 1957. Unsigned. A fine, atmospheric rendering, on warm gray charcoal paper; a reinforced crease (1/2 inch) across the bottom left sheet corner; otherwise in very good condition. Image and sheet size 17 1/2 x 21 3/4 inches. Matted to museum standards, unframed.
Provenance: Art Students League, from the artist’s personal portfolio.
ABOUT THE ARTIST
Robert Philipp (1895–1981) was a celebrated American Post-Impressionist painter known for his nudes, still lifes, and portraits. Noted art critic Henry McBride named Philipp one of America's top six painters of his generation. Philipp was an instructor of painting at the Art Students League, New York, for 33 years. Philipp was Secretary of the National Academy of Design, a National Academician, and a Benjamin Franklin Fellow at the Royal Society of Arts in London. His composition and painting style has been compared to the art of Edgar Degas and Pierre Auguste Renoir.
In 1940, Philipp was invited to Los Angeles by Hollywood producer Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of ‘The Long Voyage Home’, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis Quintanilla...
Category
1950s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Pastel
'Arbre-Homme' (Tree-Man) —Mid-Century European Surrealism
By Ferdinand Springer
Located in Myrtle Beach, SC
Ferdinand Springer, 'Arbre-Homme', engraving, 1945, edition 23. Signed and numbered '23/20' in pencil.
A fine, richly-inked impression, on heavy, b...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Engraving
The Holy Family
By Fra Bonaventura Bisi
Located in Chicago, IL
The Holy Family, 1634
Etching after Parmigianino (Parma 1503 - 1540 Casal Maggiore)
305 x 230 mm.; 12 x 9 inches
References:
Nagler Monogrammisten II...
Category
17th Century Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
Amphitrite Nude Etching
By Raoul Dufy
Located in New York, NY
Original etching. This is the frontispiece etching published in Paris in 1930 by Floury for Marcelle Berr de Turique's monograph on the artist Dufy. Signed by Raoul Dufy within the p...
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Paper
STREET ACAPULCO
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857 - 1926)
STREET ACAPULCO 1901-08. Color pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image, 10 x 14 inches to j...
Category
Early 1900s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Pastel, Mixed Media, Gouache
$1,240 Sale Price
24% Off
The Workshop (Stirling)
By Sir David Young Cameron, R.A.
Located in Storrs, CT
The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Drypoint
$1,000 Sale Price
50% Off
Cudham, Kent
By Graham Sutherland
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Etching
$2,800 Sale Price
20% Off
Double Recursive Combs, Boustrophedonic
By James Siena
Located in Houston, TX
James Siena
Double Recursive Combs, Boustrophedonic, 2005
Silk-screen
Artist's proof 7/12, aside from the edition of 75
21 x 28 inches
Framed
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Screen
Provincetown (Sunbathing)
By Peter Grippe
Located in Fairlawn, OH
Provincetown (Sunbathing)
Sepia ink on tan paper, 1966
Signed in ink lower center (see photo)
Exhibited: Art from Lexington Homes, Lincoln Massachusetts, May 14-22, 1966 (see label)
...
Category
1960s American Modern Ifpda International Fine Print Dealers Association
Materials
Ink
Two Open Squares Within a Red Area
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
2010s Minimalist Ifpda International Fine Print Dealers Association
Materials
Paper, Etching, Aquatint
Lament for Lorca
By Robert Motherwell
Located in London, GB
Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper
44x61 in (111.8x154.9cm)
Edition of 52
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Color, Lithograph
Bastille Day
By Mary Faulconer
Located in New York, NY
Faulconer, Mary.
Bastille Day.
Gouache on gesso board, 2000.
Framed size: 13 3/4 x 17 3/4 in.
Category
Early 2000s Ifpda International Fine Print Dealers Association
Materials
Gesso, Gouache, Board
Untitled (Mother and Child)
By Maurice Denis
Located in Myrtle Beach, SC
Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed.
Collection: Los Angeles County Museum of Art.
Reproduced: German Expressionist Prints...
Category
1890s Symbolist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Studio Interior No. 1 — 1930s Masterwork
By Armin Landeck
Located in Myrtle Beach, SC
Armin Landeck, 'Studio Interior No. 1', 1935, drypoint, edition 100, Kraeft 56. Signed in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream laid pap...
Category
1930s American Realist Ifpda International Fine Print Dealers Association
Materials
Drypoint
'Self-Portrait with Black Hat' — Mid-Century American Impressionism
By Robert Philipp
Located in Myrtle Beach, SC
Robert Philipp, 'Self-Portrait with Black Hat', ink and color pastel, c. 1945. Signed in ink, lower right. A fine, spontaneous drawing, on heavy, buff wove paper; the artist's tack holes in the top and bottom left sheet corners, minor rippling in the bottom sheet edge; otherwise in good condition. Image size 16 1/4 x 11 1/4 inches; sheet size 19 1/4 x 12 3/4 inches. Matted to museum standards, unframed.
Provenance: Art Students League, from the artist’s personal portfolio.
ABOUT THE ARTIST
Robert Philipp (1895–1981) was a celebrated American Post-Impressionist painter known for his nudes, still lifes, and portraits. Noted art critic Henry McBride named Philipp one of America's top six painters of his generation. Philipp was an instructor of painting at the Art Students League, New York, for 33 years. Philipp was Secretary of the National Academy of Design, a National Academician, and a Benjamin Franklin Fellow at the Royal Society of Arts in London. His composition and painting style has been compared to the art of Edgar Degas and Pierre Auguste Renoir.
In 1940, Philipp was invited to Los Angeles by Hollywood producer Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of ‘The Long Voyage Home’, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Pastel, Ink
'Fruit Forms' — American Modernism
By Albert Heckman
Located in Myrtle Beach, SC
Albert Heckman, 'Fruit Forms', color lithograph, edition not stated, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colo...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
The Dance of Death. 1914-1918
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint
CASTLE ROCK - SANTA MONICA, CA
Located in Santa Monica, CA
THOMAS HILL McKAY (1875-1941)
ARCH ROCK - SANTA MONICA, CA c. 1925-30
Watercolor, signed lower right. Sheet 14 x 18 inches.. Additional full sheet study on verso.. Generally good c...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Quintet
By Terry Haass
Located in Myrtle Beach, SC
'Quintet', etching and aquatint, edition 20, c. 1948. Signed, titled, and numbered '12/20' in pencil. A superb, richly-inked impression, on off-white wove paper, with full margins (1...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
'Color Abstraction of Pyramids and Temples of Mexico' — Abstract Expressionism
Located in Myrtle Beach, SC
Hyman Warsager, 'Color Abstraction of Pyramids and Temples of Mexico', acrylic and oil pastel, c. 1960s. Initialed in pencil, lower right. A spontane...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Pastel, Acrylic
The Temptation of Christ by the Devil (2nd State)
By Christoffel Jegher
Located in Chicago, IL
Woodcut after Peter Paul Rubens (Siegen 1577-1640 Antwerp)
Reference:
Le Blanc 6
Hollstein 6 II/III
Notes:
1. A very fine impression of the 2nd state (of three) of this majo...
Category
17th Century Baroque Ifpda International Fine Print Dealers Association
Materials
Woodcut
'The Castle' — Mid-Century Modernist Children's Fantasy
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'The Castle', color serigraph, 1953, edition 35, Ryan 33. Signed, titled, and numbered '11/35' in pencil. A fine impression, with fresh colors, on cream Japan paper. Th...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Screen
Charing Cross - The Statue of Charles I.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching, Aquatint
$780 Sale Price
20% Off
Muse (a young novice in colorful swim suit struggles thru a pool of blue)
By Art Werger
Located in New Orleans, LA
Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...
Category
Early 2000s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Bedside View - In Celebration of Pride Month
By Brinley Ribando
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
a sexy young girl lies in bed bathed in sunlight
Category
2010s American Modern Ifpda International Fine Print Dealers Association
Materials
Digital Pigment
$72 Sale Price
20% Off
Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B
Color woodcut, 1959
Signed and dated lower right (see photo)
Titled lower left (see photo)
A trial proof, prior to the edition of 100, signed and numbered
Condition: Excellent
Image size: 14 1/2 x 9 3/4 inches
Provenance: Estate of the artist
by decent to his heirs
"Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio.
Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Category
1950s Abstract Ifpda International Fine Print Dealers Association
Materials
Woodcut
Tidal Shift # 1 (Young bathers stroll on beach with others out in surf Montauk)
By Art Werger
Located in New Orleans, LA
'Tidal Shift' refers not only to the endangered coastal tideland but also to the psychological mindset of the characters. At first glance, the image projects seaside relaxation but ...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Study for Mid-Manhattan II
By John Marin
Located in Fairlawn, OH
Study for Mid-Manhattan II
Oil and graphite on paper, mounted to board, 1932
Signed by the artist in pencil lower right
Sight size: 8 1/2 x 7 inches
One of a series of studies for th...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Oil
Lindsey Row, Chelsea
By James Abbott McNeill Whistler
Located in Storrs, CT
Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...
Category
Late 19th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Foul Rope (Left)' — Early American Southwest Rodeo
By William Robinson Leigh
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed.
Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm).
ABOUT THE ARTIST
Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’
The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama.
In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes.
Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians.
In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911).
In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers.
For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955.
In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape.
Leigh's work is held in many museum collections of American Western art...
Category
1920s Realist Ifpda International Fine Print Dealers Association
Materials
Etching
Paisaje de Memoria (The Landscape of Memory)
By Osmeivy Ortega Pacheco
Located in New Orleans, LA
A snail and the head of a horse figure prominently in the artist's landscape of memory. This image was published at Tamarind
Osmeivy Ortega Pacheco, b...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
$585 Sale Price
35% Off
Olkia-1
By Victor Vasarely
Located in Fairlawn, OH
Olkia-1
Color lithograph, 1962
Signed dated and numbered in lower margin
Edition: 80 (32/80)
Condition: Very good. White pigment appears to have been added along the border of the ov...
Category
1960s Op Art Ifpda International Fine Print Dealers Association
Materials
Lithograph
Dory Fishermen
By Frederick Cozzens
Located in New York, NY
Dory Fishermen
Frederick Schiller Cozzens created this watercolor entitled “Dory Fishermen” in 1888. This piece is signed in brush, lower left “Fred S. Cozzen...
Category
Late 19th Century Naturalistic Ifpda International Fine Print Dealers Association
Materials
Watercolor
Untitled (Still Life)
Located in Fairlawn, OH
Untitled (Still Life)
Etching, aquatint and soft ground, 2001
Signed in pencil (see photo)
Edition: 260
Published by the Print Club of Cleveland, Publication 80, 2002
Printed by Felix Harlan at Harlan and Weaver, New York
William Bailey, Modernist Figurative Painter, Dies at 89
He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery.
The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey
By William Grimes for the New York Times
April 18, 2020
William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89.
His death was confirmed by his daughter, Alix Bailey.
Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art.
In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery.
His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than
“They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979.
Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air.
The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.”
But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.”
William Harrison Bailey...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Standing Female Nude
By Aaron Bohrod
Located in Fairlawn, OH
Standing Female Nude
Ink on paper
Signed by the artist with his initials lower left "AB"
Related to numerous drawings of the same model illustrated in: Elliott and Wooden, Aaron Bohr...
Category
1950s American Realist Ifpda International Fine Print Dealers Association
Materials
Ink
Gravesend
By James McBey
Located in Storrs, CT
Gravesend. August 1928. Ink and watercolor on paper. 13 1/2 x 21. Signed and dated in ink, lower left; and titled in ink, verso. Housed in a 24 1/2 x 31-inch Whistler-style gold frame.
Gravesend is a town in northwest Kent, England, on the south bank of the Thames, opposite Tilbury in Essex, about 15 miles southeast of London.
Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category
20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Ink, Watercolor
$1,925 Sale Price
44% Off
Delta (River delta in front of mountains in volcanic landscape, Iceland)
By Udo Claassen
Located in New Orleans, LA
Delta was first brought to attention as one of the dramatic images illustrated in Carol Wax's book, The Mezzotint, History and Technique. It was also exhibited at the New Orleans Mu...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association
Materials
Mezzotint
The Hold Up, First State
By George Wesley Bellows
Located in Fairlawn, OH
Signed in pencil by the artist lower right
Titled "Hold Up" by the artist in pencil.
Signed by the printer Bolton Brown lower left.
Edition: 42 in this state
Note: In The Hold Up, se...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Morning
By Caroline Durieux
Located in New Orleans, LA
Caroline Durieux created the technique (electron print) used in the depiction of "Morning".e. This is only one of 5 impressions. Some have theorized that the image is close to that of the artist's brother, Professor Charles Durieux.
In the electron print technique, radioactive isotopes are mixed with printing ink. A drawing is made and exposed face-to-face to paper coated with a radio-sensitized substance. The paper is then developed and produces an exact image of the original drawing.
“The image is transferred from the radioactive drawing to the sensitized paper by invisible beta rays,” says Dr. Wheeler. “Since beta rays are electrons, we named the process Electron Printing.”
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1950s American Modern Ifpda International Fine Print Dealers Association
Materials
Photographic Paper, Lithograph
$550 Sale Price
38% Off
Rooftops (the harbor and skyline of NYC from Brooklyn rooftop)
By Frederick Mershimer
Located in New Orleans, LA
Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick Mershimer. His images travel through the serenity of a Brooklyn neighborhood on a sti...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint, Aquatint
Trees in Ranchitos I — Taos Modernism
By Andrew Dasburg
Located in Myrtle Beach, SC
Andrew Dasburg, 'Trees in Ranchitos I', lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression in warm black ink, on he...
Category
1970s Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Le Figuier d'Antibes
By Paul Guiramand
Located in Chicago, IL
This lithograph comes from an edition of 120 and it is signed and numbered.
Guiramand’s works all have one element in common: the artist’s extraordinary sensitivity and ability to a...
Category
1970s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
The Doorway.
By James McBey
Located in Storrs, CT
Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
'Cheerleader' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Cheerleader', wood engraving, 1945, edition 15. Signed, dated, titled, and numbered '104' (the artist's inventory number) and '8/15' in pencil. A fine, black impression, with full margins (1 1/2 inches), on heavy, cream wove paper, in excellent condition. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Rockport Harbor' — Mid-Century Modernism
By Louis Wolchonok
Located in Myrtle Beach, SC
Louis Wolchonok, 'Rockport Harbor', gouache, c. 1950. Signed in ink, lower right. A fine, modernist work, with fresh colors, on cream wove drawing pape...
Category
1950s American Modern Ifpda International Fine Print Dealers Association
Materials
Gouache
