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International Fine Print Dealers Association Art

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Niagara Falls
By Adolf Arthur Dehn
Located in Fairlawn, OH
Niagara Falls Lithograph, 1931 Signed lower right (see photo) Titled/edition lower left. (see photo) Edition of 25 Provenance: the Estate of the Artist Condition: Excellent Image si...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

The Dead Tiger
By Dorothy Dehner
Located in Fairlawn, OH
The Dead Tiger Ink and watercolor on paper, 1955 Signed and dated in ink (see photo) Condition: Aging to the entire sheet (it's 78 years old) Image/Sheet size: 18 1/4 x 23 inches On...
Category

1950s Abstract International Fine Print Dealers Association Art

Materials

Watercolor

Ephemera
By Ida Applebroog
Located in New York, NY
Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...
Category

Late 20th Century Contemporary International Fine Print Dealers Association Art

Materials

Aquatint, Photogravure

Schuylkill River
By John Sloan
Located in New York, NY
John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt im...
Category

1890s American Realist International Fine Print Dealers Association Art

Materials

Etching

Poles and Cypresses
By Donald Sultan
Located in Fairlawn, OH
Poles and Cypresses Woodcut printed in black, 1982 Unsigned From: Tramp Picture series "The printer was Claude Jinchat at Imprimerie Arnéra, Vallauris. The set was published by Blum ...
Category

1980s Contemporary International Fine Print Dealers Association Art

Materials

Linocut

Elegy for a Forgotten Day
By Marc Balakjian
Located in New Orleans, LA
This image is an artist proof and is annotated VIII / VIII The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...
Category

Late 20th Century Abstract International Fine Print Dealers Association Art

Materials

Mezzotint

A Jersey Vraic Cart
By Edmund Blampied
Located in Fairlawn, OH
A Jersey Vraic Cart Etching, 1939 Signed lower center margin (see photo) Signed and dated in the plate (see photo) Edition 250 plus 10 on J. Whatman laid paper Printed by David Stran...
Category

1930s English School International Fine Print Dealers Association Art

Materials

Etching

Schutzt Das Kind! Automobil-Club der Schweiz
By Muller-Brockmann, Josef.
Located in New York, NY
Muller-Brockmann, Josef. Schutzt Das Kind! Automobil-Club der Schweiz 1953. On linen Offset. Minor imperfection otherwise in good condition 50 x 35 7/8". Pioneer of Swiss Graphic...
Category

1950s Modern International Fine Print Dealers Association Art

Materials

Offset

untitled (Pueblo)
By Virginia Dehn
Located in Fairlawn, OH
Untitled (Taos Pueblo) Ink on paper, 1985-1990 Signed by the artist in ink lower right (see photo) An early New Mexico period work, created shortly after the artist moved from New York. Provenance: estate of the artist Dehn Heirs Condition: Excellent Image/sheet size: 13 1/8 x 18 1/2 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category

Early 20th Century American Modern International Fine Print Dealers Association Art

Materials

Ink

Ouverture de la Chasse ua Bois de Boulogne
By George Goursat
Located in New York, NY
Sem, (George Goursart). Ouverture de la Chasse ua Bois de Boulogne.. Ca 1900. Signed in the stone. Slight center vertical fold, otherwise in very good condition. Signed in the sto...
Category

Early 1900s Art Nouveau International Fine Print Dealers Association Art

Materials

Lithograph

Pylon (Brooklyn Bridge from Manhattan side of East River near South St. Seaport)
By Frederick Mershimer
Located in New Orleans, LA
A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...
Category

Early 2000s Contemporary International Fine Print Dealers Association Art

Materials

Mezzotint

Prelude de Lohengrin (2e planche) (The Appearance of the Holy Grail)
By Henri Fantin-Latour
Located in Fairlawn, OH
Prelude de Lohengrin (2e planche) (The appearance of the Holy Grail) Lithograph, 1898 Signed and dated in the stone lower left (see photo) Printed on chine collee paper Condition...
Category

1890s Romantic International Fine Print Dealers Association Art

Materials

Lithograph

Trivium MMV
By Francisco Souto
Located in New Orleans, LA
In medieval universities, the trivium comprised the three subjects that were taught first: grammar, logic, and rhetoric. The word is a Latin term meaning "the three ways" or "the thr...
Category

Early 2000s American Modern International Fine Print Dealers Association Art

Materials

Mezzotint, Lithograph, Screen

Side View Seated Female Nude
By Frank Duveneck
Located in Fairlawn, OH
Side View Seated Female Nude Graphite on paper, c. 1890's Unsigned Provenance: Rookwood Pottery Factory Collection, Cincinnati Spanierman Gallery, New York (label) Drawings from the...
Category

1890s American Impressionist International Fine Print Dealers Association Art

Materials

Graphite

Hand-Colored Madagascar Parrot Engraving
By George Edwards
Located in New York, NY
Original engraving, hand-colored at the time of publication, after the work of George Edwards from "Sammlung verschneider auslandischer und seltener Vogel" by Johann Michael Seligmann. Tab IX. Le Perroquet...
Category

Mid-18th Century International Fine Print Dealers Association Art

Materials

Laid Paper

Birthday 3-7-65
By Jim Dine
Located in Fairlawn, OH
Birthday 3-7-65 Lithograph, 1965 Signed, titled, dated and numbered in pencil (see photos) Edition: 23 Published by ULAE, their chop stamp lower left (see photo) Printed by Ben Berns...
Category

1960s Pop Art International Fine Print Dealers Association Art

Materials

Lithograph

EUCALYPTUS TREE
By Leon Bibel
Located in Portland, ME
Bibel, Leon (American, born Poland, 1912-1995). EUCALYPTUS TREE. Screenprint, 1938. Edition of 25. Signed, titled, dated and numbered 14/25, all in pencil, and also signed in the mat...
Category

1930s International Fine Print Dealers Association Art

Materials

Screen

Making Leaves (a sexy still life where 2 rakes and some leaves turn up the heat)
By Arthur Tress
Located in New Orleans, LA
Tress uses a bed, the juxtaposition of two rakes and a scattering of fallen leaves to enter a sexy anthropomorphic world. Often men are called "rakes" to suggest amoral activity. In...
Category

1970s Contemporary International Fine Print Dealers Association Art

Materials

Silver Gelatin

Times Square I (the neon signs in Manhattan's Times Square)
By Art Werger
Located in New Orleans, LA
Times Square I is a montage of large neon signs that dominate Manhattan's Times Square. This impression is pencil signed, titled and dated and is #40 ...
Category

Early 2000s American Modern International Fine Print Dealers Association Art

Materials

Mezzotint

House of Levy
By Kate Shepherd
Located in Houston, TX
Kate Shepherd House of Levy, 2022 Oil and enamel on panel 20 x 14 1/2 in (50.8 x 36.8 cm) JPHB 5184
Category

21st Century and Contemporary Abstract International Fine Print Dealers Association Art

Materials

Enamel

Roberta Kimmel Cohn (1937-2015)
By Naomi Savage
Located in Fairlawn, OH
Roberta Kimmel Cohn (1937-2015) Toned sliver gelatin print, c. 1981 Unsigned (Signed and dedicated on the sketchbook page) see photo Condition: Excellent Image size: 13 1/4 x 10 5/8 ...
Category

1980s American Modern International Fine Print Dealers Association Art

Materials

Silver Gelatin

Rest
By Joseph Havel
Located in Houston, TX
Joseph Havel Rest, 2004 Double woven silk taffeta labels in an acrylic construction 13 1/2 x 12 1/2 x 1 3/4 inches
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Fabric

ORTHOPHONIC EVENING
By Walt Kuhn
Located in Portland, ME
Kuhn, Walt (American, 1877-1949). ORTHOPHONIC EVENING. Drawing, ink and watercolor, 1928. Titled, signed and dated within the image, in ink, and further inscribed with the copyright symbol (c in a circle) and signed and dated 1937, in pencil, presumably to preserve reproduction and publication rights. 9 1/2 x 15 1/2 inches, plus margins of about 1/2 inch. In excellent condition. The "Orthophonic Victrola," introduced in 1925, was the first electric record player sold commercially. In the drawing it is seen at the left, with the host changing a record. The rest of the drawing reveals that listening to music was not the primary activity of the "orthophonic evening." The following is quoted from The Pillips Collection's biography of Kuhn: Walt Kuhn is remembered as an early promoter of modern art in America. He was not only a well-known painter, but also a cartoonist, sculptor, printmaker, writer, teacher, and producer of vaudeville shows. Born in 1877, Kuhn grew up in Brooklyn, where he received his education in private schools until he was sixteen. In 1899 he ventured to San Francisco to work as a cartoonist for The Wasp, a political and literary weekly. In 1901 Kuhn traveled to Europe for formal art training at the Académie Colarossi in Paris and later at the Munich Academy. Returning to New York in 1903, he established a studio in Manhattan and helped arrange the 1910 Exhibition of Independent Artists. He was a founding member and officer of the Association of American Painters and Sculptors, the organization responsible for mounting the Armory Show of 1913, and in this role traveled through Europe in 1912 looking at art and helping to select works to be exhibited. Seeing paintings by Cézanne, Derain, Dufy, Pascin, and the cubists affected his style, and throughout the teens and early twenties Kuhn experimented with fauve colors, using blocks of color akin to Cézanne and with cubist space, integrating abstracted forms into the space of the picture plane. Finally, he developed his own painting style characterized by solid, sculptural depictions of single figures. Kuhn had his first solo show in 1910 at the Madison Gallery...
Category

1920s International Fine Print Dealers Association Art

Materials

Watercolor

Livre (An opening to the book of knowledge)
By Anne Dykmans
Located in New Orleans, LA
This image seems to capture the opening of knowledge through books. At the top of the imagemoors are opening revealing a sliver of light providing entree to yer massive book at the ...
Category

1970s International Fine Print Dealers Association Art

Materials

Mezzotint

Eurybia and Eros
By George Braque
Located in Fairlawn, OH
Eurybia and Eros Etching, 1932 Printed on BFK Rives paper Unsigned (as issued by Vollard) Published by Ambrose Vollard, Paris From the suite of 16 illustrations for Hesiod's Theogony...
Category

1930s French School International Fine Print Dealers Association Art

Materials

Etching

Missing Link
By Carol Wax
Located in New Orleans, LA
This image is #12 from an edition of only 75, Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after...
Category

2010s American Modern International Fine Print Dealers Association Art

Materials

Mezzotint

La Place de la Concorde
By Robert Delaunay
Located in Fairlawn, OH
La Place de la Concorde Depicts La Place d la Concorde, Tour Eiffel and Sacre-Couer on Montmarte Hill in the back left Lithograph, 1926 Unsigned. as issued From the book edition, Jos...
Category

1920s Orphist International Fine Print Dealers Association Art

Materials

Lithograph

Four Nudes in a Landscape
By Jan Matulka
Located in New York, NY
Jan Matulka (1890-1972), Four Nudes in a Landscape, drypoint, c. 1923, signed in pencil lower right margin [also with initials in the plate lower left]. Ref...
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Drypoint

Lady with a Bike (atmospheric photograph of Vietnamese woman on her bike)
By Benno Thoma
Located in New Orleans, LA
Benno Thoma's color image of a Vietnamese woman on her bike was taken in Hanoi. It is a painterly image created through photographic technique. This impression is #1 of an edition of...
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Photographic Paper, Archival Pigment

The Loop VI (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop VI was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category

1990s Modern International Fine Print Dealers Association Art

Materials

Etching

Our Gang
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 20. Don Ed Hardy’s lithographs, created in the spring of 2007, continue the “look” of his Ghost Writer painting series which has been developed over the past five years. They are evocative of ancient Chinese stone rubbings, or x-rays. Both prints refer to earlier images from Japanese art history. Our Gang...
Category

Early 2000s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

Three Leaves
By Christine Ravaux
Located in New Orleans, LA
Ravaux used the rule of threes to show 3 pieces of Christmas ivy floating below three sources of light. Christine Ravaux is a Belgian artist who uses nature in much of her work whic...
Category

Early 2000s Modern International Fine Print Dealers Association Art

Materials

Mezzotint

Untitled (Abstraction)
By Rolph Scarlett
Located in Fairlawn, OH
Untitled (Abstraction) Ink on textured paper, c. 1958 Signed lower right "Scarlett" (see photo) Condition: Excellent Archival framing with OP3 Acrylic Sheet size: 21 3/4 x 30 inches Frame size: 28 1/2 x 36 1/2 inches Note: A rare mid to late 1950s example of the artist's abstract expressionist style. Provenance: estate of the artist Private Collection, Hudson River Valley, New York Rolph Scarlett B. 1889, GUELPH, ONTARIO; D. 1984, WOODSTOCK, NEW YORK Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O’Neill’s drama Lazarus Laughed (1926). In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths. In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum’s collection. From 1940 to 1946, Scarlett served as the museum’s chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation.” During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery...
Category

1950s Abstract International Fine Print Dealers Association Art

Materials

Ink

Branche Horizontale (horizontal branch lying on patterns of grass and leaves)
By Christine Ravaux
Located in New Orleans, LA
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with grasses and ferns that lie beneath. Christine Ravaux is a Belgian artist who uses nature in m...
Category

Late 20th Century Modern International Fine Print Dealers Association Art

Materials

Mezzotint

D is for Dish (A fine whimsical work by a pioneer in the English Pop Art scene)
By Harvey Daniels
Located in New Orleans, LA
British Pop artist Harvey Daniels created this image in 1970 in a small edition of 20. This impression is #2 His work has described by art historian Norbert Lynton as a “visual carni...
Category

1970s Pop Art International Fine Print Dealers Association Art

Materials

Lithograph

Barns in the Helderberg, New York (rural 1930s American scene with vintage car)
By Martin Lewis
Located in New Orleans, LA
"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Chalk, Charcoal

UNTITLED DRAWING
By William Gropper
Located in Portland, ME
Gropper, William (American, 1897-1977). UNTITLED DRAWING. Blue chalk on fibrous handmade paper. Signed lower right, and inscribed at left to Irwin and Sarah Lefcourt. 26 1/2 x 20 1/...
Category

Mid-20th Century International Fine Print Dealers Association Art

Materials

Chalk

The Draped Figure, Seated
By James Abbott McNeill Whistler
Located in Fairlawn, OH
The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbe...
Category

1890s American Impressionist International Fine Print Dealers Association Art

Materials

Lithograph

To the Sea
By Jack Coughlin 1
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category

1960s American Modern International Fine Print Dealers Association Art

Materials

Aquatint

Unknown title (castle with wall, stream and footbridge)
By David Cox
Located in Fairlawn, OH
Unknown title (castle with wall, stream and footbridge) Watercolor on laid paper, mounted to support of old Albumin photograph mount Signed and dated lower left (see photo) The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's Condition: Mounted to verso of albumin photograph mount (see photo) Glue residue outside of image/sheet on recto Colors fresh No other issues to note David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter. His son, known as David Cox the Younger (1809-1885), was also a successful artist. Early life in Birmingham, 1783–1804 Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...
Category

1840s Romantic International Fine Print Dealers Association Art

Materials

Watercolor

The Old Uppsala Church (Sweden)
Located in New Orleans, LA
"Old Uppsala Church" was done in small edition of 15. This impression is #3. Gamla Uppsala (Swedish: Old Uppsala) is a parish and a village outside Uppsala in Sweden. As early as the 3rd century AD and the 4th century AD and onwards, it was an important religious, economic and political centre. Early written sources claim that already during pre-history, Gamla Uppsala was well known in Northern Europe as the residence of Swedish kings of the legendary Yngling dynasty In fact, the oldest Scandinavian sources, such as Ynglingatal, the Westrogothic law and the Gutasaga talk of the King of the Swedes (Suiones) as the "King at Uppsala". During the Middle Ages, it was the largest village of Uppland, the eastern part of which probably originally formed the core of the complex of properties belonging to the Swedish Crown, the so-called Uppsala öd, of which the western part consisted of the royal estate...
Category

Late 20th Century Modern International Fine Print Dealers Association Art

Materials

Lithograph

L'Angellus (The Angel)
By Alfredo Müller
Located in Fairlawn, OH
L'Angellus (The Angel) Etching, engraving and acquatint on Arches paper, 1908 Signed lower right by the artist (see photo) This is a first state impression printed in a brown/black ink There was also a color edition of 50 impressions published by Sagot Reference: Wurzer 27 Provenance: Edmund Sagot, the publisher Sagot Heirs Condition: Rich impression. Verso: print has staining. Printer's crease visibile from verso only. Image/Plate size: 19 1/4 x 15 1/2" (48.9 x 39.37 cm) Sheet size: 24 x 17 3/8 inches From the British Museum: "Colour etcher. Born in Livorno from a family of wealthy Swiss cotton merchants, studied with Giuseppe Ciaranfi and Michele Gordigiani in Florence. In 1886 exhibited with Fattori, Achille Lega and Tommasi in the Prima Esposizione delle Belle Arti in Livorno. In 1888 he and his family moved to Paris, where he studied first with François Flameng until 1892 and later with Carolus-Duran. Müller remained in the French capital until the outbreak of the First World War, taking French citizenship in 1913. He worked in the countryside at Barbizon, Suresnes and elsewhere, but also made frequent visits to his native country, where he exhibited regularly in Florence with the Promotrice Fiorentine. His early work was indebted to Fattori and Plinio Nomellini, but he soon became interested in the Impressionists and was credited by the critic Mario Tinti with introducing the luminism of Monet into Italian art. Müller was a member of the Société des Artistes Indépendents and exhibited regularly in the Paris dealer...
Category

Early 1900s Art Nouveau International Fine Print Dealers Association Art

Materials

Etching

Symbiosis
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category

1990s Modern International Fine Print Dealers Association Art

Materials

Etching

421 Nights: Reach (Silos on Highway 421)
By Donald Furst
Located in New Orleans, LA
Donald Furst has created a series of 10 mezzotints based on Highway 421. U.S. Route 421 is a spur route of U.S. 21. It runs for 941 miles from Fort Fisher, North Carolina south of Wilmington to Michigan City, Indiana at U.S. 20. This image, "421 Nights: Reach", shows the reach of some storage tanks. This impression is #10 from an edition of just 30. A member of the faculty since 1985, Donald Furst is Professor of Art and former chair (2002-2009) of the UNCW Department of Art and Art History. He has received the following recognitions for teaching: University of North Carolina Board of Governors Award for Excellence in Teaching, 1999; University Distinguished Professorship, UNCW, 1996-98; Board of Trustees Teaching Excellence Award, UNCW, 1996; College of Arts and Sciences Excellence in Teaching, UNCW, 1992. Furst currently operates Ars Longa...
Category

1990s Contemporary International Fine Print Dealers Association Art

Materials

Mezzotint

One of Twelve XI (etchings of one of 12 heads based on monumental sculpture)
By Seyed M. S. Edalatpour
Located in New Orleans, LA
"One of Twelve XI" is an etching, 1995, 4 3/4 x 4 3/4, edition: 24, signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circle indicating th...
Category

1990s Post-Modern International Fine Print Dealers Association Art

Materials

Etching

THE WOODEN BRIDGE, VENICE
Located in Portland, ME
Roth, Ernest (American, 1879-1964). THE WOODEN BRIDGE,VENICE. Etching, 1906. Signed and dated in pencil 7 x 8 3/8 inches (plate), 9 x 10 3/4 inches (sheet). In excellent condition.
Category

Early 1900s International Fine Print Dealers Association Art

Materials

Etching

Chute I (the fall of ethereal creatures wandering in a hellish landscape)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category

Early 2000s Surrealist International Fine Print Dealers Association Art

Materials

Mezzotint

Head of a Deco Woman (recto) Standing Male Model (verso)
By Paul H. Winchell
Located in Fairlawn, OH
Head of a Deco Woman (recto) Standing Male Model (verso) Graphite on paper, 1925 Signed with the artist's initials "PW" and dated 1925 Created while the artist was studying at the ...
Category

1920s Art Deco International Fine Print Dealers Association Art

Materials

Graphite

Statue of Young Boy in Fountain on the Plaza
By Jackson Lee Nesbitt
Located in New Orleans, LA
This very early original red conte drawing is signed "Jack L. Nesbitt, 4/21/34". On the back of the drawing, Nesbitt has written "Quick sketch from fountain on Plaza". Jack was a student of Thomas Hart Benton at the Kansas City Art Institute during this period. The figure on the drawing is of a nude young boy with both arms in the air. A very rare early work by this fine artist. Jackson Lee Nesbitt, a noted printmaker and painter of the American Scene, dedicated his artistic career to the portrayal of ordinary people going about the business of their lives. A native of Oklahoma, Nesbitt created scenes from the Midwest during the 1930s and 1940s, but in the 1950s, when interest in his work diminished, he moved to Atlanta and established a second career in advertising. Thirty years later, Nesbitt sold his business and resumed his artistic career from Atlanta. He was born in McAlester, Oklahoma, on June 16, 1913, the only child of LuCena Grant and Howard Nesbitt. The family resided in Muskogee, Oklahoma, where his father owned a commercial printing business. Jack, as Nesbitt was known, helped out in the family business until 1931, when he enrolled at the University of Oklahoma in Norman. Two years later Nesbitt enrolled at the Kansas City Art Institute in Missouri. As a first-year student, he learned etching from John deMartelly, attended Ross Braught's painting class, and met his future wife, Elaine Thompson, who was a costume design student. Thomas Hart Benton, who joined the faculty in the fall of 1935, quickly became a close friend and mentor to the younger artist. In 1937 the management of the Sheffield Steel Corporation contacted deMartelly concerning an etching commission. Because Nesbitt was an outstanding student, his teacher suggested him for the job. When Nesbitt arrived at the plant one afternoon, he was taken to the open-hearth furnace area, where he diligently sketched anonymous workers in that dramatic setting until five o'clock the following morning. On the strength of his sketches, he was commissioned to create a series of etchings illustrating different phases of the steel industry. The commission launched Nesbitt's career as a professional artist. The commission with Sheffield Steel Corporation provided the financial security that enabled Jack and Elaine Nesbitt to marry on June 1, 1938. He graduated from the Kansas City Art Institute about the same time. Working as a freelance artist, Nesbitt augmented his commissioned work with genre scenes of the Midwest, and he routinely went with Benton on sketching trips to rural Arkansas. Beginning in 1939 Nesbitt's work gained widespread recognition. Open Hearth Door, a Sheffield Steel Corporation painting, was chosen to represent Missouri in the American Art Today exhibition at the New York World's Fair. Associated American Artists selected one of his etchings, Watering Place, for an edition of 250 prints that were sold through subscription. Having a print published by the association ensured national distribution, and four more of Nesbitt's works, all of rural southern genre scenes, were later selected by the print publisher. Over the next decade Nesbitt's work was exhibited in California, Colorado, Illinois, Missouri, New York, and Oklahoma. He was awarded the Eames Prize by the Society of American Etchers in 1946, and his work was included in the book American Prize Prints of the Twentieth Century, by Albert Reese. Major corporations with operations in the Midwest, including Brown and Bigelow, Butler Manufacturing Company, Humble Oil and Refining Company, Omaha Steel Works, Pratt and Whitney...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Conté

DERNIERES MESSAGES - GALERIE MAEGHT POSTER
By Georges Braque
Located in Portland, ME
Braque, Georges. DERNIERES MESSAGES - GALERIE MAEGHT POSTER. Color Lithograph, 1960. 27 3/4 x 16 3/4 inches. In excellent condition.
Category

1960s International Fine Print Dealers Association Art

Materials

Lithograph

Split Ring Image C
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary International Fine Print Dealers Association Art

Materials

Woodcut

In Memory of an Historic Phrase
By Marc Balakjian
Located in New Orleans, LA
Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...
Category

1970s Modern International Fine Print Dealers Association Art

Materials

Mezzotint

YOUNG GIRL NUDE
By Milton Avery
Located in Portland, ME
Avery, Milton. YOUNG GIRL NUDE. Lunn 7. Drypoint, 1935. Edition of 100. Signed, dated, and numbered 12/100 in pencil. 10 x 4 1/4 inches (plate), framed to 19 x 14 inches.Provenance H...
Category

1930s International Fine Print Dealers Association Art

Materials

Drypoint

Fir Play
By Carol Wax
Located in New Orleans, LA
A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category

2010s American Modern International Fine Print Dealers Association Art

Materials

Intaglio

Between Air and Water #18
By Shoichi Ida
Located in Fairlawn, OH
Between Air and Water #18 Color soft ground, Spit Bite Aquatint and Drypoint on Gampi Chine Colle, 1992 Signed, titled, and dated in pencil (see photo) Annotated: A.P.4 (see photo) C...
Category

1990s Abstract International Fine Print Dealers Association Art

Materials

Aquatint

Whitney Construction at Dusk
By Yvonne Jacquette
Located in Lyons, CO
Color lithograph, Edition 30 In this intensely colorful print, Jacquette captured this view of early stages in the construction of the new Renzo Piano building from an elevated perch in the Standard...
Category

21st Century and Contemporary Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

St. George Hotel Searchlight
By Adolf Dehn
Located in Fairlawn, OH
St. George Hotel Searchlight Lithograph, 1930 Signed in pencil lower right (see photo) Titled lower left (see photo) Edition: 30 Printed by Meister Schulz, Berlin The image depicts t...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

EAST RIVER SWIMMERS
By Cecil Crosley Bell
Located in Portland, ME
Bell, Cecil. EAST RIVER SWIMMERS. Lithograph, 1937. Edition of 20. Signed and dated by the artist's widow. 10 1/4 x 14 3/4 inches, 260 x 375 mm. (image), 1...
Category

1930s International Fine Print Dealers Association Art

Materials

Lithograph

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